Showing posts with label 19th century britlit classics. Show all posts
Showing posts with label 19th century britlit classics. Show all posts

Wednesday, February 20, 2013

A Christmas Carol (1984) Review

A Christmas Carol (1984)
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Christmas just isn't Christmas unless you watch at least one version of A Christmas Carol, and this is by far my favorite. George C. Scott gives one of the greatest performances I have ever seen an actor give; he truly becomes Ebenezer Scrooge to the fullest degree possible. Scott can say more with just the slightest hint of a facial movement than many actors can say during the course of an entire movie. All of the performers here are excellent, bringing to life adored characters such as Bob Cratchit, Tiny Tim, and Scrooge's nephew Fred. All four spirits are remarkable, none more so than Scrooge's old partner Jacob Marley; having Marley's jaw drop after untying the burial cloth holding his mouth closed is an important aspect of the story and certainly does make an impression on the viewer. This is just one example of the moviemakers' faithfulness to Charles Dickens' original story; another would be the inclusion of the two miserable children, Ignorance and Want, beneath the robes of the Ghost of Christmas Present.
This timeless tale works extremely well on its own, but the unsurpassed acting skills of Scott make it almost more than real. The change wrought in him during the course of the night, as he changes from a man of crass materialism and unkindness to a repentant soul pleading for a chance to change his ways, is powerfully presented and really touches the viewer emotionally. The simple happiness revealed in the lives of Bob Cratchit and others are as heart-warming as the forgotten mistakes and pains of a younger Scrooge are agonizing. If there is any heart out there that is not touched by the goodness and courage of Tiny Tim, I don't even want to know about it. No matter how many times you watch this movie, it proves itself capable of bringing a tear to your eye, a lump in your throat, and ultimately the very spirit of true holiday cheer and Christian charity that Dickens intended it to convey.
I cannot say I have seen every adaptation of A Christmas Carol, but I really cannot believe any other version could exceed the quality and emotional impact of this one. No matter how many times I read the story or watch the movie, it remains a source of eternal joy to me. This is more than a movie for me; it is an important and necessary part of each and every Christmas holiday season.

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Christmas elicits nothing more than "Bah, humbug!" from Ebenezer Scrooge (Scott), a miser whose sole pursuit of financial success has left him a bitter and lonely old man. But a ChristmasEve visit from the Ghosts of Christmas Past, Present and Future ultimately teaches him to open his heart to the spirit of Christmas and to the joys of friends and family.

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Sunday, February 17, 2013

Christmas Carol - The Movie (2001) Review

Christmas Carol - The Movie (2001)
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Yet another 'Carol' has traditional 2-D animations with great voice cast -- Simon Callow, Kate Winslet, Jane Horrocks, Nicholas Cage, Rhys Ifans, Micheal Gambon, and Juliet Stevenson. You also have a chance to listen to Kate's sister Beth Wislet's voice (who can be seen in a film 'Bodywork') and plus, you hear beautiful songs by Welsh singer Charlotte Church and Kate Winslet herself! And Ms Winslet is very good at that.
So, you ask, why 2 stars? OK, listen up, please. The story is a famous one, so you don't need my summery. And Scrooge is anyway going to be a good guy. But the process is the point, or the life of the story, and the film misses it very wide.
In fact, Scrooge (Simon Callow) in the first act is totally a bad guy here, feeding a mice, giving a chunk of cheese. After showing another side of him, the film is very slow in establishing his character, which should be more simple. To make it worse, Scrooge. out of the window, throws a jug of cold water (and it's winter) upon the chorus group on the street singing, among which you see the face of Tiny Tim, poor boy, drenched to the skin. And ... sorry if I'm wrong, but -- Did Dickens write that way?
There are many, many, unnecessary addtions and changes, which I do not introduce here. The real problem is, however, the animation itself. Jimmy T. Murakami is best known for 'When the Wind Blows' a quiet but very unnerving animated film about two elderly man and wife, who too innocently follows the government guidance to make a handmade shelter for the coming nuclear war. His 2-D animatiton worked at that time, but after about 14 years, it is no longer possible to grab our attention with that technique without good storyteling, character, or original designs. This 'Christmas Carol' has none of them, just making itself look like a Cliff Note of animation.
Sorry if I sound harsh, but as to this eternal classc, there are better choices out there, Alastair Simm or the Muppets (with Michael Caine, and the film is good), so why not them? The only good thing I could find about this version is Kate Winslet's wonderful yuletide song, which deserves more attention.
[VHS VERSION] lacks the opening and ending live-action sections in which Simon Callow plays Charles Dickens himself, touring in Boston, America, in 1867 (Dickens's celebrated reading performance in mind). If you want to see everything of this film, DVD is a better choice.

