Showing posts with label fantasy adventure. Show all posts
Showing posts with label fantasy adventure. Show all posts

Sunday, October 21, 2012

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger) (1958) Review

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger) (1958)
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THE 7th VOYAGE OF SINBAD
By far the most "classic" of the three, this spectacular piece of cinematic adventure may very well be Ray Harryhausen's masterpiece. Legendary sailor Sinbad (Kerwin Matthews, in his signature role) is on the verge of marriage to Princess.....uh, I forget (a beautiful Kathryn Grant), and uniting their two countries. But not before the evil magician Sokurah (Torin Thatcher, in an extremely amusing performance) can shrink the princess to a doll's size in order to get Sinbad to return him to the Island of Colossa. There, Sinbad battles a giant Rok, a fire-spewing dragon, and (my personal favorite), the Cyclops...all brilliantly achieved by the greatest FX pioneer of all time, Ray Harryhausen. Oh, and there is the classic duel with the skeleton. Now I constantly hear people say, "Oh, like in 'Jason & the Argonauts'?", and it drives me crazy! Though the battle was far more elaborate and, well, better in that film, this is the original, people, the one that started it all! Indeed, this type of fight would appear again, and again, and again in subsequent Harryhausen films, ever improving (which really showed the true ingenuity of the man). "The 7th Voyage of Sinbad" is most likely, THE fantasy-adventure classic of all time, though some people say the same for the original "The Thief of Baghdad". But, I haven't seen that film, so I couldn't say. Plus, it doesn't have special-effects wizard Ray Harryhausen behind the camera to provide dazzling creatures right out of a dreamworld! A rousing, witty score by Bernard Herman, too!
Rating: 5/5
THE GOLDEN VOYAGE OF SINBAD
My favorite of all three films, even if it doesn't really deserve the title "classic" as much as "7th Voyage" did. John Phillip Law replaced Kerwin Matthews in the title role, and proves to be less impressive, but only by a little. And, hey, he actually has an accent! This time 'round, Sinbad discovers a strange map disguised as a golden treasure of sorts, and with it sets off to the magical isle of Lemuria, where legend has it that if you place the map/trasure in the Fountain of Destiny, you will be granted all-powerful, all-knowledgable, and eternal youth. But he'll have to reach the isle before the black sorceror, Koura (played to perfection by the sinister Tom Baker), who has more than a few tricks up his sleeves to stop Sinbad and his crew! This is a much different film than the first; the swashbuckling attitude is replaced by a darker, but more mystical atmosphere, which I find very cool! The score by Miklos Rozsa perfectly matches it, too (just check out the music during the scene with the Oracle; it's awesome!). The story is very inventive, with more twists-n-turns than you would guess. There is lots of suspense, too! And there is also Caroline Munro as the love interest for all you teenage boys out there! Ray Harryhausen once again provides a massive array of imaginative and expertly constructed creatures, including a flying homunculus (a spy of koura), and a six-armed statue of the goddess Kali, which is the showcase for a masterfully-choreographed sword fight sequence. As well, there is an exciting battle between a one-eyed centaur and a griffin! A first-rate fantasy-adventure.
Rating: 4.5/5
SINBAD & THE EYE OF THE TIGER
By far the least of the three, it's still enjoyable, nonetheless, though not for all the same reasons as the first two. First off, the acting is atrocious, but it is in a bad way; rarely do you feel the need to laugh out loud at its campiness. Second, the plot is pretty lame, and recycles quite a bit from the preceeding voyages. Sinbad is now played by Patrick Wayne, the son of John Wayne, though it really doesn't show. He has none of his father's prescense on screen, nor does he possess any acting abilities whatsoever! He is now on a quest to the land of *it's a really long, utterly forgetable name*, in order to return the Prince Kassim back to his human form. You see, he has been transformed into a baboon (?!) by the evil sorceress Zenobia (Margaret Whiting), but Sinbad must have the prince's permission to wed the Princess...once again, I forget her name, but it's a really hot Jane Seymour. They are joined by the wize man Melanthius (Patrick Troughton, I think) and his lovely daughter (Taryn Power). Like I said, the story is weak, so it's up to the craftsmanship of Ray Harryhausen to save the day, and he does it very effectively! The giant walrus isn't menacing in the least, but the fight between the Troglodyte and Saber-toothed Tiger is suspenseful and exciting. Indeed, the creatures (such as Kassim the Baboon) produce more emotion than the actors themselves! All except for the Minaton...I mean, he's supposed to be this unstoppable colossus, right? Well, all he does in the entire picture is row a friggin' boat! That we are deprived of seeing this brute giant in action is all but devastating. The music is overall mediocre, but the backgrounds are beautiful and mystical. In fact, the production crew shot the film in places that had never been used in any film before it, and it shows! (P.S. Why the hell is it called "The Eye of the Tiger"? It has nothing to do with any tiger, nor any eye...at least, not enough to put in the title.)
Rating: 3.5/5
CONCLUSION: This a great trilogy to add to your Ray Harryhausen collection. All three films are digitally remastered, and they're all beautiful (especially "The Golden Voyage"). They all feature the excellent documentary "The Harryhausen Chronicles", too. On a little side note, the DVD covers and great production notes inside are awesome!

