Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Sunday, March 10, 2013

Split Second (1992) Review

Split Second (1992)
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I have a weakness for Rutger Hauer movies that needs to be satiated every few months if I am to function. I cannot specify one specific trait about this actor that I find so satisfying. Is it his acting skills, which are substantial even though he often appears in low budget junk? Or is it his presence, a physically imposing stature that makes him a natural to play cops or bad guys equally well? I guess both of these traits play a part. Hauer is a phenomenal entertainer, always turning in a great performance even if the movie is mediocre. Check out the scene in the made for cable television film "Fatherland" where Hauer tells his son a story about an old watchmaker. It's a mesmerizing piece of acting that is deeply moving. Most of this actor's films don't have as good a script as that movie does, but even still Hauer manages to stand head and shoulders above his co-stars. One of my latest fixes for this actor's work found me digging up a copy of "Split Second," an apocalyptic sort of tale from the early '90s that I have had a fondness for since I saw it ten years ago.
In the near future-London of 2008, to be exact-the world has undergone serious weather disturbances. Global warming melted a significant portion of the earth's icecaps, resulting in serious flooding in port cities around the world. London itself is often under several feet of water, requiring residents to wear waterproof clothing and footwear anytime they go outside. Hauer plays a cop named Harley Stone, a throwback to the old days of police work when a guy pounded a beat and employed tried and true techniques to solve crimes. Stone lives like a slob, constantly eating chocolate truffles, drinking, and generally taking poor care of himself. But he's a good cop, one of the best, and anytime a murder occurs he's not far from the scene. Stone's methods rile the rank and file, especially his boss Paulsen (Pete Postalthwaite). This cop continually hassles Stone about his rogue way of bringing in the bad guys, but can't bring himself to retire his star detective. And now he needs Harley Stone more than ever as a vicious murderer rampages across London. This criminal seems to worship the occult and mutilates the victims in the most heinous of ways.
In order to keep an eye on the department renegade, Paulsen assigns an egghead named Dick Durbin (Neil Duncan) to act as Stone's new partner. Durbin's one of these guys with way too much schooling; he's got a ton of degrees, including a doctorate from Oxford, and a tendency to harp on Harley about eating right and exercising. As the two detectives investigate the latest round of zodiac style killings, dropping wisecracks along the way, a former squeeze of Harley's named Michelle (Kim Cattrall) enters the picture. Meanwhile, the gruesome crimes continue, with the criminal specifically targeting Stone in order to mock his adversary. As if by magic, the killer manages to leave a grotesque surprise in a box at the cop shop, addressed to Harley Stone and wrapped with a lot of love. The cops know they have to do something soon before even more citizens fall victim to this nefarious evildoer. Moreover, alarming evidence increasingly points to supernatural origin for the killer. When Durbin and Stone finally confront this creature face to face, all of Durbin's educated veneer collapses like a wet bag. He goes along with Stone completely now, muttering the same line repeatedly until it turns into a mantra: "We need guns. Big guns." The inevitable showdown in the sewers of London is more fun than it should be from a movie of this caliber.
"Split Second" was a better film the first time than the second time around. The first viewing came at a time when I could care less about such fundamental cinematic concepts as structured plot, a good script, and believable characters. While the characters in this movie are largely believable and interesting, the script and the plot leave a lot to be desired. The dialogue is the same sort of stuff we hear in every action film made since the 1960s. Durbin and Stone are your typical old cop/young cop team, with all the attendant baggage that cliché implies. Stone at first despises his new protégé but soon learns to grudgingly admire the guy. Durbin initially scoffs at Harley's bad behavior and unorthodox police skills, but soon falls in line when he learns the older detective was right all along. Moreover, the plot is the typical B budget potboiler with more holes than a pound of Swiss cheese. How, for instance, did a demonic beast manage to leave a box in the middle of a heavily guarded police station without anyone seeing him? In broad daylight? C'mon! Suspension of disbelief is a prerequisite for watching these types of films, but "Split Second" pushes the envelope beyond the tearing point. Another point against the film is Kim Cattrall, who doesn't have much to do except act the part of the imperiled female. Too, her hair makes her look like Moe Howard on a bad day.
Yet, despite these immense and inestimable flaws, "Split Second" is highly entertaining. The idea has heart even if it rips off "Aliens" and every other scary sci-fi flick known to man. Durbin and Stone are fun to watch as they savagely riff off one another. It's too bad the DVD presents few extras and only a full screen picture transfer. Rutger Hauer fans will want to add this one to their collections soon, but unfortunately it looks like it is out of print. Try and find a copy somewhere, though, because it is ultimately an entertaining piece of fluff good for passing a few hours.

