The Complete James Dean Collection (East of Eden / Giant / Rebel Without a Cause Special Edition) (1955) Review

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(More customer reviews)I've anxiously anticipated this collection of James Dean's films, together in a complete set. Each of the films is presented in a two-disc package, with extras.
"East of Eden" is, for me, the most welcome film in this set, simply because it has been so difficult to obtain a copy of it in recent years. The anamorphic transfer here is stunning, with crisp color and detail. The stereo soundtrack is fine. There is an audio commentary, as well as a wealth of bonus materials. Some of the material here includes screen tests, and wardrobe tests, although strangely some footage included briefly in the included documentaries (Dean's test with Paul Newman, the playful "pinching" footage of Dean and Julie Harris) is not included here.
"Rebel Without a Cause", like "Eden" offers a stunning anamorphic transfer with strong surround sound. The extras include a commentary, deleted scenes for the film (both in the original black and white, and the final color version), and screen tests. There is a very funny and insightful screen test here with Dean, Mineo and Wood. The previous DVD release of this film had only shown portions of this clip, but this release offers the full (some may say 'uncensored') version. There is also a documentary reflecting on Dean's spectacular, but brief career.
Dean's final film, "Giant" is featured here in a very clean, but oddly NOT-anamorphic transfer. This would not be an issue, if the film was not presented in a letterbox transfer. I would imagine this is the same transfer that was done several years back. However, I don't think it's acceptable that any recent widescreen DVD release not be presented in an anamorphic transfer. Additionally, the film's soundtrack has been remastered in a 5.1 mix, that sounds weak at best. I would have preferred to have seen this film released in it's original full-frame image, with a clean mono soundtrack. That aside, there is a wealth of extras here.
All in all, a very nice set, not totally perfect, but the best to date, by far.

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Of Mice and Men (1939) Review

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(More customer reviews)John Steinbeck's masterful story of friendship is definitively brought to screen in Lewis Milestone's 1939 OF MICE AND MEN. This is a terrific movie, essential viewing for anyone with a tolerance for black and white. The story is so universal and cleanly told this one is hard not to become deeply engrossed in.
Lon Chaney Jr., rightfully, is the chief reason we remember this movie. He nails the role of the feeble-minded Lennie, who wants nothing more than to tend his rabbits. I've never seen this movie before, and I was surprised at how effective Burgess Meredith was as Lennie's friend and protector, George. If Chaney steals most of the scenes he's in, Meredith is the reliable engine, grounded in humanity, that draws us in.
OF MICE AND MEN has been remade once, in 1992, in a production starring John Malkovich and Gary Sinise. For all of Malkovich's talents, I still prefer Chaney's performance. More importantly, the 1939 production was contemporaneous with Steinbeck's novel. If the latter movie is a period piece, the 1939 version is current events, and that does make a difference.
Get out the hankies and get ready to be deeply moved. An essential movie.

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Beloved (1998) Review

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(More customer reviews)This story holds a deeper meaning. It is about something coming back to haunt us all. It is about sins that we commit that never really go away until we can learn to forgive ourselves and those who have offended us. It is about putting the pieces of the mirror of life together and looking deeply into it to see what is really in our souls.
Supernatural evil forces surrounding us can scare us in movies, but what should really frighten us is how we have treated people throughout time. How we have enslaved people in many ways and have treated them as less than human. This story echoes these thoughts.
This is a deeply moving film that must be given your full attention to understand the complexities. I was literally captivated: body, soul and spirit. I was glued to the couch, too scared to go anywhere. ;>
The opening scenes are very violent and shocking. If you didn't read the reviews you would really be wondering if you wanted to keep watching the movie as I did. However, they cleverly showed you only enough to make you terribly curious. What throws a dog against the wall? That is why I was watching to find out what the heck had just happened. It is like a puzzle and you have to pick up a piece here and there. For the mind that analyzes everything...this is a dream movie.
The story does not play out in a sequence of events as some stories do. It slips back into time, dragging out the horrific past and adding bits here and there to make you want to understand the entire story. I thought this was very cleverly done.
The basic story running on the first level is about Sethe's life. She is a slave who escapes from a cruel Kentucky plantation called: "Sweet Home." Paul D was also a slave and yet he seems to have more inner strength even though he has seen it all. Sethe is obviously very troubled from her experiences and is determined not to let her children experience the horrors of slavery. She and her family are living on a plot outside of Cincinnati, Ohio eight years after the end of the Civil War.
When slave hunters threaten to take her children back to the plantation, she kills one of her daughters.
She continues to live with her second daughter Denver after her two sons run away. The murdered child then haunts their shack with a red glow until she actually returns in bodily form. Reality and the supernatural are blended together to make this the most creepy movie you will ever see because the creepiness is so subtle it takes you off guard.
Oprah is incredible as an actress. Kimberley Elise (Denver) and Thandie Newton are incredible in their roles. I have never been so freaked out by anyone's facial expressions in my life. The things Thandie Newton can do with her face rival the best. Kimberley's eyes were at times almost ethereal. Danny Glover adds a much needed calm to the movie as he seems to be living in reality most of the time.
Perhaps this movie did not do well because it is more for those who are very patient and caters to a smaller audience with eclectic tastes. This is not really for the mainstream audience. I thought the movie was quite long. Some movies are best viewed at home when they are of this length. The setting in which you view a movie is often very important to your enjoyment.
Rare, vivid, provocative, authentic, intelligent, complex, artistic, scary, emotional, beautiful, sad, delirious, confusing, secretive and overall, great story telling.
~The Rebecca Review

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Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV, THE ROYAL TENENBAUMS) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS. On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!

