The Reduced Shakespeare Company - The Complete Works of William Shakespeare (Abridged) (2002) Review

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(More customer reviews)When the Reduced Shakespeare Company performs , it is a case of three apparently indefatigable actors (Adam Long, Reed Martin, Austin Tichenor) whirlwinding through the plays, some of which are barely mentioned, some of which are treated at greater length--all in 90 minutes. Well, the Good News is that the show is now available from Acorn Media on a VHS. (Note: this video contains material not shown on PBS.)
To cut to the chase, you really have to know your Bard to get all the jokes. Treating "Titus Andronicus" as a cooking class works if you are familiar enough with the plot (the recent movie might help here); and unless you know your English kings from Richard II to Richard III (with all the Henrys in the middle), the football game with a crown as ball will have little meaning. ( I thought the line about cutting Henry VI into three parts was the best in this sketch.)
Possibly the bit that calls for the audience's greatest degree of knowledge and concentration is the resume of a plot that combines all the Shakespearean comedies into a single play (with a very long title). There are plenty of in-jokes and bad puns throughout Act I to demand your fullest attention--and again, few of them work if you do not know the originals.
The first act ends with a little situation in which one of the troupe refuses to do "Hamlet" and flees from the theater. When Act II begins, he has not been brought back and the remaining actor must fill the time with Monty Python-like bad routines. Once back on track, the audience is enlisted to help one of their number (I assume she is not a plant) "feel" the part of Ophelia. The trio's versatility is put to the test at the very end when they repeat the entire Hamlet production quickly, then very quickly, and finally very quickly and backwards!
So all in all, this is a joyous romp for those "in the know" and one that might seem pretty pointless for those who have avoided Shakespeare once school was over. Therefore I must give it 4 stars out of 5 in general, although it deserves 5-plus for those who have stuck with the iambics all these years.
A perfect gift for your English teacher, by the way. Unless you are an English teacher, in which case buy one for yourself.

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Life is short. The complete works of Shakespeare are long. To the rescue: THE REDUCED SHAKESPEARE COMPANY, the three-man comedy troupe known for fast, funny, physical condensations of real serious stuff. They wrap up the Bard's outsized oeuvre in 90 roller-coaster, rib-tickling minutes. After warming up with a nothing-is-sacred send-up of Romeo and Juliet, they're off, dispensing with the comedies in one fell swoop (because the tragedies are funnier). You decide after you see Othello as a rap song, Titus Andronicus as a cooking program, and the show's unforgettable finale - Hamlet - told with the help of audience members and lascivious sock puppets. Contains material not seen on the PBS broadcast. "Intellectual vaudeville" - The New York Times. "Inspired American spoof merchants...slings and arrows of outrageous comedy" - Daily Telegraph. "This trio of modern Marx brothers will leave you in stitches" - Boston Herald. DVD SPECIAL FEATURES INCLUDE: Trade secrets: Two commentaries featuring the stars and the director; Humble beginnings: Rare footage of an early RSC performance; Who are these clowns?: Cast bios; Pop Quiz: Interactive trivia, Say Again?: English Subtitles. WARNING: High-speed hilarity. Not for people with weak hearts or English degrees! Starring Adam Long, Reed Martin & Austin Tichenor.

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A Doll's House (1973) Review