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Capture the spirit of Christmas with this delightful animated classic! Based on one of the most beloved holiday tales of all time and featuring the voices of some of today's brightest stars, this enchanting, heartwarming film is a very merry treat the whole family can enjoy! "Bah humbug,"says Ebenezer Scrooge, the grumpy miser who would rather count his money than celebrate Christmas. But as Yuletide cheer spreads through all of London and two friendly mice try to change Scrooge's ill-tempered ways, Scrooge receives three unexpected visitorsthe Ghosts of Christmas Past, Present and Futurewho take him on a wild and wonderful journey and help him discover the true meaning of Christmas.

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Friday, January 25, 2013

Straight From the Heart (2003) Review

Straight From the Heart (2003)
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I'm more of an "Aliens" sort of girl than a romance fan, but I have to admit to absolutely loving this movie. I guess I'm just a sappy romantic at heart. This film's been airing on the Hallmark Channel, and I find myself watching it over and over, to the point where I came here to find out if it was on DVD. Thank goodness it is!
I particularly appreciated the cinematography and settings, and well... okay. I really appreciated Andrew McCarthy in his jeans. :) As a mustang adopter and advocate, I can't say that the depiction of mustangs and the BLM (called the "DLM" in the film) is really terribly accurate, but I'm EXTREMELY gratified to see a film even approaching the question of wild horse management in such a positive way. (Of course, when it comes to training mustangs, I wouldn't try this at home; while we see Tyler using some pretty decent training methods, he's also working with a domestic quarter horse rather than a range-fresh mustang; the real thing doesn't tend to go that fast or easy. ;))
I think they did a nice job of making the characters both believable and likeable, and the various conflicts and situations actually make sense, unlike too many films where things could just be resolved if the characters would stop behaving like morons. :) Andrew McCarthy does a really nice job as a gruff cowboy type... and he certainly sits a horse well, too.

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Item Name: Straight from the Heart; Studio:Good Times Video

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Sunday, December 9, 2012

Robin Hood: Season One (2006) Review

Robin Hood: Season One (2006)
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I ordered this ROBIN HOOD after seeing only 2 episodes. I don't usually do that; I usually read all the customer reviews before making up my mind to buy something. Why did I jump in so early? This looks like being a classic ROBIN HOOD.
The pilot and first episode are fantastic. The pilot retells the familiar story of how Robin returns from war in the Holy Land and becomes an outlaw, and does so with wit and verve, in true swashbuckling style -- and with a beautifully light touch of humor. If you have seen THE PRINCESS BRIDE, you have seen a similar style of humor to that used here. But in that movie humor is a large element of its content. It is a very small but important element in the RH pilot.
The first episode turns very gritty; and the humor becomes a much lighter, smaller element. The Sheriff of Nottingham takes over Robin's former estate (like the terrorists took over a Russian school a few years back) and starts cutting out people's tongues -- one peasant at a time -- in an effort to make them tell him where Robin is. Meanwhile, Robin is having his own troubles with the outlaws of Sherwood Forest, who see him as an enemy from the upper class. This is a complex story with complex people and very believable motivations.
The writing is very sharp; the acting is spot on. It is beautiful. Do I have any complaints? Well... I could be a little picky and say people really didn't bathe much back then; and when the Sheriff says, "Tick, tock, tick, tock..." to indicate time is passing and he is getting tired of waiting for someone to tell him what he wants to know... ordinary people didn't have mechanical clocks back then. But, hey, this is a legend not history. And it is superb.
I love this ROBIN HOOD.

