Riki-Oh - The Story of Ricky (1993) Review

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(More customer reviews)You MUST buy/rent/steal the video "the story of Ricki Oh"....An instant classic and quite possibly the most violent, gory, and graphic film ever made. Multiple gorings, eye gougings,stabbings, impalings, and dismemberments. Dudes get buried alive, encased in concrete, flayed, their tongues cut out, crushed under presses, and run through meat grinders. Guys are chopped in the face with swords, boards studded with nails, and have wood planes run up their face. Did I menntion that the prison warden in this movie shoots prisoners with exploding bullets that make them expand like balloons beforee they burst like road kill underneath a car tire?
The hero ricki punched through dudes, decapitates his enemies with oopen fist blows, crushes guys heads like he's popping a zit. There's even a scene where a guy, who is about to die in a fight with Ricki, grabs a knife and stabs himself in the stomach...then he pulls out his intestines and tries to strangle ricki with them....
With memorable lines like:
"They gave me 30 pounds of rice to cut you up, turn you into mince meat, and put you in a pie..."
"Oscar has shown his tatoos...now he must kill!!!!"
"Ricki, I am your uncle. I have known you since your were 7 or 8 years old, when you possessed suoperjuman strength. Do you still possess your super human strength?"
"Chi Cong feeds on strength!!!!!"
"I have hit you in your death spot..soon you will die"
"His style of Kung Fu is unorthodox...I do not think I can defeat him..."

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When mild-mannered Ricky takes revenge on the drug pushing thugs who killed his girlfriend, he is sentenced to a maximum security prison. Within these walls lies a penitentiary like no other, run by a host of evil characters. A sadistic warden, his sniveling assistant, and the powerful Gang of Four all control the inmates through terror and brutal death!

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Ip Man 3 "The Legend Is Born" 2010 Review

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(More customer reviews)Riding on the coat tail of the successful Ip Man series, Ip Man 3 is your typical " Slap-Ip-Man-on-the-title-and-we-can-all-make-buckets-of-money" sort of film.
I won't be surprised if the overall plot was hashed together over a nice lunch by some studio heads, script written in 2 days and the whole movie shot in less than 20 days. The movie has no resemblance to its predecessors. You want cliche? This movie got them all.
I love Ip Man 1. I like Ip Man 2. I almost tossed Ip Man 3 into the trash after the first 10 minutes.
If you are a completest or a kung fun nut, go ahead and spend the money. If you actually want something concrete for your hard earned money and precious time, watch Ip Man 1 or 2 again.

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Mr. Nice Guy (1998) Review

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(More customer reviews)With nearly non-stop action and thrills Jackie Chan's "Mr. Nice Guy" is probably without a doubt one of Jackie Chan's BEST films ever, featuring Chan's trademarked ultra-choreographed but jaw-dropping and awe-inspiring just plain AWESOME action sequences (including the trademarked end-of-film outtakes).
THE MOVIE:
A TV cook Chan unwittingly stumbles into the middle of a drug-related murder between Australian mobsters and a street gang when he saves the life of a woman and unknowingly comes into possession of her incriminating tape. From the get-go it's an all-out adventure ride setting the standard for the amount of action per frame as Jackie battles the mob while trying to save his girlfriend and his other friends.
Notable Scenes:
1.The Horse and Carriage Battle Scene
2.The Warehouse With Many Doors Fight Scene
3.The Ending Battle Which Puts Rumble In The Bronx's Hovercraft scene to shame!!
THE DVD FEATURES:
The DVD is a little sparse on special features, but it does contain a few great extras including a pretty detailed bio (more so than the Rumble in the Bronx DVD) and filmography of Jackie Chan as well as the film's theatrical trailer. Also included are selected scenes from some of Jackie's other films (Rush Hour, Rumble In The Bronx, First Strike, and Police Story all on sale from New Line Cinema).
THE VERDICT:
Action movie/martial arts film fans will love this movie. Fans of Jackie Chan will probably rate this toward the top of his movies as the action standards this film set are just off the charts!!! The action, as well as the story, are solid. New fans of Chan will also love this film and its mind-boggling action sequences. The DVD features, while a bit sparse compared to more recent DVD releases, are alright and are in fact a little better than his other releases with New Line. Overall, whether you rent, borrow or purchase this DVD/movie, it is worth a watch.
Highest Recommendation.

