Showing posts with label ireland. Show all posts
Showing posts with label ireland. Show all posts

Tuesday, October 30, 2012

U2 Go Home - Live From Slane Castle (Limited Edition Packaging) (2002) Review

U2 Go Home - Live From Slane Castle (Limited Edition Packaging) (2002)
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The Packaging
The first surprise is that the DVD is available in two different kinds of packaging. One version comes in the usual digipack-cover as we know it from the Boston DVD. Inside you find the booklet in the usual DVD upsize format. The second version, in contrast, comes in a suprising format: its a standard cd jewel case with a booklet in the same format. A pretty unusual format for a DVD and day-to-day customers might easily mix up this version with a normal audio CD.

The Content
The DVD contains the entire slane castle concert from September 1st. 'Mysterious Ways' is not part of the concert, but listed as a 'bonus track'. The reasons for this are still unknown. The concert without Mysterious Ways lasts 1:38h, the bonus track is 6:26 min long. Furthermore the DVD contains a remastered version of the 'Unforgettable Fire' Documentary, which has been available before on the 'The Unforgettable Fire Collection' VHS from 1985. Bonus-Features include the already mentioned Mysterious Ways track, a DVD-ROM section with screensavers, desktop wallpapers, an elevation tour calendar and weblinks, plus - for the the first time ever - the possibility to view 3 songs from the show in a 360° perspective.

The Concert
The most noticeable fact about this concert is the perfect mood the band was in on this evening. What seemed somewhat artificial and nervous in the Boston show, you can see much better here - the band enjoyed playing a second time in front of such a crowd at Slane Castle. Maybe it's the fact that it was not planned to release this concert for sale. Some incidents before the shows made both Slane concerts very emotional. The huge crowd brings a terrific spirit to the homes of all U2 fans, and the interaction with fans is much better here than in Boston.

Between songs Bono tells stories, plays games with fans and makes other kinds of jokes, all this makes the recording and U2 on this evening so likable. We pass on a song by song review, as we think that each viewer has to make up his own mind about this concert. We just want to point out that U2's mood and musical performance is outstanding. In comparision with all the other live videos this is the one which transports the feeling of a live concert best. All other videos tend to be stiff in some way or too well prepared. U2 at Slane Castle 2001 is the band U2 we want to see, they act with their hearts and have fun.
The Picture
The concert was recorded with many camera perspectives although Ned O'Hanlon said in an @U2.com interview that the expenses on that show were just a small fraction compared to the expenses for recording the Boston show. The spirit of the entire show is captured very well, shots from and of the audience are used very often and reflect its enthusiasm. The video format is 16:9, the pictures are sometimes very coarse, sometimes due to special effects, but this may have to do something with the light conditions during the shooting.
The Sound
This is the first time a U2 DVD is released with DTS sound, in addition to the PCM stereo format and DolbyDigital 5.1. But we think that for a normal user there is no relevant notable difference. Bonos voice is transferred very clearly via the centre speaker. The instruments are mixed to the front speakers, from the rear speakers you can notice quiet echoes, which are sometimes irritating. The audience is well mixed into the rear-speakers. There is no crystal clear mixing as can be found on DVDs like 'Eagles - Hell Freezes Over', where each instrument can be heard on a different channel. But maybe it's not comparable, because the Eagles show was a club-gig especially prepared for this, U2 in Slane was an open-air show which was, at the time of recording, not scheduled for a release.
The Extras
'The Unforgettable Fire' documentary
As mentioned before this is a remastered version of the 'Unforgettable Fire' documentary which follows the recordings of the album of the same name at Slane Castle in 1984. The video format is 4:3 and the documentary is 28 min long. The Documentary also includes the "Pride (In The Name of Love)" video. The picture quality is not the best, it's far away from DVD-quality.
Bonus-Track 'Mysterious Ways'
Once the track list of the DVD became public, many fans were shocked as the same song which was already missing on the Boston DVD was once again cut out. For still unknown reasons the song was taken out of the usual running order of the DVD and instead placed as a bonus track. It is not as was rumoured (and feared) a so called "easter egg", but a normal track which can easily be accessed via the main menu. (Remark: Producer Ned O'Hanlon said in a recent interview that the song just didn`t really fit into the show).
DVD-Rom Bonus Tracks
The most anticipated special, the 360° view of the concert, ends up being a Quicktime video of the three songs Elevation, Beautiful Day and Where The Streets Have No Name. Users have the possibility to spin around 360° degrees in real time at the touch of their mouse. A real high-end-special-feature feeling unfortunately doesn't come across due to the lack of quality which reminds one of a cheap webcam.
The second special feature is the 'Elevation tour diary calendar and clock'.
Furthermore two screensavers in red and blue are available - their style matching the artwork of the DVD. Nice, but not really exciting.
Four desktop motives are available to polish up your Windows system. They are available in 1024x768 and 800x600 resolution.
Finally the obligatory links to U2.com and NGOs that are supported by U2 are featured. Exclusive weblinks are unfortunately missing.
You can read the entire review with screenshots also in english at .....,..