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People's hero, war hero, romantic hero and leader of the world's most famous resistance group...Robin Hood is known and loved by millions around the world. His fight against a corrupt government and greedy officials is something we all can connect with. Fun, modern and intelligent, the BBC's Robin Hood is guaranteed to appeal to today's sophisticated viewers and is set to be as popular as the new Doctor Who. Sharp, witty scripts by Dominic Minghella and a striking new look set the tone as the BBC updates this popular legend for all the family. DVD Features:Audio CommentaryAudio CommentaryFeaturette:Hood Academy Featurette Other:Character profilesAudio CommentaryOther:Character profilesAudio CommentaryOther:Character profilesFeaturette:Robin Hood - The Making of Featurette Dressing Hood Featurette Designing the Hood Featurette


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Tuesday, June 26, 2012

A Christmas Carol: The Musical (2004) Review

A Christmas Carol: The Musical (2004)
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If you were ever in New York around Christmas time from 1994 to it's tenth and final year in 2003 the number one show to see would have been Madison Square Garden's A CHRISTMAS CAROL presented first in 1994 with Walter Charles as Scrooge and in later years F. Murray Abraham and even Tim Curry! The stage adaptation was the most elaborate spectacle you could ever wish to see on-stage with magical sets, fantastic costumes and even an indoor snowfall! Realistically, there was no way to transfer this magic to the screen, but it was attempted anyway, and what we are left with is the charm of the material. Any musical based on a Charles Dickens novel is heading in the right direction from the start. Add to the equation the beautiful music of Alan Menken (Aladdin, Beauty and the Beast, Pocahontas and even Little Shop of Horrors!) and the perfectly poignant lyrics by Lyn Ahrens (Ragtime, Seussical, Once on this Island and A Man of No Importance) and the material is sure to stand up... and it does. However, that was in 1995.
In later years the authors continued to make rather bizarre changes to the score that, essentially were exceedingly inferior to their counterpart songs. The best example would be replacing the beautifully dark opening song "The Years are Passing By" from the original stage version with the totally lame "Jolly Good Time". This was apparently done in an effort to make the show less daunting for kids, but this is Charles Dickens and therefor in doing so you are destroying the very foundation of your source material. Some of the revisions, however, are very nice indeed like the inclusion of the new song "You Mean More to Me" which is just pure heaven. Unfortunately the script presented for this television version was the revised script from the later versions of the show and not the one from 1995. So the material does not hold up quite as strong. Thankfully, we have an all-star cast to pull the focus away from that and they succeed. Kelsey Grammer is a serviceable Scrooge and the ensemble of Broadway veterans lead us through a nightmare tale that will ultimately put you in the Christmas spirit, and that, if anything, could have been Dicken's intentions all along. If you can find it, definitely pick up the 1995 original cast recording of A CHRISTMAS CAROL, but for the visuals, this DVD will do just fine.

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Kelsey Grammer ("Frasier") brings Ebenezer Scrooge to life in this musical adaptation of Charles Dickens' classic tale. During a Christmas Eve dream that evolves into nightmarish proportions, embittered and miserly Scrooge is visited by three Christmas ghosts: Past Present and Future, who show him the life he has lived and the future consequences of that life.

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Sunday, March 25, 2012

Rudyard Kipling's The Jungle Book (1994) Review

Rudyard Kipling's The Jungle Book (1994)
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Since the special features in "Rudyard Kipling's The Jungle Book" aren't mentioned in Amazon.com's usually thorough product info, here's a quick rundown:
- Widescreen (2.35:1) - Enhanced for 16 x 9 Televisions
- Audio Commentary With Director Stephen Sommers and Editor Bob Ducsay
- "The Making of Rudyard Kipling's The Jungle Book" Featurette
- Dolby Digital 5.1 Surround Sound
- Spanish Language Track
- Spanish and French Subtitles
All in all, a fine presentation of a fine family adventure film.

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Thursday, November 10, 2011

A Christmas Carol (1999) Review

A Christmas Carol (1999)
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For years Patrick Stewart has done a one person stage version of "Christmas Carol" playing all the parts. Twice he has taken it to New York where he received rave reviews. Those of us who could not get to New York had to be satisfied with an audio tape version. Then someone had the brilliant idea of doing the video. Naturally it was expanded to have a full cast and sets. Because of his years of doing the stage version Mr. Stewart fits so easily into the role that he is not playing a part, he IS Scrooge. There are other fine versions of the story, notably the wonderful George C. Scott production, but none can compare with Mr. Stewart. The adaptation of the story to film is so true to Dickens, he must have sat on the script writers shoulder as it was written. I taped it from the TV broadcast and now can not wait for the DVD to be released. Anyone who makes "Christmas Carol" part of their holiday or just loves magnificent acting should definitely add this version to their library.

