Showing posts with label period romance. Show all posts
Showing posts with label period romance. Show all posts

Saturday, March 16, 2013

Harlequin Romance Series - Diamond Girl - Vol 10 Review

Harlequin Romance Series - Diamond Girl - Vol 10
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Claire Barnard has been working as a paralegal for Denny Montana for four years (a playboy lawyer) and caters to his every whim, but he just sees her as reliable Claire. Until one day Dennys older brother (tall, dark) Regan appears in the office, determined to oversee the sale of the Montana Napa Hills vineyard. Regan immediately notices the fact that Claire is the driving force of his brothers' law firm, transforms Claire into a welldressed beauty (what some makeup and a new hairstyle can do!) and tells Claire of his plan to bring her and Denny together. For him it is business - he needs Denny distracted from estate agent Margot so he can convince Denny of his own ideas regarding the vineyard deal - but soon Regan is attracted to Claire himself.
I really liked this romantic movie. It is based on a Diana Palmer movie, but is actually quite different from the book. I believe some DP-fans were outaged about it, but hey, it is a 1998 movie and the book is an oldfashioned 80's romance novel with the overbearing hero and the little mouse/secretary heroine. I for one am happy they made Claire a paralegal with a mind of her own. She is no little mouse, has humor and I liked the chemistry between Joely Collins (Claire) and Regan (a yummy Jonathan Cake). This is romance as you read it in a romance novel, so I recommend it to all romantics. It is a 'Harlequin presents' movie, and I think this one is the best!

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Sunday, August 28, 2011

Far and Away (1992) Review

Far and Away (1992)
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When I first viewed this film when I was 10 years old on May 23, 1992, when fell in love with it from the very start. It was so rare a feeling at that age to actually feel good in a very human way, not just as a spectator. The movie's theme seems to be a very trite one: Always follow your dreams. Many films have tried to exercise this theme and failed miserably. They will pump a lot of cheesy moments into one finale, without any kind of supporting events to show that it is an earned pay off. FAR AND AWAY succeeds where these other films fail. The journey starts at point A and goes straight to point B without any pishposh in between. You are with Joseph and Shannon through their fortunes and misfortunes and see almost every step they take from getting to rural Ireland to Boston and finally to Oklahoma. What also makes it work is the onscreen chemistry between Tom Cruise and Nicole Kidman. The two had only done one movie together (DAYS OF THUNDER) before teaming up for this one. At the time, they had only been married for a year, so their new found love for each other was fresh in their minds and ready to be shared. The advantage Cruise has for playing a scrappy Irish boxer is his star status and the amount of time he spends with a personal trainer. His bulging muscles in the boxing scenes show that he's no longer the little bugger in RISKY BUSINESS. It also doesn't hurt that the film is beautifully shot, taking adavantage of the rich Irish coast and the vast farmland of Oklahoma. This beautifully illustrates the long journey of the films location and plot. How exceedingly different the images feel and how far must one travel to get to each!Perhaps another reason this film is so special to me is the complete and utter romantic feel it has. The beautiful scenery, the love between the two lead characters and actors, and the gorgeous music. The score is one of John Williams' best setting all the right moods in all the right places. He starts with traditional Irish folk sounds and moves into Coplandesque America. Watching this film, my heart always goes a flutter, thinking about how I want to achieve my dreams and ambitions. One of my dreams is true love. The way Joseph and Shannon find love is striving for their dream, not knowing it was there all along. I am madly in love with a girl right now. In my fantasies, I always picture myself as Joseph and her as Shannon, kissing on an open wheatfield, our land. Whenever I hear Enya's book of days played at the ending credits, I almost weep with joy thinking about holding her and sharing my love with her. Watching FAR AND AWAY is the closest I get to fulfilling my dreams at this point. Leonard Maltin complains of no story. If there was no story, there'd be no kind of journey and I would be completly detatched. I give FAR AND AWAY 5 stars because it has stirred almost every emotion in me for over 8 years. A movie like this deserves no less.

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A stubborn Irish farmer and a fiesty landowner's daughter emigrate to America in 1892 to make a new life for themselves. Includes notes, bios, highlights, and trailer.