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MR. NICE GUY - DVD Movie

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Shaolin Soccer Review

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(More customer reviews)I had heard about Shaolin Soccer (2001) a couple of years ago from a friend, as he had recommended it to me, knowing the particular way some of my tastes ran, and I am glad he did, as it's a heady mix of the wacky, the absurd, and the just plain fun. The movie starts off with a flashback, showing an extremely popular Chinese soccer player named Golden Leg Fung accepting money to throw a game from a lackey, and the consequences of his actions, including a severely crippling beating by the crowd after purposely missing a rather easy goal scoring opportunity. Now, it's many years later, and Fung now works for the gangster organization that had originally paid him off, in a completely demeaning position. He dreams of coaching, but the once lackey who owns the current champion soccer team and is also chairman of the league, finds this notion completely humorous, and heap further degradations upon Fung. Despondent, Fung ends up meeting a vagabond/shaolin follower called Steel Leg, and formulates a plan to build a new soccer team around this exceptional martial artist. Fung also finds out Steel Leg has enough brothers, all once trained in martial arts, to make up a team. Each brother has their own, unique ability, and soon they begin to practice. During their first practice, the men suffer a fairly brutal beating (this whole pain, beating, and humiliation factor seems to be a constant theme throughout), but soon find their shaolin training coming back to them, and turn the tables on their opponents. They enter the tournament, sweeping through the ranks, until finally the meet with the current champions, the Evil Team (I'm not kidding, that's their name), and meet the ultimate challenge, as the chairman gives his team a decidedly unfair advantage. Will the shaolin players be victorious, or will they suffer the crushing defeat at the hands of the chairman and his evil team?
The special effects here are truly amazing and inventive, making for the most insane soccer playing I've ever seen. Imagine someone being able to kick a soccer ball with the same force of shooting it out of a cannon, and with pinpoint accuracy. There is not really a lot of actual soccer playing, in the traditional sense, as with the abilities of the players, the ball mainly zooms around in a very cartoonish manner. Mixing kung fu and soccer is certainly and interesting concept, and provides some really spectacular visuals. The English captioning is really bad, but certainly gave me much to laugh about, along with the seriously outlandish overacting.
Special features include an option to watch the film with the deleted scenes, the deleted scenes by themselves, a trailer, biographies, a featurette on the making of the film, a photo gallery, and behind the scenes featurette on how the special effects were made. All in all, Shaolin Soccer is an unsane, over the top comedy steeped in outrageous action and definitely worth a look if you care to expand your horizons.
Cookieman108

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With tons of action, eye-popping special effects, and nonstop laughs, here's a hilarious martial arts comedy about a team of misfits who take their best shot at winning a championship! Sing is a skilled Shaolin kung fu devotee whose amazing "leg of steel" catches the eye of a soccer coach! Together they assemble a squad of Sing's former Shaolin brothers inspired by the big-money prize in a national soccer competition! Using an unlikely mix of martial arts and newfound soccer skills, it seems an unbeatable combination ... until they must face the dreaded Team Evil in the ultimate battle for the title!

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Martial Arts 50 Movie Pack Collection Review