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A Christmas Carol ? TNT Original Patrick Stewart (X-Men, Star Trek: The Next Generation) stars as Scrooge, the mean-spirited miser who gets his terrifying comeuppance when he imagines he?s visited by the ghosts of Christmas Past, Present and Future, and taken on a life-altering journey. Spellbinding special effects, a star-studded cast and a timeless holiday story make this brilliant presentation of Dickens? classic the most heartwarming, compelling and powerful adaptation ever filmed.Year: 1999Director: David JonesStarring: Patrick Stewart, Richard E. Grant, Joel Grey

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Thursday, November 3, 2011

Treasure Island (1950) Review

Treasure Island (1950)
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When Captain Billy Bones (played by Finlay Currie) give young Jim Hawkins (Bobby Driscoll) a pirate's treasure map, he sets him off on the trail of adventure. When Long John Silver (Robert Newton) gets wind of what's going down, he positions himself to be ship's cook, and fills the boat with his pirate friends. Befriending Jim, Silver plots to get the gold for himself. But someone will prove quite capable of foiling Silver's plans - young Jim Himself! [Color, released in 1950, with a running time of 1:36.]
This is a great movie, one that is surprisingly good in spite of its age. Indeed, for me this will always be the very touchstone of Treasure Island movies. Robert Newton does an excellent job of portraying Long John Silver, and to this day, whenever I imagine a pirate talking, I hear his voice and accent. Now, don't take this movie too lightly. Even though it was created by Disney Studios, it has a lot of gunplay, blood, men hit with swords, and just the sort of violence you would associate with pirates.
But, don't get me wrong, this is not a modern blood-and-gore movie; it's an interesting and captivating movie that you will want to watch with your whole family. My family loves this movie just as much as I do, and highly recommends it to your family!

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Ahoy, mateys! Come aboard the good ship Hispaniola and set sail in search of buried treasure in one of Disney's most critically acclaimed adventure classics -- presented in its original, uncut theatrical version! In his first all-live-action feature, Walt Disney has vividly brought to life Robert Louis Stevenson's timeless tale of buccaneers and buried gold. Authentic locales, rich color photography, and musket-roaring action set the stage for the stouthearted heroics of young Jim Hawkins (Bobby Driscoll) -- and the skullduggery of that wily, one-legged pirate of all pirates, Long John Silver. Aye, for the kind of excitement that only treasure and treachery can bring, there's no better destination than TREASURE ISLAND!

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Friday, September 23, 2011

Lark Rise to Candleford: The Complete Season Two Review

Lark Rise to Candleford: The Complete Season Two
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Lark Rise to Candleford: The Complete Season One is a charming series that tackles myriad themes, and is adapted from Flora Thompson's semi-autobiographical novel. In the first season, young Laura Timmins (Olivis Hallinan) leaves her village of Lark Rise to work as an assistant to the postmistress in Candleford, Dorcas Lane (Julia Sawalha who was also brilliant in her role as Lydia Bennet in Pride and Prejudice - The Special Edition (A&E, 1996)). Through the course of the first season, Laura discovers that she enjoys living in the more affluent town of Candleford, and experiences the pangs of adolescence, including romantic entanglements. Dorcas Lane, the kind-hearted and sensible postmistress also goes through some pangs of her own, largely to do with her friendship with squire, Sir Timothy Midwinter (Ben Miles) who is married to the beautiful and composed Lady Adelaide (Olivia Grant). In the first season, viewers got to see the themes of marital strife, conflicts between the upper and lower classes, romantic entanglements, and other issues played out.
By the second season, both Sir Timothy and Lady Adelaide have moved to London, but there is still plenty of drama in Dorcas' life with the arrival of James Dowland (Jason Merrells), a former inhabitant of Lark Rise, a local boy who has done well in life. Being a self-made and wealthy man, James settles in Candleford, though he reacquaints himself with the residents of Lark Rise, especially Queenie Turrill (Linda Bassett) who used to take care of him as a young boy. James opens a fashionable hotel in Candleford, and tries to 'improve' the lives of the Lark Rise residents with mixed results. There is also a strong chemistry between James and Dorcas, though their relationship flounders between attraction and rivalry/conflict. Laura seems more mature and wiser, having learned a couple of enlightening things about the pitfalls of romance, and is taking on more responsibilities at the post office. But then, a young clockmaker, Fisher Bloom (Matthew McNulty) comes to town, and Laura finds herself attracted to Fisher, though he seems oblivious to her charms, initially. Laura's parents, Robert and Emma Timmins (Brendan Coyle & Claudie Blakley) who have always been a very close and loving couple find themselves facing some marital strife in their marriage, and this second season takes an intimate look at their dynamics as a couple.
There is also plenty of drama amongst the other inhabitants of Lark Rise & Candleford - the sisters Pearl and Ruby Pratt (Matilda Ziegler, Victoria Hamilton) who have a dressmaking/drapery store continue to pry into others' affairs whilst dealing with their own emotional dramas. Postman Thomas Brown's (Mark Heap)romantic (mis)adventures continue, and many more. This is truly a gem of a series, and I am hopelessly addicted to it. Each episode is well-crafted and credibly acted, drawing viewers into the lives of these mostly endearing & flawed characters, and making one feel at home in both Lark Rise and Candleford.For those who love period dramas, there's some wonderful productions (these are some of my favorites) to check out:
Cranford: The Collection (Cranford / Return to Cranford)
Pride and Prejudice - The Special Edition (A&E, 1996)
Pride and Prejudice (BBC, 1980)
Daniel Deronda
Anne of Green Gables Trilogy Box Set
Road to Avonlea Season 1 and others in the series
Wives and Daughters
The Buccaneers

