Showing posts with label ben foster. Show all posts
Showing posts with label ben foster. Show all posts

Sunday, June 17, 2012

The Messenger (2010) Review

The Messenger (2010)
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With the exception of Woody Harrelson getting nominated for Best Supporting Actor, THE MESSENGER has not been getting the attention that it deserves from the critics and awards. This is the film that should've been nominated for Best Picture (Drama) by the Golden Globe Awards. This is the film that should've been nominated for Best Picture by the Broadcast Film Critics Awards. With the exception of the Independent Spirit Awards, THE MESSENGER is being grossly overlooked. I think it may be because it is not released by a major distributor. And it is overshadowed by THE HURT LOCKER. To tell you the truth, I have seen both films, and I'll take THE MESSENGER over THE HURT LOCKER anyday. THE HURT LOCKER was more suspenseful, but THE MESSENGER did a much better job examining the human condition from both the soldiers and the civilians' point of view. In a way it reminded me of a contemporary version of ALL QUIET ON THE WESTERN FRONT because it depicted the horrors of the war, and the effects that it had on both the soldiers and their loved ones. I highly recommend this film. It is one of the best films of 2009. One last thing--it is about time Woody Harrelson wins an Oscar for his performance as an actor. He is incredible in this film.

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WHILE ON A RECENT DEPLOYMENT TO IRAQ, US ARMY STAFF SERGEANT WILL MONTGOMERY PLAYS A BATTLE-SCARRED WAR HERO HOME FROM IRAQ AND NEWLY ASSIGNED TO THE ARMYS CASUALTY NOTIFICATION SERVICE. HE FACES THIS FORMIDABLE MISSION WHILE SEEKING COMFORT AND FALLS FOR THE WIFE OF A FALLEN SOLIDER.

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Wednesday, March 14, 2012

3:10 to Yuma (Widescreen Edition) (2007) Review

3:10 to Yuma (Widescreen Edition) (2007)
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Although many say the Western is dead, in books as well as movies, it continues to rear its head and make itself known every so often. There's something inherently noble and visceral about the artform and the subject matter, the calm delineation between good and evil, that stubbornly continues to attract an audience.
In 2007, the Western showed back up at the box office in a trio of films that came out roughly at the same time. 3:10 TO YUMA was the first out of the gate, but it was followed in quick order by THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD and NO COUNTRY FOR OLD MEN.
The movie had been made fifty years ago, and much of the plot in that version made it into the remake. Both movies were based on a short story by Elmore Leonard, who has had several of his Western and crime novels made into films.
Christian Bale stars as Dan Evans, a one-legged, down-on-his-luck rancher struggling to keep a home together for his wife and two kids. Russell Crowe plays Ben Wade, an intelligent and heartless outlaw who's leading one of the blood-thirstiest gangs to ever take up the owlhoot trail.
Both stars take turns stealing scenes. Bale has the hard-edged look of coarse rawhide. Crowe possesses some of the deadest eyes ever shown in movies.
One of the best portrayals in the movie was a surprise to me, though. It took me a minute to recognize Peter Fonda as professional bounty hunter turned Pinkerton agent Byron McElroy. Fonda reminded me a lot of his father Henry, but part of that is because Fonda has aged. He also delivers a quality of acting and honesty in the character that is just amazing, and he was content to carry the supporting character role and didn't try to upstage anyone.
Logan Lerman was another surprise. He stared as William Evans, Dan's 14-year-old son. I'd thought Lerman was much older, but as it turned out he was 14 when the movie was made. He was likeable and intense.
When it came to truly cold-blooded villains, though, Ben Foster as Charlie Prince totally blew me away. The hair on the back of my neck went up as soon as he stepped on stage, and within a minute I hated him.
The story is simple. Dan is struggling to make ends meet and bumps into Wade during an armored wagon job. Later, after taking Byron McElroy into town for medical attention, Dan confronts Hollander, the man who's trying to run him off his land. When Hollander won't give him an extension on his loan, Dan finds Wade and helps take him captive. Then he agrees to help transport him to Yuma for $200.
The movie quickly spins out into the action of the violent road trip. In addition to being one of the fastest gunmen around, Wade is also a skilled psychological warrior, constantly taunting his captors and seeking out their weaknesses.
The action involves traveling through hostile Indian lands, meeting up with a team of killers working the railroad coming through the area, and a final showdown in Yuma that is one of the most exciting I've ever seen in a Western.
For two hours, I sat marveling at the characters, then tensely awaiting the outcome of the latest danger they were all facing. Even then, the twists and turns of the characters, the back stories they were all hiding till the very last moment, were awesome. No one was quite who I thought they were.
Westerns succeed best by having good men with a history of bad violence and bad men who haven't completely gone over to the dark side. 3:10 TO YUMA is one of those.
One caveat I will offer to people who have seen the original movie starring Glenn Ford and Van Heflin, this version does NOT follow the same paths or end up the same way. Expect to be surprised and shocked at how things turn out. And you'll be tense nearly the whole way through.