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Saturday, March 9, 2013

No Way Back (1996) Review

No Way Back (1996)
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This Russell Crowe film is one of his least known works. One should realize it is not in the same caliber as his other great films, but one that should be appreciated as strictly an action hero performance instead. "No Way Out" was not a theaterical release, instead it debuted on cable televison. It has the typical elements of a made for t.v. movie fare; weak script and storyline, minimal character development, and strictly action-driven. However, Russell Crowe turns this film around from your typical action genre movie to a well-paced and well-acted film on his part. This is the first role of Crowe's where he plays a father and a widower. It is ashame there was not enough of an established relationship between father and son. However, it was so adorable to see the character of Zack Grant talk to his son as if an adult and have his son call him by his first name. I believe you will be pleasantly surprised by this different kind of film, character, and performance by Russell Crowe in his fourth U.S. film. You will notice how far he has come in his present film career!

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An FBI agent trying to redeem his career ends up in the middle of a Mafia vendetta.Genre: Feature Film-Action/AdventureRating: RRelease Date: 7-JUN-2005Media Type: DVD

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Friday, March 8, 2013

Bad Lieutenant (1992) Review

Bad Lieutenant (1992)
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I had heard, by word of mouth over the years, that "Bad Lieutenant" was truly extraordinary, but nothing could really prepare me for the sheer visceral impact of the film, or the electrifying, career best performance, given by Harvey Keitel, in fact I watched the film 3 days ago, and have deliberately waited `til now to write this review.
After much thought I have to say that "Bad Lieutenant" really is a monstrous train-wreck of a movie, but what keeps you watching, utterly mesmerized, unable to look away for an instant, is Keitel's performance as the titular character. He's never given a name in the film, or even in the credits, he's just the "Lieutenant," and "Bad?" "Bad" doesn't even begin to describe this guy, as the front of the DVD case puts it, "Gambler. Thief. Junkie. Killer. Cop."
After surviving on the mean streets of New York for 20 years, he has seen, and pretty well done, it all; the "Lieutenant" is a man who exists in a nihilistic Hell of his own making, and we watch as he roars headlong towards his own destruction, along the way, plumbing the very depths of abject human depravity.
A lapsed Catholic, he is still wracked by guilt for the truly awful deeds he commits, whether it's doing and/or selling drugs, booze, sex, gambling, thieving, killing, the "Lieutenant" is a soul in torment. Unable to find a way out, he is sinking deeper and deeper into a morass of yet MORE drugs, MORE booze, MORE bets he can't cover, and more, meaningless, cold, emotionless, and depraved, sexual acts.
Yet somewhere deep inside this blasted shell of a man, there still exists a spark of humanity, so lost in the wretched, savage squalor of his life, that even HE doesn't know it's there. Then one day he becomes involved in the investigation of a crime that shocks even him... the brutal rape of a Catholic nun. Initially coldly dismissive of what the young woman had been through, he listens in on her conversations with her superiors and is shocked to his core to discover that even though her bruises are still fresh, she has already forgiven her attackers. She knows their names but won't pass them on to the police.
The "Lieutenant" can barely comprehend how can such a thing can be, how can she forgive such a terrible act... such a terrible sin? If she can forgive so much, then maybe, just maybe, he himself can find some kind of redemption, maybe someone - God? - can forgive him HIS sins. After his confrontation with the nun, howling out his characters pain, and anger, and hurt, and fear, Harvey Keitel gives the most searingly honest, desperate, and emotionally raw performance of his career.
Bleak, brutal, depraved, and honest, are some of the words that I would use to describe this film, which is NOT easy to watch, especially this NC-17 version, but it's a film that SHOULD be watched by anyone who is serious about Cinema as an art form. Between them, Ferrera and Keitel have produced an extraordinary cinematic experience, unbending and uncompromising in its exploration of the human condition, powerful and unforgiving, it forces you to actually THINK about the subject matter, and to face the rotten darkness in the heart of this particular human soul.
I would like to end this review with a bit of trivia concerning Keitel's performance. Regardless of whether you love this film or hate it - like "2001," this film seems to generate extreme reactions - no one can argue about the power, and sheer gut-wrenching truthfulness, of Keitel's performance. Depending on exactly when the film was released, Keitel would have been eligible for a shot at either the '92 or '93 Oscar for Best Actor. So who won? Well, I looked it up, and Keitel "lost" to, either, Al Pacino in "Scent of a Woman" in '92, or, God help us, Tom Hanks in "Philadelphia" in '93! Next time I find myself getting even mildly curious about who's taking home one of the gold statuettes, this little bit of trivia will kind-of put the whole tawdry circus into perspective!