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The residents of Lark Rise and Candleford return for a second season of heart-warming adventures in this critically acclaimed adaptation of Flora Thompson's novels. The second season sees the arrival of a dashing and elegant stranger in Candleford. Rich, enterprising worldly, and without a wife, James Dowland is a successful businessman with a string of London hotels and has come to transform Candleford and bring it new prosperity. But not everyone welcomes his entrepreneurial efforts and it isn't long before he is sparring with thespirited yet suddenly flustered Dorcas and aggravating the pride of the male Lark Risers with his superior business acumen and somewhat overbearing manner.

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Thursday, September 8, 2011

A Little Princess (1995) Review

A Little Princess (1995)
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"I am a Princess. All girls are. Even if they live in tiny old attics. Even if they live in rags. Even if they aren't pretty, or young, or smart, they're still princesses. All of us! Didn't your father ever tell you that? Didn't he?"
Well no. My Dad didn't call me a princess, and that's because I'm a guy. But after seeing this movie, I was really beginning to wish I was. "A Little Princess" is quite simply amazing. It is the most magical family movie there is. I just can't recommend it high enough. I saw this at the movie theater, 7 times and it is quite easily my favorite film of all time.
Set in 1914, "A Little Princess" tells the story of a girl called Sara who goes to a strict boarding school while her father from England goes to fight the War. The school is run by a mean spirited head teacher called Miss Minchin. From the start, Miss Minchin is jealous of Sara who considers herself to be a princess. After all, her Papa has told her that she will always be his little princess. Despite the harshness of Miss Minchin, Sara continues to fill those around her with magic as she tells stories to them of a beautiful princess and her prince.
The emotion begins early in this movie, firstly being when Sara and her Papa say goodbye as he goes into war. Midway through the movie Sara hears that her Papa has been killed in battle. I have to say, when I watched this I was gone. Ok I wasn't gone yet, but I was holding the tears in. Actress Liesel Matthews who plays Sara is so genuine, and director Alfonso Cuaron definitely brings out the best in her. It is at the end which is complimented by the music of Patrick Doyle, that I really did feel a few tears going by my face. It happened just after Sara realized she may truly have lost her father forever.
The DVD itself just has a trailer and it would be great if it had more extras, but the moie is just so wonderful that you have to buy this DVD. In addition, the subtle Dolby Digital 5.1 is just right for a movie such as this.
"A Little Princess" made my heart feel so much, and I really felt like a girl, getting upset over a family movie like this. I guess I was getting in touch with my inner princess. Maybe I am a princess after all.

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The beloved story from the author of the Secret Garden becomes 1995's best reviewed film. A young girl must rely on her wits and imagination when she is separated from her soldier father and sent to a strict boarding school. Year: 1995 Director: Alfonso Cuaron Starring: Eleanor Bron, Liam Cunningham, Liesel Matthews DVD Features:Production NotesTheatrical Trailer


