World Trade Center (Widescreen Edition) (2006) Review

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(More customer reviews)I remember Sep 11 like this: I was visiting in Shanghai, came to my hotel room in the evening, not so late, turned on CNN as usual, and saw a plane fly into one of the towers. It took me quite some time to understand what I had just seen. I called my wife and asked her to turn on TV at home. She had not heard yet.
I never felt more American than on that day.
I am German, by the way.
When I heard that Oliver Stone was making a movie about this, I could not believe it. Too early, too monumental, too emotionally loaded, too ideologically simple. This could only become a bad film.
It hasn't. It is a simple story about confusion and heroism and survival. Well done.
You never see a plane fly into anything. You only hear people talk about it, but there are also some who don't believe it. It shows you the segmented vision of people who are near the center. People watching TV in Shanghai probably knew more of what actually happened right at the time than those caught in the middle of it.
Stone stays away from explicit interpretation, he leaves that to the spectator.

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"World Trade Center is a film about heroism and the best in all of us," raves Good Morning America’s Joel Siegel.Academy Award winner, Nicolas Cage stars in the unforgettable true story of the courageous rescue and survival of two Port Authority policemen who were trapped in the rubble on September 11, 2001 after they volunteered to go in andhelp.Academy Award winning director, Oliver Stone reveals an intimate look at the events of the day as seen through the eyes of the survivors, their families and their rescuers

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Man on Wire (2008) Review

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(More customer reviews)I was lured into seeing this film by my teenage son, who is a circus acrobat by genetic conviction as surely as Philippe Petit was a high-wire walker and as I am a musician. I would never have entered the theater if I'd known what I'd be seeing. I have a pathologically empathetic response to films. When I was a little kid, I used to shout out warnings to Tweetie Bird when the cat got near. During fight scenes, my whole body twitches and my wife gets nervous for the safety of the unsuspecting head in front of me. I'm a climber in real life. I've been to the summit of Annapurna. But my blood pressure rises and I tremble with acrophobia at Hollywood simulations of climbing. This film Man on Wire took two years off my life, I'm sure. It's that intense, with its coy intersplicing of still photos and super-eight footage of Petit in mid-air and lovely slow talking-head interviews of Petit and his accomplices, years later, clearly establishing that they all survived to tell the tale.
Those interviews of middle-aged daredevils, reminiscing about their greatest caper, were as intense for me as the dodgy accomplishment of the adventure. It was literally the end of a love affair with life for all of them, something "too hot not to cool down," an overture too overwhelming to be followed by a mere opera. When Petit's boyhood friend broke down in tears at the waning of their friendship, when Petit's wife-the-love-of-his-life felt the reality that his life no longer needed hers, the whole social cost of Petit's obsession moved me also almost to tears. Hey, I might have cried if my heart had slowed down to twice normal. I felt an urge to grab my son and hug or shake him, saying "don't let your art be more to you than your life."
There's more to this film than a mere victimless heist thriller.

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On August 7th 1974, a young Frenchman named Philippe Petit stepped out on a wire and illegally rigged between the New York's twin towers. After nearly an hour dancing on the wire, he was arrested, taken for psychological evaluation, and brought to jail before he was finally released. This documentary complies Petit s footage to show the numerous extraordinary challenges he faced in completing the artistic crime of the century.

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