Showing posts with label crime and punishment. Show all posts
Showing posts with label crime and punishment. Show all posts

Sunday, March 31, 2013

Law & Order: Special Victims Unit - Year Eight Review

Law and Order: Special Victims Unit - Year Eight
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"Law & Order" stars Mariska Hargitay and Christopher Meloni in 22 Season 8 episodes heavy on drama. The scripts deal with sex crimes, their perpetrators and victims with often frank language and disturbing, emotionally provocative scenarios. Guest stars in the eighth season include Marcia Gay Harden, Tim Daly, Blair Underwood, Bernadette Peters, Kim Delaney, and Kal Penn.

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Item Name: Law & Order: Special Victims Unit - The Eighth Year; Studio:Universal Studios

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Saturday, March 30, 2013

Law & Order: Special Victims Unit - The Seventh Year Review

Law and Order: Special Victims Unit - The Seventh Year
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This season was one of my favorite of the whole series and I am a die-hard SVU fan. Even though I can watch the reruns on USA Network, I have been waiting patiently for this season to be released. This season offered more tension between Olivia and Elliot than any of the others and it also showed more of what made Elliot, Elliot. The show has concentrated on the character of Olivia for so long I feel like I have a good grasp of her (and boy has she come a long way since the first episode). This season gave Christopher Meloni a chance to shine more. He is a great actor and deserves more credit. This season gives him the attention he deserves.
As for the original Law & Order, I like the newer versions better (and the earlier ones when Sam Waterson starts playing the ADA). Just ask anyone in my family and they know by heart that all the L&O's are my favorite shows!

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The clues all lead to one of the most hard-hitting and powerful seasons of Law & Order: SVU ever as all 22 gripping episodes of the compelling seventh season arrive on DVD in a five-disc set. Primetime Emmy® Award winner Mariska Hargitay and Primetime Emmy® Award-nominated actor Chris Meloni return to their critically acclaimed detective roles to investigate some of the most provocative and emotionally intense sexually based crimes ripped from the headlines. Join guest stars Dean Cain, Academy Award® winner Marcia Gay Harden, Brittany Snow, Mark McGrath and more in this Primetime Emmy® Award-nominated series that never flinches from tackling today’s toughest topics head-on.

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Tuesday, March 19, 2013

Shoot the Piano Player (1962) Review

Shoot the Piano Player (1962)
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Truffaut said he realised, when filming 'Shoot the Pianist', a gangster film, that he hated gangster films. He shows his contempt most by consistently emphasising human truth over generic convention, but finally allowing generic convention to win brutally through. For Truffaut, genre is incompatible with humanity and its messiness.
Like many of my favourite films (and it is my favourite), 'Shoot' is a reworking of 'Vertigo', the story of a man who lets two women die because of his own emotional cowardice, leaving him in emotional shellshock. Aznavour's performance - and this isn't sufficiently realised - is one of the towering achievements of cinema, a complete, physical embodiment of diffidence, guilt, solitude and emotional paralysis, a man more lethal in his dithering passivity than murderous gangsters are in their violence.
Like all the best art, 'Shoot' is a tragicomedy, moving bewilderingly between the two moods, creating a devastating emotional texture - the hilarious scene where Charlie debates the best way to hold Lena only to tragically realise she's gone, or the frightening abduction scene that sees captor and juvenile captive argue comically over scarves.
As the title suggests, music is this film's soul, the only thing that can transcend genre for Charlie, the only way an emotionally dead man can feel.
Truffaut's restlessly inventive mise-en-scene, switching between studied artifice and breathless open air filming, is full of Hitchcock, Godard, Ophuls, Ray, Renoir - all the best of cinema; but in truth, there is no other film like it.

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Friday, March 15, 2013

Law & Order: Special Victims Unit - The Tenth Year Review

Law and Order: Special Victims Unit - The Tenth Year
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Law & Order: Special Victims Unit - The Tenth Year coud've been a lot stronger if that chick from One Tree Hill was never cast as the new District Attorney, the writers came to their senses and got rid of her halfway through the season. Stephanie March returned as Alexandra Cabot, glad to see her back - she is such a natural! Mariska Hargitay and Christopher Meloni continue to impress me, two of the best actors on t.v. Some of the episodes were over-the-top especially that illegal tiger meat episode, what was that?! This show has become kind of campy the last couple of seasons, that can start to annoy loyal fans who have been with the show since the beginning. Good season but ditch the lame jokes.