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He\'s a gambler...a thief...a junkie...a killer and a cop. Now he is investigating the most shocking case of his life and as he moves closer to the truth his self-destructive past is closing in.System Requirements:Starring Harvey Keitel Leonard Thomas Paul Calderone Paul Hipp Victor Argo Victoria Bastel Zoe TamerlisDirected by Abel FerraraRunning time: 96 minutesCopyright Artisan EntertainmentFormat: DVD MOVIE Genre:ACTION/ADVENTURE Rating:NC-17 UPC:012236114307 Manufacturer No:11430

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Saturday, February 23, 2013

Assassins (1995) Review

Assassins (1995)
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This was a very exciting movie. There was action from start to finish. Stallone,the top hit man in the world suddenly finds that he has competition. He battles all over the landscape against his new competitor Antonio Banderas. A woman comes into possesion of an article that the bad guys want. She then becomes a target for Banderas. It falls upon Stallone to defend her. Stallone has to fight for his life against his new younger competition. The battle is ruthless. Stallone and Banderas have a final showdown that is top notch. Be sure to see this movie.It is top of the line. You will not be dissapointed.

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Stallone & Banderas are assassins with Moore as a info-highway thief caught in the middle of their battle to the death.Genre: Feature Film-Action/AdventureRating: RRelease Date: 14-SEP-2004Media Type: DVD

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Monday, January 28, 2013

The Siege (1998) Review

The Siege (1998)
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The Siege tells a hypothetical story about terrorist attacks on New York City by Islamic fundamentalists, and how an FBI department led by Special Agent Hubbard (Denzel Washington) tries to stop them. A CIA agent (Annette Bening) is also involved, and refuses to cooperate with the FBI, at least at first. When the attacks continue and the FBI and police are unable to stop them, President Bill Clinton imposes martial law and U.S. Army units under General Devereaux (Bruce Willis) occupy and isolate Brooklyn and round up all the young Arab men and place them in an internment camp. This leads to several consequences and to a final showdown that will not be revealed here.
The Siege was controversial already in 1998 when it was released: the American-Arab Anti-Discrimination Committee and the Council on American-Islamic Relations both protested strenuously and said the movie was offensive and discriminatory. After the 9/11-2001 terrorist attacks on the United States it can be seen that the movie was in some ways prescient: it practically predicted terrorist attacks on New York by Islamic fundamentalists, a fatal lack of cooperation between the FBI and the CIA, and the imposition of measures that reduced civil liberties for average Americans.
In fact, the key conflict in The Siege is not the conflict between the terrorists and the law enforcement agencies. The key conflict is an ideological one: On one hand there are those who believe that all possible means, including the use of torture and the detention and isolation of suspects with no access to legal process, can be necessary responses to a terrorist threat. On the other hand there are those who believe that use of torture and the reduction of civil liberties can never be justified, and that if one resorts to these measures then one has handed victory to the terrorists.
It is the emphasis of this ideological conflict that makes The Siege so thought provoking and leads me to award it five stars.
Others have panned The Siege as being too anti-military, claiming that the imposition of martial law is farfetched and the U.S. military depicted as too inhumane. Here it must be pointed out that in the hypothetical situation presented in The Siege there was an on-going series of terrorist attacks with no end in sight, a far different situation than that experienced on 9/11-2001.
It's interesting to note that the script for The Siege was written by Lawrence Wright, who later, in 2006, wrote a book, The Looming Tower: Al-Qaeda and the Road to 9/11, and won the Pulitzer Prize for it. This book is also highly recommended.
A few words about DVD extra material. The first DVD release (2000) includes a 13-minute special feature "The Making of The Siege", which is fairly interesting but nothing very special. There is a newer DVD release (2007) subtitled "Martial Law Edition" which includes two additional special features, "The Siege: Taking New York" and "The Siege: Freedom is History". Unfortunately I haven't seen this edition yet.
Highly recommended, at least if you want more than just action and drama and enjoy thought-provoking stories.
Rennie Petersen

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When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make it's bloody mark on the streets of New York, it's up to FBI special agent Anthony "Hub" Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Together, they face explosive danger at every turn when they team up towage an all-out war against a ruthless band of terrorists.