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(More customer reviews)Some of the titles in MARTIAL ARTS 50 MOVIE PACK are so obscure, very little information could be gotten about them. A couple of selections here are from a long-forgotten American TV series. There's even a few spaghetti-karate films thrown into the mix. The majority however originate in the Far East: Hong Kong, Japan, Taiwan and the Philippines.
Lots of choreography went into the making of these movies; undoubtedly, there were a few unintentional injuries along the way, too. The action and pratfalls are non-stop and the plots mere window dressing for the foot-to-head combat scenes. For all martial arts fans these cinematic slugfests are sure-to-please.
Overall rating was achieved by averaging out viewer polling on 42 of these titles. Based on a film resource website's 1 to 10 scoring system, the current rating for MARTIAL ARTS is: 4.8.
The following alphabetized program list includes individual poll scores, original theatrical names (where indicated), country of origin, years of release and primary performers.
(5.0) The Big Fight (Taiwan/Hong Kong-1972) - Roc Tien/Cheung Chin Chin
(4.0) Black Cobra (Italy-1987) - Fred Williamson/Eva Grimaldi
(5.1) Black Cobra 2 (Italy-1988) - Fred Williamson/Nicholas Hammond
(4.5) Black Cobra 3 (Italy-1988) - Fred Williamson/Forry Smith
(4.8) Black Fist (1975) - Richard Lawson/Dabney Coleman/Philip Michael Thomas
(2.7) The Black Godfather (1974) - Rod Perry/Damu King
(4.4) The Brave Lion (1977) - Wei Tzi Yung
(3.9) Breakout From Oppression (1978) - Fonda Lynn/Alan Tam
(2.7) Chase Step By Step (China-1982) - Chee Fung/Wong Gwan Sheong
(???) City Ninja (1986) - Wai-Man Chan/Chia Che Fu
(6.6) The Deadly Duo (Hong Kong-1971) - David Chiang/Chuen Chan
(2.2) Death Machines (1976) - Ronald L. Marchini/Michael Chong
(5.6) Death Of A Ninja ("Black Magic Wars") (Japan-1982) - Hiroyuki Sanada/Sonny Chiba (in support)
(4.0) Fighting Mad ("Death Force") (USA/Philippines-1978) - Jayne Kennedy/Leon Isaac Kenndey (both minor roles)
(6.1) Four Robbers (Hong Kong-1987) - Charlie Cho/Feng Ku
(5.1) Four Shaolin Challengers (Homg Kong-1977) - Charlie Chan/Phillip Ko
(3.7) The Guy With The Secret Kung Fu (Hong Kong-1981) - Sally Chen/Fei Meng
(3.9) Hands Of Death (Hong Kong-1987) - Richard Harrison/Roc Tien
(3.6) The Head Hunter (Hong Kong-1982) - Rosamund Kwan
(4.6) Heroes of Shaolin Part 1 (Hong Kong-1979) - Sing Chen/Jang Lee Hwang
(4.6) Heroes of Shaolin Part 2 (Hong Kong-1979) - Sing Chen/Jang Lee Hwang
(4.3) Image Of Bruce Lee (1978) - Bruce Li/Chang Leih
(8.1) The Impossible Kid (Philippines-1982) - Weng Weng
(5.5) Infernal Street (Taiwan/Hong Kong-1973) - Feng Chang/Wan Hsi Chin
(4.7) Karate Kids USA ("The Little Dragons") (1980) - Charles Lane/Ann Sothern
(6.6) Kung Fu Arts (Taiwan-1980) - Carter Wong/Sing Chen
(7.8) Kung Fu Kids Break Away (Hong Kong-1980) - Au Dai/Cheung Hoi Fan
(???) The Master (series): "Max" (TV-1984) - Lee Van Cleef/Timothy Van Patten/Sho Kosogi/Demi Moore (bit part)
(???) The Master (series): "Out-Of-Time Step" (TV-1984) - Charles Collins/Dick Durock
(2.9) Ninja Champion (Hong Kong-1985) - Bruce Baron/Pierre Tremblay
(5.1) Ninja Death I (1987) - Alexander Lou/Fei Meng
(???) Ninja Death II (1987) - Lo Yiu/Fei Ming
(???) Ninja Death III (1987) - Lo Yui/Fei Ming
(2.3) Ninja Empire (Hong Kong-1990) - Mike Abbott/Marko Ritchie
(???) Ninja Heat (1988) - Chan Sheng/Chan Wai Mang
(3.2) Ninja The Protector (Canada/Hong Kong-1986) - Richard Harrison/Jackie Chan
(6.0) The Real Bruce Lee (Hong Kong-1973) - Bruce Lee/Bruce Li/Dragon Lee
(4.9) Return Of The Kung Fu Dragon (Hong Kong-1976) - Sing Chen/Tao Chen
(6.1) Return Of The Street Fighter (Japan-1974) - Sonny Chiba/Yôko Ichiji
(6.7) Shadow Ninja (Hong Kong-1983) - Roy Chiao/Wei Tung
(5.7) Shaolin Deadly Kicks ("Flash Legs") (Hong Kong-1977) - Tao-liang Tan/Lieh Lo
(7.3) Shaolin Temple (Hong Kong-1976) - Sheng Fu/Kuan-Chun Chi
(5.7) Sister Street Fighter (Japan-1974) - Hiroshi Miyauchi/Sanae Ohba
(3.4) Snake Fist Dynamo (Homg Kong-1984) - Erik Yee/Dick Lee
(???) The Snake, The Tiger, The Crane (Hong Kong-1975) - Carter Wong/Nan Hsi Yen
(5.2) Spirits Of Bruce Lee (Hong Kong-1973) - Michael Chan/Poon Lok
(6.9) The Street Fighter (Japan-1974) - Sonny Chiba/Waichi Yamada
(???) Tiger Love (1977) - Hu Chin/Lieh Lo/Ya Wang
(4.0) T.N.T. Jackson (Philippines/USA-1975) - Jeannie Bell/Stan Shaw
(3.3) The Weapons Of Death (1982) - Eric Lee/Bob Ramos

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For the first time, the legends of martial arts are gathered in the ultimate DVD collection that will provide countless hours of adrenaline-filled action.
Included
Big Fight, The
Black Cobra
Black Cobra 2
Black Cobra 3
Black Fist
Black Godfather, The
Brave Lion
Chase Step by Step
City Ninja
Deadly Duo
Death Machines
Death of a Ninja
Fighting Mad
Four Robbers
Four Shaolin Challengers
Guy with the Secret Kung Fu, The
Hands of Death
Head Hunter, The
Heroes of Shaolin Part 1
Heroes of Shaolin Part 2
Image of Bruce Lee
Impossible Kid, The
Infernal Street
Karate Kids USA
Kung Fu Arts
Kung Fu Kids Break Away
Master, The: Max
Master, The: Out of Time Step
Ninja Champion
Ninja Death I
Ninja Death II
Ninja Death III
Ninja Empire
Ninja Heat
Ninja: The Protector
Real Bruce Lee, The
Return of the Kung Fu Dragon
Return of the Street Fighter
Shadow Ninja
Shaolin Deadly Kicks
Shaolin Temple
Sister Street Fighter
Snake Fist Dynamo
Snake, The Tiger, The Crane, The
Spirits of Bruce Lee
Street Fighter, The
Ten Fingers of Death
Tiger Love
TNT Jackson
Weapons of Death

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Enter the Dragon (1973) Review

