Monday, October 22, 2012

Barfly (1987) Review

Barfly (1987)
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Barbet Schroeder had long wanted to bring Bukowski to the screen, and finally found his vehicle in "Barfly," based on a screenplay he commissioned from Bukowski, who wrote a very amusing book, "Hollywood," on the making of the film, which is a must read for anyone who wants to gain a full appreciation for the movie.
Rourke was not Bukowski's first choice. Afterall, Rourke is an East Coast type, but he managed to fit himself to the role in fine gusto, taking on the persona of Bukowski in his early years in LA. Bukowski considered Faye Dunaway one of the last big-time Hollywood actresses, and speaks of her affectionately throughout his book. Bukowski didn't know what to make of Schroeder, who seemed to be singularly obsessed with Bukowski's life and times, to the point of trying to live it to capture the full essence of LA's skid row. Bukowski himself was enjoying a measure of success by this point, driving a BMW, an enjoying the finer things in life.
The film moves along at a brisk pace, bringing together a motley assortment of characters with Rourke playing his role to the hilt. Dunaway is first class as his punch drunk love. This is Rourke at his smarmiest best, take him or leave him, as one would Bukowski, who isn't everyone's bottle of muscatel.

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Downtrodden writer Henry (Mickey Rourke) and distressed goddess Wanda (Faye Dunaway) aren't exactly husband and wife: they're wedded to their bar stools. But they like each other's company - and 'Barfly' captures their giddy, din-soaked attempts to make a go of life on the skids.

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