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(More customer reviews)In 1973 two theatrical version of Henrik Ibsen's classic play "A Doll's House" were filmed. This version, starring Claire Bloom as Nora, won national release, while the other, with Jane Fonda, ended up on ABC television. No other play from the 19th-century continued to be performed as often as "A Doll's House." The story is of what appears to be a normal family, Torvald Helmer (Anthony Hopkins), a bank lawyer, and his wife Nora, and their three small children. Torvald has blithely assumed his wife to be a flighty little thing, but Nora has been creating a facade to please her husband. Then we discover that in the past Nora forged a signature to get money to save her husband's life. When this act is revealed, Torvald is outraged and renounces his wife. Nora finally sees her husband for the miserable fraud he truly is and walks away from him and her children, leaving a stunned Torvald still trying to figure out who he has been married to all these years. Ibsen's play is a major classic of modern drama, one of the first superb character studies that provided a psychological portrait of an actual human being.
As in any production, this version of "A Doll's House" rests on the actress playing Nora. With Bloom's characterization Nora is presented as being more noble than usual; her habit of lying is played down and we get the sense she is clever and cunningly playing the game of being her husband's "doll." However, the result of this approach is less of an emotional range than I would expect with Nora. Hopkins is, as you would expect, fully up to the pompous, hollow figure of Torvald. Indeed, the final scene succeeds largely on his reactions to Nora's departure. For me, choosing between these two 1973 films is pretty much a toss up since I am not overly enamored with either of the interpretations of Nora, although there are parts of both performances that are quite strong. However, Bloom does have the advantage of a better supporting cast. Christopher Hampton wrote the adaptation from Ibsen's play for this film version, which was directed by Patrick Garland.

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A woman's struggle to have her voice heard in a man's world is "startlingly moving" (The Wall Street Journal) in this cinematic adaptation of Henrik Ibsen's famous play. "Superior performances" (The New York Times) by Claire Bloom (Crimes and Misdemeanors) and Oscar®winner* Anthony Hopkins (Hannibal) set the stage for an engrossing and remarkable drama.Nora (Bloom) will do anything to please her authoritarian husband Torvald (Hopkins). Per Torvald's instructions, Nora focuses on such womanly disciplines as dancing and taking care of babies whilehe sees to all the affairs of money. But when a past financial mistake comes back to haunt Nora, and Torvald finds out, the result is an explosion of fury and a shocking revelation that changes the course of the entire family forever. *1991: Actor, The Silence of the Lambs

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Our Town (Widescreen Edition) Review

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(More customer reviews)Thornton Wilder's Pulitzer Prize winning 1938 play is one of my favorites, and this in an exquisite production of it. Paul Newman as the Stage Manager, in one of his most memorable performances, leads a superb ensemble cast. So much of this play is mime...cooking on the invisible stove, eating the imaginary breakfast...and the actors flow through the movements so easily, one almost sees the missing objects.
Wilder's play, which was inspired by Gertrude Stein's 1925 "The Making of Americans", draws one into it, with the actors sometimes talking directly to the viewer; it has a simplicity and charm that make it stay fresh even when one knows the words by heart.
The time is the early 20th century, in Grovers Corners, New Hampshire, and centers on the Webb and Gibbs families, who live next door to each other, and especially Emily Webb (Maggie Lacey) and George Gibbs (Ben Fox), who fall in love with gentle glances and sweet words. Lacey and Fox are luminous, and capture the heart of this lovely play.
As their parents, Jayne Atkinson and Frank Connors are marvelous as Dr. and Mrs. Gibbs, as are Jane Curtin and Jeffrey DeMunn as Charles and Myrtle Webb.
Originally produced for Connecticut's Westport County Playhouse, the show later moved to Broadway, where it garnered Paul Newman, 78 at the time, a Tony nomination.
Directed by James Naughton, this is a splendid performance of a perfect, and quite profound play; it is a keeper, and one that will make you smile, and sometimes weep, over and over again. Total running time is 120 minutes.

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Veteran actor-director Paul Newman makes his first Broadway appearance in four decades in this sold-out Westport Country Playhouse production of the Thornton Wilder classic. Newman plays the Stage Manager, who narrates the immortal tale of Grover's Corners, U.S.A., and its citizens.The superb cast of Our Town includes Frank Converse, Jane Curtin, Ben Fox, Jayne Atkinson, Stephen Spinella, and Maggie Lacy. "Marvelous," writes the New Yorker.