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(More customer reviews)So here it is... more than 30 years since the original theatrical release of Enter the Dragon, Warner Brothers releases the definitive 2 DVD Special Edition. It's a fine offering, long overdue, and considering the reasonable price, really offers a lot of nice extras, though most of them have been available elsewhere and have therefore been seen before (at least by rabid fans like me).
To start with, there is of course the movie Enter the Dragon (ETD) - Bruce Lee's magnum opus that was not released until after his unfortunate death in 1973, but sealed his immortality. The plot is simple enough - Bruce is a modern day Shaolin monk who is somehow enlisted by the British/Hong Kong government to infiltrate the island of Dr. Han (Shieh Kien), a crusty old renegade Shaolin gone bad who holds a yearly martial arts tournament to recruit talent for an international opium and prostitution racket. Roper (John Saxon), or "Loper" as Bruce says his name, is the established Hollywood caucasian star brought in because of reservations about Bruce's ability to carry the film, while Williams (Jim Kelly) is the token blaxploitation character who, this being the 70's, is kind of a Shaft/Superfly ass-kicker and, in the spirit of horror movies, is the first to die at the hand of Han - actually, at his artificial, interchangeable, iron, and oftentimes bladed hand. Even Jackie Chan and Sammo Hung, as young Hong Kong stuntment before they became stars in their own right, make infamous appearances as guys on the receiving end of Bruce's wrath. But the real point, or value, of this movie is that Bruce Lee shines throughout with his incredible fight sequences - he once again casts Bob Wall as whipping boy, hitting him with lightning fast punches, an insane skip side kick, and a great groin shot that still makes me wince despite hundreds of viewings; he has some fantastic weapons sequences with staff, double escrima sticks, and nunchaku; and he more than lives up to his reputation as the "man with three legs" as he demolishes armies of scrawny Asian guys whose gung fu is pitiful in comparison (check out the guy laughing in the background as Bruce connects three successive roundhouse kicks to one sap's head in the final mob fight). This was totally innovative and amazing in 1973 as the first ever martial arts movie made in Hollywood and despite all the subsequent copycats and modern day wire-fu flicks, no one has ever matched Bruce's intensity, charisma, and moves. There are some classic dramatic sequences as well with Bruce speaking English in his own voice (unlike all of his Hong Kong movies whose English versions are horribly dubbed), such as Bruce teaching a student and rapping him on the head as he expounds some homespun Zen philosophy or Bruce poignantly asking "why doesn't someone just pull a .45 and settle it?" Incidentally, this is the uncut version of the movie with some extra scenes not included in the theatrical release - basically Bruce talking quasi-philosophy (well, actually, it's someone else dubbing in Bruce's voice) with his Shaolin elder that he later recalls in the final fight sequence.
Of course, few people who buy this DVD don't know all this already, so what's new? Well, there is a commentary track by producers Paul Heller and Fred Weintraub - there's some interesting tidbits, but overall it's disappointingly uninspired. Then there's "Blood and Steel: The Making of Enter the Dragon" - a newly produced documentary short that includes some rare and new footage - a clip from Bruce's Hong Kong TV appearance in which he breaks 4 dangling boards; an interview with John Saxon, Lalo Schifrin, and the kid who gets smacked on the head by Bruce in the movie (now apparently a well-known Hong Kong director); and several minutes of on-location footage shot with Ahna Capri's handheld Super 8 camera that has never been seen before (it's short of amazing, but it's new and therefore gold to diehard fans). On disc 1 there's also a soporific Linda Lee (Cadwell) interview, another "making of" featurette with on-location footage shot by the AD, John Little's short "In His Own Words" featuring most of the Pierre Burton interview, and some old black and white movies (with sound) of Bruce kicking his buddies and hitting his heavy bag in his Los Angeles backyard - though these have all been previously available in one place or another (including the 25th Anniversary ETD DVD).
Disc 2 includes all of the TV and theatrical trailers for the movie (somewhat repetitive) and two previously released Warner Brothers documentaries - Warrior's Journey, which captures and knits together the lost Game of Death footage (GOD) in its available entirety, and Curse of the Dragon, a George Takei (Sulu of Star Trek fame) narrated documentary released around the time of Brandon Lee's death. These are both decent films, with Warrior's Journey a real gem with the GOD footage - the definitive way to watch Bruce in widescreen duel nunchakus with Dan Inosanto and try to deconstruct Kareem Abdul Jabbar's fighting style while sporting the iconic yellow and black tracksuit revived by Uma Thurman in Kill Bill Vol 1. Curse of the Dragon is interview heavy (Kareem, Taky Kimura, Paul Heller, James Coburn, etc.) but also includes clips from Bruce's childhood movies, his Green Hornet screen test, his appearance at Ed Parker's Long Beach Karate touurnament, and some backyard work-out footage with Coburn. But once again, these films have already been released before on their own, so while decent, they're less than revelatory.
And so, what we have here is by far the best available version of ETD that now exists and probably ever will, complete with a lot of nice extras, most of which have been available elsewhere. It's nice to have it all in one package (there's no apparent need to sell Warrior's Journey as a standalone product anymore) at a reasonable price. On the other hand, Lee worshippers will no doubt wish that there was more - why not include the complete Green Hornet screen test, or a Jim Kelly or Jackie Chan interview or commentary track, the complete James Coburn training session footage, all of the Ahna Capri film, more ETD outtakes, or maybe even "Kentucky Fried Movie," a parody of ETD released many years ago... but what can you do - Bruce died 31 years ago and this is the legacy he left behind.