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Primetime Emmy® Award nominee Chris Meloni is Detective Elliot Stabler, and he stars with Mariska Hargitay as Detective Olivia Benson – the role that earned her five Primetime Emmy® Award nominations and one win for Outstanding Lead Actress in a Drama Series. The 22 powerful episodes in this five-disc set follow the dedicated officers as they work with New York City’s most heinous criminals, including abusive foster parents, neglectful doctors, vicious smugglers and sadistic kidnappers. Compelling guest stars include Primetime Emmy® Award winner Carol Burnett and Hilary Duff. The recipient of 18 Primetime Emmy® Awards, Law & Order: Special Victims Unit is the gripping series that has critics proclaiming, “The acting is to be expected and congratulated" (Nina Gooden, Firefox News).

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Tuesday, March 5, 2013

Law & Order: Criminal Intent - Season Four Review

Law and Order: Criminal Intent - Season Four
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I have been waiting for Season 4 to be released for a long time and now my hopes are up that by Summer 2009, I may actually have it on my bookcase, along with the first three seasons. I love L&O: CI the best. You can't beat the teaming of Vincent, Kathryn, Courtney and Jamey -- and the episode lineup -- "Beast," "The Good Child," "The View From Up Here," and "Inert Dwarf" -- to name a few. I have watched the fourth season episodes on television, over and over again, and I am still enthralled, still fascinated, and it will be wonderful to be able to watch these episodes COMMERCIAL FREE! So, Bring It On!!

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The legacy of television’s most successful brand continues with Law & Order: Criminal Intent — The Fourth Year. Analyze crimes from the unique perspective of the lawbreakers themselves as they strategize and execute the plans that end up on the New York Police Department’s Major Case Squad roster.This collectible five-disc set includes all 23 gripping episodes from the powerful fourth season, and features a distinguished cast, including Vincent D’Onofrio, Kathryn Erbe, Jamey Sheridan and Courtney B. Vance.Joining them are powerful guest stars such as Chris Noth, Tatum O’Neal, Rosanna Arquette, Neil Patrick Harris and Peter Bogdanovich.The iconic Dick Wolf brings you entertainment at its finest with the innovative and intelligent Law and Order: Criminal Intent — The Fourth Year.

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Wednesday, February 13, 2013

C.S.I. Miami - The Complete Fourth Season (2002) Review

C.S.I. Miami - The Complete Fourth Season (2002)
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This fourth season of the flashiest of the CSI franchises is packed with a lot of personal dilemmas squeezed in with the usual vicious crimes. David Caruso's cool Horatio has to deal with the return of serial killer Walter Resden; a romance with Eric's cancer-stricken sister; and the possible closedown of his lab. Emily Procter's lovely Caleigh finds herself discovering a few things about her Federal agent boyfriend and dealing with an incompetent replacement (Joshua Leonard) in the firearms division; Adam Rodriguez's Eric is ridden with financial problems, his ill sister and possible drug charges; Khandi Alexander's stoic coroner Alexx finds herself in the middle of the murder of a known pedophile, and possibly losing her job because she's doctored Ryan on the sly; and Jonathan Togo's Ryan finds himself injured in a confrontation with a killer and possibly losing his eyesight. Whew! It's all done in typical CSI fashion and I am a big fan of these shows, so I loved it. The crimes are all fascinating and the technical aspects right up there. If you like CSI MIAMI, you'll love this great season.

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Join lead criminalist Horatio Caine (David Caruso) and his state-of-the-art forensics team as they investigate hot and steamy Miami crimes using cold hard facts. The CSI: Miami Season 4 Complete DVD Collection features 25 episodes of riveting and shocking mysteries. The evidence leads into seedy nightclubs, privileged suburbs and explosive family secrets. The stakes are higher than ever before, because this time it's personal.