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Friday, July 8, 2011

Little Dorrit (2009) Review

Little Dorrit (2009)
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I will always be a tremendous fan of the two part film version with Derek Jacobi and Sir Alec Guiness, now generally only found on used video tape. This wonderful new miniseries does however acquit itself very nicely. Shown earlier in the UK, the acting by Matthew Macfadyn (of Pride and Prejudice fame) captures the well-intentioned and kind hearted Arthur Clennam perfectly. Equally impressive is Claire Foy as the courageous and decent Little (Amy) Dorrit. Still the best may be the character portrayed by Tom Courtenay, William Dorrit, "the father of the Marshalsea" the famous debtors' prison. The series is full of very strong supporting performances, it would take far too long to list the many wonderful actors and actresses who are found in every scene.
The show follows a very typical Dickens plot of slowly developing mysteries and strangely interwoven relationships. Little Dorrit was born inside a debtors' prison and has lived her entire life working unendingly and without complaint to make her father's decades long imprisonment there more bearable. She is the first child born there; this fact and his former stature as a gentleman gives him an informal social superiority inside that he enjoys and uses as possible to his personal benefit. The arrival in London of Arthur Clennam from China to share with his mother the news of his father's death, pushes an already moving story into many surprising turns. Rich and poor, good and bad, people of all social circles find themselves pulled into confronting their changing fortunes. Some who find themselves well-off deal with their new situation far less well than those dealing with adversity.
Dickens is telling a story far too near to his own with the theme of these families forced to see many generations live behind prison walls for the want of a few pounds. The story is one of his strongest and this series tells it honestly and with an incredible strength of cast and script.

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Acclaimed screenwriter Andrew Davies (Pride and Prejudice, Bleak House) brings to DVD an all new Dickens adaptation starring Academy Award Nominee Tom Courtenay (The Golden Compass), Matthew Macfadyen (MI-5, Pride and Prejudice) and newcomer Claire Foy (Being Human). This gripping new series brings to life Dickens's powerful story of struggle and hardship in 1820s London. When Arthur Clennam (Macfadyen) returns to England after many years abroad, his curiosity is piqued by the presence in his mother's house of a young seamstress, Amy Dorrit (Foy). His quest to discover the truth about “Little Dorrit” takes him to the Marshalsea Debtors Prison, where he discovers that the dark shadows of debt stretch far and wide. Filled with humorous yet tragic characters, Little Dorrit is a stirring rags to riches to rags story, exposing the underbelly of nineteenth century British society as only Charles Dickens can.

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Sunday, July 3, 2011

Persuasion (2007) Review

Persuasion (2007)
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"Persuasion" is tied with "Pride & Prejudice" as my top favorite Jane Austen novel. I was looking forward to this version, after being a little disappointed with the 1995 adaptation (actors were a bit too old for their roles, I thought, but that's another review).
While "Northanger Abbey" is a story of young love, "Persuasion" is a story of love lost. Anne Eliott was once engaged to Frederick Wentworth but has had to give up the engagement due to the persuasion of her friend Lady Russell. Anne is the daughter of a baronet and Frederick is a young lieutenant with little prospects and was deemed by her friends and family as not worthy enough to marry Anne. Fast forward to 7 or so years later, and Anne's family is in dire circumstances. Her family has to move from their large country estate to Bath in an effort to retrench and avoid further debt. Frederick returns to England as a wealthy and highly eligible naval captain and his and Anne's paths meet again. Frederick is pursued by 2 of Anne's younger sisters-in-law while Anne is left to wonder what might have been. After a stressful visit to Lyme, Frederick and Anne's paths briefly separate. Anne moves to Bath where she is pursued by her cousin William Eliott and she crosses paths with Frederick again. Will love triumph the second time around?
Whether you agree or disagree with my assessment of the 1995 version starring Amanda Root and Ciaran Hinds, I think you will find that Rupert Penry-Jones and Sally Hawkins are wonderful in their roles as Frederick Wentworth and Anne Eliott. Sally Hawkins - unknown to me until now - gives a soul-stirring and endearing performance as Jane Austen's long suffering heroine. Rupert Penry-Jones is aptly dashing and handsome, though perhaps a little bland, as Frederick (I'd take him over Ciaran Hinds any day). The supporting cast is solid - with a few exceptions - and the screenplay, up until the last 10 minutes, stays true to the tone and spirit of the book. The production values, costumes and locations are excellent. This scores points for actually filming in Bath and Lyme (actual locations from the book). Another high note is Martin Phipps (who also composed the amazing score of BBC's "North & South) who delivers yet another stirring score.
The reasons for the 4 stars are as follows (warning, spoilers!):
a) Casting - I absolutely detest Amanda Hale as Mary Musgrove. She is annoying and stands out in a bad way from the rest of the cast. Julia Davis is also off as Elizabeth Eliott and looks more like Anne's wicked stepmom than her older (by 2 years) sister. Elizabeth is supposed to be beautiful and elegant, and Julia Davis is nowhere near this. Surely there are more than enough talented British actresses who could have played these roles.
b) Changes - Some long-time fans will be a little irritated with the changes made to famous scenes from the book. This is where the 1995 version triumphs over this version. While the Amanda Root version remained faithful to the book, this version strayed in some of the vital scenes such as the dialogue between Captain Harville and Anne on woman's constancy; and the scene where Frederick writes a letter to Anne.
c) The last 10 minutes - where Anne runs around Bath like a headless turkey - almost completely ruined it for me. Whoever thought of sending a docile, elegant, poised, upper-class lady like Anne to run around town like a servant girl is beyond me. The adaptation would have been outstanding except for this miscalculation. I am not a purist, but there is just so much a long-time Jane Austen fan can take and this one crossed the line for me.
All in all, however, I give it 4 stars for Sally, Rupert, most of the supporting cast, Bath, the score and the first 80 minutes. It goes along swimmingly up until the climax, at which point I have to fast forward to skip the part I detest. A good and solid adaptation, but "Northanger Abbey" starring JJ Feild and Felicity Jones gets my vote as my favorite of the recent Jane Austen adaptations.