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Tuesday, August 9, 2011

Becoming Jane (2007) Review

Becoming Jane (2007)
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The only portrait I ever saw of Jane Austen appears on countless spines of the Modern Library edition of "Pride and Prejudice." Drawn by her sister Cassandra, Jane looks, well, like one would expect the witty Miss Austen to look: poised, civilized, reflective and intelligent. With some imagination and forgiveness with regard to the talent of the artist, she could even be conceived as pretty with her large dark eyes and ringlet fringe peeking out from the typical gentlewoman's cap of that time period. How ingenious for Hollywood to cast the sumptuous Anne Hathaway with her silky brown hair, curvaceous figure, deer-in-the-headlights eyes and perfect lips as the young burgeoning author? Let's face it---no one wants to be a plain Jane - and plain she is not--she's pretty much got it all: not only is she innocently stunning, she's independent, wants to work, exhibits impeccable manners, loves her family, acts upon noble ideals all of which along with her cricket skills results in attracting and snaring the deliciously boyish James McAvoy ( Last King of Scotland) as supposed ill-fated lover, Tom Lefroy.
As a film, all of this romanticism works wonderfully. The verdant countryside shimmers in the sunshine. The period clothing---all empire waists, beribboned hair, top hats and velvet frockcoats----sway and rustle delightfully as the couples dance and speak in clever well-mannered innuendo as expectant matchmaking parents play chaperone and contemplate lucrative alliances that will set their children up for life. The dialogue sufficiently reflects that Austenian repartee which the educated audience delights in as it makes them feel they are on an even keel with one of the greatest satirists in the English language. The notion of Austin's relationship with Lefroy as presented first in Jon Spence's biography from which the film gets its name, suggests that many of Austin's dream partnerships as presented in her novels were based on actual, personal and emotional incidents that although painful, gave her characters so much flesh and blood poignancy, we still discuss them today.
Whether or not any of this is actually true matters naught. The film seduces with the same charming intensity of McAvoy's blue-eyed stare as he quite openly undresses Hathaway in his mind. Is Lefroy the basis for Mr. Darcy? This is difficult to say, but I wouldn't mind bumping into this film's Tom Lefroy while I was taking my daily constitutional. Of course, I'd have to go back in time to become a few years younger---or perhaps not as flirty cousin Eliza de Feuillide certainly does have her way with Jane's rakish brother, Henry Austen (Joe Anderson)---oh, what money can buy!
With that in mind, leave the historical authenticity to the Austen scholars and enjoy the film for its performances and its visual delights. Secondary players congregate to form a veritable Austen menagerie of characters that for the most part plays a bit too conveniently to reflect reality. But take it all in fun ---the film leads one to believe that Austen needed little imagination to conceptualize her personalities; rather they were all there under her nose, just waiting to be captured on paper. Nevertheless, Maggie Smith as the formidable Lady Gresham never fails to elicit a chuckle as does her fictional counterpart Lady Catherine de Bourgh from "Pride and Prejudice." Julie Walters and James Cromwell as Jane's parents seem the perfect Mr. and Mrs Bennett clones while Laurence Fox, as Mr. Wisley (Mr. Collins again from "Pride and Prejudice") interjects just the right 21st century computer geek persona to the mix to act the perfect foil for the more glamorous but definitely shallower Tom Lefroy character.
Bottom line: After countless Masterpiece Theatre adaptations of all six of Jane Austen's novels as well as a herd of popular films set to popular music (Bride and Prejudice was one Bollywood version) it is not surprising that the author herself has come into scrutiny in this charming albeit fictionalized biopic. If you are not tired of yet another Darcy/Bennett rendition, you will most likely find "Becoming Jane" two hours worth of Jane Austen's world lovingly preserved. Recommended.
Diana Faillace Von Behren
"reneofc"

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Anne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels for

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Monday, August 8, 2011

Ever After - A Cinderella Story (1998) Review

Ever After - A Cinderella Story (1998)
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Well, I am sure that we have all heard the story of Cinderella many times over, but in Ever After we finally get to see a stronger female lead than those who dance through our little girls brains at an impressionable age.
Danielle De Barbarac (Drew Barrymore) lives alone with her father and their servants after the death of her mother, until one day her father brings home a new bride, the Baroness Rodmilla De Ghent (Anjelica Huston) and her two daughters, Marguerite and Jacqueline. When Danielle's father dies, the Baroness turns Danielle into a servant to wait on her and her spoiled daughters.
Danielle accidently meets young Prince Henry (Dougray Scott) when the Prince pilfers a horse from their manor in order to escape his parents restrictions. For her silence, he gives her coins, which she uses to pose as a courtier to buy back their old servant the Baroness sold to pay her taxes.
She meets Prince Henry again, but this time posed as a Lady, and Henry finds himself enchanted not simply by her beauty but by her intelligence and spirit. He becomes determined to know more about her, but first must find her for she keeps slipping away from him. In the meantime, Marguerite has set her sights on the handsome prince, with the help of her mother and a michevious courtier.
I won't give away any more of the movie, but absolutely must mention that there is a great deal of humor in this unique telling of the Cinderella story (take special note of the wedding chapel scene with the Spanish Princess). The acting is supurb and the script very tight and well written, the costumes are stunning, the scenery is breathtaking, and the photography brilliant.
Overall, this is a wonderful movie that softened even my cold, hard heart, allowing it to pump warm blood if only for the length of the movie. This is a love story without sappiness, a handsome hero with faults of his own, and a beautiful heroine who knows how to save herself. Enjoy!