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SINBAD COLLECTION - DVD Movie

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Wednesday, June 13, 2012

The Beastmaster (1982) Review

The Beastmaster (1982)
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The Beastmaster is a cult favorite that was a modest success in its initial release, but found an audience through home video and repeat (and I mean repeat) TV viewings. HBO doesn't stand for Home Box Office, it stands for "Hey, Beastmaster's On!" - Dennis Miller
Called a Conan the Barbarian ripoff, even though it was released shortly after that film which would've made it impossible to copy it, The Beastmaster stars Marc Singer (V: The Miniseries, Beastmaster II & III) as Dar, the last surving member of his tribe, who has the power to communicate telepathically with animals. His sidekicks include a black eagle (really a hawk), a black panther (actually a Bengal tiger painted black) named Ruh, and two cute ferrets named Kodo & Podo. They're on a quest to save the lovely slave girl, Kiri, played voluptuously by Tanya Roberts (Sheena, A View To A Kill, TVs That 70's Show) who also happens to be the cousin of the son of a king imprisoned by the evil Maax, played with an added beak nose by Rip Torn (Men In Black). The film blends a good amount of adventure, action, drama, romance, and heart to make any moviegoer satisfied. But my personal favorite scenes involve Dar playing with his animals (especially Kodo & Podo). Marc Singer is truly an animal lover who cares for them with honesty and sincerity, which gives the movie it's added zeal. Throw in John Amos as Seth for dramatic acting effect and you've got a perfect movie! Gotta love those creepy Birdmen as well as the evil Jun Horde!
The DVD Special Features are pretty good. You of course get the film in it's original widescreen aspect ratio (1.85:1), which is also enhanced for 16x9 TVs. There's an audio commentary by co-writer/director Don Coscarelli (Phantasm 1,2,3,&4) and co-writer/producer Paul Pepperman (Phantasm) which is informative but lacks in part due to both men not talking enough about Marc Singer or Tanya Roberts, and more about how disappointed they were in those bad effects shots (the Jun Horde army riding in the distance and the black eagle having to carry the little girl in mid air) and how they got the animals to do their work (FOOD!!). There's also an added bit of Behind the Scenes Home Movie footage with both Don & Paul providing commentary. Plus you get the Theatrical Trailer, original production art, poster still galleries, Talant bios and a really nice 16 page booklet with sketches and liner notes. And for those who don't know, there's a great "easter egg" hidden feature of the cut love scene between Dar & Kiri. Just click on "Extras" at the main menu, then once you're there go down to "Main Menu" and go right. When you hit enter you'll see the "Eye Ring" come to life and then the bonus scenes will begin!
The Beastmaster - A Cult Classic!
"I see through their eyes...they see through mine. They know my thoughts...I know theirs" - Marc Singer as Dar

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Item Name: The Beastmaster; Studio:Starz / Anchor Bay