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Lee penetrates the fortress of a warlord of crime and enters a brutal martial arts tournament in order to avenge the death of his sister.Genre: Feature Film-Action/AdventureRating: RRelease Date: 7-JUN-2005Media Type: DVD

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Red Cliff International Version - Part I & Part II (2009) Review

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(More customer reviews)This 'international version' of John Woo's RED CLIFF is the preferred edition over the previously released (and shorter) US theatrical version. Woo worked hard to shoot this epic adaption of a famous Chinese historical novel, and the final version of the movie was so long (closer to 5 hours than 4) that in Asian markets the film was released in two parts, each playing in cinemas at opposite ends of a near 12 month period. In the US, the UK and Australia, Woo tentatively gave approval for a cut-down version to play in cinemas, with both parts condensed by 50% down to a single movie. Australian critic David Stratton (a frequent reviewer for VARIETY) gave the condensed version a good, not great review, but then noted that he felt the full, uncut edition of RED CLIFF was one of the great cinema epics. And so it is.
Woo's career seemed to take a gradual downturn in the US after the peak of FACE/OFF, and it would be hard for fans of the director's earlier HARD-BOILED or BULLET IN THE HEAD (both great films) to share the same sense of enthusiasm for works like MISSION IMPOSSIBLE 2 or the aptly titled PAYCHECK. Woo reportedly wasn't that happy with things either, so when he announced he would return to Asia to shoot the biggest historical epic in Chinese film history, it was welcome news. (RED CLIFF is based on the same story that was adapted for THREE KINGDOMS, filmed not too long ago with Andy Lau and the lithe, hypnotically sexy Maggie Q). Woo regular Chow Yun Fat was in RED CLIFF, then out. Another Woo regular, Tony Leung, was in, then out, then back in (long story). Once the casting issues were resolved, Woo took his good time to shoot the movie that had apparently tantalized him for decades. The result is a real return to form and a consummate display of confidence from a director clearly passionate about the subject matter, and the movie.
RED CLIFF is epic from the get-go. In the first few minutes (of the long cut - this review deals with the 2-part extended cut listed here and will hereafter ignore the shorter version) the narrative puts events in motion for an army of thousands to commence a destructive attack across the kingdoms of China. We see thousands of soldiers (some realized digitally, others through enormous crowds of extras) and soon see a smaller band of heroes putting up a spirited defense. Characters escape the melee, seek shelter, join forces with others and prepare to make a stand against the attackers in a series of battles that escalate in size and complexity throughout the two movies. Tony Leung and Takeshi Kaneshiro are two of the main heroes. There are several other key characters fighting alongside them, and a villain of imposing stature fighting against them, determined to wipe out the heroes and consolidate his rule. Each side possesses an army, but the forces of good are outnumbered by their enemies. Interpersonal intrigue, moments of heroism and bravery, lyrical interludes where the characters philosophically ponder their situation and careful scenes where each side pragmatically plots their next movie against their opponent - these all flow forward in scenes of great beauty, warmth and power, preparing the ground for each skirmish, battle or stand-off. The opposing sides gather in numbers until, at the end of part 2, we witness a ferocious, climactic attack taking place on sea and land, with thousands determined to battle to the death.
I've generalized the story above, partly for my own sake but more specifically as I suggest you catch the various incidents of the movie fresh. The story as presented by Woo is elegant and satisfying. The devil is in the details, though, and its Woo's marshalling of texture and sound, his characteristically kinetic and mobile camerawork, and the sheer bravura of the films spectacle that make this a must-see movie. Scenes in RED CLIFF, particularly the epic destructive battles comprising much of the spectacular second part, match Jackson's LORD OF THE RINGS for effects, grandiose scale and visceral impact. (Actually, I'd clarify that statement by suggesting that the RED CLIFF films match those earlier movies visually, but surpass them viscerally, as Woo's staging of the action is more physically impactful than Jacksons). The US effects house The Orphanage provided the visual effects, and the enormous budget complements those with countless eye-opening scenes staged for real with crowds, stunt men and gargantuan sets. Woo (and his producer Terence Chang) have really pulled out all the stops. I viewed RED CLIFF on DVD but if you have the equipment and the interest, the Blu-Ray edition of this extended cut should be even more enticing. (The HK Blu-Ray of these movies received top marks for AV quality and I'd imagine the US release replicates those standards).
RED CLIFF - the full, uncensored, no-holds-barred two-part version - didn't really get the attention it deserved upon release, (at least here in the West), nor has it since. (Another fine film, Kim Je-Woon's big-budget, visionary Korean western THE GOOD, THE BAD AND THE WEIRD, suffered a similar fate). Even so, a few astute critics such as Glenn Kenny put the full RED CLIFF high in their top 10 for the year. I'd argue the same (it'd be in my top 5), and months after I originally acquired the DVD's of this movie, I still return to it in admiration, luxuriating in its many moments of grace, beauty and power.
As Amazon occasionally conflates its reviews of variant products into the same listing, let me repeat that the edition of this film you should purchase is the RED CLIFF INTERNATIONAL VERSION - PART I & PART II, on either Blu-Ray or DVD. The editions labeled as featuring the `theatrical' version are shorter, inferior, and not worth pursuing over this longer, more satisfying cut.