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A "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind.Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.

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Tuesday, May 31, 2011

North & South (2005) Review

North and South (2005)
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"North & South" was released in the UK in November 2004 and in the US in July 2005. Since its first broadcast, viewers across the globe have hailed it as one of the best - if not the best - British period miniseries ever produced. It was voted BBC's "Best of 2004" in drama, actor and actress categories, among others.
Many in the US will probably confuse Elizabeth Gaskell's "North & South" to John Jake's civil war drama of the same name. While Jake's tells the story of America's north and south, Gaskell's story is rooted in Victorian England. John Thornton, a handsome, stern, passionate manufacturer from Milton represents the north. Margaret Hale, an outspoken, beautiful and spirited young woman from Helstone represents the south. When the Hales move from the idyllic village of Helstone to the bustling, industrial city of Milton, Margaret and Thornton's lives collide.
John Thornton is instantly attracted to Margaret while she is repulsed by his haughty demeanor and the way he treats his employees. She develops a disdain for the wealthy 'masters' (manufacturers) and strikes a friendship with the daughter of the local union leader, much to Thornton's dismay. As Margaret becomes better acquainted with Mr. Thornton, she gradually comes to admire him. She discovers that he is hardworking, a devoted brother and son, generous and kind to Margaret's parents, and is loyal and honorable. However, when the workers in Milton strike, the turn of events that follow drive a wedge between Margaret and Thornton and eventually threaten to pull them apart.
"North & South" is produced by the excellent BBC and the screenplay was written by Sandy Welch, who also penned the outstanding "Our Mutual Friend." Everything you would expect from a topnotch BBC production is here - locations, sets, costumes, casting, direction, cinematography. The story is an adaptation of Elizabeth Gaskell's little known but well loved 19th century novel. Mrs. Gaskell also wrote "Wives & Daughters" which was turned to another superb miniseries starring Justine Waddell, Keeley Hawes and Francesca Annis in 1999.
I would be very remiss in writing a review for this miniseries without applauding the exemplary cast. The little known Richard Armitage has earned a throng of fans overnight because of his unforgettable portrayal of John Thornton. He has since replaced Pride & Prejudice's Colin Firth as my favorite brooding hero and infuses so much passion and charisma into his role. Daniela Denby-Ashe is wonderful and charming as Margaret Hale. Also excellent are Brendan Coyle as the gruff but good-hearted Nicholas Higgins, Sinead Cusack as John Thornton's haughty but devoted mother, Joy Joyner as the funny and superficial Fanny Thornton, Lesley Manville as Mrs. Hale and Tim Piggot-Smith as Mr. Hale.
"North & South" has since replaced 1995's "Pride & Prejudice" as my favorite miniseries. It tugs at the heart and sweeps the viewer off their feet. The relationships that develop between its main characters (notably, Thornton and Margaret; Thornton and Higgins; Margaret and Bessy Higgins) and the journey that Margaret and Thornton go through are truly unforgettable. In fact, you will wish that the ending didn't come so soon!
"North and South" went through a sad process of editing when BBC America aired it in July 2005. A full hour was cut from the miniseries to make room for commercials. Finally, with this dvd release US viewers now have a chance to see this instant classic as it was meant to be seen - with a 233 minute running time and with all the scenes intact. The dvd also includes a delightful interview with Richard Armitage, a handful of deleted scenes (including an extended 'proposal' scene), commentaries and cast biographies.
If you are an anglophile or a fan of high-quality period drama, you owe it to yourself to see "North & South." Fans of "Pride & Prejudice," "Wives & Daughters," "Middlemarch," Dickens / Austen adaptations and the like should not miss this. I have no doubt that most of you will fall in love with this miniseries as many of us have. Everyone whom I have recommended this miniseries to have at least liked it (and at most, are completely obsessed with it). This dvd is a keeper and deserves a place in any period drama fan's dvd collection.

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NORTH & SOUTH - DVD Movie

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