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Saturday, May 12, 2012

Legend of the Seeker: The Complete First Season (2008) Review

Legend of the Seeker: The Complete First Season (2008)
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For the record, I am not a fan of Terry Goodkind's "Sword of Truth" fantasy series, so I didn't really expect to enjoy the TV adaptation.
But to my surprise, "The Legend of the Seeker: The Complete First Season" turned out to be a surprisingly solid fantasy adventure series, with plenty of swords, monsters, lush New Zelaand scenery, sorcery and a likable young Prophesied Hero. It has some cheesy genre cliches at the beginning, but quickly evolves into a good-hearted, action-packed series.
Young woodsman Richard Cypher (Craig Horner) rushes to help a Confessor woman who's being attacked by D'Haran soldiers -- and promptly finds himself accused of being her accomplice, and hunted by the D'Harans (who have made it through a magical barrier than cuts off the Westlands). When he goes to get help from the eccentric wizard Zed ("He's crazy! He talks to his chickens!"), he encounters the beautiful Confessor Kahlan Amnell (Bridget Regan) once again.
The big reveal from Zed and Kahlan: Richard is a prophesied hero called a Seeker, who must use a magical sword to defeat the evil overlord Darken Rahl (Craig Parker). When his life is ripped apart by murder and treachery, Richard reluctantly accepts his destiny, and sets off across the Midlands with Kahlan and Zed.
Unfortunately the Midlands have plenty of problems as well -- cruel D'Haran soldiers, Mord-Sith, magical maps, a boy who can read minds, some inconvenient magic shape-changing, the birth of a forbidden male Confessor, a string of impossible murders (including one seemingly committed by Richard), a malevolent wizard who is trying to create new Confessors, corruption in the Westlands, a plague created by Rahl, and a visit to the haunted tomb of an ancient Seeker bent on possessing Richard's body.
In the course of their travels, the trio also learn that Rahl is searching for the Boxes of Orden, which can give ultimate power to the one who owns all three. Richard and his friends struggle to keep the magical boxes hidden, but a terrible mistake threatens to derail the Seeker's quest.
It's not necessary to be a fan of Goodkind's books to appreciate "Legend of the Seeker" -- it's only loosely based on Goodkind's first doorstopper, and quite a few things are changed. Fortunately the TV show has plenty of merits on its own -- the lush scenery porn of New Zealand, intricate story arcs and standalone adventures, and plenty of swords'n'sorcery. You almost forget sometimes that it's yet another story about a prophecied hero.
Each episode has plenty of action, usually involving Richard's acrobatic sword fights with D'Haran soldiers, and some fun magical twists (a talking doll). The writers also deftly avoid the Ye Olde Fantasye trap by penning dialogue that is breezy, straightforward and frequently amusing ("Remember, before chopping off the head, make sure the body is dead lest the head grow back." "What lesson is THAT?" "Not a lesson, just something I once read in a cookbook").
It does have some flaws, however -- the first two episodes are bogged down in genre cliches (Richard becoming a master swordsman overnight), cheesy moments (Richard's sword being struck by LIGHTNING?), and too much slow-motion. Fortunately things even out after the beginning of the series.
Craig Horner is absolutely perfect for the role, especially since Destined Heroes tend to be rather boring. Instead he perfectly portrays a down-to-earth goodness and kindness, which is tempered from innocence to maturity as the season winds on. But he brilliantly pulls off Richard's darker moments, including a horrendous Mord-Sith "training" session that leaves Richard broken, twitching and doe-eyed. He's also ridiculously gorgeous, and the directors take full advantage of that (the whole bridge-building scene).
And Horner has amazing chemistry with Regan, who does a great job as a strong, butt-kicking woman who can enslave anyone with a touch. Bruce Spence does a wonderfully eccentric, lanky old wizard who frequently batters Richard with life lessons, and Parker makes a surprisingly human Evil Overlord, whose cruelty and manipulations are revealed to be an obsessive desire for "harmony." Doesn't stop him from being deliciously hateable, though.
"Legend of the Seeker: The Complete First Season" is wobbly at first, but soon becomes a well-acted fantasy series that stands on its own apart from Goodkind's fantasy novels. Definitely a good show, and promises to become better.

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Explore a world of fantasy and mythology in the unforgettable epic adventure LEGEND OF THE SEEKER. There's fun to be had in the sword-and-sorcery action sequences and magical effects, says Matt Roush of TV Guide. Take a coming-of-age journey with The Seeker as he joins forces with a mysterious woman and a wise, powerful wizard to combat Darken Rahl, the demonic sorcerer intent on taking over the world. In the ultimate battle between good and evil, who will answer destiny's final call? Experience every episode of the fantastic first season, and discover how LEGEND OF THE SEEKER comes to life with exclusive, behind-the-scenes bonus features. TV's most magical series is even more spellbinding on DVD!