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Jane Austen’s romantic masterpiece comes to DVD in a thrilling new production from the BBC and Masterpiece Theatre. Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with a fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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Tuesday, May 31, 2011

North & South (2005) Review

North and South (2005)
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"North & South" was released in the UK in November 2004 and in the US in July 2005. Since its first broadcast, viewers across the globe have hailed it as one of the best - if not the best - British period miniseries ever produced. It was voted BBC's "Best of 2004" in drama, actor and actress categories, among others.
Many in the US will probably confuse Elizabeth Gaskell's "North & South" to John Jake's civil war drama of the same name. While Jake's tells the story of America's north and south, Gaskell's story is rooted in Victorian England. John Thornton, a handsome, stern, passionate manufacturer from Milton represents the north. Margaret Hale, an outspoken, beautiful and spirited young woman from Helstone represents the south. When the Hales move from the idyllic village of Helstone to the bustling, industrial city of Milton, Margaret and Thornton's lives collide.
John Thornton is instantly attracted to Margaret while she is repulsed by his haughty demeanor and the way he treats his employees. She develops a disdain for the wealthy 'masters' (manufacturers) and strikes a friendship with the daughter of the local union leader, much to Thornton's dismay. As Margaret becomes better acquainted with Mr. Thornton, she gradually comes to admire him. She discovers that he is hardworking, a devoted brother and son, generous and kind to Margaret's parents, and is loyal and honorable. However, when the workers in Milton strike, the turn of events that follow drive a wedge between Margaret and Thornton and eventually threaten to pull them apart.
"North & South" is produced by the excellent BBC and the screenplay was written by Sandy Welch, who also penned the outstanding "Our Mutual Friend." Everything you would expect from a topnotch BBC production is here - locations, sets, costumes, casting, direction, cinematography. The story is an adaptation of Elizabeth Gaskell's little known but well loved 19th century novel. Mrs. Gaskell also wrote "Wives & Daughters" which was turned to another superb miniseries starring Justine Waddell, Keeley Hawes and Francesca Annis in 1999.
I would be very remiss in writing a review for this miniseries without applauding the exemplary cast. The little known Richard Armitage has earned a throng of fans overnight because of his unforgettable portrayal of John Thornton. He has since replaced Pride & Prejudice's Colin Firth as my favorite brooding hero and infuses so much passion and charisma into his role. Daniela Denby-Ashe is wonderful and charming as Margaret Hale. Also excellent are Brendan Coyle as the gruff but good-hearted Nicholas Higgins, Sinead Cusack as John Thornton's haughty but devoted mother, Joy Joyner as the funny and superficial Fanny Thornton, Lesley Manville as Mrs. Hale and Tim Piggot-Smith as Mr. Hale.
"North & South" has since replaced 1995's "Pride & Prejudice" as my favorite miniseries. It tugs at the heart and sweeps the viewer off their feet. The relationships that develop between its main characters (notably, Thornton and Margaret; Thornton and Higgins; Margaret and Bessy Higgins) and the journey that Margaret and Thornton go through are truly unforgettable. In fact, you will wish that the ending didn't come so soon!
"North and South" went through a sad process of editing when BBC America aired it in July 2005. A full hour was cut from the miniseries to make room for commercials. Finally, with this dvd release US viewers now have a chance to see this instant classic as it was meant to be seen - with a 233 minute running time and with all the scenes intact. The dvd also includes a delightful interview with Richard Armitage, a handful of deleted scenes (including an extended 'proposal' scene), commentaries and cast biographies.
If you are an anglophile or a fan of high-quality period drama, you owe it to yourself to see "North & South." Fans of "Pride & Prejudice," "Wives & Daughters," "Middlemarch," Dickens / Austen adaptations and the like should not miss this. I have no doubt that most of you will fall in love with this miniseries as many of us have. Everyone whom I have recommended this miniseries to have at least liked it (and at most, are completely obsessed with it). This dvd is a keeper and deserves a place in any period drama fan's dvd collection.

