Showing posts with label skinny dipping. Show all posts
Showing posts with label skinny dipping. Show all posts

Saturday, March 2, 2013

American Pie Presents: Beta House (2007) Review

American Pie Presents: Beta House (2007)
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First the warning and some quick intro here. If you are bothered at all by crude humor, look elsewhere. Like The Naked Mile, this movie goes for crude humor and plenty of gratituitous skin in what some would consider inappropriate areas. If you aren't looking for that type of movie, look elsewhere fast. As I wrote about The Naked Mile, this isn't golden globe or academy award calibre type stuff and you should know that going in. Complaining about the lack of taste in these movies is just a sign of ignorance of the product.
With that said comes this WARNING -- this particular movie includes or implies depiction of beastiality and a later simulated scene of same, so even those that aren't easily offended may find this movie takes things more than just a bit too far. END OF WARNING.
The humor is low brow, revolves around sexual exploits and college partying (alcohol and sex mostly) and mostly offers up excuses to show skin, skin and more skin... In doing so there's a fair amount of laughs and fun and if you aren't too uptight or too disgusted by the material from the warning above, then you might find this movie entertaining. Just go in with the right attitude to start :-)

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Get ready for the most hilarious and outrageous freshman year in collegiate history - American Pie is pledging Beta House! Join Dwight Stifler, his cousin Erik, Mr. Levenstein (Eugene Levy), and the infamous Beta House fraternity for the hottest, wildest

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Thursday, December 8, 2011

The Man in the Moon (1991) Review

The Man in the Moon (1991)
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Okay, I'm going to say this straight out. This is a family film (although it is rated PG-13). And yes, it will bring tears to your eyes. For those who are already heading for the hills, you'll be making a huge mistake. After all, it's directed by the same man (Robert Mulligan) who gave us "To Kill a Mockingbird" and "The Summer of 42".
"The Man in the Moon" is a small film that came out in 1991 and I, among millions of others, missed its theatrical release. Heck, most missed its video release. This is really a shame because these movie treasures come far too infrequently. They get pigeon-holed and lumped together with all the other Hollywood-style attempts to depict family drama (which runs from the banal to okay, and even to pretty good). So I'm here to "unlump" it.
This marvelous story centers around two teenage sisters, Dani and Maureen (age 14 and 17 respectively) and their attraction and love for the same boy (Court Foster, played nicely by Jason London). Set in the 1950s on a rural Louisiana farm, this film richly depicts the setting and ambience of this era. Much like "Stand by Me", it shows us the unfettered freedom that children had in a small, rural community in those days...a freedom sadly lacking today.
Wonderfully acted throughout, special attention should go to Sam Waterston (the father), Tess Harper (the mother), and Reese Witherspoon (Dani). This is not, let me repeat, not an overblown melodrama. This movie knows exactly where it is going and it pin-points the target at every turn. Today, where "coming of age" films mean boy gets girl, this film takes a fresh and absolutely honest approach, catapulting it far above the others of this genre. Between 1 and 10, "The Man in the Moon" gets the highest mark, a 10. When one looks at the jacket, you'll see over-used words such as "poignant" and "bittersweet". All I can say is, believe it, for it is true. This one is a classic in the truest sense of the word.

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Oscar(r) nominees* Sam Waterston and Tess Harper and veteran actress Gail Strickland (Norma Rae) join three talented newcomers in thisdeeply moving film(Los Angeles Times) about coming of age and sexual discovery in rural, 1950s Louisiana. Brilliantly directed by Robert Mulligan (To Kill a Mockingbird, The Summer of42), The Man in the Moon is a poignant and bittersweet tale Roger Ebert callsa wonderful movie...a victory...a meticulously prepared masterpiece.Fourteen-year-old Dani (Reese Witherspoon) and her older sister Maureen (Emily Warfield) have always shared everything. But when Court Foster (Jason London) moves in next door, the sisters become rivals as Dani experiences her first feelings of affection and Maureen finds the true love she's longed for. But with love comes heartache, and the sisters soon learn a tough life lesson when tragedy strikes and the strength of their bond is the only thing that will keep theirhearts from breaking.*1984: Actor, The Killing Fields; 1986: Supporting Actress, Crimes of the Heart

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Sunday, December 4, 2011

The Blue Lagoon (Special Edition) (1980) Review

The Blue Lagoon (Special Edition) (1980)
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In 1980, when this film was released, there was quite a bit of controversy, most of it ill-founded. There were complaints about incest, but the two children are not brother and sister: Emmeline clearly addresses Arthur Lestrange as Uncle, while Richard calls him Father, so the closest they could be is cousins, and the use of Uncle may have been conventional (indicating guardianship) rather than literal. There were complaints about showing a 14-year-old actress nude, but they used body doubles for all of the nude scenes (Brooke Shields spends some of the commentary pointing which body double was used for which scene).
I'd guess that opinion about this film polarises into about three camps. There are those who are shocked / scandalised (let's hope they don't buy the DVD and be shocked and scandalised all over again). There are those who are titillated by the nudity (such a shock for them to learn that they are looking at a 30-year-old woman, rather than a 14-year-old!). And then there are those who can see past all that to the sweet, innocent love story that the film is really all about.
The plot is fairly straightforward. A man, Arthur Lestrange (William Daniels), is taking two children, Emmeline (Elva Josephson) and Richard (Glenn Kohan), from Boston to San Francisco by sailing ship around the turn of the century (the date is not specified). Because the Panama Canal doesn't exist yet, they must travel right down to the bottom of South America to get around. After rounding the bottom, there's a fire aboard - something that is a serious concern, but in this case it is worse, because it is in a hold containing blasting powder, so the passengers are rowed away from the ship. In the confusion, the children are separated from Arthur Lestrange; they end up in a boat with Paddy, the ship's cook (Leo McKern). To make things worse, a heavy fog rolls in, the ship blows up, and they are adrift by themselves.
Luck (and the scriptwriter) is with them, and they awaken within sight of an island. They are very fortunate to discover that this island has fresh water, ample fruit (bananas, papayas, and coconuts, amongst others), and is generally a tropical paradise. Paddy shows them various useful skills, including the construction of a hut, and collection of food, before dying. Now two fairly young children (I'm guessing they are under ten years) are alone. Years pass, and Richard (now Christopher Atkins) and Emmeline (now Brooke Shields) are coping fairly well with the basics of feeding themselves, but they are going through a variety of traumas as their bodies change. Matters like Emmeline's first period are not glossed over - it's easy to see how terrifying that could be for a young girl with no idea of what is happening to her. Emotionally, the pair are still children, and they squabble and tease one another just as children do. There are a series of events (nope, I'm not saying what) that split them apart, then bring them back together. Yes, they do learn about sex, and that is also handled sensitively - it could have come across as pornographic, but it doesn't, it comes across as tender and caring. The consequences are handled well, too. Bear in mind that these children, back on the ship, were still at the "cabbage patch" stage of sex education...
Providing you have a broad enough mind not to be scandalised by the nudity (which is utterly appropriate to the setting), this is a sweet love story set in a tropical paradise, a study of innocence, with enough drama to add seasoning. Recommended.

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BLUE LAGOON - DVD Movie

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