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Wednesday, September 21, 2011

The Neverending Story (1984) Review

The Neverending Story (1984)
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In 1994, Wolfgang Petersen directed the film adaptation of the German novel "Die Unendliche Geschichte", which was written by Michael Ende (1929-1995). The film/novel is better known in the U.S. with its English title of "The Neverending Story". It was also the first film that Wolfgang Petersen filmed in English. The story begins with a troubled boy named Bastian (Barret Oliver), who is being raised by his father (Gerald McRaney). An avid reader with an active imagination, Bastian walks into a used bookstore owned by Mr. Koreander (Thomas Hill) and finds a mysterious book that captures his curiosity. Mr. Koreander seemingly doesn't want to sell the book to him, but Bastian manages to run from the store with book in hand. Bastian takes the book to school with him, where he is tormented by three bullies (Drum Garrett, Darryl Cooksey & Nicholas Gilbert). To avoid the bullies, Bastian finds refuge in a rarely-used attic within the school and begins to read from the book about a magical land called Fantasia. Fantasia is a wonderful place with many unusual characters and is ruled by the Childlike Princess (Tami Stronach), but something terrible is happening to Fantasia as parts of it are disappearing by an unknown force referred to only as "the nothing". The Childlike Princess calls upon the strongest warrior to find a human child to stop "the nothing". The warrior, a boy named Atreyu (Noah Hathaway) of a tribe similar to Native Americans, takes the protective signet that the Childlike Princess gives to him and sets off to find a human child, which can only be found beyond the bounds of Fantasia. To his astonishment, as Bastian reads the book and the many adventures, challenges and dangers and Atreyu faces, Bastian slowly begins to realize whom Atreyu and the Childlike Princess are actually seeking.
With imaginative characters, good cinematography & special effects and an endearing & well-written story, "The Neverending Story" is a wonderful and engaging film that not only captures Bastian's imagination in the story, but the audience's imagination as well. Other memorable characters in the film include Teeny Weeny (Deep Roy), Night Hob (Tilo Pruckner), Cairon (Moses Gunn), Engywook (Sydney Bromley), Urgl (Patricia Hayes), Falkor (voice of Alan Oppenheimer), Rock Biter, the Racing Snail and the Bat. Overall, I rate "The Neverending Story" with 5 out of 5 stars and very highly recommend it to both young & old alike. It's a wonderful film that can be watched time and again without becoming tiresome. Sadly, the film's two sequels (produced in 1990 & 1994) were far less memorable. Other films directed by Wolfgang Petersen include "Das Boot" (1981), "Enemy Mine" (1985), "The Perfect Storm" (2000) and "Troy" (2004).

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JOIN THE YOUNG ATREYU AND THE FAITH OF A YOUNG BOY, BASTIAN, AS THEY BATTLE THE UNKNOWN OF THE NOTHING TO SAVE THE CREATURES OF FANTASIA AND THEIR CHILDLIKE EMPRESS.

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Sunday, September 18, 2011

Jack & The Beanstalk Review

Jack and The Beanstalk
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This was a fun movie if you're young at heart and liked fairy tales as a kid. If you're not though, forget it because you'll probably turn it off. It doesn't deviate far from the original Jack In The Beanstalk story, but the writers were very creative in weaving other fairy tales into the storyline. It's filled with fun and sometimes silly comedy, and some great deliveries from Gilbert Godfrey, who I thought really fit the role of "The Goose That Laid The Golden Egg" with his raspy, shrill voice. The exchange between him and Chevy Chase was particularly fun too. The writers even put in a variation of the Three Stooges "Who's on first" routine, which to me was totally unexpected and a hoot.
For me it was just a fun excursion into a fantasy land of the fairy tales I grew up with that were all mixed up into one goofball movie. If you like to take movies apart and examine them piece by piece you won't want to watch this movie. Some of the acting was great, in particularly the job that Chloe Moretz did, but some was average. Overall, I think it's a great movie for kids, and like I said.. it's a nice twist on the original tale that's fun if you're an adult who is young at heart and doesn't mind movies that require you to check your brain at the door.

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A hilarious live-action family comedy.A fairy tale character who is about to flunk out of fairy tale school, Jack must perform a heroic deed by Monday or fail miserably, just like his father before him. Anxious to make good, Jack sells his C.O.W. (Computer of Wonder) for a handful of magic beans and a mysterious book that records his adventures as he's having them. Accompanied by his sidekick Grayson -- a goose who ate a bean and underwent an amazing transformation -- Jack climbs the magic beanstalk to recover the fabled Harp of Destiny from the evil Giant who lives in the sky. Helping Jack on his perilous quest is the spunky Jillian, a fearless young girl whom Jack meets on his journey -- and who just may have a hidden agenda.