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U2 GO HOME:LIVE FROM SLANE CASTLE - DVD Movie

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Monday, October 1, 2012

Scarlett (1994) Review

Scarlett (1994)
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i am a "Windie" (extreeme gone with the wind fan), so i'm sorry to say that i loved this movie, almost as much as the ORIGINAL. the first scarlett was great, but in the sequel, scarlett O'Hara is much more mature, and definitely less whiney, but she still showed the same "passion for living." Timothy Dalton in the sequel is handsome, dashing, charming, everything clark gable brought to the part, but i dont know how much Rhett really would have gone for that goodey too shoes, oh i forgot her name. the pure fact that they hired both british stars to play southern american parts is absurd... and another thing, the book was extraordinary, how ALexandra Ripley could have thought of that stuff is beyond me... so why did they have to alter perfection and put in some crazy court scene and murder trial? Oh, i know why, simply to get the viewers attention. That never happened in the book and was totally unnecessary. But beside from all that the movie was a smash hit, and not a crash and burn like other "Windies" will tell you. And another thing... who was the costume cordinator, those dresses were stunning! There's a reason to watch it in itself!

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Tuesday, March 6, 2012

The Boondock Saints II: All Saints Day (2009) Review

The Boondock Saints II: All Saints Day (2009)
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This movie has been getting a lot of backlash from the fans of the first movie. People are saying that "It wasn't like the first one" or "It's ten years too late". I'm a fan of the first movie and I enjoyed this one immensely. Of course it isn't like the first one, but 10 years too late? Not to me. Duffy gave himself a decade to make a followup to the cult phenomenon and, well, 10 years later, he gave is possibly the greatest sequel to the first movie one could ask for.
Returning to the roles of the insanely badass McManus brothers are Sean Flanery and Norman Reedus, and boy, do they do great here. Also, in place of the lovable Paul Smecker is Julie Benz as Eunice Bloom, a sexy, funny, and smart FBI agent, who, in her words, is "so f--kin' smart, she makes other smart people feel like they're retarded" (she stays true to her word!). And also, Billy Connolly as the daddy, Il Duce. But, in place of David Della Rocco is Clifton Collins Jr. as Romeo, a HILARIOUS Mexican dude, whom, believe it or not, tops Rocco by a thousand! And believe me, the cast here is SPECTACULAR! Not a single disappointment.
It is 8 years later. The McManuses are living a quiet life on a farm in Ireland, and the brothers (albeit with hilarious long hair and beards). One night at dinner, a priest comes in and gives them the news: They're in trouble. A Boston priest has just been killed, and the killer had done all he can to make it look like the McManuses are responsible. Upon hearing of this, it's time to shave the beards and cut the hair, and jump on the boat back to Boston. On the boat, they meet Romeo, a hilarious and quirky Mexican dude who is interested in joining them. After a rough patch, he joins them, and the minute they are off the boat, they are a team of three. Their goal is not only to get their names cleared, but to get their revenge on the person who killed the priest.
However, while that is happening, Paul Smecker is gone and has been replaced by Eunice Bloom, a sexy, funny, and undoubtedly quirky FBI agent. Upon her investigation at the crime scene, she comes to the conclusion that the saints did not kill the priest. It was done by a member of the Yakavetta family, who also wants revenge: On the saints, for killing Pappa Joe. However, despite the cops' and Bloom's positions, they decide that they are just as in it to investigate the murder as The Saints, and worlds collide, with more chaos and action you can handle!
I won't give away more, because this movie is simply a must see. Basically, if you liked the first movie, you will like this one a great deal. It has the original brothers, who give great performances, it has tons of action, lots of blood, and is a great time at the cinema for sure. The movie is well paced and well filmed. It is easier to tell that it was shot on a higher budget than the original, which is a good thing, you can see it in the cinematography, you can see it in the effects and everything. In short, if you loved the first movie, go see this movie for sure. Duffy has managed to top the first movie in every way imaginable, which is a bold statement because the first movie was awesome too. But be sure to see this! Oh, and the ending. The ending is AWESOME, with a cameo from someone you may know of!
IN TOTAL:
Entertainment: 10/10
Sex: 0/10
Violence: 100/10
Laughs: 10/10
Action Fator: 100/10
McManus Brothers: Every bit as badass as the first
Romeo: Better be in movie three
Julie Benz: Don't worry, she's great guys
The Ending: Yes, there will be a third one, as the ending shows!
Troy Duffy: Earns forgiveness, even after seeing "Overnight"
Litres of Tomato Ketchup: A few grocery store shelves worth
***SEE IT!!!!***