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Thursday, January 17, 2013

A Time to Kill (1996) Review

A Time to Kill  (1996)
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I saw this movie shortly after it came to video and thought it was a pretty good movie. Then a couple years later, I saw it again. And it just kind of stuck in my brain. I'll be reading or listening to something, and it will remind me of the movie. In conversations I bring up this film all the time because it is so relevant to important issues of our time. Racism, vigilante action, legal issues, etc. The more you watch this movie, the more it makes you think.
And if you're not interested in thinking about some of the larger philosophical issues at hand, there's still plenty of stuff for you. You've got Matthew McConaughey who does a phenomenal job, and looks great while at it. Oliver Platt imbues his character with just the right amount of sleaze and charm that you can't help but love him. Donald Sutherland is absolutely lovable as the old-school gentleman (and you and your friends can argue over whether he's a lush or or a drunk/alcoholic). Sandra Bullock does a believable job, and the men tend to find Ashley Judd rather attractive in this role. And let's not forget Samuel L. Jackson, who makes his character so real that you understand the situation he's in and why he does what he does.
So basically, there's something for everyone here. Thinking stuff with good looking people (male and female) who act well. Can't go wrong with this one.

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Tuesday, January 15, 2013

Midsomer Murders: Barnaby's Casebook (2001) Review

Midsomer Murders: Barnaby's Casebook (2001)
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Imagine Saint Mary Mead. Squared. Then add some extra blood and mayhem.
That about describes the setting of "Midsomer Murders," a morbidly witty British mystery series based on Caroline Graham's novels. And "Midsomer Murders: Barnaby's Casebook" brings together the the next round of seventeen cases in this cozy, dark little county, drawing from the fourth, sixth, seventh and eighth seasons of the series. It's a great half'n'half combo of police procedural and cozy mystery.
Snotty society beauty Melissa Townsend is receiving some threatening letters, apparently because of the death of a tenant that stemmed from her neglect. Then she's found stabbed with a syringe filled with animal tranquilizers. Chief Inspector Tom Barnaby (John Nettles) starts investigating the murder, especially the possible involvement of Melissa's best friend (and a bit more), a drunk driving case, and secret blackmail. And more murders, of course.
From there on, Barnaby and his assistant, Detective Sergeant Gavin Troy (Daniel Casey), are forced to investigate all sorts of crimes -- a group of bell-ringers that are being bumped off, a prestigious boarding school with a deadly secret, a farmer's wife's apparent suicide, a vibrant but obnoxious widow's murder, a bizarrely complex murder tied to a mental hospital, a dead body found during an art class, an investor found dead in a river, and an old-as-dirt feud between two halves of a Midsomer town, which may hold the key to a series of deaths on the set of new movie "The House Of Satan."
Then Troy receives a promotion, and does one last case with Barnaby: a gentle recluse in the woods is implicated in the murder of his late tormentor. Enter DS Scott (John Hopkins), a rather cocky new guy who arrives just in time for a deadly class reunion, a Celtic solstice ritual that turns deadly, the death of a barman, a pagan ritual involving a dead curate, and a literary festival disrupted by some seedy goings-on... including murder. Then there's the Christmas special, "Ghosts of Christmas Past" -- Barnaby's holidays are interrupted by a string of deaths in the Villiers family, nine years after aspiring magician Ferdy Villers killed himself.
Honestly, I think Miss Marple would feel right at home in Midsomer County -- such a pretty, homey, sunshiney place, full of kindly spinsters, farmers and aristocrats of varying stripes, from skanky to down-to-earth. The whole thing is set in the various villages in this county, which is picturesque, lush, and full of farms, cute little English villages, opulent manorhouses, and little brick cottages.
So of course, there are gruesome murders, plotting and tawdry secrets hidden in every corner; several spill out in every episode, and only some of them have to do with the main murder (some are red herrings, and some are side crimes). Every now and then they have a dud episode (such as the horrendously preachy "Straw Woman"). But the writers keep a funny edge in the stories, such as Barnaby being confronted by an impending vacation ("Joyce, it looks as if these people are sitting on top of an elephant"), or and some clever dialogue ("Well, gettin' blown up's got to be a bit tragic").
And these cops are pretty believable detectives. John Nettles is absolutely wonderful as the kindly, middle-aged cop with a brain like stainless steel, whose nice sedate family is a relief from all the Midsomer weirdos. And Daniel Casey is solid as his younger, brasher assistant -- and his departure from the show is handled in a believable but touching manner. Hopkins isn't quite as likable as Scott, mainly because Scott is kind of a jerk at first, but he starts fitting in a bit better soon.
Most of the villagers are played by excellent actors as well, no matter how weird their characters are. Slightly loopy historians, crazy old ladies and nasty little schoolboys are only a few, with actors such as Lucy Punch, Hugh Bonneville, Angela Thorne, Amanda Root, and "Lost's" Henry Ian Cusick as a slimy rich boy. And Jane Wymark and Laura Howard round off the cast as Barnaby's very understanding wife and daughter.
"Midsomer Murders: Barnaby's Casebook" is a big, solidly-written chunk of British coziness, with murder and scandal in every episode, and some new transitions for the homicide division.