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Wednesday, July 27, 2011

The Lord of the Rings: The Motion Picture Trilogy (Platinum Series Special Extended Edition) (2003) Review

The Lord of the Rings: The Motion Picture Trilogy (Platinum Series Special Extended Edition) (2003)
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I already reviewed the regular "Motion Picture Trilogy" containing the non-extended editions of the legendary Lord of The Rings masterpieces on one set. However, this newest edition is a grand improvement on the previous edition. This item is a much, MUCH better investment than the old theatrical counterparts and is perhaps the greatest DVD purchase one will likely ever make.
A lot "Director's Cut" scenes are usually just added footage that doesn't do a whole lot to add onto the theatrical edition of movies with examples like Star Wars, Manhunter, or even most of the "Aliens" movies as well. The extra material is just that, extras, that wouldn't kill me to never see again.
It's a totally different story altogether with the "Lord Of The Rings" movies altogether. While the regular theatrical editions were mind-blowing, the extended cuts of the same films do wonders in fleshing out the story and expanding the characters a lot more. Several characters that were not much more than background people are shown much more screen time, stories are greatly expanded, other scenes are much more meaningful, and the movies overall have a totally different feel altogether thanks to all of the extra footage that was not included on the theatrical editions. Now as I watch them, the old editions of them are rendered almost completely obsolete due to the chopped up nature of them. I sometimes wonder if Peter Jackson grimaced when he had to leave a lot of extra shots out of the movies to fit them onto the theatres when they were released.
"Fellowship" has 30 minutes of extra footage included to a length of 3 and a half hours. "The Two Towers" was extended 43 minutes to a total of 3 hours and 42 minutes and finally "The Return of The King" is extended by a grand 50 minutes and the ultimate result is a whopping 4 hours and 11 minutes long! I don't know about you but I don't know how one can make a longer movie like this but Jackson did it! The grand total of all three extended editions is at least an astronomical 11 hours long! This is just the movies themselves.
As for all of the extras on the "Extended Editions", there are over a days worth of extras for surf through on the latter two discs of each film set. The things on them are too great to explain in detail with this review.
Whether you buy them individually or all at once on this massive gift set, "The Lord of The Rings" trilogy goes down as the greatest trilogy of all time. You could not make a better purchase. I swear it!

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This critically acclaimed epic trilogy follows the quest undertaken by the hobbit, Frodo Baggins, and his fellowship of companions to save Middle-earth by destroying the One Ring and defeating the evil forces of the Dark Lord Sauron. With new and extended scenes carefully added back into the film, the 12-disc set also includes hours of bonus features.