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From Troy Duffy, writer and director of The Boondock Saints, comes the much anticipated sequel to the tough, stylized cutting edge saga of the MacManus brothers (Norman Reedus, Sean Patrick Flanery). The two have been in deep hiding with their father, Il Duce (Billy Connolly), in the quiet valleys of Ireland, far removed from their former vigilante lives. When word comes that a beloved priest has been killed by sinister forces from deep within the mob, the brothers return to Boston to mount a violent and bloody crusade to bring justice to those responsible. With a new partner in crime (Clifton Collins Jr., Star Trek) and a sexy FBI operative (Julie Benz, TV's Dexter) hot on their trail…the Saints are back!

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Saturday, November 12, 2011

Once (2007) Review

Once (2007)
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This is one of those rare movies that defies any neat classification. It isn't a traditional love story by any stretch. Though it is filled with music from beginning to end it isn't really a musical. In the traditional musical characters will suddenly burst into song but it represented an interruption in the otherwise semi-realistic tone of the movie--think of Gene Kelly in SINGIN' IN THE RAIN. But all the songs in this film are in line with the overall realism of the film, they are all songs that occur in normal life.
I don't want to reveal much in the way of details about the movie since much of the joy of the film is discovering the ways it defies expectations. In broad outline it is about a street singer who has put his emotional life on cold storage because of a broken heart and the woman he meets who helps him open himself back up to life. During the day in Dublin he sings familiar standards for tips but at night, when the crowds thin out, he sings his own original material. We see him this way for the first time through the eyes of the Girl as she first meets him (in the credits the two lead characters, never addressed by name, are listed as Guy and Girl). He, played by Frames' frontman Glen Hansard, is singing an absolutely stunning song with intense passion. As he finishes, the camera pulls back to reveal her standing there. From thenceforward we see the two of them get to know each other as they perform a string of amazing songs together.
Neither Glen Hansard nor Markéta Irglová is a professional actor. Hansard did have a prominent role in another great Dublin film about music, THE COMMITMENTS. In that one Hansard played the band's guitarist Outspan Foster, one of the two original members of the band (he is the one who resists the suggestion of the other original member to call their band A Flock of Budgies). In real life, of course, Hansard has long been the resident genius of the great Irish rock band The Frames and both one of the great singers in rock as well as an absolutely brilliant songwriter (neither of which anyone who sees this movie will be inclined to doubt). While visiting Prague a couple of years back he met a precocious teenager who was none other than Markéta Irglová. One thing led to another and within a year of their meeting they recorded and album together entitled THE SWELL SEASON. Next they appeared in this film by John Carney, himself a former member of The Frames. So their time together has been amazingly productive (she also appeared on the critically acclaimed new album by the Frames, THE COST).
The film is filled with wonderful little moments, like the first meeting (driven by Hansard's magnificent performance of "Say It To Me Now"). Or the way the sound engineer recording the Guy's song goes from disinterest to interest as he realizes just how good he is. Or the marvelous extended shot that follows the Girl from a convenience store where she has bought batteries for a CD player down the street for a few blocks as she sings the lyrics she has written for a song the Guy has written the music for.
This truly is a very special film. It does not have the greatest production values; indeed, it feels like the low budget that it is. It works because the two leads, while not professional actors, have a wonderful chemistry both romantically and musically and because Glen Hansard is one of the finest songwriters around. In fact, the soundtrack for the film has to go down as one of the greatest soundtracks ever released. I would urge anyone who loves the music in this film to investigate not merely the soundtrack for the film, but both THE SWELL SEASON, the album by Glen Hansard and Markéta Irglová, and two albums by the Frames, FITZCARRALDO and THE COST.
Update 8/8/07
I just read today on IMDB.com that Twentieth Century Fox, which owns the distribution rights to the movie, has been so pleased with its performance so far - nearly $7 million in box office on only 140 screens - that they are going to release it to a much larger number of screens and give it a publicity push. Obviously this means that this gem will be granted a much larger audience. Hopefully it will garner the kind of acclaim it deserves.