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Thursday, January 19, 2012

Pandorum (2009) Review

Pandorum (2009)
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The year is 2174. The population of Earth has reached over 24 billion. Famine and wars are commonplace. In a last ditch effort to save humankind, we send out a probe to find a planet that can sustain us. The mission is a success, though it will take over a hundred years to reach the new home...
Fast forward:
Two men wake up from deep sleep; alone, disoriented and suffering from memory loss. As their recollections slowly return, they realize they are part of the space ship crew navigating 60,000 settlers from Earth to the new planet. They have questions, but few answers. Where is everyone? How long have they been asleep? Why are they awake? Who's on bridge, flying the machine? And finally, once they discover they are NOT alone: what are those things, and where did they come from?!
Butterflies in my stomach? Check. Nails (my own ;o)) digging into my arm? Check. Conversing with friends about the movie long after the end? Check. All are side effects of a well made scary thriller (the sci-fi was just a bonus) and all were present in this case. The story has a great twist, but, best of all, it is largely plot-hole-free, as well as plausible.
So, why four, rather then five stars? Two reasons. Firstly, once answers start coming, they come fast and furious, to the point of being a tad confusing. Secondly, the two main characters are a bit lacking. Until the climactic end, Dennis Quaid spends most of the film saying "Bower, are you there...are you there, Bower?" He is a good actor but the script does not give him much to work with, leaving his talent underused. Ben Foster (the Angel from X-Men the Last Stand), disserves the top billing, as the action revolves mainly around him. Still, a more charismatic actor may have drawn us further into the character. There is a nice appearance from Cung Le, a Vietnamese-American real life martial arts champion (you may remember him from Fighting). He is a talkative passanger with all the answers, but, to Bower's frustration, no English. The man can move, but his awesome skills are not fully utilized here either. Shame...
This is not another Alien or Predator. It will not change the direction of film evolution. Still, Pandorum satisfactorily delivers scary, creepy sci-fi with a well put together story and a hopeful ending (I miss those!). It entertains!
Enjoy!

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In Pandorum, Dennis Quaid (Vantage Point, The Express) and Ben Foster (3:10 to Yuma, Alpha Dog) join Cam Gigandet (Never Back Down, Twilight), Cung Le (Tekken, Fighting), newcomer Antje Traue, and director Christian Alvart (Antibodies) to tell the terrifying story of two crew members stranded on a spacecraft who quickly – and horrifically – realize they are not alone. Two astronauts awaken in a hyper-sleep chamber aboard a seemingly abandoned spacecraft.It’s pitch black, they are disoriented, and the only sound is a low rumble and creak from the belly of the ship.They can’t remember anything:Who are they?What is their mission? With Lt. Payton (Quaid) staying behind to guide him via radio transmitter, Cpl. Bower (Foster) ventures deep into the ship and begins to uncover a terrifying reality.Slowly the spacecraft’s shocking, deadly secrets are revealed…and the astronauts find their own survival is more important than they could ever have imagined.

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