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Wednesday, July 6, 2011

The Lord of the Rings: The Two Towers (Widescreen Edition) (2002) Review

The Lord of the Rings: The Two Towers (Widescreen Edition) (2002)
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Peter Jackson has done what could not be done. Deemed unfilmable for decades (with the terrible cartoons as an example of why), "The Lord of the Rings" took the audiences by storm when "Fellowship of the Ring" premiered in 2001. In 2002, anticipation was even higher, dread was lower -- and "Two Towers" is an outstanding continuation of the epic fantasy tale.
The movie picks up where "Fellowship" left off: Merry and Pippin have been captured by Uruk-hai, and Aragorn, Legolas and Gimli are pursuing them. But they are sidetracked by an old friend: Gandalf, returned in a new form and with new powers, as Gandalf the White. He takes them to the kingdom of Rohan, whose king is bewitched by the evil Saruman. They barricade the people of Rohan in the fortress of Helm's Deep, for a final defiant stand against an army of Uruk-hai.
Sam and Frodo have left, to venture into Mordor alone so that Frodo can destroy the Ring in Mordor's Mount Doom. When the two hobbits become lost in Emyn Muil, Frodo realizes that someone is following them: Gollum, the tormented, twisted former owner of the Ring. They capture Gollum, who swears to serve "the master of the Precious." But even Gollum's shaky allegiance isn't enough for them to succeed, because the Ring has started to bend Frodo to its will.
While the first movie revolved around Frodo, the Ring and the Fellowship, here the focus widens. We get a better sense of the epic quality of the story and how it affects the whole world, not just our heroes. Gondor is crumbling, Rohan is beaten down by orcs, and even the forces of nature -- the tree-like ents -- are being attacked by Sauron and Saruman. It's nature versus the destructive machines, and the wild wrecking of Saruman's forges by these ancient tree shepherds is something to cheer for.
Elijah Wood blossoms in this film as Frodo Baggins, the little hobbit who could. In the first movie Wood played Frodo as an innocent who loses his innocence; here he takes it a step further, showing the darkness and violence that are swallowing Frodo up. Because we saw what a bright, sweet person Frodo was before, it's all the more horrible to see him starting to slide down (even attacking his best friend -- the look on Frodo's face as he comes to his senses is stunning). Sean Astin perfectly embodies Sam Gamgee -- increasingly desperate, trying to keep Frodo from going under. He serves as a reminder of what Frodo is fighting for, and Astin has perhaps the most powerful lines of the film, near the end: "But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer." These simply-worded lines will bring tears to your eyes.
But if Frodo is just starting to be addicted, Gollum is a junkie. Even if Andy Serkis doesn't appear in one frame in the entire movie, his motions and voice are heard and seen behind an exquisitely detailed CGI puppet. This is no Jar Jar or Dobby -- Gollum is detailed down to the last hair and wrinkle, believable in his appearance (I actually forgot he was animated for most of the movie), and has a multifaceted personality that reflects his own inner struggle -- Smeagol and Gollum, good and evil. The scene where Gollum's two halves argue is too amazing for words.
The other supporting actors shine almost as brightly. Viggo Mortensen turns his reluctant hero Aragorn into a leader and a warrior. Ian McKellen manages to make Gandalf more stately and majestic, yet keeps that little grandfatherly twinkle. John Rhys-Davies provides a bit of comedy as Gimli, mostly related to Gimli's stature, but never loses his dignity; Orlando Bloom is outstanding as ethereal elf archer Legolas once again. Liv Tyler captures Arwen's fear of mortality and loneliness. Billy Boyd's Pippin and Dominic Monaghan's Merry, the well-meaning goofballs of "Fellowship," are now forced to make their own decisions. And new cast members Miranda Otto and Bernard Hill also shine as the strong-willed Eowyn and tough old king Theoden, in roles that will bloom further in the third film.
Peter Jackson (who makes a few cameos) once again outdoes himself with camerawork and direction. His cameras as like living things: they swoop, dive, pull back for outstanding combat shots and then zoom in for exquisite close-ups. The battle scenes are dark, bloody, explosive, and full of chaos; only near the finale does any hint of glory shine through. He adds little human touches (the family split up by the war) that give a glimpse of what the non-heroic, ordinary people are suffering.
Of course "Two Towers" isn't as good as the book. Few movies are. But taken purely as a cinematic experience, and an adaptation, "Two Towers" is virtually without peer. Epic, majestic, action-packed and brimming with pathos, this is a treasure. And they say "Return of the King" will be the best of all...

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Frodo Baggins and the Fellowship continue their quest to destroy the One Ring and stand against the evil of the dark lord Sauron. The Fellowship has divided and now find themselves taking different paths to defeating Sauron and his allies. Their destinies now lie at two towers - Orthanc Tower in Isengard, where the corrupted wizard Saruman waits and Sauron's fortress at Baraddur, deep within the dark lands of Mordor.DVD Features:DVD ROM Features:Exclusive online contentDocumentaries:2 in-depth programs that reveal the secrets behind the production of this epic adventure, including: "On the set - The Lord of the Rings: The Two Towers" (Starz/Encore special) "Return to Middle-earth" (WB special)Featurette:8 featurettes originally created for lordoftherings.net: Forces of Darkness Sounds of Middle-earth) Edoras & Rohan Culture Creatures Gandalf the White Arms & Armor Helm's Deep Gollum: Andy Serkis, Bay RaittInteractive MenusMusic Video:Emiliana Torrini "Gollum Song" music videoOther:Exclusive 10-minute behind-the-scenes preview of The Lord of the Rings: The Return of the King Short film by Sean Astin "The Long and Short of It" + making of Preview of Electronic Arts' video game, The Lord of the Rings: The Return of the King An inside look at the Special Extended DVD Edition of The Lord of the Rings: The Two TowersTheatrical Trailer:Original theatrical trailers and TV spots