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RED CLIFF is the epic historical dramabased on a legendary 208 A.D. battle that heralded the end of the Han Dynasty. A power-hungry Prime Minister-turned-General Cao Cao seeks permission from the Han Dynasty Emperor to organize asouthward-bound mission designed to crush the two troublesome warlords who stand in his way, Liu Bei and Sun Quan. Vastly outnumbered by Cao Cao's brutal,fast-approaching army, the warlords band together to mount a heroic campaign - unrivaled in history - that changes the face of China forever.

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Hero (2004) Review

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(More customer reviews)I feel like I have been waiting a long time to see this movie and that the trailer for "Hero" ("Ying xiong") has been teasing us for at least a year. I have to admit that I fully expected to see an epic full of battle scenes and massed armies of men. My mistake. This film from China is a pointed fable, distilled from legend that may well be myth, and with a point that may well be lost on Western audiences. This is clear from those viewers who are unwilling to accept the conventions of wire work in Chinese martial art pictures and whose standard of realism refuses to allow for the poetic ballet of combat.
The prologue makes it clear that this story takes place in China before it was China, when the land was made up of seven warring provinces and the King of Qin (Chen Dao Ming) dreamt of conquering the other six provinces and uniting the land. For years the king has been unable to have a peaceful night of sleep because there are three assassins who are out to kill him. Now comes a nameless warrior (Jet Li), who has come to the imperial court to be rewarded for killing the three unbeatable assassins. He is warned that he may not approach within 100 paces of the king or he will be killed. But because he has bested the assassin Sky (Donnie Yen) in combat, he is allowed with 20 paces to tell his story.
Most of the story of "Hero" is told in flashback as Nameless tells his stories and the king questions him. We also learn of the fates of Broken Sword (Tony Leung) and Flying Snow (Maggie Cheung), two assassins who were also a pair of lovers. But there is more than one truth and more than one tale to be told in this film. Director Zhang Yimou, improving on the artistry we first enjoyed in "Raise the Red Lantern," color codes the stories that we see. First the story is told in lush shades of red, then in cool blue, again in white, and finally in green. Drops of water and swirling yellow leaves all become parts of the dances of death during the fight sequences, captured by cinematographer Christopher Doyle. "Hero" is a gorgeous film that uses its saturated colors better than any film of recent memory. There is a code to the colors, but that is something you need to come to terms with on your own.
Another strength of this film is that the fighting (choreographed by Wei Tung) and special effects do not overwhelm the actors who are required to play what is on some level the same scene as slightly different characters. I know there are computer generated effects in this film, especially since there are more arrows shot in "Hero" than any film in history, but for once I did not get the feel that what I was seeing was not real. That is become this film keeps coming back to questions of aesthetics, from the breathtaking use of color to the eloquent idea that swordsmanship and calligraphy are intrinsically awaited.
Special mention has to be made of the music, composed by Dun Tan and featuring violin solos and fiddling by Itzhak Perlman along with drumming by the Japanese group Kodo. I have never really seen one of those Hong Kong kung fu movies where everyone screams while they fight and I might never get around to it given the silent eloquence of the fights in movies like "Hero" (not to mention "Crouching Tiger, Hidden Dragon"), where the moments are underscored by the sound of clashing swords, pounding drums, and a violin. "Hero" is an art film, albeit one made on a larger and more colorful canvas.
"Hero" may be sold as being a big film but it is really about something relatively plain and simple. I disagree with the idea that either the style or substance of the film is beyond our Western sensibilities. Apparently the reason the film has the "Quentin Tarantino Presents" tag at the start was so that Miramax would not cut 20 minutes of the film out on the pretext that it too Asian/confusing for Western audiences. Indeed, I have seen some critics who professes to be confused about the complex plot and I can only wonder if they were equally confused by "Rashomon," an obvious reference point to this one (in many ways Yimou owes more to Akira Kurosawa's classic film than to Ang Lee's "Crouching Tiger, Hidden Dragon"). Certainly after a century of cinema we are capable to looking at the same thing from multiple perspectives and enjoying this gem of a film that has finally made its way to our shores.

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Master filmmaker Quentin Tarantino presents HERO -- starring martial arts legend Jet Li in a visually stunning martial arts epic where a fearless warrior rises up to defy an empire and unite a nation! With supernatural skill ... and no fear ... a nameless soldier (Jet Li) embarks on a mission of revenge against the fearsome army that massacred his people. Now, to achieve the justice he seeks, he must take on the empire's most ruthless assassins and reach the enemy he has sworn to defeat! Acclaimed by critics and honored with numerous awards, HERO was nominated for both an Oscar® (2002 Best Foreign Language Film)and Golden Globe!

