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(More customer reviews)Director Michael Mann does what he does best with "Collateral", a well-written (by Stuart Beattie), entertaining thriller that knows just when to be intense and when to be mellow. "Collateral" takes place overnight in Los Angeles. Max (Jamie Foxx), a veteran cab driver who dreams of owning a limousine service, picks up Vincent (Tom Cruise), a slick, talkative fare who offers him $600 for a night's work: 5 stops and get him to the airport by 6 a.m. Sounds good, but when a bloody corpse lands on his windshield, Max comes to the abrupt realization that Vincent is an assassin. He becomes an unwilling accomplice in a murder spree, as Vincent attempts to fulfill his professional obligations and Max tries to walk the line between thwarting a killer and saving himself.
Much of "Collateral" is distinctly mellow in tone. Low-key conversations play out over the classical music in Max's cab. This makes the bursts of action more intense and surprising. No one could call "Collateral" realistic, but the attention to detail in the characters' speech makes it seem so. I have to admire Tom Cruise for embracing villain roles at this point in his career, where other stars have shunned them or insisted on watered-down scripts. Cruise has nothing to lose by playing unlikable characters, and they will among his most memorable work. Vincent's self-possession lends him great presence and charm, while his moral bankruptcy makes him revolting. Cruise is perfect for the role. Jamie Foxx plays the film's "everyman" who rises to the occasion when circumstances demand it. He's stressed, put-upon, and trapped, and he acts it. Jada Pinkett Smith does a nice job in a supporting role as a prosecutor, Annie, who takes a ride in Max's cab, as does Mark Ruffalo as Police Detective Fanning, who suspects trouble in Max's cab after one of his informants is murdered. Great cast, great dialogue, and perfect pacing make "Collateral" an engaging, character-driven thriller that almost everyone will enjoy.
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