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Sunday, August 28, 2011

Far and Away (1992) Review

Far and Away (1992)
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When I first viewed this film when I was 10 years old on May 23, 1992, when fell in love with it from the very start. It was so rare a feeling at that age to actually feel good in a very human way, not just as a spectator. The movie's theme seems to be a very trite one: Always follow your dreams. Many films have tried to exercise this theme and failed miserably. They will pump a lot of cheesy moments into one finale, without any kind of supporting events to show that it is an earned pay off. FAR AND AWAY succeeds where these other films fail. The journey starts at point A and goes straight to point B without any pishposh in between. You are with Joseph and Shannon through their fortunes and misfortunes and see almost every step they take from getting to rural Ireland to Boston and finally to Oklahoma. What also makes it work is the onscreen chemistry between Tom Cruise and Nicole Kidman. The two had only done one movie together (DAYS OF THUNDER) before teaming up for this one. At the time, they had only been married for a year, so their new found love for each other was fresh in their minds and ready to be shared. The advantage Cruise has for playing a scrappy Irish boxer is his star status and the amount of time he spends with a personal trainer. His bulging muscles in the boxing scenes show that he's no longer the little bugger in RISKY BUSINESS. It also doesn't hurt that the film is beautifully shot, taking adavantage of the rich Irish coast and the vast farmland of Oklahoma. This beautifully illustrates the long journey of the films location and plot. How exceedingly different the images feel and how far must one travel to get to each!Perhaps another reason this film is so special to me is the complete and utter romantic feel it has. The beautiful scenery, the love between the two lead characters and actors, and the gorgeous music. The score is one of John Williams' best setting all the right moods in all the right places. He starts with traditional Irish folk sounds and moves into Coplandesque America. Watching this film, my heart always goes a flutter, thinking about how I want to achieve my dreams and ambitions. One of my dreams is true love. The way Joseph and Shannon find love is striving for their dream, not knowing it was there all along. I am madly in love with a girl right now. In my fantasies, I always picture myself as Joseph and her as Shannon, kissing on an open wheatfield, our land. Whenever I hear Enya's book of days played at the ending credits, I almost weep with joy thinking about holding her and sharing my love with her. Watching FAR AND AWAY is the closest I get to fulfilling my dreams at this point. Leonard Maltin complains of no story. If there was no story, there'd be no kind of journey and I would be completly detatched. I give FAR AND AWAY 5 stars because it has stirred almost every emotion in me for over 8 years. A movie like this deserves no less.

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A stubborn Irish farmer and a fiesty landowner's daughter emigrate to America in 1892 to make a new life for themselves. Includes notes, bios, highlights, and trailer.

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Saturday, June 11, 2011

Out of Ireland - The Hit Songs & Artists of Irish Music (From a Whisper to a Scream) Review

Out of Ireland - The Hit Songs and Artists of Irish Music (From a Whisper to a Scream)
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Warning, this documentary might be disappointing to the average fan because the performance clips are painfully brief. But if you are more intererested in a deeper knowledge and understanding of Irish rock and it's place in rock..indeed in the full spectrum of Irish music, then this video should be your cup of tea.
The influence of The Beatles as well as such American rock as Chuck Berry is traced along with the influence of traditional Irish music, even that of the legendary operatic tenor, John McCormick. Most important though is the very Irish nature which flavors the music.
All music is interwoven, and the relationship between Irish rock and the dance spectacular, "Riverdance", is brought out.
Performers such as Van Morrison, Clannad (and Enya), The Cranberries, U2, and The Corrs are all highlighted, but performers lesser known or even unknown outside of Ireland are all given their due, and the credit they deserve.
If you want a comprehensive overview of Irish rock, and are NOT looking for the entertainment value of long performance clips, then this video is definitely for you.