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This Property Is Condemned (1966) Review

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(More customer reviews)How could a movie fanatic go wrong with this one? Sidney Pollack directing, with Francis Ford Coppola helping out with the adaptation of a Tennessee Williams play? A great cast , with especially memorable performances from Natalie Wood, Kate Reid and Mary Badham (as younger sister, Willie Starr)? Roberts Redford and Blake and Charles Bronson thrown in for lagniappe? Sounds like great gumbo to me.
Natalie Wood is absolutely alluring in this one. She and Redford, who also teamed together in the memorable INSIDE DAISY CLOVER, did indeed appear to have a lot of screen chemistry. He is the cynical company man who appears like the Grim Reaper in a small, shabby, depression-era southern town, carrying pink slips with him, instead of a scythe. The role has a lot of resonance now, what with all the corporate downsizing currently going on. Needless to say, the townfolk don't much cotton to Mr Owen Legate, with his fancy suit and self-assured ways.
With a couple notable exceptions. Tom boyish Willie Starr is taken by him right away and the minute her big sister Alma sets eyes on him, she's putty. Wood's expression in that initial glance is part of film history.
Owen further antagonizes the townfolk because they see that Alma has taken a shine to an outsider. Alma's been something of a tramp up this point, givining it up to varying degrees to most of the men in the town. Several of them, including an old geezer with an invilid wife, have been fantazising about further adventures with Alma. And Alma's mother is upset with Owen, because she sees that he is going to take away her gravy train. Hazel Starr is one of Williams' great eccentric female characters, and perhaps his most unctuous (though Amanda Wingfield, in THE GLASS MENAGERIE, is no prize, either. Kate Reid is perfect in the role. This, to me is her most memorable performance, followed closely by her title role in AND MISS REARDON DRINKS A LITTLE, which unfortunatley appears to be impossible to find. It's hard to believe she never won an Oscar or a Tony.
This was only the second feature film that Pollock directed. He of course went on to great things with such films as THEY SHOOT HORSES DON'T THEY and TOOTSIE. He and Cinematographer James Wong Howe do a great job of capturing small southern town lethargy, as well as 30's New Orleans ambience. The print, unfortunately, could definitely use a full restoration. It's faded noticeably over time. The film certainly warrants the extra work. Yet time cannot wither Natalie Wood. She's still one of the most lovely women a camera ever made love to. This film definitely belongs near the top of the list for screen adaptations of Williams' plays.
BEK

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Inspired by Tennessee Williams' play. Brought to life by Hollywood's biggest stars.He's the wrong man to love. How could it all seem so right?Robert Redford and Natalie Wood headline this sexually charged Depression-era drama. Redford (whose next film, Barefoot In The Park), would rocket him to stardom) plays Owen Legate, a railroad official come to backwater Dodson, Mississippi, with a pocketful of pink slips for the yard employees. Wood (at age 28 already a 23-year screen veteran) portrays the town flirt whose affair with Legate ignites her mother's - and the town's - revenge.Repressed desires, sultry women, sweltering weather and a handsome stranger... this is Tennessee Williams territory. And with stars Redford, Wood and co-star Charles Bronson, it's all prime property.

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For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf - Alfre Woodard, Lynn Whitfield (Broadway Theatre Archive) (1982) Review

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(More customer reviews)I have been looking for this video for at least 10 years! I gave up a few years ago. I was just doing a random search and I can't believe it's been on Amazon all this time! There are no words to describe this play. The older I get, each poem takes on a new and deeper meaning. I am overjoyed to own a copy of this extraordinary work.

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The history of black women in America: having emigrated on a purely involuntary basis, they became slaves to white America and nurturers to white America's offspring. They were rewarded by being the last Americans given the right to vote. This explosive, vivid "choreopoem" illuminates the story of black women in America as they celebrate in song, poetry and dance their strength, beauty and enormous capacity for love. The seven women comprising the cast, including author Ntozake Shange, share with the viewer their exuberance for life and their ability to begin again, no matter how ridiculous the odds. "A play that should be seen, savored and treasured." --The New York Times. With Alfre Woodard, Ntozake Shange, and Lynn Whitfield.

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