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Thursday, January 31, 2013

C.S.I. Miami - The Sixth Season Review

C.S.I. Miami - The Sixth Season
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CSI Miami, the #1 watched show in the world, has the ultimate "cliff hanger" in it's 6th year. David Caruso, as Lt Horatio Caine, has helped to create a cult-type following for the show by creating a very memorable and fan-loved character. Feeding on that frenzie, the writers found a way to get us all coming back for more in the up-coming 7th year: they've recreated the whole "Who-Shot-JR" hoopla that the retro-show Dallas once had.
That's right: season 6 leaves Miami's Horatio Caine laying on a run way, with the sunglasses-of-justice broken in front of him, after a single shot rings out thru the air. Is he dead? Well that's what they'd like you to believe. And in all honesty, Mr Caruso does a staggering job of acting a "death rattle" in this final scene. Frankly, it's disturbing to any fan of the redhead. Rumor has it (as does a behind-the-scenes interview with Caruso) that it is merely a set-up, a faked death, to enable Caine to go after his arch-nemisis of season 6 in year 7.
All in all, Season 6 survived the writer's strike rather successfully...
Casually running thru-out the whole season are snippets of Eric Delko's fight to overcome his head injury... Ryan Wolfe's struggle to get his job as a CSI back after his season 5 foul up... and an entirley new storyline to boot: a new enemy has entered the playing field for Horatio Caine. This time it's one who has found a way to steal his family. That's right... I said family: Horatio has a long lost son. One he didn't even know existed. One who has gotten himself into a bit of trouble. And unfortunatley the mother has turned out to be a con-artist that he met while he was doing undercover work 17 years ago. I guess that explains why she disappeared before Horatio even knew she was pregnant. To make matters worse, Ron Seris, the new enemy at large, has found a way to get right in the middle of all of it.
The season was also filled with episodes that were very memorable.
"Bang Bang Your Debt" was an episode done earlier in the year that brought back a long-since-gone CSI favorite, Speedle. "Gurillas in the Mist" implied a frightening point about how easily death can be calculated certainty when computer technology is mixed in with ballistics. The season's 2-parter ("Ambush" and "All In") showed us just how tough Calleigh Ducaine really is when she gets kidnapped... and what happens when Horatio get's extridited to Brazil on a murder charge. "To Kill a Preditor" gave us a bird's eye view of online child preditors and how the world has changed because of them. "Rock and a Hard Place" forced us say goodbye to an original cast member, Alexx Woods. Lastly, the finale, "Going Ballistic," left us hanging on the edge of our chairs wondering if Horatio was alive, if his family was safe, why his son packed a gun in his duffle bag, and what CSI Ryan Wolfe had to do with it all.
Put this one on your pre-order list OR toss it in your Amazon cart if your reading this after the S6 release... it will surely become a staple in your TV DVD collections. Also see erronious (?) amazon listing for this same product. Included for reference. (this link may not work in the future)
C.S.I. Miami - Season 6

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Item Name: C.S.I. Miami - The Sixth Season; Studio:Paramount

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Friday, November 9, 2012

Miami Vice - Season Two (1984) Review

Miami Vice - Season Two (1984)
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The second season of vice is arguably the best and here are some of the reasons why: The Prodigal Son -- the premiere two hour episode may be the best vice, ironic that it takes place in New York, not Miami. Features Penn Gillette and Jean Simmons. Out Where the Buses Don't Run -- brought up by another reviewer and for good reason. Great music and atmosphere featuring that guy from Animal House and The Insider. Definately Miami-- featuring Ted Nugent as a psychopathic drug dealer and Arielle Dombasle as his psychopathic girlfriend that Crockett almost falls for. Great music again and great ending featuring "Cry" by Cream. Little Miss Dangerous -- great music and a great story about a homicidal hooker who Tubbs takes under his wing. Trust Fund Pirates is also a great one -- rich, trust fund kids who take to being pirates and robbing drug smugglers on the open seas out of boredom features Rick Belzer and Noogie "Nug man" Lamonte. Bushido some fans did not care for it but I loved it. It was directed by Edward James Olmos and gives some background on Castillo's spook days as he goes after an old friend who has become a double agent. Different music and a different feel. A really great opening scene in this one as Crockett and Tubbs use night vision and Zito hides under the sand with a snorkel! Sons and LOvers is an important episode in which Tubbs former lover, Angelica, comes back (remember from Return of Calderone) with some bad news for Tubbs. This was an important episode for the history of vice and the Calderone saga. Unfortunatley, this season featured a couple of the lamer episodes such as: The Fix -- Bill Russell as a judge with a gambling habit forces his son to fix a basketball game (but does have a powerful ending) and French Twist -- where a french cop chases a french bad guy and Crockett falls (sort of) for the cop. I did not care for these two episodes, although they weren't horrible and I'll enjoy watching them again. But other than those two, this is probably the best season of vice by far!