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As seen on A&E and The Biography ChannelWHAT EVIL LURKS BEYOND THE WELL-TRIMMED HEDGES OF MIDSOMER...The cozy villages of Midsomer County reveal their most sinister secrets in these contemporary British television mysteries. The smash hit series stars John Nettles (Bergerac) as Detective Chief Inspector Tom Barnaby, a dogged investigator and devoted family man, unflappable in the face of the macabre crimes and eccentric characters he encounters on the job.Inspired by the characters of novelist Caroline Graham, these 17 mysteries see the promotion of Barnaby s earnest assistant, Sergeant Troy (Daniel Casey, The Wingless Bird), and the arrival of his brash replacement, Sergeant Dan Scott (John Hopkins, Love in a Cold Climate). Guest stars include Hugh Bonneville, Gemma Jones, Honor Blackman, John Standing, Freddie Jones, Susan Wooldridge, Phoebe Nicholls, Stella Gonet, and Henry Ian Cusick.THE MYSTERIES INCLUDE: Tainted Fruit, Ring Out Your Dead, Murder on St. Malley s Day, Market for Murder, A Worm in the Bud, A Talent for Life, Death and Dreams, Painted in Blood, A Tale of Two Hamlets, Birds of Prey, The Green Man, Bad Tidings, The Fisher King, Sins of Commission, The Maid in Splendour, The Straw Woman, Ghosts of Christmas Past, DVD SPECIAL FEATURES INCLUDE John Nettles interview, essays by star John Nettles and co-creator Betty Willingale, Midsomer map, production notes, Caroline Graham biography, and cast filmographies.Plus two exclusive bonus discs: Map of Midsomer Murders, a behind-the-scenes documentary hosted by John Nettles, and Super Sleuths, a documentary about the show s first decade. Set contains 19 discs (including bonus programs); approx. 28 hours. Mysteries previously released on DVD as Sets Four, Six, Seven, and Eight, the original U.K. broadcast order.

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Friday, January 11, 2013

The Canyon (2009) Review

The Canyon (2009)
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In "Open Water" (2003), a pair of scuba divers (who were also a couple) got stranded in the middle of the ocean and found themselves imperiled by a school of sharks. Well, in "The Canyon", we have a newly-married couple stranded somewhere in the Grand Canyon and hunted by wolves. It's basically a survival-type drama with some twists, but on the whole is quite formulaic. What makes this watchable (though more as a rental and not a purchase) is the acting, which I thought was quite alright, considering this is a low-budget indie flick. The story centers around Nick (Eion Bailey) and Lori (Yvonne Strahovski) who are a pair of newly-weds and eager for adventure (well, Nick mainly) - Nick's idea of a perfect honeymoon is to explore the deepest recesses of the canyon via muleback. Unfortunately, Nick did not have the foresight to apply for a permit for their excursion and the pair decide to take on the proffered services of a grizzled old guide Henry (Will Patton).
Will Patton makes the initial part of this movie quite watchable with his dry humor and vast knowledge of the canyon - he really is quite a hoot to watch in his role as guide. Unfortunately, his role is rather shortlived, and it is left to Nick and Lori to carry the rest of the movie through as the stranded pair are forced to rely on their wits to stay alive and make it out of the canyon, even as tragedy and danger stalk them in the form of a pack of determined wolves. Eion Bailey's Nick is quite average in his role as the smart ass new husband who uses his persuasive skills in getting Lori to agree to his adventure - a plan that seems doomed from the beginning considering his lack of planning and foresight.His character as such is hard to empathize with. Lori as portrayed by Yvonne Strahovski has more of a screen presence and manages to convey a wider range of emotions convincingly and had me rooting for her all through the movie. The highlight of this movie is actually the gorgeous cinematography of the canyon - simply breathtaking. On the whole, this is basically a been-there-done-that sort of survival drama, and I'd recommend it as a rental at best.

