Showing posts with label body horror. Show all posts
Showing posts with label body horror. Show all posts

Friday, February 10, 2012

The Human Centipede (2010) Review

The Human Centipede (2010)
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Most of us loony horror fans have sat around and had that conversation where we come up with some of the most deranged and gruesome ideas we can just for the fun of doing it. Well, Todd Six has had this conversation, and then he went ahead and made a movie out of it.
So, here we have Human Centipede, a movie generating a cult film buzz based solely on it's gimmicky and oddball premise.......and what a premise it is! I do have to give it full points for originality. However, the gimmick is where all originality ceases. The gimmick is really all it has going for it. Otherwise this movie plays out pretty much like any other recent torture porn flick. Remove the Cronenbergism from the film and you could easily have this wacko doctor running a basement torture chamber where he hacks off victims' limbs to create artwork or forces people to listen to Nickelback, or whatever the hell they like to do in torture porn films anymore. Basically it's on par with the standard straight-to-video type horror, but with a bit of an edge. That's really all I can say about it.
I really do have to give kudos to the three principal actors who make up the "centipede". They're really not required to do much heavy acting per se, but they have to spend the bulk of the film dirt smeared,(mostly)naked, crying, and in an all around degrading position. They're definitely troopers.
All in all, I wouldn't let the hype get your hopes up. It's got a bit of entertainment value, but it's not nearly as disturbing, frightening , violent or gory as you're lead to believe. To the average Iron Man 2 goer, maybe. But aside from the "centipede", there's nothing here that horror fans haven't seen done before.....and better.

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100% Medically accurate. The compelling simplicity of Saw. The stylish dread of Eraserhead. The black humor of A Nightmare On Elm Street. Those are the benchmarks of horror that the outrageous Dutch film The Human Centipede matches. The plot is diabolically simple: two stranded American tourists are given shelter by a famed German doctor (a maniacally intense Dieter Laser) who made his fortune surgically separating conjoined twins. Now his mad genius is pushing the doctor to do the reverse. He tells the women that they will be surgically attached to a Japanese businessman mouth to buttocks, one after the other and thus will be born a new creature: the human centipede! Compellingly perverse, hilarious, and shockingly straightforward, Dutch director Tom Six s new film is hands-down the most memorable horror film of the year.

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Sunday, September 25, 2011

Crash (1997) Review

Crash (1997)
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David Cronenberg takes chances and his pushing the edge of cinematic art is what makes his films so interesting. JG Ballard's controversial novel CRASH seemed an unlikely prospect for a film, so dark were its explorations of the outer zones of excitation and their relationship to near-death events. But Cronenberg worked through making Ballard's visions visual and his screenplay based on Ballard's book is more about interior dialogue and visceral sexual encounters as they relate to trauma.
James Ballard (James Spader) is a successful TV director who spends as much time as a lothario as he does making film. He is married to Catherine (Deborah Kara Unger) whose own sexuality leads her into stray paths. The two seem to connect physically but the fire is diminishing: they both concur that encounters with other partners enhance their sexual experiences. James is in a car accident and survives with a broken leg and scars, but the other car's male driver was killed and his surviving female companion Helen Remington (Holly Hunter) is hospitalized with James. While in the hospital both encounter a strange, scarred, limping male photographer Vaughn (Elias Koteas) who takes photos of the scars and trauma results of both James and Helen. Catherine visits James in the hospital and seems to find excitement in the scars and orthopedic paraphernalia binding her husband.
Once James is released from the hospital he is strangely drawn to the car he wrecked and finds Helen in the same mindset. The two move into physical attraction as well as an emotional attraction to Vaughn. Vaughn is obsessed with auto accidents, having been in many, and he stages famous car accidents (James Dean, Jayne Mansfield, etc) for a captive audience - which includes James, Helen, and Catherine. Vaughn insidiously draws the three into his obsession, sharing his 'actors' and fellow travelers - including Gabrielle (Rosanna Arquette - with both legs in orthopedic mechanisms), Colin and Vera Seagrave (Peter MacNeill and Cheryl Swarts) and those who help him stage his 'accidents'. Vaughn explains that he is exploring how to achieve that sensation of terror one feels during a car crash and equate it with orgasm. The odd group of folks all sexually interact with abandon: the crashed car becomes the bedchamber for bizarre sexual acting out. And how this all plays out in the end is the part of the film that simply must be seen to feel the experience.
This is clearly NOT a movie for everyone. The CD contains both the NC and the R rated version: I watched the NC version and while it is graphic and focused on sex it is oddly uninvolving emotionally - we care little about the people we meet. Perhaps part of the story here is that with the progressively dehumanization of man in his symbiotic relationship with machines, relating to fellow humans on anything except the sensual gratification is something we are losing. That is the kind of powerful statement Cronenberg shows us with these passionate yet cold people. The cast is exceptional, especially Koteas whose warped character is wholly three-dimensional as opposed to the oddly uninvolved characters Spader, Unger, and Hunter portray. A dizzying experience! Grady Harp, October 05

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A psycho-sexual journey into oblivion in this controversial film from acclaimed director David Cronenberg. James Spader is a bored film director who explores new realms after a near-fatal car accident introduces him to a world of sexually obsessed car cra
DVD Features:FeaturetteOtherProduction NotesTheatrical Trailer


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