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MIAMI VICE:SEASON TWO - DVD Movie

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Monday, August 6, 2012

Les Miserables - The Dream Cast in Concert (1998) Review

Les Miserables - The Dream Cast in Concert (1998)
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Words fail me when I try to describe this video. Les Miz is a glorious play, what with the genius of Boublil & Schonberg. I didn't think I would much enjoy this video because of its lack of actual set & acting and also the few short pieces cut. But it still blew me away. Best of all was the cast. It truly was the definitive edition.
Colm Wilkinson is just the perfect Valjean. His voice has such emotion & resonance to it. And he has such a strong presence as an actor.
Philip Quast was another excellent performer. I've once heard his voice described as "flinty" and I think that that's a good word for it. He really portrays Javert with such coldness, he makes the character quite vivid.
Ruthie Henshall's Fantine is one of those rare performances in musical theatre which simply cannot be surpassed. Henshall's voice is so stirring, heartbreaking, reverberating, deep, chilling, and beautiful. Her "I Dreamed a Dream" is excellent!
Michael Ball's Marius needs to introduction. He's THE Marius, what else is there to say? His voice so, so powerful and he sings with such heart. His "Empty Chairs At Empty Tables" is truly captivating.
Michael Maguire's Enjolras is often criticised. Yes, this wasn't the best performance he probably could have given and he did miss a few notes. But he still has a great voice. People argue that Anthony Warlow is a better Enjolras. While I agree that Warlow has the vocal edge, there's something in Maguire's performance that makes him so much like Enjolras and just so perfect for the part.
Judy Kuhn's Cosette was the one performance which I can say is good but not great. She didn't strike me the first time I heard her, though she has grown on me. She does have a lovely voice, but I just don't go for the whole "ringing soprano" thing. In fact, almost all Cosettes & Christines and the like in general just annoy me. I think Kuhn sounded better as Pocahontas.
Hannah Chick's little Cosette was SO adorable! She didn't miss a note during "Castle On A Cloud" which she just sang so sweetly. At the same time, she didn't seem to overact the sweetness, which I've seen all too many Cosettes do. And the way she kept singing after the stage light explosion was very professional.
And Adam Searles, gotta Love him. Similar to Maguire, I have heard Gavroches with better voices that Searles but he just has the part of Gavroche down so well. He just has the perfect street-wise, smart-aleck attitude perfectly.
I was shocked as to how many people disliked Lea Salonga's Eponine. Even more shocking was how people insisted that Frances Ruffelle was much better. I think Salonga was THE most phenomenal singer of the night. To me, Ruffelle sounds terrible! Many have called Salonga too "bitter" or "angry" but Eponine is a bitter, angry character! Salonga sings with such force, and at other times (e.g. "A Little Fall of Rain") with such sad sweetness. Her "On My Own" was so excellent that watching it is an intense experience. I could barely tear my eyes from the screen the first time I saw her sing it. I think there is no question that she's THE definitive Eponine. 'Course that's just my opinion.
All in all, this was the greatest performance of Les Miz I have ever seen!

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The 10th anniversary of the international musical sensation Les Misérables is celebrated in this 1995 concert at London's Royal Albert Hall. The all-star cast features Colm Wilkinson (Valjean), Ruthie Henshall (Fantine), Michael Ball (Marius), Judy Kuhn (Cosette), Lea Salonga (Eponine), Philip Quast (Javert), and Alun Armstrong (Thenardier).Favorite songs from the Alain Boublil and Claude-Michel Schönberg score include "Who Am I?", "I Dreamed a Dream," "Master of the House," "One Day More," "Do You Hear the People Sing?" and "Bring Him Home."

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Saturday, June 9, 2012

C.S.I.: Miami - The Seventh Season Review

C.S.I.: Miami - The Seventh Season
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"Jumped the Shark" is a saying coined from the old Happy Days show. When Arthur Fonzarelli jumped a shark wearing his trademark leather jacket, it was a sign that the show had run out of ideas and had turned to lunacy. First I should say that I am a CSI Miami and David Caruso (Horatio Caine) fan. I thoroughly enjoyed Season 6 with the Brazilian twist. Who can forgot Caine shooting it up in Rio, and his one liner "That's how we do it in Miami." Cool stuff.
Unfortunately, something went terribly wrong in Season 7. The stories are not well written, the character's lines are awkward and simplistic, and things turn a bit pointless. I do not blame the actors, since clearly they have proven themselves capable of greater things. It is quite simply the writers... time to clean house and get some fresh talent. Or perhaps this was already done, and the new talent is simply lacking. Whatever the reason, Season 7 is not up the standards of previous seasons. One specific complaint I have is why does everyone have to be under 25 and gorgeous? The new medical examiner looks barely old enough to drive, let alone head up a major city's crime lab's medical lab. It is still beautiful eye candy... impossibly colorful sets, well dressed models doing the acting thing, things going boom, and lots of Caine's one liners. So it can still be a fun show. Just don't expect too much from this one.
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CSI:MIAMI - COMPLETE SEVENTH SEASON - DVD Movie

