Showing posts with label splatter. Show all posts
Showing posts with label splatter. Show all posts

Thursday, April 11, 2013

Blood Night: The Legend of Mary Hatchet (2007) Review

Blood Night:  The Legend of Mary Hatchet (2007)
Average Reviews:

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In recent years, the horror genre has been plagued by more duds than gems. For every decent slasher film, there are scores of movies that barely deserve a second glance, much less a full viewing.
The reason for this is a conflict of interests that rarely compromise with each other. On one end, we have low budgeted movies that try to bring us back to the golden age of horror(circa the 1970s and 1980s) with their gritty kill-shots, fountains of blood, and enough bare breasts to make Hugh Hefner blush. On the other end we have high-gloss production houses putting out cookie-cutter horror stories, many with the dreaded PG-13 stamp.
With the release of Blood Night: The Legend of Mary Hatchet, we are given the best of both worlds; a movie made by fans(in horror afficionado/director Frank Sabatella), for fans, and with a dynamic production value to capture the guts, glory, and breasts, of the film for a stellar visual effect.
The story is as follows: A young girl named Mary Mattock(played by Patricia Raven) butchers her family for no apparent reason. We later learn that this is due to a physiological problem called Menstrual Dysphoric Disorder which makes PMS look like a walk in the park. The young woman(now played by Samantha Facchi) is sent to the King's Park Psychiatric Hospital, where she is raped by a hospital night-guard. She becomes pregnant, but loses the baby in child-birth. This brings on another intense bout of MDD in which she slaughters what seems to be all staff and patients at the hospital, and is gunned down by police.
The story brings us to the present, where high school kids celebrate that night of butchery by calling it Blood Night, and proceeding to paint the town red in a night of vandalism and excessive partying. The movie focuses on one group of kids, who decide to visit Mary Mattock, or as she is now known as Mary Hatchet, at her grave, and unknowingly release the ghost to wreck vengeance once again. One by one, the group is dispatched in various, high impact slaughterings, as they try to lay the spirit to rest.
Sounds simple? It's not, but who am I to ruin it for you?
This movie lacks in nothing for entertainment. The kill-shots are highly detailed, thanks to the superb special effects of Monster in My Closet special effects artist Jeremy Selenfriend and Harrington Talents virtual effects artist John Morena. Dismemberments, spinal readjustments, and blood washes all become intensely realistic by utilizing Selenfriend's definitive prop functions, from custom sculpted heads(and brains) to mouth interiors. To make sure these effects lack nothing on-screen, Morena utilized digital enhancements to help make the kill-shots pop off the screen with the addition of blood enhancements that were shot seperately, and then transcribed into the final edit. With these talented artists and the fantastic camera-work, the film popped off the screen, much to the glee of fans of gore.
There is humor interlaced into the horror, as well. Graveyard Gus(played by Bill Moseley) is nothing short of the drunken graveyard-keeper who drinks way too much whiskey and yaps about Vietnam. A conversation about Tom Jones between Alex(played by Nate Dushku) and Chris(played by Anthony Marks) had me giggling out loud. A male virgin wiping his brow with a pink, "Princess" pillow while getting frisky with a hot chick? This movie has it. The comedy is just enough to help the viewer fall into the comfort trap before being shown a decapitated head flying across a room. By balancing these bits of comedy into the horror, the bar of suspense is raised, because you never become too jaded by seeing an overflow of gore. Not that either way would be bad, but for Blood Night, comic relief makes the suspense grow. And lets not forget Eric(played by Billy Magnussen), who is the pinnacle of every sex-crazed high school guy we've ever known.
What's amazing is that all of these actors and actresses are able to turn their clown routines off when director Frank Sabatella calls for it, with great results of suspense. Let us not forget that scream-princess Danielle Harris, playing her part impeccably in the storyline as the knee-socked Alyssa, who can never seem to hold her liquor and brings back some intense stories of her time in school.
So what defines this movie beyond all others? High production, an extremely gifted cast, and intense kill-shots, all embedded into a suspenseful story-line where even if you think you know what is going on, you really don't. At the same time it's just good, head-jerking fun, a horror movie with serious overtones, but doesn't take itself too seriously. Think Wes Craven's Scream meets Lucio Fulci's The House By the Cemetary, and out of that seemingly scandalous affair comes its offspring, Blood Night: The Legend of Mary Hatchet.