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Bruce Lee Ultimate Collection (The Big Boss / Fist of Fury / Way of the Dragon / Game of Death / Game of Death II) (1979) Review

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(More customer reviews)Okay...this is an improvement over the previous box set...as the films feature a greatly improved picture and sound options..BUT..the foreign sets available though amazon.co.uk have great packaging...very cool book and documentaries NOT included in this set...heck there are NONE on this set. I also note that while the menus look identical to the foreign set (I guess you can tell I own both?)...to watch it with the original language and English subtitles...on the foreign set they are below the picture on these...ON THE PICTURE? ..why? when you have a widescreen do you need to put the subtitles on the images? They didn't on my import...
this is a pretty half a...ed effort on 20th Century Fox. and I agree the last movie in particular is a joke and insult to Mr Lee. It doesn't need inclusion.
I notice some folks take issue with "Imports" ..there is a difference between official licensed DVDs and "bootlegs" the items I am discussing are the DVDs available through Amazon.co.uk and are legit and its NOT just that there are extra DVDs for every movie but the picture is alarmingly BETTER (think BLURAY to VHS better) ...the US set is worth the 10bucks you pay for it but if you are a real fan of Mr Lee and this series of movies you can own versions which run circles around what we are offered in the USA. This is not the only series of films which find better and more restored or better quality outside of the US...and this isn't opinion but fact.

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Contains: *Widescreen Feature: The Big Boss *Widescreen Feature: Fist of Fury *Widescreen Feature: Way of the Dragon *Widescreen Feature: Game of Death *Widescreen Feature: Game of Death II

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Ip Man (Collector's Edition) Review

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(More customer reviews)In the tradition of Jet Li's "Fearless" and "Fist of Legend", comes the fourth collaboration between the Wilson Yip-Donnie Yen tag team who also brought us the phenomenal "Shah Po Lang" in 2005. "IP MAN" is based on the life of the man responsible for making the Chinese kung fu style of "Wing Chun" (invented by a woman), which is up to this day, is among China's most revered style. Yes, Ip Man is also the man who has a huge number of talented disciples--most notably, the late great Bruce Lee.
In the 1930's, the Chinese province of Fo Shan is a thriving place of martial arts schools, with various sects of different styles. Fo Shan is said to be the place where the famous Wong Fei Hung learned his art and therefore this place has a reputation. Ip Man (Donnie Yen) is a very accomplished martial artist but he keeps to himself, maintains a low profile and quietly spars with friends at home. But after an acknowledged victory over a fighter from the Northern quarter, Master Jin (Fan Siu Wong), Ip Man becomes an instant hero in Fo Shan.
Time passes and in the late 1930's, following the Japanese invasion, Ip Man's property was confiscated by the Japanese army and his family is forced to live an abject existence. One day, general Miura (Hiroyuki Ikeuchi), a fanatical practitioner in Karate, witnesses the skills of this Wing Chun master. The general becomes obsessed with Ip man, and demands that the Chinese style of Wing Chun be taught to the Japanese army. But Ip man refuses and instead challenges Miura to a duel. Ip Man has to uphold the benevolence of his art and protect Chinese dignity. The battle for national pride is about to begin....
The one thing I know for sure is that Ip Man is indeed Bruce Lee's first teacher in Hong Kong for many years, and that Ip man was indeed asked to teach the Japanese; the rest of the significant historical details in this biopic is a little questionable. Yip and screenwriter Edmond Wong does get some details right, but please keep in mind that this is an action film first and foremost--it is hardly a historical drama. The action direction by Hong Kong legend Sammo Hung is indeed amazing, and it is the film's main draw. The story has the usual elements of honor, family, loyalty and pride and offers very little that is fresh--but this doesn't mean that it made the film any less exciting.
There is very minor characterization involved. The film has three acts, and the first has Ip Man's status in the Fo Shan province. He is a business man and he doesn't teach his art, there are hints that he used to compete, but he decided to keep a low profile because of his wife, Cheng (played by Lynn Hung). His relationship with his wife and son is somewhat estranged at times because of his love for sparring--she throws a tantrum whenever he fights; Ip Man is a humble man, and shows his wife the respect due her. The second act portrays the effect of the Japanese invasion on the people of China, and on the life of Master Ip and his family--which leads to the film's min encounters. While Donnie Yen may indeed lack the necessary acting ability to portray him dramatically--he sure has the presence of a highly trained martial artist. Director Yip did the right thing in focusing more on fights than dramatic impact. There are also some touches of social commentary seeing as how some Chinese prey on their countrymen and they only look out for themselves.
As I've said, Sammo Hung's action choreography is indeed phenomenal and it sure helps when you have a cast of real-life martial arts practitioners and action-honed actors such as Yen, Louis Fan and Hiroyuki Ikeuchi, who holds a Kuro Obi in Judo in real life. Sammo Hung maintains a nice balance between finesse, realism and downright brutality--the fights are very intense and very focused. It is a mix of the usual wire-fu and occasional acrobatics. Highlights include, Ip Man taking on 10 Japanese fighters in one time, the fight between Fan Siu Wong and Yen is quick but exciting, complemented with some subtle doses of humorous cracks. The fights are exquisitely shot, with multiple camera angles in a perspective view to close ups, so you can see all the hard-hitting action. There are also times when an opponent is thrown in the camera's view and I thought this added a lot of style and intense attitude. Wilson Yip and company knows how to shoot fight sequences and their skill proves the film's showstopper.
The action encounters are nicely placed and Wilson Yip needs to be credited for maintaining an excellent pace with its balance between action and drama. While this film is historically inaccurate, for the most part, it does succeed as an action film--a very well done at that. The film does ultimately fail as a character-driven, true-to-life biopic. Donnie Yen's "Ip Man" is more about his capabilities as a fighter than who he really was as a man, which is no doubt due to fact that it wanted to maintain a China-friendly film. The film's structure more of a popcorn action film than an emotional biopic of a man who made his mark in using his fists to unite the Chinese people. It plays too fast and free to fully realize the film's potential as a "based on true events" type of deal.
Despite some flaws in the script, and the filmmakers relying too much on the audiences' good beliefs rather than developing Ip Man as a man than as a caricature of a folk hero; (no doubt an attempt to match Wong Fei Hung in "Once upon a Time in China" and Huo Yuan Jia in "Fearless") to portray him as an inspirational role model/saint. "IP MAN" is a truly exciting film which is just full of action and the energy it exudes is just so much fun to watch. I am rather very interested in seeing as to what Wilson Yip and Donnie Yen would bring "IP MAN 2", which would hopefully show more of his experiences in Hong Kong (which may include his time with Bruce Lee). Of course, by that time, I've read that Wong Kar-Wai's version of "IP MAN" will be released and will hopefully have more historical significance as well as action thrills.
Still, this film comes with a "Highly Recommended" rating from me, it does rule as martial arts action film. [4 ½ Stars]
Note: The original language in the film carries is Bi-Lingual with both Cantonese and Japanese Languages.