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Friday, June 8, 2012

Law & Order Criminal Intent - The First Year (2001) Review

Law and Order Criminal Intent - The First Year (2001)
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I would say that Law and Order: CI is, without a doubt, the best Law and Order spinoff and it is always a thrill to watch Det. Robert Goren (Vincent D'Onofrio) engage in another intellectual cat-and-mouse game with a brilliant, twisted killer. CI is, quite simply, must see tv.
The first year had the show proving itself admirably. Goren and his partner, Alexandria Eames (Katherine Erbe) quickly become a modern-day Holmes and Watson duo, with Goren as the seemingly omniscient, stalwart detective and Eames lending a lot of humanity to the proceedings. Jamey Sheridan plays Goren and Eames' CO, a buttoned-down, more traditional cop. Courtney B. Vance plays the 'Order' aspect alone as Assistant District Attourney Carver. The leads have an undeniable chemistry, which adds to the show greatly. As a Law and Order show, however, it is the stories that make the show. The show stays true to the "ripped from the headlines" stories that made the original series so unique, but it broke with tradition by declaring that you would see the crime from the criminal's point of view. Although at first I was a bit skeptical about how this device would turn out, but it actually made the show more complex as seeing the crime would not solve it. Also, the show explored its characters, protagonists and villains alike, in a much more psychological manner than had been consistently done in either of the previous series. Finding out the motive for the crime was often more fascinating than a simple whodunit. This season laid a firm foundation for future seasons but is in itself a worthy buy.
Quite simply, this is a show for people who like cultured, sophisticated dramas that challenge them to think about society. It is a show for those who appreciate a good character study and multilayered crime dramas. Above all, though, it is a show for anyone who can enjoy a great yarn and expertly crafted plot twists.

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LAW & ORDER:CRIMINAL INTENT SEASON 1 - DVD Movie

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Monday, June 4, 2012

Perry Mason: Season Five, Vol. 1 Review

Perry Mason: Season Five, Vol. 1
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The fifth season of this venerable series, first aired in 1961, gradually begins to reflect the cultural changes since its premiere in the late fifties. In an anticipation of the Perry Mason returns series of the eighties, Perry now has an occasional assistant, a young law student whom he once successfully defended (just like William R. Moses' Ken Malansky). More traveling is going on, reflecting the wider world opening to Americans with the presidency of John F. Kennedy. Lt. Tragg is seen less and less often, usually replaced by Wesley Lau's Lt. "Andy" Anderson. Hamilton Burger is also seen only occasionally (fallout from William Talman's arrest on morals charges a couple of years earlier), and other prosecutors go up against Perry with the same zeal and the same results. To us males who entered our teens in the sixties, the cars are one of the obvious tipoffs to the period. One of Perry's clients tools around in a '61 Chevy, and Paul Drake's ride is a '61 T-Bird (presumably red, though we can only guess in black and white). For a while, there's the ubiquitous '61 Buick convertible, serving characters in several episodes. Some reviewers have complained of CBS Video's decision to release the series in half-season packages priced for a full season. This is greedy behavior characteristic of big corporations, and no one should be surprised. Business, with its unerring eye for profit, is the most reliable barometer of what's popular. PM makes the grade, season after season. My wife and I relax almost every night with yet another episode. Though they are somewhat formulaic, there are just enough twists to keep us fascinated. Second half coming up.

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Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake, he often finds that by digging deeply into the facts, startling facts can be revealed. Often relying on his outstanding courtroom skills, he often tricks or traps people into unwittingly admitting their guilt.