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A group of teenagers celebrating the anniversary of the death of a local axe murderer suddenly find themselves face to face with the realities of this haunting urban legend.Long Island, 1978: A young girl named Mary Mattock gruesomely murders her family with a hatchet and is locked away for life in Long Island's notorious Kings Park Psychiatric Center.Ten years later, Mary escapes from the asylum, leaving a grizzly trail of bodies and blood in her wake.Gunned down by the police, Mary meets her own demise outside the sanitarium walls.This incident gave birth to the legend of Mary Hatchet's walking ghost and the mischievous night named in honor of her death, BLOOD NIGHT! Stemming from the real life Long Island legend of Mary Hatchet, Blood Night: The Legend of Mary Hatchet tells the tale of a group of teenagers enjoying their annual Blood Night festivities, when they come face to face with the reality of this haunting legend.One by one, the teens begin to disappear and meet their fate. As the body count rises, so do the unanswered questions about their missing friends and the secrets of Mary's horrifying past.Is there more to this legend than the vengeful ghost of Mary Hatchet?And if so, who will survive to tell the terrifying tale? Fueled by intense and energetic performances from Nate Dushku, Bill Moseley, Danielle Harris, and Samantha Facchi as Mary Hatchet, audiences are in for a non-stop splatter fest filled with sex, guts, and heads that roll!Blood Night puts a neck-breaking spin on the gory and gut-wrenching "slasher" pieces from the legendary decade of 1980's horror!
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Tuesday, May 8, 2012

Inside (Unrated) (2007) Review

Inside (Unrated) (2007)
Average Reviews:

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Well, I guess I can start off this review by saying that this is solid proof that Euro-Horror and it's director's are so far ahead of us Americans when it comes to the horror genre. While our studios are continuing to crank out remakes, and basically recycling stuff that have sat in the can for years - it are the European filmmakers who are out there whipping up new and imaginative ideas like they usually do.
From French Directing duo, Alexandre Bustillo, Julien Maury, comes INSIDE, a film that exploits a subject that surely has to be any mother's nightmare - having their child taken away from them. Now, I suppose that this would be hard for any mother, regardless the age of the child - but it has to be that much harder when the child is still in womb. In the film, we watch the main character go through the trauma of losing her husband to a crash. After the aftermath of the situation, she still keeps her sanity, just knowing that a piece of him remains, in the form of their unborn. What the Directors do here, is, well....wreck that sanity she has left, and they do it brutally. There is a mysterious woman hell bent on claiming Sarah's baby as her own. Whether she's have to kill Sarah, or just blatantly extract it from her womb, she is bound to finally become a mother herself.
INSIDE is definitely a thrill ride from the beginning to end....it's one of those "you'll never see what's coming next" kind of films. I must say that the realistic gore in the film is just fantastic and brutal, it adds more tension to any already intense situation - but the fact of the matter is that through the course of this film we watch an innocent woman(Sarah) go through absolute hell, while fighting to keep her and her beloved child alive,
The production value and direction here are great, and really capture all of the tense moments. For the most part, the film has but only one location, which is Sarah's house. I have always said that the one location thing could be a disaster (Bug (Special Edition) anyone?), but if they're handled correctly. a primary set could be the best thing to happen to a film. In the case of INSIDE, having one location works out very well as in conveys the feeling of being trapped from the point of view of our victim. And like many films of the same type. you do expect everything to dull down after awhile, but truth is, once this film gets to the subject of it's plot, there are very few dull moments, as the special effects alone are enough to have you glued to your seat. And another thing about the film is it's visual effects - I loved the CGI shots of the baby in the womb.
In the end, there's a reason that INSIDE was released under the DIMENSION EXTREME label; it is extreme, violent, brutal and just about every other adjective that you can think to call it - the scary thing is that the film's subject is one that could happen anywhere in the world or any day of the week.

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Four months after pregnant Sara loses her husband in a horrific auto accident, she is visited on Christmas Eve by a mysterious madwoman. Alone and desperate to save her unborn child, Sara fights to stay alive as each of her potential rescuers die at the womans sadistic hands.

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