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Honeymooners Nick and Lori head off to the Grand Canyon for adventure and time alone together. Upon arriving, they hire Henry as their guide, who seems to have his own idea about the outdoor excursion. When tragedy strikes, the newlyweds must fend for themselves. Discovering they areprey being hunted by something orsomeone, they desperately fight forsurvival to escape the canyon alive.

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Saturday, January 5, 2013

Murdoch Mysteries: Season Two Review

Murdoch Mysteries: Season Two
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More 1890s Toronto cop investigation than romance, since Det. Murdoch is so romantically bashful. Comedy, mystery, adventure and romance unite perfectly in a Victorian setting. This is Victorian murder investigations with contemporary evidence gathering techniques. Murdoch (Yannick Bisson) is a century ahead of his forensic sleuthing counterparts. Dr. Ogden (Helene Joy) is the gorgeous pathologist in the forensics search--the morgue maiden. Victorian 'sparks' happen between Murdoch and Dr.O, but at he cautious, delicate, discretionary Victorian rate. Romantic chemistry cleverly woven into murder investigations. Insp. Brackenreid (Thomas Craig) ex-army & boss, plus Crabtree (Jonny Harris) ambitious right-hand man, are back in every episode. 4 TV stars who make this a 5-star Series. Also plenty of guest stars.
All episodes are police investigations with interesting new technology or science helping find clues. Marvelously inventive in plot and beautiful to view it the realistic Victorian era. Perfection in sets, costumes, and props. It's no wonder it is award grabbing and still continues currently with new adventures on TV. This series is the 2009 season, at DVD release less than a year past original airing.
It is dreadful, dastardly, murder situations, with some violence and blood (especially in Dr.O's morgue clue-gathering scenes), and multiple plot episodes. Highly recommended for the mystery, crime, and even Victorian romance fans.
Bonus includes SDH SUBTITLES, behind the scenes, character bios, 4 cast filmographies, 7 Murdoch (Maureen Jennings) novels (1997-2007), and a PDF on props.
You will want to check the listing for Murdoch Mysteries Series 1 also. Both highly recommended and since season 3 is airing now, surely there will be a DVD series 3 to come.
................
Continue only if you like episode details (no spoilers):
1 Mild Mild West--It's Buffalo Bill Roadshow and murder while Murdoch, Dr.O, Brackenreid, & Crabtree watch. Watch for the Scotch tape forerunner invention.
2 Snakes and Ladders--(predecessor of Chutes & Ladders?) Alastair Mackenzie (Monarch of the Glen) joins cast as a Scotland yard bobby chasing Jack the Ripper over 7 years. Uses profiles, fingermarks, and ultraviolet light for clue finding.
3 Dinosaur Fever--A dino find from Alberta Badlands, Terrorsaurus, causes murder at a National Geo. Soc. event. Murdoch & Dr.O use Rontgen's rays (x-ray).
4 Houdini Whodunit--Murdoch uses a crime scene model to help find the guilty when Houdini Bros perform in a theater next to a bank which is robbed, a guard killed. Is Dr.O's sis, Ruby involved?
5 The Green Muse--Who murdered the victim employed at the local elite bordello? Plenty of beauties in delectable Victorian 'evening-wear.' Plenty of suspects.
6 Shades of Grey--Murdoch and Dr.O 'relationship' heats. An unclothed male victim seems cold murder. Evidence leads to a former flame of Dr.O. Oops!
7 Big Murder on Campus--Crabtree seeks his natural mom. A peeping-Tom prof is shot. Dr.O & Murdoch's warm relationship is nearly shot. A student pair shadows Murdoch's investigation. He uses ballistic testing.
8 I, Murdoch--A child's knight story is not as alluring as the boy's windowed mom is to Murdoch. What does the boy, a poison murder, a dwarf, a spy agent, & a blind man have in common? It takes mathematics on the verge of computer logic to find out.
9 Convalescence--Murcoch incapacitating injuries give Crabtree a chance to solve the murder. Murdoch's healing is mixed between beautiful caregivers, strange noises, and a 2nd mystery at his own living quarters. Interesting, those night vision goggles. Double mystery--double romance--good X 2.
10 Murdoch.com--The dueling romance continues with Murdoch's scintillating admirers. A murdered girl, a telegrapher, had a 'wire affair' that may be a lead to the killer.
11 Let Us Ask the Maiden--Murder in a synagogue leads to love relationships in conflict due to Jewish law. Murdoch still has his own female conflict between Dr.O and Enid.
12 Werewolves--Hunting partners suddenly are murdered one-by-one apparently by a werewolf. On the romantic side, Enid suggests to Murdoch it is time to choose.
13 Anything You Can Do (I can do better. Pffft!)--In an abandoned mining town, Murdoch and a Canadian Mounty (an almost detective clone) are caught in a crossfire. Flashbacks show how the 2 murder investigations brought these men to this trap. A new metal, aluminium, to the rescue?
A FANTASTIC SEASON-ENDING EPISODE.

