Showing posts with label cop. Show all posts
Showing posts with label cop. Show all posts

Friday, August 31, 2012

Flashpoint - The First Season (2008) Review

Flashpoint - The First Season (2008)
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"Let's keep the peace," is the catch-phrase uttered by team leaders as the Strategic Response Unit gears up for a hot call. It's hardly as adrenaline-inducing as "Let's roll," or "Lock and load," but I don't think it's supposed to be; in fact it sets the tone for the series. This cop drama is about saving lives and trying to bring sanity and compassion to out-of-control situations, not racking up a body count in the name of peace and justice.
Flashpoint is an undiscovered gem, hidden away behind a overused genre. If the phrases "SWAT team," "hostage negotiators," "Canadian television," and "police drama" don't exactly grab your interest, please do yourself the favor of at least reading this review and perhaps watching a couple of episodes. You might be glad you did.
The premise on its own is not terribly new: A fictional SWAT/hostage negotiation team takes on kidnappings, suicide attempts, bank robberies, and the like. What IS new is the approach. The writing of this show is steeped in the humanity, compassion, and psychological realism markedly absent from current TV.
The team members are deeply decent human beings who love their jobs and their team-mates, but Flashpoint does a superb job illustrating the real-life issues such as PTSD, stress, and guilt that come with such work.
Markedly absent is the fictional conceit that events don't have consequences. When team leader and sniper Ed Lane shoots a hostage-taker in the series premier, not only do they show his emotional reaction immediately after the shooting, they follow him through suspension, investigation, and debriefing by a psychologist. The consequences of the shooting continue to appear through the series; Ed experiences flashbacks, is sued, and in season two the hostage-taker's son even tries to kill him.
Flashpoint does not stop at portraying the team in a compassionate and realistic light; the subjects of their calls are rarely black-and-white "bad guys." Psychologically disturbed individuals are portrayed as layered individuals with reasons for their behavior. Sometimes these reasons are morally justifiable, sometimes not. Sometimes we sympathize with them, sometimes we want them dead sooner rather than later - but we are almost always given insight as to how and why they reached their "Flashpoint."
Anyone who has experienced traumatic events or PTSD in their own life or helped friends and family cope with traumas should watch this show. It is deeply validating and provides excellent models of how to cope and how not to, as well as being sensitively and realistically written.
Flashpoint is a cop show with real people and ethical, caring human beings in difficult situations. As one friend of mine put it, "It's the anti-24." If you're tired of television where the writers can't think of any better way to create drama than to set up a crisis and then torture their way out of it, try Flashpoint.
This is the (ironically, Canadian-produced) television show that jaded, wounded America needs right now.

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Flashpoint is a drama which depicts the emotional journey into the tough, risk-filled lives of a group of cops in the SRU (inspired by Toronto's Emergency Task Force).It's a unique unit that rescues hostages, busts gangs, defuses bombs, climbs the sides of buildings and talks down suicidal teens.Members of a highly-skilled tactical team, they're also trained in negotiating, profiling and getting inside the suspect's head to diffuse the situation to try and save lives.

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Wednesday, May 2, 2012

Live Free or Die Hard (Unrated Edition) (2007) Review

Live Free or Die Hard (Unrated Edition) (2007)
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Like many other people nervously anticipating Len Wiseman's debut as DH4 director, I could only hope that he could live up to, at the least, Die Hard 2. But he has done a fantastic job with McClane, that lives up to the previous trilogy. In fact, I'd rank LFoDH just behind the first Die Hard movie. No one can top Alan Rickman! The small touches, e.g. Gennero/McClane, Agent Johnson, helicopter flying, are subtle, but add greatly to the movie.
There were a few things missing from the theatrical release, of course. Most noticeably, the lack of swearing, McClane's trademark yippee-kai-yay being truncated. The violence was all there, but it just wasn't intense enough. Fear not fans! The unrated version fixes all of that! It's fantastic, McClane is back in all of his mf-in' glory!
**Spoilers ahead, so read at your own risk.**
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I was hoping for some more dialogue from Timothy Olyphant in the unrated version, but unfortunately, he is still a bit one-dimensional. Run-times of the unrated vs. the theatrical are about the same, surprising considering that the unrated does add extra scenes.
What the unrated version includes:
Many more f-words and MF-ers.
- Extra dialogue between McClane and his captain, Clevino.
- Longer opening intro scene to Matt Long typing to the warlock,
listening to rock music.
- Extra banter when McClane and Matt first meet.
- More intro shots at the FBI command center.
- Shot of the National Transportation Center losing control of their
traffic grid.
- More shots of false anthrax alarm evacuation.
- Thomas Gabriel's hodgepodge of video of Nixon/Bush/Clinton speaking is
longer.
- Blood spurts!!! More gore, though not significantly more.
- More McClane-isms. When John is driving the police car in the tunnel
towards the helicopter, Rand shoots the engine, which lights on fire.
McClane quips, "Well the car's on fire, that can't be good."
- When Matt runs to his side after McClane destroys the helicopter,
McClane adds, "100,000 people are killed every year by cars. What's
another 4?"
- Quick shot of dead guards in power plant.
- When Mai dies in the elevator explosion, McClane screams a profanity
laced tirade at her.
- McClane flying (and landing!) helicopter scene much longer.
- The guy getting crushed in the giant blades scene doesn't have much
more blood.
- Yippee-kay-yay mf-er is said in full!

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John McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

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