Thursday, November 10, 2011

Edge of Seventeen (1995) Review

Edge of Seventeen (1995)
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Edge of Seventeen is a wonderfully realized coming-of-age film about the one teen trauma John Hughes never touched: coming out. To start with, the soundtrack is nothing short of spectacular for 80s nostalgia enthusiasts. And the costuming is eerily authentic (rumor has it that the screenwriter ransacked his own home closet to find his 80s club duds). Passing the fact that David Morton has managed to capture the feel of a Hughes teen flick (down to the great opening credits); the performances are the high point here. Chris Stafford will steal every gay Gen-Xers heart; both because he's adorably snuggleable without being implausably beautiful, and because playing a 16-yr old from the mid-80s, he's a stand-in for all of us who WISH we'd had the guts to go after the cute blond boy from our summer job (Anderson Gabrych). Of particular note is Lea Delaria supporting turn as the dyke den-momma; who provides the best possible example for how queer adults should treat queer kids. This is a film that's full of great moments (mostly dominated by Stafford), including a "first-time" love scene that will leave you twitchy with anticipation, and a rimming scene (move over, "Queer as Folk") that will have you rolling off the couch with laughter. Best of all is the fact that for a US-made gay-teen themed film, the plot finally seems to break past the level of "Afterschool Special;" enough for me to rank it above such gay film favorites as "Beautiful Thing" and "Get Real." For American queerboys who came of age in the 80s, this is as real as it gets (or as close to what we wanted in our teen years as we'll find now.) It's a must-have for your collection.

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Set in 1984 in Sandusky, Ohio, "Edge of Seventeen" follows the coming-out of a naive 17-year-old teenager at exactly the moment when gender-bending pop stars like Boy George and Annie Lennox of the Eurythmics were flaunting androgynous images. As the youth, played with a heartbreaking sweetness by Chris Stafford, goes through his first rites of gay passage (after being callously used by the slightly older boy who brings him out, he tries to retreat to heterosexuality with his closest female friend) he emerges as a poignant gay everyman. Lea DeLaria is wonderful as his butch lesbian boss at the amusement park restaurant where he meets his first boyfriend.

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