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Sunday, June 19, 2011

Labyrinth (1986) Review

Labyrinth (1986)
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In the early 80's Jim Henson created one of the most ambitious fantasy films ever: The Dark Crystal. It was a movie that had a completely realized world with its own creatures and flora... and it was performed entirely by puppets. Not the Muppet kind that Henson is famous for, mind you. These were serious creations that involved serious innovations in animatronics. While many loved the movie and it was critically acclaimed many others didn't "get it". There was no human interaction in the movie whatsoever and that put off people. Also the movie was serious with none of that Muppet mayhem Henson fans are so used to. That put off a few more people.
The next evolutionary step in Jim's grand scheme of fantasy puppetry was Labyrinth, and they filled in the gaps that The Dark Crystal left for those who couldn't (or wouldn't) "get" the concept of a fully realized fantasy setting that is outside of our own. How does he do it? Let me tell you...
Step One - Human actors. Labyrinth included the young, yet already talented Jennifer Connelly as their heroine and well-established musician and actor David Bowie as her nemesis. Now you get the fun of a complete puppet world while at the same time you have human characters that interact in that same environment. Thus giving the viewer a better connection to the puppet characters.
Step Two - Better puppets. The Dark Crystal is a masterpiece in of itself, however the technology used to animate the puppets was in its infancy and if you had to be picky about it you can pick away at the limitations of the puppets in that movie. With Labyrinth you get updated technology, which gives you puppets who can show emotions better. Case in point is the goblin Hoggle, who is the starring puppet. So much attention to detail went into his facial expressions that you can actually see the fear, disgust, anger, and joy in his eyes. Add to that other puppetry innovations and you have a world of cool puppets.
Step Three - Keep it fun. The Dark Crystal was a grandiose and serious film that included some funny moments now and then. Labyrinth is the opposite. Is a fun film where the characters meet up with unexpected and often times crazy situations. Makes this fantasy adventure feel more comical in the same way it would reading a fun bedtime story.
Step Four - Keep the original concept. Jim Henson did The Dark Crystal with the thought that he wanted to create a whole different world inhabited by beings and creatures portrayed entirely by puppets. Labyrinth is essentially the same thing, but done in a different way. Walking through the movie's namesake (the maze that leads to the goblin city) is definitely like being in another world that's both fascinating and fun. Much of what you see is visually impressive and essentially relish in the fact your eyes can play tricks on you. Brian Froud is again signed on as the conceptual designer and his work shines just as well in this iteration as it did with Dark Crystal.
Labyrinth also has the destinction of having songs specially written for the movie by David Bowie. Keep in mind this movie was in the 80's so what you get is 80's Bowie, and there are a couple scenes that flow more like music videos (or musical numbers) than standard scenes.
You might get the impression I am dogging on Dark Crystal in order to lift up Labyrinth. Can't be farther from the truth. However I do know the differences between the two films and how the other was made in response to the first. Labyrinth is the folk tale while Dark Crystal is the fantasy book. I believe both are fantastic movies.
The original DVD for Labyrinth was a good compilation right from the start, and was superseded with the Anniversary Edition having remastered visuals and a couple new featurettes. Now we have the movie on Blu-Ray, and boy I thought the Anniversay Edition looked good. I was worried when this movie went high definition that a lot of the original film grain was going to be lost in the digital cleaning that's popular with some companies with older films. Luckily what you end up with is the best looking picture to date. I'm not going to say this movie is presented in supersharp crystal clarity, but then again that would ruin it. The movie look as true to the original theatrical release as you can get. Details really pop out without looking antiseptic. Visually the Blu-Ray does breath new life into this classic. The extras are pretty much identical to what was offered on the Anniversary Edition with one exception. Here's what you get:
Documentary Making of the Labyrinth - Has interviews with actors, puppet performers and production staff including Jim Henson, Brian Henson, David Bowie (who gives us some insight on his character) and Jennifer Connelly as well as lots of details on design and production of the movie. This documentary is a gem for those of you want solid behind-the-scenes details and was in the original DVD and is included on the Anniversary Edition.
Journey Through the Labyrinth: Kingdom of Characters and The Quest for Golden City - These two featurettes from the Anniversary Edition include updated interviews with the cast and crew and never before seen footage from the Jim Henson archives. Kingdom of Characters focuses on... you guessed it... the main characters in the movie including conceptual design for the puppets (although Hoggle seems to be mostly left out, likely because there is so much of him in the original documentary) and background info on the actors. The Quest for the Golden City is mostly design details on the labyrinth, Goblin City and castle itself. These featurettes do well to fill in the gaps left by the original documentary. The extra footage is test footage of the puppets and such, with some production footage as well. I noticed some of the production footage was a rehash of what's on Making of the Labyrinth, but the crosstalk is few and far between.
The Storytellers Picture-in-Picture: This is the Blu-Ray exclusive featurette. When you turn it on while watching the movie occasionally a window pops up with an interview with one of the crew members speaking some interesting anecdote about the film. There isn't a whole lot of these that pop up in the movie, but when they do you get some rather interesting and entertaining production and behind the scenes information. Hearing about the casting call for the Helping Hands scene and the interview with Warwick Davis are alone worth checking out the feature.
Commentary by Brian Froud
You also get Dolby True HD Surround in English, French, Portugese with a Dolby Digigal Spanish track (how many movies have a Portugese dub?) with subtitles in all. Kind of strange they left out the Japanese audio that the Anniversary Edition had. I recall hearing improvements from the previous release's Dolby Digital 5.1 mix, but nothing groundbreaking.
Every release of Labyrinth has been impressive from the very first DVD, and with each new release it gets even better. So is it worth the double/triple dip? Well just like how the Anniversary Edition gave you a better picture with more extras the Blu-Ray ups the ante. I say if you want to enjoy this movie in the best way visually then yes. The new extras are nice, but to be honest as long as they original making of documentary is in there everything else will always come in second.
Labyrinth is a wonderful movie for all ages. The visuals will impress and the hijinks will entertain. If you are a Muppet fan this movie will be much more accessable than the Dark Crystal, and if you like The Storyteller then you have abolustely no choice but to get this (it's like a full length Storyteller movie sans John Hurt).

