Showing posts with label oil. Show all posts
Showing posts with label oil. Show all posts

Monday, May 7, 2012

There Will Be Blood (Two-Disc Special Collector's Edition) (2008) Review

There Will Be Blood (Two-Disc Special Collector's Edition) (2008)
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Upton Sinclair's epic novel OIL! has been successfully transformed to a film by screen writer/director Paul Thomas Anderson ('Magnolia','Boogie Nights', etc). The film is a long song (158 minutes), covering a fascinating span of time in turn of the century California when oil gained the lure of gold and transformed the land and the people into creatures of capitalism and greed and lust, and were it not for the presence of Daniel Day-Lewis' powerful performance as the man who makes it all happen, the story itself would become tiresome. It doesn't.
Daniel Plainview (Daniel Day-Lewis) is a silver miner in 1898, but soon discovers oil and begins on a mission to become wealthy, owning most of the oil fields from the mountains of central California to the Pacific Ocean. With his medicine man manner of getting people to do what he wants he pursues his greed relentlessly, disrupting small sleepy towns like Little Boston as he gains access to the wealth of the black gold. There are odd characters along the way, such as the evangelist Eli Sunday (Paul Dano) who become crushable clods beneath Plainview's boots. The progress of the story is well known to most: it is the telling of the tale in the hands of wholly credible, completely physically immersed Daniel Day-Lewis that makes the story seem new.
The film's grimy atmosphere is well presented in Robert Elswit's cinematography and the odd musical score by Jonny Greenwood is as ominous as the vantage of Plainview. Greenwood elects to weave classical works into the fabric of the film: when young HW falls deaf after an explosion the silence is partnered by one of Arvö Pärt's 'Fratres', and the film's credits are displayed over the Anne-Sophie Mutter/von Karajan recording of Brahms' Violin Concerto. Strange bedfellows, yes, but entirely appropriate to the overall mood of the film. The journey is long and depressing, but the power of Day-Lewis' performance is magic. Grady Harp, April 08

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A sprawling epic of family, faith, power and oil, THERE WILL BE BLOOD is set on the incendiary frontier of California’s turn-of-the-century petroleum boom. The story chronicles the life and times of one Daniel Plainview (Daniel Day-Lewis), who transforms himself from a down-and-out silver miner raising a son on his own into a self-made oil tycoon. When Plainview gets a mysterious tip-off that there’s a little town out West where an ocean of oil is oozing out of the ground, he heads with his son, H.W. (Dillon Freasier), to take their chances in dust-worn Little Boston. In this hardscrabble town, where the main excitement centers around the holy roller church of charismatic preacher Eli Sunday (Paul Dano), Plainview and H.W. make their lucky strike. But even as the well raises all of their fortunes, nothing will remain the same as conflicts escalate and every human value – love, hope, community, belief, ambition and even the bond between father and son – is imperiled by corruption, deception and the flow of oil.

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Friday, March 23, 2012

Dallas: The Complete Thirteenth Season Review

Dallas: The Complete Thirteenth Season
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This to me was actually one of my favorite, if not my favorite seasons. I thoroughly enjoyed it all the way through. I know ratings dipped after Linda Gray's departure, but for me she was not the show and I loved what was there. This season had an exciting hip new main title, which now included George Kennedy and Cathy Podewell, as well as newcomers Kimberly Foster, Sasha Mitchell, and Lesley Anne Down. I neglected to mention in my last review that Charlene Tilton also returned to the main title last season and continued here as well. This season was powered by a timely storyline about a Ewing Oil Tanker crash, Bobby's marriage to April, JR's tumultuous marriage with his second wife, and the arrival of the grown son he never knew he had, James. Jessica Montfort also returns to cause trouble, and Clayton and Ellie end up involved in a scheme which will bring Dusty Farlow back later. What is exciting about this year is the setup-you have some classic members of the Ewing family alongside some new ones and new enemies, thus making the year fresh and interesting today for those who neglected it when it first aired. It is the final year for Charlene Tilton, reduced to basically just a recurring character, as well as Barbara Bel Geddes, who left somewhat unexpectedly at the end of the season. The last year is sort of a tragic one about the downfall of the family, thus this year is very interesting dramatically-it is the last time that a full Ewing house and family is present and has some hope for a good future. Perhaps written down in this review one can't see the magic of the season, but for whatever reason, for me in particular, perhaps because for me 89-90 I was 4 and 5,the nostalgia of the era sort of creeps through. I think it was very well done, and I think basically the people in charge gave it their all and did a great job for CBS when they needed them-others may disparage it, but I personally feel that in terms of the whole story and how it was pulled off, it was very satisfying and well-balanced, and for me one of the most re-watchable. Also Starring Audrey Landers as Afton Cooper, Beth Toussaint as Tracey Lawton, Karen Kopins as Kay Loyd, Denver Pyle as Blackie Callahan, and Alexis Smith as Jessica Montfort.