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Of Mice & Men (1992) Review

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(More customer reviews)Gary Sinise's "Of Mice and Men" was virtually ignored by critics and public when it was first released, and I have never known why. It strikes me as one of the truly great cinematic adaptations of a literary classic. The screenplay is remarkably faithful to both the letter and spirit of Steinbeck; the photography by Kenneth MacMillan is heartbreakingly beautiful; and the performances by Sinise, John Malkovich and Ray Walston are almost unbearably poignant. My sister, a high-school English teacher, shows this film to all of her classes, and all of them have loved it. This is the rare movie that really imparts the flavor and significance of the novel on which it is based.

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John Steinbeck’s classic comes magnificently to life in this beautiful and stirring film starring Oscar® nominees* John Malkovich and Gary Sinise. Directed by Sinise from an adaptation by Oscar® winner** Horton Foote, this "flawless miracle of movie-making" (Susan Granger, "American Movie Classics") is a must-see for all audiences. Best friends Lennie (Malkovich) and George (Sinise) find themselves unemployed in Depression-era California, unable to keep jobs because of Lennie’s childlike mentality. But once they get hired at the Tyler Ranch, they enjoy a brief period of stability – until their supervisor’s wife (Sherilyn Fenn) becomes the victim of Lennie’s compassion, forcing George to make a compassionate decision of his own.

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The Great Gatsby (1974) Review

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(More customer reviews)I get the impression that the people giving this movie poor reviews are a mix of 1) intellectual snobs (or would-be) who think it compulsory to pan any screen attempt to tackle great literature or 2) hooligans who can't appreciate a movie unless it's got blood, guts, and vulgarity (in short, like most movies made today). I loved Fitzgerald's book, and I loved this film, and here's why:
It is not only an effective, emotionally gripping rendition of the book (made plain by the very dislike so many people express for its intentionally dislikable characters), but it is a visually stunning one, capturing all the hollow gold of the glitzy era the book so devastatingly indicts, and the performances by nearly all the players are superb (with special kudos to Sam Waterston for the very personification of Nick the narrator). For all those who say the movie is lacking depth or who criticize Mia Farrow's rendering of Daisy as flighty, your very criticism reveals the film's great achievement of realizing the main point of the book. Fitzgerald's point was that the Roaring Twenties WERE shallow, represented by the "rotten crowd" of "careless people" (quoted from the book, and in Nick's commentary at the end of the movie) that very much included Daisy, as well as Tom. I don't know how any honest reading of the book could interpret Daisy as "sensible," as one critic put it, and even "vulnerable" is a stretch. Quoted from book and paraphrased in movie: "They were careless people, Tom and Daisy--they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made..." Farrow's fey performance portrays her character very accurately, best summed up by the exchange between Nick and Robert Redford's Gatsby: Nick: "She has an indiscreet voice." Gatsby: "Her voice is full of--money." Moreover, Bruce Dern as Tom, though less physically imposing than implied in the book, is nevertheless the consummate, racist bully he is supposed to be, and caused me to cower instinctively whenever he spoke.
The movie faithfully conveys the story of a deeply flawed, not atypical, hero, Gatsby, living in a world he built on dreams of his own fabrication, including his lovely Daisy. He is a man of such endless hope, romance, and a kind of chivalry (much is made of his war heroism in the book, and this is emphasized in several scenes in the movie) that is not without egotism, pomp, and an "eagerness to be liked" that Redford brings so well to the role. Almost noble in his earnestness and belief in romantic love, he rises from poverty in an age (not unlike our own?) when money is confused with class and nobility. Being unable to compete in that crass, careless, selfish, shallow world (for how long can anyone, when there's always someone richer?), he and his dreams are doomed. One of many great acting moments in the film takes place when Nick advises Gatsby he "can't repeat the past." Redford looks back at him, incredulous, almost as if he'd been struck, "Can't repeat the past? Of COURSE you can!" The words ring out, ominous in a hopelessness obvious to everyone but Gatsby.
I agree with others below who praised the performances of some of the lesser characters as well, including a genuinely heartbreaking portrayal of Gatz, Gatsby's father.
Dump the critics, read the book, and buy the film.

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Adaptation of the Fitzgerald novel about a dashing enigmatic millionaire obsessed with an elusive, spoiled young woman.Genre: Feature Film-DramaRating: PG13Release Date: 8-AUG-2006Media Type: DVD

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