Beautiful Thing (1996) Review

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(More customer reviews)There are many 'coming out' and gay-themed movies these days, but none is more heart-breaking -- or heart-warming -- than this one. Glen Berry and Scott Neal are perfect as Jamie and Ste, two troubled working-class London boys coming to terms with their sexuality, each other, and the homophobic world around them. Ste lives with an abusive father and older brother who have made him feel ugly. Jamie and his mum take him in, and the boys bunk together. They discover love to the accompaniment of "You are sixteen, going on seventeen, unprepared for a world of men". The music (a lot of Mama Cass, but also some lovely, bittersweet original stuff for string quartet) is deftly woven into the fabric of the film's story, and is an integral part of its structure. After a fight, Jamie and Ste kiss to Mama Cass singing "You gotta make your own kind of music". The ending is as uplifting and sweet as any on film. The surprising thing is that this wonderful movie was made for British television. I wish more films could be as fresh, touching, and honest as this bright, shining little gem.

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A pair of teenage boys growing up in a working-classneighborhood become aware of their homosexuality. While both werevaguely aware they might be gay, neither had ever acted on theirimpulses. Once they decide that they're attracted to each other, neitheris sure just what to do. Winner of 4 International Film Festival Awards.

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Better Than Chocolate (1999) Review

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(More customer reviews)This movie will seem very familiar to most long-time movie watchers as it is in many ways a remake of the vintage screwball comedies of the early '30's but with a decidedly '90's twist.
The heroine of the film is Maggie, a young woman who has dropped out of university to try and find herself as an artist. She also supplements her income from painting by working at a bookstore which serves the LesBiGayT (Lesbian-Bisexual-Gay-Transsexual) community of a small British Columbian town.
Maggie's life is greatly complicated when, on the same day, she begins to fall in love with an itinerant painter named Kim, and she receives word that her mother and teenage brother are going to be coming to town to stay with her. This is particularly problematic because Maggie hasn't disclosed her sexual orientation to her family.
A certain amount of predictable hijinks ensue as Maggie tries to keep her family from deducing the truth about her relationship with Kim. She also, of course, must keep them from figuring out that anything is "out-of-place" about her friends and co-workers. As well, there are several sub-plots introduced to give the film more political relevancy, including Canada's strict censorship laws and the subject of anti-transsexual discrimination in the LesBiGayT community, however they are not especially well developed.
In conclusion, this film is very funny at some points, but moves very predictably at others. It is a rather light-hearted take on lesbian romance and coming-out issues, but the sub-plots occasionally weigh it down. Since most of the sub-plots contained enough potential to be films of their own, the film-makers could have dropped some of them from this picture to spend more time exploring Maggie and Kim's relationship. That said, I would recommend this film to anyone who enjoys romantic comedies and has an open mind.

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