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For J.R. Ewing, Season 13 is as unlucky as a steer at a Texas barbecue. He starts by lying and cheating Ewing Oil to the brink of destruction and ends by kicking and screaming in a psychiatric hospital. In between he tires of his pretty young wife, seethes while Cliff Barnes's political star rises and bumps into a past he didn’t know he had. Meanwhile, Clayton and Miss Ellie investigate a multiple-murder mystery, folks from seasons past unexpectedly return to stir up trouble and Bobby stays busy removing J.R.’s knives from his back, chasing after a Pam look-alike, and bringing a new Mrs. Ewing to Southfork. Y'all come ’round and meet the happy couple!

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Monday, December 12, 2011

Who Killed the Electric Car? (2006) Review

Who Killed the Electric Car (2006)
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A great film about another sorry episode in the history of America's automobile and energy industry. Set as a "Who-Done-It", the film chronicles how short sighted automakers (especially GM) develop great electric cars in response to the California ZEV mandate only to do everything in their power - from suing the state, making ridiculous ads, creating a red-tape filled lease application process - to kill them. Consumers buy bigger and bigger vehicles (whether they need them or not). Government officials and staffers bow to the pressure of intense lobbying, and conflicts of interest. The sad fate of most of the EVs produced during the late '90s to 2002 is revealed.
GM, especially, comes off as incredibly vindictive. What automaker ever tracked down every car of any model and crushed them (not the Corvair, Edsel, etc.)? Even after loyal drivers pleaded to keep them, offering to buy the last remaining EV1s with junk titles at lease buyout prices, GM went out of its way to ensure that the EV1 was history.
The passion of GM's EV specialist Chelsea Sexton for the EV1 makes her the star of the movie. One can only imagine what the engineers who designed the EV1 felt when their babies were being crushed.
But the movie ends on a hopeful note. We may never see the EV1 again, but vehicles using electric drive systems, either as full EVs (which are coming from several start-up companies) or plug-in hybrids, must inevitably roam the roads. The upward trend in gasoline prices, the effects of global warming, the inherent efficiency of electric drive trains, the continued improvement of battery technology, and the upcoming reevaluation of the ZEV Mandate guarantee it.

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In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust and ran without gasoline. Ten years later, these futuristic cars were almost entirely gone. What happened? Why should we be haunted by the ghost of the electric car?

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Monday, October 10, 2011

A Crude Awakening - The Oil Crash (2007) Review

A Crude Awakening - The Oil Crash (2007)
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I've bought and read most of the major "peak oil" books that have been published the last few years, and so I didn't expect that much from this film when I ordered it using my Neflix subscription (now I'm buying a copy here on Amazon, for a mere $19.99).
Boy, was I ever surprised when I viewed it today! This documentary is so well done, that I really feel it should be required viewing in all high schools and colleges, and I wish everyone in this country could in fact see it.
Virtually all of the major energy experts, most of whom have written books on Peak Oil, are interviewed in this film, with a multitude of scores of video clips from the past and present, including an interview from the 1970's, with M. King Hubbert (the originator of Hubbert's Peak).
This film shows the power of video documentaries, when they are produced with style, creativity and true expertise. Just about every conceivable concept related to the world's energy use, past, present and future, along with great comments regarding the various alternative possibilities (solar, wind, nuclear, hydrogen, etc.), are illustrated here.
Five stars without any doubt!