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"Excellent adventure" --Midwest Book Review
As seen on public television Based on novels by Maureen Jennings
"Truly outstanding" --The Fort Bend/Southwest Star "Clever and smart" --Deseret News
Winner of three Gemini® Awards, this sassy-smart Victorian-era whodunit stars Yannick Bisson (Sue Thomas: F.B.Eye) as Detective William Murdoch, a police investigator who employs emerging science to solve Toronto’s most dreadful murders. He experiments with ballistics, psychological profiling, and other newly developed techniques, despite the doubts of his tradition-bound boss (Thomas Craig, Where the Heart Is). Together with a beautiful pathologist (Gemini®-winner Hélène Joy, Durham County) and an able protégé (Jonny Harris, Hatching, Matching & Dispatching), Murdoch encounters some of the era’s most famous--and infamous--figures, from Buffalo Bill Cody to Jack the Ripper.
Guest stars include Nicholas Campbell (Da Vinci’s Inquest, Cinderella Man), Sarah Strange (Men in Trees), and Alastair Mackenzie (Monarch of the Glen).
Season 2 nominated for six Gemini® Awards, including best writing and best supporting actor

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Tuesday, January 1, 2013

The Bodyguard (Full Screen Edition) (1992) Review

The Bodyguard (Full Screen Edition) (1992)
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When this movie first came out the critics panned it mercilessly and frankly I just can't understand why. I thought it was fabulous. Kevin Costner plays an ex-Secret Service agent hired to protect a spoiled, difficult to get along with diva receiving death threats. Whitney Houston portrays the spoiled starlet to perfection. The chemistry and interplay between Houston and Costner was electric. The music in the movie was also great.
There are really some key elements that made this movie extremely good. First, I thought the acting was top notch by all involved. The supporting cast really played their characters well, as did the stars. Secondly, the editing was outstanding. The movie and plot move along at a fast pace. There is not a dull moment in the entire movie. And finally, the plot was plausible (for the most part) and the mystery - who is the hit man - slowly reveals itself. Having watched the movie several times, there a several foreshadowings.
Overall I found it a most entertaining movie both as a mystery, a thriller, and love story.

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She's safe now. Safe from hordes of screaming, grasping fans. Safe from demanding kooks who pop up unexpectedly. Safe from the unknown killer stalking her every move. She's in the arms of The Bodyguard. Starring Kevin Costner and Whitney Houston and featuring songs from the #1 soundtrack album (including Houton's hits "I Will Always Love You" and "I Have Nothing"), The Bodyguard has it all: Suspense. Thrills. Romance. Peril. Passion. And the shining brilliance of two great stars. In her spectacular film debut, Houston plays Rachel Marron, a music/movie superstar at her peak. Fans want to see her, hear her, touch her. But one wants to kill her - and that's where security expert Frank Farmer(Costner) comes in. Farmer is a professional who never lets his guard down. Rachel's glamorous life often puts her at risk. Each expects to be in charge. What they don't expect is to fall in loveDVD Features:Production NotesTheatrical Trailer


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Wednesday, December 26, 2012

The Alphabet Killer Review

The Alphabet Killer
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I'll admit, I have a morbid fascination with serial killer movies. They harness a raw energy that is almost overwhelming. There is often a strange connection with the victims, the detectives, and sometimes even the killers themselves(or is it just me?). Plus there is a stark fear generated by recognizing a pattern and watching people struggle to prevent further mayhem.
THE ALPHABET KILLER is a pretty well-crafted, fictional tale. It's derived from some unsolved murders that took place in Rochester, NY, during the early 70's. A few young girls with matching initials would turn up dead in nearby towns that were spelled with the same first letter (i.e. Carla Castille in Churchville, Wendy Walsh in Webster).
A female detective(Eliza Dushku) is on the case, and she quickly becomes obsessed with cracking it. Actually, she's the one that starts to crack. She gets completely consumed, the mystery eats at her mind as she starts talking to herself and hallucinating (same thing happens to me when I watch reality TV shows).
Anyway, the movie takes a pretty dramatic shift early on when this woman loses control and attempts suicide. She is diagnosed with scizophrenia and admitted to a mental hospital.
Several times throughout this movie, we're shown the visions that this crazy woman sees--ghastly dead children that constantly haunt her. This is done for shocking effect, but I thought it was completely overdone. Kinda seemed like a ripoff of a Japanese ghost story film.
The story then proceeds as the police are completely baffled by the subsequent Alphabet murders. The mentally unfit cop is put back on the case, possibly due to her past romantic relationship with the chief. And of course, crazy is not something you can just sell on amazon.com.
Director Rob Schmidt does a decent job at mounting suspense. This film attempts to be dark, but doesn't completely succeed. It is interesting as a psychological descent into madness. I thought the cast did a very solid job. This has no gore or reenactment of the murders themselves, so some might get bored. Worth a rental.