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Monday, April 23, 2012

The Sopranos: Season 6, Part 1 (2006) Review

The Sopranos: Season 6, Part 1 (2006)
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It's lonely in the ranks that believe that season 6 of The Sopranos was as good, if not better, than the seasons before it, but I am convinced that the first 12 episodes of season 6 are amongst the bravest, best written, and most telling episodes of the series. The Sopranos has long been a show with the most complex, multi-layered characters on television, but by using the mantra of "Who am I, where am I going" as a rallying point, season 6 probed the nature of what drives its family, and gets in intense focus of who each of them is. The problem, I think, was that it did its job TOO well this season - it's not that there wasn't action (the death count this year was as high as any other, and Tony does, after all, nearly die himself), but that because the show wanted so much to get the specifics of the ordinary right, it's easy to overlook the rather consternated implications of their everyday events. What I mean is that in showing each character at his/her essence, we get what really drives them, but we don't necessarily get that explained to us - we, for example, identify with Carmela's sense of longing and uncertainty staring off at the Eiffel Tower, or we register that Paulie is adrift in guilt and anxiety over his actions in life, but we get it in the details of their everyday action and, these characters experiencing these implications alone, get little of that wrapped up for us. To me, that speaks to a level of characterization and examination that doesn't exist in television and barely exists in film - it probes the specifics of its fictional characters so precisely, it winds up speaking to the heart of what drives Americans and the materialism of American culture that makes things like mobs possible. In that, it brings forth insurance agent, real estate claimsmen and salesmen, actors, and (in one unforgettable shout-out) Dick Cheney - comparisons of the same urges. Yet this season does more than critique the impulses, it allows them to exist, allows all of their very real virtues to be present, and lets them arise from its characters distinct, full-bodied personalities - money helps keep AJ out of jail, gets him laid, repairs Tony's relationship with his sister, keeps Carmela from probing too deeply into Adriana's murder, gets Tony reasonable health care, and nearly spares Vito's life and stops a cross-river gang war. I may be alone in the level to which the Sopranos makes me think, but I do think David Chase's intentions are to use his astonishingly vivid characters to go into depth about the American mentality (or, they're not, and it's just a product of three dimensional writing). However, even if it weren't, the season gives you extraordinary moments to savor - Paulie's confrontation with mortality ("The Ride"), Carmela crying at Tony's bedside ("Join The Club"), Christopher's gut-shaking relapse ("Kaisha," with a fearless guest turn by Juliana Marguilles), AJ's inability to carry out his "big plan" against Junior ("Johnny Cakes"), and, unforgettably, Philly's cold stare as his machinations to kill Vito are achieved ("Cold Stones"). They're moments of magnificent acting that fulfill characters even as it surprises you with their humanity and personality. And, in the premiere, "Members Only," it gives you it all in an hour - a suicide, heart attack, and gun shot that seem to tell you everything you've ever needed to know about the mob life, about why they - if not you - do what they do.

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Several crises threaten Tony and his crew; for starters, rival boss Johnny Sack (Vince Curatola) is in prison, and the always-tense relations between the New Jersey and New York families are strained through the unpredictable behavior of Sack?s surrogates. Then there are the inevitable power struggles that ensue when certain family members are eliminated, by natural and other causes.DVD Features:3D Animated MenusAudio CommentaryFeaturette


