Showing posts with label bill pullman. Show all posts
Showing posts with label bill pullman. Show all posts

Thursday, November 8, 2012

Brain Dead (1990) Review

Brain Dead (1990)
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Director Adam Simon once made a fascinating documentary about director Sam Fuller, and BRAIN DEAD can be read as his homage to Fuller's SHOCK CORRIDOR, since much of the plot has to do with who is and isn't insane, and what is and isn't reality.
Bill Pullman and Bill Paxton -- admit it, you've always gotten them confused -- co-star in this low-budget gem that was barely released to theaters, but now gets a decent DVD release. The sound and picture are just fine -- alas, producer Roger Corman takes his trademark cheapness even to DVD: there are no commentaries, no extra features save some bios and a few trailers, and there's not even a booklet inside the case!
In any event, this is a smart and suspenseful little movie, and one you'll enjoy trying to piece together long after it's over.

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"A brilliant puzzle-film with a chillingly good story that offers the same kind of pleasure as THE SIXTH SENSE, which it predated. Riveting intense performances by Bill Pullman and Bill Paxton pull you into a harrowing and haunting world." -- Roger Corman ~~The Eunice Corporation is on the ground floor of an exciting growth industry, utilizing a memory resculpting technique bioneered by eccentric neurosurgeon Rex Martin. It envisions nationwide clinics where anyone can lose their hang-ups of an unhappy childhood, a failed romance, or a botched career. At Eunice's "New You" outlets, a simple operation will give customers peace of mind. Or it might leave them brain dead. But when Martin refuses to cooperate, he soon finds himself plunged into a surreal existence that intertwines dreams and reality. Has Martin slipped over the edge into madness? Or have corporate profit mongers given him a push, making him the guinea pig in his own experiment? To know the answer is to know the terror!~

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Sunday, April 29, 2012

Peacock (2010) Review

Peacock (2010)
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As you can see by the previous reviews, the opinions are greatly varied. They all have merit but I have to say I liked it more than I didn't like it.
As for the issue of multiple or fractured personalities, I don't have the expertise to say whether or not they exist, but it is the crux of this film so, depending on your views on the matter, you may need to suspend your disbelief.
Yes. You get, right off the bat, the strong connection to Psycho. Abused son plus dead mom equals crazy son. This son, played by Cillian Murphy will make or break this one for you. Susan Sarandon is present but she's doing what she can with a rather small part. Bill Pullman seems unnecessarily weird and Ellen Page does a very good job even though she's only in a couple of scenes. This is Murphy's movie. The way he plays the parts of John and Emma, I felt, were tremendous. He's screwed up and trapped in a self imposed prison. Through a trick of fate he almost finds a way out through his alter ego Emma. But you see the torment in him and you realize how precarious the situation is. One false move and the whole thing comes crashing down.
The writer/director Michael Lander ripped a couple of pages out of the David Lynch book of film making but as I tend to like Lynch, I wasn't at all bothered. It's a good idea for a movie and all aspects of the production are professional. The soundtrack is way cool and the bones don't show. This is a good, solid, imaginative film. It clocks in at 90 minutes so it won't tax your patience.
But beware. This is not for the casual viewer. If you're into popcorn kind a flix this may not be your cup of tea. If way off beat films are your poison, give it a shot.

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John Skillpa, a quiet bank clerk living in tiny Peacock, Nebraska, prefers to live an invisible life. Then, in a moment, everything changes. A train caboose runs off its tracks and crashes into John’s backyard and destroys more than the weathered planks of his wood fence. When neighbors descend on the scene, they discover John’s other personality, Emma, for the first time and mistakenly believe her to be John’s wife. This launches John into the glare of the spotlight and eventually shatters the delicate balance of his sanity.