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An unforgettable and shocking wake-up call, A CRUDE AWAKENING offers the rock-solid argument that the era of cheap oil is in the past. Relentless and clear-eyed, this intensively-researched film drills deep into the uncomfortable realities of a world that is both addicted to fossil fuels and blissfully unaware of the looming "peak oil" crisis. Drawing on an international cast of maverick energy experts and thinkers, directors Basil Gelpke and Ray McCormack debunk the conventional wisdom that oil production will continue to climb, and instead stare bleakly at a planet facing economic meltdown and conflict over its most valuable resource. Featuring a haunting score by Phillip Glass and a fascinating array of rare archival footage, the film explores oil's rocky relationship with human progress in locales ranging from ancient Baku, Azerbaijan to dusty oilpatch town McCamey, Texas. Amidst a dark and disturbing vision of our future, A CRUDE AWAKENING hints at a humbler way of life built around sustainability and alternative energy, providing a visually stunning, boldly prophetic testament which provokes not just thought but action.Q&A with Basil Gelpke 1.What inspired you to make this film?I thought it was the most underreported burning issue at the time when we embarked on the project back in 2005.2.What kind of response have you encountered from audiences who’ve seen it?We’ve got a lot of feedback: Either people would deny our conclusion or they would see the film as an eye-opener.3.What, if anything, do you think has changed since you made the film about the oil situation?The current financial crisis has lowered the overall consumption but it’s interesting to see that not very much as oil consumption is so vital to our societies. While demand goes down in the US it’s still increasing in places like China.4.Do you feel that the high price of gas last year and the current economic crisis has changed our oil addiction?Yes, and I think there’s a growing consensus that we have to change our dependence on imported energy and now there’s a remarkable push to look for alternative sources of energy.5.How much do you think things have changed now that there is a new administration in the White House?The Obama administration is definitely very aware of the issue and they have taken lots of promising steps to change our addiction to oil and fossil fuels in general. Whether they’ll be successful remains to be seen but it’s certainly going into the right direction.6.Can you discuss your decision to use animation and archival footage that sings the praises of oil?It seemed a good way to show how perceptions change over time and how we’re all conditioned by history.7.The score by Philip Glass is remarkable. What made you choose him for the film?Yes, we love his work too!8.Faced with the alarming future shown in the film, what, if any, is your hope for curing our addiction to oil?There’s always hope. However, I strongly believe that when the financial crisis has subsided there will be a next crisis caused by nature: The dwindling resources of the planet simply can’t satisfy the ever increasing demand arising from a growing population. So over time we’ll have to rethink our way of life.

