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(More customer reviews)This movie is one of several fascinating historical threads that I have been following since I first saw it as a 12-year old and loved it. First, it is based on the actual life of a mountain man named John Johnston, later changed to Johnson, and known in the West from the mid-1840s as Liver-Eating Johnson (see the book "Crow Killer" published 1958, R.W. Thorp & R. Bunker). I did not know this until recently and assumed it was all fiction. He was a huge man for his time, 6'2" and 240 pounds in his early 20's, had fists the size of baked hams and was best in hand-to-hand fighting with his 16" Bowie knife. Thorp and Bunker based the book on first-person interviews with several mountain men and others who had known of him, including, surprisingly, the famous photographer of the 1870's West, W.H. Jackson (photographer for the Hayden Expedition and famous for the first photograph of Mount of the Holy Cross near Vail, Colorado), but the real detail being furnished by an old mountain man named White-Eye Anderson, who told the story to R.W.T. in 1941 when he was in his 90's. After Johnson's Flathead wife was murdered on the Musselshell in Montana by a band of young Crow braves, Johnson "took the trail" on the entire Crow nation. His calling card, for over 20 years of butchery on the Crows, was to remove the liver of every Crow he killed and eat it. The Crows called him "Dapiek Absaroka". Vardis Fischer, on whose book this movie is based, "borrowed" as well certain scenes from a book written in the 1840's called "Life in the Far West" by George Ruxton, a first-person account of life in and near the Colorado Rockies. This movie does a fine job with a subset of Johnston's life, leaving out his service in the Civil War, and his later life as a town marshal and finally, his death in an old veterans home in Los Angeles. I got the notion that Fischer's book bordered on plagiarism after reading Ruxton, and after reading Crow Killer it seems all Fischer did was change Johnson's name to Jeremiah and slap on a cover with his name on it. The movie also leaves out that Johnson spies, among the pile of bones that was his wife outside the cabin, a round object about the size of an orange - the skull of his unborn baby. He collects the bones of wife and baby and puts them in an iron pot and inters them behind carefully mortised rocks near the cabin; a shrine, his "kittle 'o bones" those closest to him called it (never in his presence) he visits over the years. Will Geer's character, near as I kin figger, is based on a friend of Johnson's named "Bear Claw" Chris Lapp, a man known to say, when presented with grizzly claws his mountain man friends collected for him to make necklaces of, "Great Jehosophat! Pocahontas and John Smith!" The Crazy Woman, one of the most sympathetic characters I have ever seen in a movie, was in real life the wife of John Morgan, a foolish homesteader on the Oregon Trail who quarreled with the wagon master and took off on his own only to be tomahawked and scalped alive by Crows, his daughter raped and scalped alive, and his two young sons killed. Mrs Morgan, having killed several of the Indians with an axe yet driven insane by the loss, lived on the Musselshell and was cared for by Johnson and his fellow mountain men for years. The movie leaves out the little detail that she and Johnson beheaded the Crow corpses and set them on stakes at each corner of the graveyard where she buried her children, the weathered skulls a powerful medicine for the Crows ever after. It was the Crow's deference to this insane white woman living in their midst that finally convinced Johnson to call off his vendetta against them, after having killed nearly 400 Crow warriors. Liver-Eating Johnson's grave (and here I borrow heavily from "Crow Killer") is in a cemetary off of Sepulveda Boulevard (interesting, that. One of Johnson's comrades was a huge black-bearded Hispanic named "Big Anton Sepulveda") in a section called San Juan Hill, row D, 2nd stone from the road reads "Jno. Johnston, Co. H, 2nd Colo. Cav.". Get the movie and enjoy it; it's a true story. Only took me 30 years to find that out.
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Jeremiah Johnson (1972)Robert Redford has one of his best-ever roles as a 19th century mountain man in a wilderness of harsh elements and hostile Indians. Directed by The Firm's Sydney Pollack. Year: 1972 Director: Sydney Pollack Starring: Robert Redford, Will Geer, Stefan Gierasch DVD Features:FeaturetteProduction Notes
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