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NORTH & SOUTH - DVD Movie

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Friday, April 1, 2011

Masterpiece Classic: Downton Abbey (Original UK Unedited Edition) Review

Masterpiece Classic: Downton Abbey  (Original UK Unedited Edition)
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Julian Fellowes has mined his script for Gosford Park, and took a few cues from the beloved 1970s series Upstairs, Downstairs - Collector's Edition Megaset (The Complete Series plus Thomas and Sarah), to create Downton Abbey, a stunning and colorful drama set around the aristocratic Crawley family and the staff which serves them. Set between 1912 and 1914, Downton Abbey chronicles the conflict of class, gender, and politics, and serves it up with a refreshing dollop of sizzle and scandal. Hugh Bonneville, Elizabeth McGovern, and Dame Maggie Smith (as Robert, Earl of Grantham, Cora, Countess of Grantham, and Violet, Dowager Countess of Grantham, respectively) are knock outs, but the rest of the cast are no slouches either, with the stunning Michelle Dockery at the forefront as Lady Mary Crawley, who is the selfish, proud, and vindictive eldest daughter you can't help but like. The actors and the stunning interiors of Highclere Castle, home to the Earls of Carnarvon, give Downton Abbey a glossy, sophisticated sheen, even when the script's twists and turns can be a bit of a let-down. Nevertheless, the drama is engrossing and invigorating, and a worthy addition to the collection of any period drama aficionado--and anyone who likes good drama, period!

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Downton Abbey -- a sprawling, lavish Edwardian mansion nestled in the Yorkshire landscape -- needs an heir. Dame Maggy Smith stars as Violet, the stubborn Dowager Countess of Grantham matriarch of Downton. Hugh Bonneville stars as her son, the stoic, unflapple Lord Crawley. Elizabeth McGovern is his far-sighted American wife, Cora. From Academy Award-winner Julian Fellowes. This is the original un-edited UK version of the program.

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Friday, March 11, 2011

The Young Victoria (2008) Review

The Young Victoria (2008)
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The film takes a look at the year leading up to and first few years of Victoria on the throne of England. It shows the struggles, trials and tribulations of being a lonely child growing up under strict rule to being a young queen on the English throne, a queen that would have the longest standing reign in all of British history. The film also takes us into the life of a married monarch. A true love story for the ages, the marriage between Victoria, played by Emily Blunt, and Albert, played by Rupert Friend, was arranged prior to their eventual meeting. Their official meeting was scripted, but it was when both dropped the script and began to speak as themselves that the historic romance blossomed. The film is a wonderful depiction of the early life of the queen, showing how she became one of the greatest monarchs in British history.
Although I am not technically trained as an historian, I am as an actor and director and I found this movie worth its price at the theatre. Being one of many costume dramas that I have seen The Young Victoria has been by far most sound in design, screen capture, performance, and set. One must remember, though, that this is just a movie and in order for it to be completely historically accurate is reaching for the stars. This film was an interpretation above all; an inside look at the life of a young queen from an unfamiliar angle, her personal life. Though this is not the first film to do so, it is one of a few films that actually shows the passionate, loving and sexually driven young queen; not the prudish, "we are not amused" old queen we've grown to know. My rating for this film stands at a strong four star, and it is recommended that if you are able to let go of the idea of being historically accurate and allow yourself to enter the imagination of film makers you will enjoy The Young Victoria.

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Emily Blunt and Rupert Friend star in the lavish historical drama, THE YOUNG VICTORIA. Resolved to establish her authority over those who rule in her stead, a young and inexperienced Queen Victoria (Blunt) draws strength from the love of Albert (Friend), the handsome prince who’s stolen her heart. Based on the courtship and early reign of England’s longest-serving monarch, THE YOUNG VICTORIA is a majestic tale of romance, intrigue and power.

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