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Monday, February 13, 2012

Leave Her to Heaven (1945) Review

Leave Her to Heaven (1945)
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Movie: ***** DVD Transfer: ***** Extras: *****
20th Century-Fox's highest-grossing film of the 1940's showcases exquisite leading lady Gene Tierney in a mesmerizing, Oscar-nominated performance as a femme fatale whose placid beauty masks a murderously possessive heart. Based on the best-selling novel by Ben Ames Williams, the astonishingly perverse screenplay by Jo Swerling touches on such then-taboo (and still-shocking) subjects as incestuous obsession, the victimization of the disabled, self-induced abortion, and suicide disguised as homicide! Pretty potent stuff for its time, and it's all presented in lush candy-box Technicolor by Oscar-winner Leon Shamroy, whose masterful cinematography skillfully emphasizes a central theme of the film: that a beautiful surface can sometimes hide a thoroughly rotten core.
By design and through her acting skills, Miss Tierney's tour de force performance dominates the film; she especially shines in two challenging sequences, one involving a rowboat and another which takes place on a staircase. Among the supporting cast, solid work is turned in by Cornel Wilde as the object of Tierney's intensity; Jeanne Crain as her sweet-natured cousin and adopted sister; and Mary Philips as her alienated mother; but it is Vincent Price who stands out in a bravura performance as Tierney's former suitor. Price's character takes center stage throughout the final twenty minutes of the movie, and he plays some very long and difficult scenes with aplomb.
Fox Home Video's DVD presentation of this classic drama is truly impeccable, featuring a gorgeous, digitally restored print and remastered soundtrack. I've seen this movie dozens times over the past thirty years - in theatres, on video, and on cable - and it's never looked or sounded so magnificent. The bonus features include the film's 1952 Theatrical Re-release Trailer; Fox Movietone News segments featuring footage of the film's Los Angeles premiere and the 1945 Academy Awards; a fascinating stills gallery featuring photos taken during the film's location shooting at Bass Lake; and a restoration comparison demonstrating how the film was remastered for DVD. The disc also features an audio commentary by film critic Richard Schickel, who clearly was unprepared for the job: he refers to Price's character by the wrong name; mistakenly identifies two child players as boys (one, played by Betty Hannon, is obviously a girl); and vacillates back and forth in his opinions regarding the film's qualities. Additional commentary is also offered by actor Darryl Hickman, who played Cornel Wilde's brother in the film. Hickman clearly loathed making the movie, and snipes ungraciously about Tierney as an actress and as a human being, ignoring the fact that she was struggling with the devastating prospect of institutionalizing her mentally enfeebled 18-month-old daughter during the course of the film's production. Hickman also takes potshots at Jeanne Crain (appearing in her fifth film role of any size), director John M. Stahl, and the personality of cameraman Leon Shamroy (although he is clearly an admirer of the latter's work). The sour and ineffective commentary aside, the DVD presentation of "Leave Her to Heaven" is a superb example of 1940's Hollywood moviemaking and the DVD format at their very best, and is most highly recommended for your viewing pleasure.

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Leave Her To Heaven is a stylish psychological thriller starring Gene Tierney as Ellen, the stunningly beautiful wife of handsome writer Richard Harland, played by Cornel Wilde. Ellen panics as her perfect marriage unravels and Harland's work and invalid brother demand more and more of his attention. Her husband becomes unnerved by her compulsive and jealous behavior. And when the people close to him are murdered, one by one, it is obvious that this dream marriage has become a full-fledged nightmare. Based on the best-selling novel by BenAmes Williams. This film won the Oscar(r) for Best Cinematography (Color) and received three other Academy Award(r) nominations: Best Actress for Gene Tierney, Best Sound Recording, and Best Art Direction (Color)/Interior Decoration.

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Tuesday, January 24, 2012

The Taking of Pelham One Two Three (1974) Review

The Taking of Pelham One Two Three (1974)
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Of all the gritty, realistic police dramas of the 1970's, "The Taking of Pelham 1-2-3" stands out as the best of a very good lot. Released during the low-point year of NYC history in 1974, "Pelham" is argueably the most real-life look at New York and New Yorkers one can get without actually visiting the big town. The plot concerns the hijacking of an IRT subway train by a gang of four men, led by the coolheaded Robert Shaw (Jaws, Black Sunday). The late Walter Matthau shines as Lt. Zach Garber of the NY Transit Police who, over a two-way radio, has to deal with the terrorists unbelievable demands. The writing in this movie crackles with smart-mouthed NY urgency. The acting, photography, editing, and music MUST have all been created by native NYers. Even the 18 passengers who are taken hostage in the lead car of the #6 train look like they stepped off the street and into the IRT without missing a beat. You wanna hijack me just before rush hour? Go ahead, but I'm not ganna make it easy for you, punk! Many other NY movies (Serpico, Dog Day Afternoon, French Connection) have overshadowed this gem, but do yourself a favor and buy it, especially in the DVD version, which gives the viewer a panorama of a NYC that has faded into history.

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Four ruthless gunmen hold a speeding New York subway train hostage for a hefty ransom, threatening to kill all the passengers on board.Genre: Feature Film-Action/AdventureRating: RRelease Date: 1-MAY-2001Media Type: DVD