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Monday, February 27, 2012

Malice (1993) Review

Malice (1993)
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Leonard Maltin, who usually agrees with me (!), gives this movie only 2 1/2 stars. The Amazon reviewer says it doesn't make much sense and is full of McGuffins! Well, they're both way off base this time. McGuffins? Try to come up with even one good one, and you'll have something that most thrillers don't have at all. Come up with several, as does MALICE, and you have a totally brilliant thriller. Yes, the serial killer subplot was thrown in--for laughs, maybe? No matter, it served its purpose of deflection, setting up the main character, and even -- horror of horrors! -- filling time while time needs to be passing by in order for the main plot to mature. The movie was touted as being from the same director who brought us SEA OF LOVE, which to my mind is an immediate turn-off. But it shows--as William Goldman shows so clearly in his books--that the same director can be quite different depending on the screenplay. MALICE has a great screenplay, so all the director had to do was film it. Of course, I exaggerate, but wait a moment--look who he had to work with: Nicole Kidman, Alec Baldwin, and Bill Pullman. Each turned in a totally outstanding, memorable performance. Pullman had the hardest role and he pulled it off. Kidman is one of the greatest actresses of our generation. Baldwin was good as usual, and we especially have to thank the casting director for choosing him for this role, which seems to be "pure Baldwin," if you know what I mean (e.g., most Bogart movies are "pure Bogart," as if there were no one else who could possibly play that role, including George Raft as Rick in CASABLANCA). And even Peter Gallagher shows up here in an early role that makes a strong impression. George C. Scott is perfect, as always, in a cameo role. Nicole Kidman does not seem to be all that impressive through most of the movie, but she's playing a role, and playing it to the hilt, as we find out later. She gets her chance to show what she can do in the last fifteen minutes, and you can see her incredible range, her ability to focus the film, the depth of her resources as an actress, which she exceeds only in her bravura role in TO DIE FOR. All in all, MALICE is one of the finest thrillers of the 90s, and my prediction is that it will become a major cult favorite and be reissued sooner or later on DVD.

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What happens when you open your home to someone who's gutsier than you, more devious than you and crafty enough to steal your life right out from under you? Plenty of Malice. Starring Alec Baldwin, Nicole Kidman and Bill Pullman and boastingan excellent supporting cast(The New York Times) that includes OscarÂ(r) winners* Gwyneth Paltrow and Anne Bancroft, this bold, riveting thriller isdeviously entertaining(The New York Times). Easy-going college dean Andy Safian's (Pullman) quiet New England world has just been terribly disrupted. Two coeds have been raped, a third has been killed and the police are beginning to suspect him! At home, bills are pilingup, his wife (Kidman) is developing severe stomach cramps and the new tenanta devilishly handsome surgeon (Baldwin)is regularlyentertainingnurses late into the night. Little does Andy know that all of these events are related and that he's about to be blindsided by something more daring and deadly than anything he could have ever imagined!*Paltrow: Actress, Shakespeare in Love (1998); Bancroft: Actress, The Miracle Worker (1962)