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Wednesday, February 23, 2011

Stardust (Widescreen Edition) (2007) Review

Stardust (Widescreen Edition) (2007)
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The story begins in the 19th-century village of Wall. But Wall isn't your average country village -- it guards a low, stony wall between mundane England and the fantasy kingdom of Stormhold. No one crosses the wall -- except for young Drustan Thorn, whose curiosity led him to an otherworldly market and a single night of passion with a captive gypsy -- or princess -- and nine months later he was given a son, Tristan, who was left for him by the wall.
Flash forward 18 years, and Tristan (Charlie Cox) hopes to win the heart of his beautiful but shallow love, Victoria (Sienna Miller), by recovering a star that fell somewhere beyond that wall. So Tristan sets forth on his own journey in Stormhold. Meanwhile in that magical land, the dying king (Peter O'Toole) has set his four surviving sons on a quest for the crown. And the witch Lamia (Michelle Pfeiffer) is seeking the heart of the star for an entirely different purpose, one that probably will not turn out well for anyone else involved in the story.
Despite initial trepidations over seeing a favorite Neil Gaiman story converted to film, "Stardust" is all I could hope for. The settings and scenery are lush and beautiful. The effects are seamless and spectacular. The score by Ilan Eshkeri is dramatic. Narration by Ian McKellen is compelling. And the casting is exceptional, from Robert De Niro as the delightful sky pirate Captain Shakespeare to Pfeiffer as the sumptuously evil witch.
Claire Danes is absolutely radiant as Yvaine, who in one way or another holds the resolution of every quest. Poised, beautiful and sporting a great English country accent, Danes glows even without the benefit of special effects. And Tristan Thorn is a classic everyman hero, a simple young man who grows and flourishes on his journey; Cox captures the role perfectly. A relative newcomer to the screen, he's without question an actor to watch.
Gaiman is a brilliant writer, a man with an imagination like no other. Fortunately, director Matthew Vaughn bucked the Hollywood trend by respecting the source material, creating a splendid film, one that will surely become a classic for generations to come.
by Tom Knapp, Rambles.(NET) editor

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Escape into the enchanted world of chivalry and romance in Stardust, an epic tale starring Claire Danes with Michelle Pfeiffer and Robert De Niro. In hopes of wooing a beautiful girl (Sienna Miller), Tristan (Charlie Cox) promises to bring her a falling star. But he’s in for the adventure of his life when he discovers the star is actually a celestial beauty named Yvaine (Danes) When an old witch Lamia (Pfeiffer) attempts to steal Yvaine’s youth, Tristan must protect her at all costs, in this magical family adventure that will make you fall in love over and over again.

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