Thinking XXX (Extended Cut) (2004) Review

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(More customer reviews)Thinking XXX (Timothy Greenfield-Sanders, 2004)
I've been stepping up my watching of documentaries these past few years. Sort of a combination of feeling like too much of the time I spend in front of a screen is wasted and wanting to find out more about subjects that I know nothing, or little, about. It's not that much of a sacrifice when you've got stuff like this out there waiting to be seen. Celebrated photographer Timothy Greenfield-Sanders, while taking the photos for his book XXX: 30 Porn-Star Portraits, decided to film the process as well. The result is a fascinating look at the people behind the porn, as it were.
One (or, at least, I) always expects porn stars to be nice, bubbly, somewhat vacuous. I know, prejudice is a horrible thing, but there it is. And to be fair, a few of the folks who get camera time here come off exactly that way. But the majority are quite another thing entirely. Everyone, by now, knows the Jenna Jameson story, how she went from being "just another porn star" to being one of the biggest movers and shakers in the adult entertainment industry. (One of the interviewees notes that the E! True Hollywood Story episode on Jenna Jameson was the series' most watched episode of all time.) that sort of drive, intelligence, and ambition is very well represented here, and by many more stars than Jameson. Yeah, there are a lot of naked bodies to look at, and they're aesthetically pleasing, but the flesh on display is not the only attraction here; these people, and the other commentators Greenfield-Sanders ropes in to give their opinions (among them Gore Vidal, Nancy Friday, Karen Finley, and John Waters), really have interesting stuff to say about the business, about their lives, about the cultural mystique that allows such an industry to become the billion-dollar juggernaut it is. These is good people, these is! (And I had no idea Nina Hartley was still making movies-- I remember her from almost a quarter-century ago. More power to her!)
As well as all that, there's what (I assume) Greenfield-Sanders originally set out to document, the art of composing the pictures themselves. He works on antique equipment, so this isn't just a documentary about point-and-shoot camera technology. Even if it were, his idea here-- portraits of the stars clothed, then nude, in the same positions-- required a lot of forethought, a lot of retakes, and, no doubt, a lot of patience from everyone involved. Ever wonder what goes into one of those big coffee-table books of photography? I have little doubt that what Greenfield-Sanders shows us is no more than the tip of the iceberg, but it's enough to get a person wondering.
Rent this, send the kids to bed, and watch it. Prurient interests aside, I think you'll learn something. This one was definitely not filed in the "wasted time" folder in my head. ****

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Studio: Hbo Home VideoRelease Date: 06/13/2006Rating: R

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Hairspray (1988) Review

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(More customer reviews)I think it's safe to say that Hairspray is a unique motion picture. The film, while providing nonstop fun and laughs throughout, also manages to not only confront but to roll right over prejudice in several of its nefarious guises. I was a teenager when this film came out, and sadly, it was the death of Divine (just before the movie was released) that made me aware of this film. I don't know if that publicity helped or hurt ticket sales - Divine, for those who have never heard of him, was famous for playing female roles, and Hairspray had begun to rejuvenate his whole career. As for the film, it's extremely campy in the best of ways, overflowing with great singing and dancing from the early 1960s, and it is the type of film that makes you feel good after you watch it.
Ricki Lake plays Tracy Turnblad, a big, bold, and beautiful teenager who dreams of dancing on the exceedingly popular Corny Collins dance show. Her mother, played by Divine, isn't too crazy about modern music and dancing - until Tracy auditions and gets a spot on the show. Strutting her stuff in front of the cameras, she quickly becomes Baltimore's newest sensation. This does not sit well with Amber von Tussle (Colleen Fitzpatrick), as Tracy steals her man and then threatens to win the coveted title of Miss Auto Show 1963. Tracy is overweight, but she likes herself just as she is and easily dismisses the fat jokes thrown her way early on. The big issue in this film, though, is segregation. Tracy and her best friend Penny Pingleton (Joann Havrilla) soon become friends with some of the black kids in town and begin working toward integrating the Corny Collins show. Collins is all for the idea himself, as currently the Negro show runs only once each month under the controls of sassy Motormouth Mabel (Ruth Brown). The station manager will not hear of integration, though, and Penny's mother is aghast to find out that her daughter is in love with an African-American. This is 1962, of course. The whole segregation issue becomes the basic foundation of the movie as it dances its way to the end, making Hairspray a wonderfully entertaining film with a serious message behind it.
The film is blessed with many interesting cast members. Divine plays not only Mrs. Turnblad but also the station manager, Jerry Stiller plays Mr. Turnblad, Sonny Bono and Debbie Harry (and Debbie Harry's increasingly interesting hair) come together to play Amber von Tussle's parents, and Ric Ocasek and Pia Zadora show up as Beatniks in a strange little cameo appearance. Of course, Ricki Lake pretty much steals the show as the big girl with big dreams, although I found Joann Havrilla's performance as Penny Pingleton quite captivating in a weird sort of way.
It is very difficult to describe Hairspray; you pretty much have to watch it to get a true feel for its entertainment assets and social commentary underpinnings. It does have its silly moments, but this is not entertainment for the sake of entertainment, nor is this a film you will soon forget after watching it.

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Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Review

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(More customer reviews)`Hairspray' is a non-stop, exhilarating song and dance extravaganza. This exuberant remake of the John Waters' musical is funny, fast, and fabulous. Adam Shankman's direction is appropriately lilting in the right measure, but balanced with social commentary highlights. Unlike 'Dreamgirls,' there are no Oscar worthy performances, but the production is so fun there doesn't have to be. The entertainment is winning on every level, and, as for the songs, it never goes limp.
Once again we are transported to the early sixties in Baltimore, where flannel is uniform, Blacks and Whites are segregated, and beehives are in fashion. The plot is fairly simple: Overweight teen Tracy Turnblad (Nikki Blonsky) wants to break the mold on her favorite TV program "The Corny Collins Show" (an "American Bandstand"-like feature) while discovering a more urgent need to end segregation on a show that only sometimes features "Negro Night". She gets her big break when teen singing sensation, Link Larkin (Zac Efron) makes advances that bring her to the stage floor. In the meantime, her success is challenged by the show's program manager, (played with overbearing skill by Michelle Pfeiffer) and her daughter, Amber, the show's reigning "Miss Teenage Hairspray," a nasty nemesis . Joining forces with her Afro-American friends, especially Motormouth Maybelle (Queen Latifah) and dancer Seaweed (Elijah Kelly), she works for equal time on the dance floor.
`Hairspray' is set as perfect entertainment. John Travolta provides likable loopiness as Nikki's mother while he dances and cross-dresses his way into our hearts. The villains are nasty enough, and the sweetness pervades even amongst important demonstrations on key social issues. When it all comes down to balance, 'Hairspray' fills the bill.

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It's 1962, and change is in the air in Baltimore. Tracy Turnblad, a big girl with big hair and an even bigger heart, has only one passion--to dance. She wins a spot on the local TV dance program, "The Corny Collins Show" and is transformed overnight from outsider to irrepressible teen celebrity. But can the trendsetting Tracy win the heart of teen-dream Link Larkin and stand up for what she believes in, despite the program's scheming stage manager? All she needs is her best friend Penny, a toe- tappin' beat - and a little HAIRSPRAY!

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