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Thursday, June 23, 2011

Newsies (Collector's Edition) (1992) Review

Newsies (Collector's Edition) (1992)
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From the looks of it, I MAY be the only male reviewer posting positive for this movie, but of course I only read the first several reviews, not all 300 plus. I saw Newsies when it first came out in the movies. I believe it was a double feature, with Aladdin or something, can't remember which. I guess I was around 17. I've always been a loyal Disney fan, and I do love many musicals. This was an instant classic for me, sort of a male version of Annie, which came out a decade or so before, and is also excellent. And I seem to recall that Annie and Popeye, two faves of mine, sort of marked the end of live-action musicals. A real shame. Newsies proves that great musicals can still be made, but it also proves that it can take some time for most modern people to admit they like it. The story is about the 1899 strike of the New York paperboys. The central characters are Jack Kelly, a streetwise orphan played by Christian Bale(the main reason most females love this movie), and David Jacobs, a kid from a more stable, family lifestyle. Through the course of the strike they put on, the two boys become unlikely best friends, and with the other Newsies, learn about loyalty, friendship, and believing that they can work together to fight for a better life. The songs and music are beautiful. I'm particular about that stuff too. Don't trust professional reviewers like Leonard Maltin, whose reviews are inconsistent at best. Just when you think he's got good taste from reading one review, you lose all faith in him by reading another. Judge this movie for yourself. If you don't like musicals, don't bother. You have to love musicals to enjoy this even a little bit. And I don't mean just stuff like Oklahoma or Dr. Dolittle. If you loved Annie, this might be a good one for you. A little more adult than that, but not much. Don't expect to see many female characters though. Ann Margaret has a small part as one of the kids' few adult friends, and there's the character of David's sister, purely there to present a love interest for Christian Bale, just so someone would have a love interest. She's not spectacular, but she IS cute. Bill Pullman does a great job as a reporter trying to help the Newsies get some publicity. This was the first time I ever saw Bill since Space Balls, though I wasn't really keeping track of his career. I'm so glad to hear this will be on DVD soon. And I hope they release more of Disney's late 80's, early 90's stuff on DVD. Like Dick Tracy! A visual masterpiece! And my favorite movie of all time, Who Framed Roger Rabbit, is badly in need of a Special Edition DVD! Such a spectacular film and we didn't even get the movie trailer promised on the box! Anyway, as for Newsies, get the soundtrack too! Great music! I bought the soundtrack back when the movie came out! Unfortunately it was on tape. Gotta replace that with a CD too!

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Starring Academy Award(R)-winner Robert Duvall (Best Actor -- TENDER MERCIES, 1983) and screen favorite Ann-Margret, here's the true story of a courageous group of newsboys who become unlikely heroes when they team up to fight an unscrupulous newspaper tycoon. Determined to make their dreams come true, they find the courage to challenge the powerful! Critically acclaimed from coast to coast -- if you're looking for must-see, feel-good entertainment, NEWSIES delivers!

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Sunday, June 5, 2011

Sleepless in Seattle (10th Anniversary Edition) (1993) Review

Sleepless in Seattle (10th Anniversary Edition) (1993)
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Some people have songs, my husband and I have a movie. We not only met in Seattle, my husband lived next to Lake Union, very close to where this movie was made. He actually saw them filming scenes from the movie.
You could say the roles were a bit reversed, being I was the one getting over a relationship and he was not really looking at the time. Having lived in Seattle for many years, I especially enjoyed seeing scenes from Pike Place Market and West Seattle.
Rosie O'Donnell adds to the wit with lines like: "You want to be in love in a movie." Tom Hanks gives a sensitive performance as Sam who lost the love of his life. He and his son Jonah, live on Lake Union. Annie (Meg Ryan) is caught up with plans for her wedding. She is engaged and not looking for love. Yet, as it so often happens, love does appear when you are not looking.
One night Annie hears a radio show where Jonah has called in to ask how his father could find a new wife. The radio host invites Sam to reveal his heart and Annie literally cries when he says how his wife used to make everything in his life beautiful. She makes a connection and starts fantasizing about a man she has never met.
The songs are masterfully woven into the story and provides a feeling of old fashioned romance, where destiny draws two lovers to one another. There is also a sense of family and how everyone has needs and desires. Jonah especially wants a mother. Annie and Sam don't really know what they want, but they do get what they need. I found that very true to life.
Wit, chemistry, laugh-out-loud humor and romance, romance, romance! Worth watching at least once a year during the holiday season!
Dreamy!
~The Rebecca Review

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SLEEPLESS IN SEATTLE-10TH ANNIVERSARY - DVD Movie