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Friday, August 5, 2011

Collapse Review

Collapse
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To understand the depth of emotion in Michael Ruppert's fascinating argument is to understand his personal evolution. Ruppert was born in Washington, D.C., the son of an Air Force officer and an later aerospace executive. Ruppert's mother was a cryptographer for Army Intelligence at Fort Myer, VA, during the Second World War. In addition, his father's cousins were employed by, and retired from, the Central Intelligence Agency.
Ruppert was a hopeful idealist and raised as a Republican. He excelled in his studies at UCLA (receiving honors in political science), interned for Chief Edward Davis of the Los Angeles Police Department, and eventually became a highly decorated LAPD officer.
Ruppert had all the makings of helpful cog in the wheel of the status quo.
Only later, as a narcotics officer, did Ruppert's journey lead him on a path of discovery which clearly illuminated the chasm between truth and the government approved appearance of truth: In 1977 Ruppert claims to have discovered a major drug trafficking operation run by the CIA. Ruppert filed a statement with the CIA and famously made a publicly televised challenge the Director of Central Intelligence John Deutch. Deutch responded by agreeing to investigate and address the issue earnestly. This promise, in Ruppert's mind, was not honored as nothing was done to identify and punish those who ran the operation. Moreover, nothing was done to cease the drug trafficking operations.
From this experience the audience can understand the evolution from Ruppert's youthful idealist belief in justice toward his lifelong passion for exposing the hidden "truths" that are conveniently hidden from public consumption. (Complicit in this deception, Ruppert argues, is a lazy and uninterested mainstream media.)
Those who have neither read Ruppert's books, viewed his blog, or seen him speak will be riveted as he breaks down the imminent perils of peak oil, the fraud of fiat currency, the quiet revolutions taking place with no media coverage, the corporate and government corruption run a muck, the need for sustainability, and, thankfully, the importance of happiness, joy, and smiles in one's life.
Poignant moments of the film:
During a fascinating scene in the film, one which should not be overlooked, Ruppert himself betrays some his own words. Moments after coldly declaring that his only intent is to protect himself from what he later describes as an avoidable "holocaust", he becomes emotionally overwhelmed and asks for a cut in taping while he attempts (in vain) to recover his emotions and hold back tears. Those tears, of course, appear and one can immediately see that the man who seems to be so removed from the the deadly consequences that face the entire human race is, indeed, not completely calloused to the thought of inevitable human suffering.
Later in the film, when challenged by an off-camera voice to explain why he continues to speak up to this day, Ruppert proudly boasts that as a man of principle he could not walk away and silently ignore government crimes. The implication is that the beneficiaries of Ruppert's activism are his fellow citizens.
Another moment in the film sees Ruppert pausing for a moment when weighing a thought that seems to evolve and fully germinate in front of the camera. Discussing President Obama, Ruppert makes the assertion that the President has neither the level of executive control nor power-broker support to make the type of changes that could halt crises of peak oil, fiat currency, et al. In other words, those who are blindly waiting for President Obama to fix the worlds ills are going to be extremely underwhelmed with the results.
Conspiracy and Paranoia:
My late father once told me during my most fervent period of Patriotic Idealism (middle through late teens) that many of the people who are classified today by the media as "crazy" or "paranoid" will someday be proven right (at which time the media will offer no update or correction to their previous claims). Sadly, at the time he spoke those words I did not understand my father's wisdom. Since that day I've noticed the lies, deception, and corruption perpetrated by our government (and all governments) as well as from the entrenched wealthy elite. Yes, Ruppert is one of those voices to whom my father was referring.
Everyone you love should see this film. (Everyone whom you do not love should also see it ... but lets be real.) This is a powerful voice of a debate that needs to take place, in public, beyond the limitations of the "conservative/liberal/right/left/red state/blue state" paradigm. We would all do ourselves justice by listening to his words and preparing ... if only for the sake of our children.
NOTE: I originally purchased this video from a company that shall go unnamed but features an iconic representation of a widely cultivated perennial deciduous tree-grown fruit that perhaps did or did not help Newton better understand the principle of gravity. However, I have pre-ordered the DVD from Amazon.
NOTE II: According to the closing credits in the film, Ruppert's book has not sold well and he is facing eviction from his home in Culver City. If you are interested in his ideas you may want to consider buying a *NEW* copy of his book. Surely he'll appreciate the royalties.Confronting Collapse: The Crisis of Energy and Money in a Post Peak Oil World

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Can this man predict when your world will crumble?The Explosive New Documentary From The Director Of THE YES MEN and AMERICAN MOVIEIt s the shattering documentary that has been called superb (Entertainment Weekly), hypnotic and haunting (Time Magazine) and so masterfully made it s impossible to look away (AllMovie.com). COLLAPSE is the story of Michael Ruppert, former Los Angeles police officer turned rogue reporter whose eerie prediction of the current financial crisis shocked millions. Now Ruppert is warning of a new meltdown, one rooted in oil, economics, and covert U.S. policies that are leading us all towards unprecedented global disaster. Is he a prophet who can clearly see America s terrifying future, or a conspiracy theorist fueled by fear and paranoia? And if Ruppert is right, can this slide into catastrophe be stopped? Experience this sometimes harrowing, often poignant and always riveting look into the mind of the ultimate outsider from filmmaker Chris Smith, the award-winning director of American Movie and The Yes Men.

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