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Ip Man Collector's Edition (containing over 2 hours of bonus footage) is an award winning adaptation based on the life of Ip Man (Donnie Yen), the grandmaster of Wing Chun and later teacher and mentor to widely influential and legendary martial artist, Bruce Lee. Ip Man is set in the 1930s in Foshan, a hub of southern Chinese martial arts just as the Second Sino-Japan war breaks out. During the war, China is nearly ripped to pieces by racial hatred, nationalistic strife and warfare. Ip Man rose like a phoenix above these ashes as he defied an empire bringing hope to China. Winner of Best Picture and Actor, Ip Man ranks as one of the best martial arts movies of all time!

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Crouching Tiger, Hidden Dragon (2000) Review

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(More customer reviews)Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

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An epic set against the breathtaking landscapes of ancient China, Crouching Tiger, Hidden Dragon, combines the exhilarating martial arts choreography by Yuen Wo-Pind (The Matrix) with the sensitivity and classical storytelling ofan Ang Lee film. The result is something truly unexpected: romantic, emotionally powerful entertainment.

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Jet Li's Fearless (Unrated Widescreen Edition) (2006) Review

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(More customer reviews)[The following review refers to the 104 minute version of `Fearless' released in Japan in March, 2006, starring Jet Li.]
`Fearless" is inspired by the life of Huo Yuan Jia, real-life Chinese martial arts master. Jet Li plays this legendary figure, whose martial arts style and fearless fight helped the people in China regain their pride in the early 20th century when China was intimidated and humiliated by the growing Western and Japanese powers.
Well, so much for the history. Now, let's talk about actions. In `Fearless' Jet Li has shown his best performance since the days he did `Once Upon A Time In China' playing the role of Wong Fei Hung, another legendary hero in China, and the fight scenes (choreographed by Yuen Woo Ping) are all fantastic, sometimes visceral, and sometimes graceful, and always powerful. Good and smooth editing and gorgeous production designs also help greatly to create the background.
[JET LI'S PHILOSOPHY] After the opening martial arts competition sequences in Shanghai, 1910, the film begins to follow the life of Huo Yuan Jia from the days he was a boy in a flashback section. Jet Li and director Ronny Yu (yes, the guy who did `Bride of Chucky' and `Freddy vs. Jason') made a wise decision in showing Collin Chou as Father of young Huo Yuan Jia because the image of charismatic Chou (previously seen in two `Matrix' sequels as body guard Seraph) as the stern father who forbids his son to fight well-represents Li's philosophy about martial arts.
Yes, `Fearless' is a first-rate martial arts action film, but the film is more than that. The film, which was released under the title of `Spirit' in Japan, has Li's message about martial arts, which impresses without being obtrusive.
Besides splendid Collin Chou, the film has assembled interesting names from in and outside of Asia: Nathan Jones as `Hercules' one of Huo Yuan Jia's opponents: Anthony De Longis as Spanish fighter: Brandon Rhea as German fighter: Masato Harada (seen in `The Last Samurai') as Mr. Mita. Debuting actress Sun Li (Betty Li) is impressive as a blind girl, and so is Dong Yong who steals the show as Huo Yuan Jia's old friend. But probably to the Western viewers the real find is the Japanese rising star Shidou Nakamura as Anno Tanaka samurai fighter. Nakamura, who will be seen Clint Eastwood's `Red Sun, Black Sand,' is already known as a talented actor in Japan, and he shows it with the brilliant fight scenes.
But the film is of course a Jet Li film, with the genuine actions that no one but he can do, and Li also succeeds in bringing life and dignity into the character of Huo Yuan Jia. As you know, it is said that `Fearless' will be the last martial arts film for Jet Li. I don't know if it is really true, but I know this is his best film in years.

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THIS TELLS THE STORY OF CHINESE MARTIAL ARTS MASTER HUO YUANJIA (1969-1910). HUO YUANJIA WAS THE FOUNDER & SPIRITUAL GURU OF THE JIN WU SPORTS FEDERATION.

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