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Tuesday, March 22, 2011

While You Were Sleeping (1995) Review

While You Were Sleeping (1995)
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For her work after "Speed" my brother began referring to Sandra Bullock as "Queen of the Chick Flicks", and I won't disagree, although some of her films work much better for members of both sexes than others. "While You Were Sleeping" is an entertaining film for Guys and Dolls, and it works in repeated viewings.
Sandra portrays Lucy Moderatz, who takes tolls on the L train in Chicago and from afar has an obsessive crush on the handsome, well-dressed Peter Callaghan, played by Peter Gallagher. The audience must willingly accept that someone as likable and attractive as Sandra Bullock is stuck in a dead-end job where she is lonely and works all the holidays because, after all, she doesn't have anyone to share them with. The movie doesn't give you much time to dwell on this because before you know it, Peter is getting mugged and knocked off Lucy's train station platform where he falls unconscious onto the path of a rapidly approaching train. Not surprisingly, Lucy jumps down and pulls the man of her dreams to safety. Lucy then follows the comatose Peter to the hospital where a nurse overhears Lucy in one of her daydreams say "this is the man I'm going to marry" - which naturally leads the nurse to think that Lucy and Peter are engaged when, in fact, the only words that have passed between them are when Peter paused to say "Merry Christmas" as he dropped his token into Lucy's toll booth.
Peter's wonderful family arrives and the misunderstanding of Lucy as Peter's fiancee is perpetuated. Lucy could have cleared up the whole misunderstanding from the first moments but:
1. Peter's family is wonderful and Lucy is lonely.
2. Peter's grandmother has a "heart condition" and Lucy fears that telling the truth may send Grandma over the edge. (The screenwriters were clearly searching for a reason for Lucy to not just fess up....)
3. Since Lucy has been fantasizing about Peter for awhile it's not that difficult for her to pretend to be his fiancee.
I've heard Roger Ebert say it's not as important *what* a movie is about as *how* the movie is about that thing.
This movie would be doomed to failure if it were only about some pathetic toll-taker who pretends to be engaged to her dream-boat to his family while he's in a coma. But Lucy isn't pathetic - she's as likable and attractive as, well, Sandra Bullock, and Peter's family is full of charming, likable folks. Peter, as things would have it, isn't as charming as Lucy dreamt. Although he used to be in the family business of antique furniture, he went to law school and now barely keeps in touch with his family. He has a bitchy girlfriend who is in Europe leaving calls on his answering machine while he is in a coma - one of the calls tells him "yes, I'll marry you".
Again - it's not difficult to guess where much of this is going. Bill Pullman plays Peter's charming, easy-going brother, Jack, who has stayed close to the family, running Dad's business. (There is an extremely well-done low-key scene close to the end where Jack tells Dad, played by Peter Boyle, that he wants to MAKE furniture instead of just dealing it - which will mean getting out of the family business. The scene has both a ring of authenticity, not yielding to any histrionic cliches, and at the same time maintaining the warm feelings that you've built up for both of these characters by this portion of the movie. These kinds of scenes *make* this movie.)
Jack Warden gets special kudos from me as Peter's godfather, Saul, who loves his godson, but also comes to love Lucy as well. Michael Rispoli steals a few scenes as "Joe, Jr." the son of Lucy's landlord. In the early scenes Joe comes across as a shorter, heavier Andrew Dice Clay wannabe. But by the end even Joe has become someone deserving our admiration. This is the kind of movie where you want nice things to happen to the characters - and the movie goes about it's business in a very satisfying way.

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You'll fall in love with WHILE YOU WERE SLEEPING, the hit romantic comedy that woke everyone up to adorable Sandra Bullock (SPEED, A TIME TO KILL). As Lucy, a lonely subway worker, she becomes smitten with a handsome stranger (Peter Gallagher -- MALICE). But when she saves his life after he's been mugged and fallen into a coma, his hilariously offbeat family mistakes her for his fiancee! Soon, the mix-ups escalate as Lucy fabricates a life between herself and a man she's never met! And when Lucy falls for his charming brother (Bill Pullman -- INDEPENDENCE DAY) the situation really gets uproarious as she's forced to make a choice between the two!

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