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Thursday, January 5, 2012

25th Hour (2003) Review

25th Hour (2003)
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One of the many things that make 25th hour such a special film to me is how Benioff and Lee didn't attempt to cram too many events into this plot. This film does take place in just one day, and it's a perfect snapshot of the lead protagonist Monty Brogan's thoughts and actions in that final day before he begins a 7 year jail sentence for dealing heroin, expertly put together by David Benioff and Spike Lee. We see Brogan (superbly played by Edward Norton) walking his dog, talking to his girlfriend, having a meal with his father, going out to a club with his friends, preparing to go to jail and being driven there. It's not over the top, it isn't brash, but it does do what is necessary.
Brogan is clearly worried and regretful. This is faultlessly portrayed by the mirror scene, in which he rants incessantly about the variety of people populating New York, and then realizes that he only has himself to blame for the situation he is in. It's such a human moment, since how many people can honestly say that they have never chosen to blame others, and take their anger out in a vicious way, even if it is just personal thoughts? But it isn't just Monty who feels regret, virtually every other character we focus on does, Monty's father is weighed down by his former alcoholism, and he partly holds himself responsible for Monty's fate. And so do Monty's friends, not preventing him from his choice to deal drugs.
Monty Brogan is not really shown in a 'good' or 'bad' light. Norton plays him as a normal person. He's easy to relate to, and it's a reminder of how anyone can turn out depending on what choices they make. His choice of drug dealing is looked down upon, the interrogators ridicule him, but that is only in the context of drug dealing, not as a normal person. Benioff and Lee were keen to show his actions like this.
The film is skillfully made, from the very tasteful opening credit scene acknowledging 9/11 (another honest feature about the film, which is an important theme throughout), where we see the lights at ground zero dropping from the sky, to the fantasy scene with Monty and his father in the car near the end, where they think about the family he could have had, all surreally dressed in while. Terence Blanchard's score too is one of the most beautiful I've heard in a recent film along with Michael Andrews score for Donnie Darko - The Director's Cut (Two-Disc Special Edition). The film tells it like it is. It's about decision making, it's about responsibility and it's about real friendship. It's realistic on an emotional level and is now one of my favorite Spike Lee Joints.

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Academy Award(R)-nominee Edward Norton (Best Actor, 1999, AMERICAN HISTORY X) heads an amazing all-star cast in the critically acclaimed Spike Lee (SUMMER OF SAM, DO THE RIGHT THING) film 25th HOUR. In 24 short hours Monty Brogan (Norton) goes to prison for seven long years. Once a king of Manhattan, Monty is about to say good-bye to the life he knew -- a life that opened doors to New York's swankest clubs but also alienated him from the people closest to him. In his last day on the outside, Monty tries to reconnect with his father (Brian Cox, THE BOURNE IDENTITY), and gets together with two old friends, Jacob (Philip Seymour Hoffman, ALMOST FAMOUS) and Slaughtery (Barry Pepper, THE GREEN MILE). And then there's his girlfriend, Naturelle (Rosario Dawson, MEN IN BLACK 2), who might (or might not) have been the one who tipped off the cops. Monty's not sure of much these days, but with time running out, there are choices to be made as he struggles to redeem himself in the 25th hour.

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Friday, December 16, 2011

C.S.I. Miami - The Complete First Season (2002) Review

C.S.I. Miami - The Complete First Season (2002)
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Being a CSI las Vegas fan, I wasn't happy when they made CSI Miami. I picked this up due to the summer break of CSI, I needed something.. and this was my choice! I can honestly say that it was a worthwhile purchase after having watched all of the episodes. True David Caruso is no Gil Grissom, but would you want him to be? The feel of the series is very different with the set being in Miami. The cast is on par with the Las vegas cast. Las Vegas has a more personal feel to it, as many times the originals bring their personal lives into the story (i.e. Catherine being a stripper, Warrick being a Gambler), and you don't find that as much in Miami. The focus seems to stay more to the storyline.
Kim Delaney was a welcome cast-off in my opinion. She dragged the series down with her poor attitude, and had no chemistry with David Caruso. She came across as an uptight investigator who had no interest in getting along with her fellow CSIs, or have any passion in getting the truth. I was very glad when she finally left.
Another difference between Las Vegas and Miami that is striking is how each CSI is an expert in their certain field. Callegh is the "Bullet Girl", Speedle is the AV expert, Delco is the Diving tech who speaks russian, and spanish, acts as the go between the Cuban community and the MDPD. Alexx talks to her patients as they were still alive, and in general is friendlier then Al Robbins of Las Vegas.
In conclusion, try it, the two CSIs are comparable, like the many Law and Order spinoffs, you can choose your favorite, but in my opinion each one is strong, and holds its own. You can enjoy either, but take a vacation from Las Vegas to Miami.

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CSI:MIAMI - COMPLETE FIRST SEASON - DVD Movie

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