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Monday, May 30, 2011

Michael Collins (1996) Review

Michael Collins (1996)
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Digging back into their roots, director Neil Jordan and actor Liam Neeson have respectively delivered their most memorable and deep-cutting works to date. Michael Collins has nagging flaws, but in the sweep of the passionate filmmaking and performances, all else is moot. You will be carried forth by the conviction of the story.
Neeson was simply born to play this role. An actor of tremendous power, Neeson is here given a role that's multi-dimensional enough for him to show his formidable chops. The Michael Collins character is alternately a boyish, dashing ladykiller and a tactician with a steel will, and just watching Neeson tackle the character's inner and outer demons is worth the price of the movie. He indeed projects the power and charisma of a great leader in his "our refusal" speech. There's more -- Aidan Quinn gives his best performance as friend-turned-enemy Harry Boland; Alan Rickman utilizes his deadpan comic timing and hidden deviance to perfection as Eamon de Valera; Stephen Rea is great as usual as English traitor Ned Broy. The one weak link is of course Julia Roberts, as Harry and Mick's love interest Kitty, with her bad Irish accent and vacant presence. She's paralyzed by the scope of the historical drama and comes off stiff as a result, injecting the character with neither warmth nor power, and none of her signature girlish exuberance. However, this was one case where the filmmaker's sacrifice of a character was to the benefit of the film. In directing the film, Jordan sliced down Kitty's importance and makes her mostly a footnote; the result is that we are now free to interpret Mick and Harry's split as a philosophical and political one, rather than the ol' romantic triangle. And for the better.
The cinematography is terrific, and the script ranks among my favourite of the '90s. Jordan is deeply tapped into the behaviour and concerns of these characters, and he fills every minute with humour, danger, urgency, and personality. The writing translates onto the screen beautifully, giving the audience an insight into not only the sociological scape of the film, but also the psychological. And the pacing and editing never let up -- from the perfectly chosen "in medias res" opening to the brilliant "Bloody Sunday" assassination montage.
A great neglected classic.

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Neil Jordan returns to the strife-torn Irish political landscape for this real-life epic set in 1920 and starring Liam Neeson as the legendary Irish revolutionary leader and Julia Roberts as his headstrong fiancee.

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Sunday, March 20, 2011

Leap Year (2010) Review

Leap Year (2010)
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I love romantic comedies and got really excited when I recently saw the preview for Leap Year. I love Amy Adams and remembered Matthew Goode from a few other movies(Chasing Liberty, Watchmen, Match Point). Lately, there have been a lot of romcoms that don't do it for me, they're just lacking the heart, that certain something. Thankfully, Leap Year had heart, laughs and was just all around a well done movie. 24 hours after seeing it, my boyfriend and I were still talking about how much we liked it.
The premise is that Anna(Amy Adams) has been dating her doctor boyfriend for 4 years, they're buying an apartment together in Boston, and she wants to get engaged, but he hasn't asked. So she plans to surprise him in Dublin while he's away on business on the one day in Irish tradition that says the woman can propose to the man, Feb 29th of a leap year. Of course, her trip doesn't go as planned, and she ends up needing help getting to Dublin from Declan(Matthew Goode).
While predictable as far as romantic comedies go, it was fast paced, funny and romantic. We both really liked Matthew Goode's character and his sense of humor. He was excellent as a multi-faceted leading man. I love Amy Adams because she seems like a regular girl(funny, sweet, not a twig)and she was perfect for the role of Anna. The scenery of Ireland was gorgeous, and makes you want to take a trip there. Definitely a great date movie, worth paying to see.
Unfortunately, no good special features on the DVD, only some deleted scenes. I'm a sucker for "making of" featurettes and thought they might at least have done a little something about filming in Ireland. You'll only find a bare bones DVD here.

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When Anna’s (Amy Adams) four-year anniversary to her boyfriend passes without an engagement ring, she decides to take matters into her own hands. Inspired by an Irish tradition that allows women to propose to men on Leap Day, Anna follows Jeremy (Adam Scott) to Dublin to propose to him. But after landing on the wrong side of Ireland, she must enlist the help of the handsome and carefree local Declan (Matthew Goode) to get her across the country. Along the way, they discover that the road to love can take you to very unexpected places.

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