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A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations. Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.

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Thursday, December 13, 2012

Abandoned (2010) Review

Abandoned (2010)
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Imagine waking up and taking your boyfriend to the hospital for a routine procedure, only to find out that an hour later he turns up missing. Not in the computer system, not on the grid at all. Pretty devastating, wouldn't it be?The final movie filmed by the late Brittany Murphy, Abandoned, comes packed with quite the punch. From one twist to another, we chase after Mary who's being chased by hospital administration- to name a few, who think she's lost her mind. She's leading to believe that her boyfriend Kevin, Dean Cain, has gone missing and not a single employee believes her. When Detective Franklin, Jay Pickett, steps in to investigate he finds more than he bargained for. After a day of thinking this super blond psycho fits the bill, he gives up his efforts to help her only to later find the answers to solve the puzzle.
This bone tingling suspense thriller will put viewers at the edge of their seats, chomping at finger nails and picking at those loose fibers on the cushions in the couch! Miss Murphy will be greatly missed, however this movie is sure to go down in the history of Cinema for the excellence in its dramatic prose.
Rest In Peace, Brittany. This movie serves her fans some closure, if you will, and shall be included as part of her wonderful Filmography

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Mary Walsh delivers boyfriend Kevin to a hospital for routine outpatient surgery. But when Mary returns to take him home, he's mysteriously vanished. An administrator can find no record of him, and a police search turns up nothing. Increasingly frantic, Mary's taken to staff psychiatrist Dr. Bensley, who pronounces her unstable. Now she must not only find her missing boyfriend, but prove her own sanity as well. When a stranger informs her he knows Kevin's whereabouts and demands a $10 billion ransom, she has one hour to comply and her boyfriend's life hangs in the balance. Forced to embezzle the money from the bank where she works, Mary soon discovers the shocking truth behind the disappearance. Now time is running out and she must take matters into her own hands to save herself.

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Thursday, December 6, 2012

The Most Dangerous Game - Criterion Collection (1932) Review

The Most Dangerous Game - Criterion Collection (1932)
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The Most Dangerous Game is a superb early horror film. It is a really creepy, chilling film with great atmosphere. I always prefer this sort of moody horror to more modern films in the genre that depend on shocks and gore. The Most Dangerous Game can really get under your skin with its central theme of a manhunt. I had always thought, until watching the movie, that the `Game' of the title was referring to a game like Poker or Baseball, but really it is game in the sense of big game, lions and tigers and such. It is man who is `the most dangerous game.' For humans with their intellect are more of a threat to the hunter. This idea of a hunter matching his wits against a fellow human being is a deeply disturbing idea.
The film has a really fine cast. Leslie Banks plays the villain Zaroff and is suitably sinister without using histrionics. Joel McCrea shows why he would remain a leading man for the next thirty years and more. He had real star quality and a quiet acting ability similar to that of Gary Cooper. Fay Wray is delightful in a role which gives her more to do than just scream.
The Criterion DVD is very good indeed. The print is superb. There is some occasional damage, but it is hardly noticeable. The images are nearly always clear and sharp and show off the black and white photography very well. Best of all however is the sound quality. Many early talkies have terrible sound with indistinct dialogue and lots of background noise. This DVD has great sound and Criterion should really be congratulated. The DVD also has an audio commentary track by film historian Bruce Eder. His commentary is worth listening to as he is obviously enthusiastic and well informed about The Most Dangerous Game.

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"One of the best and most literate movies from the great days of horror," The Most Dangerous Game stars Leslie Banks as a big game hunter with a taste for the world's most exotic prey-his houseguests, played by Fay Wray and Joel McCrea. Before making history with 1933's King Kong, filmmakers Merian C. Cooper and Ernest B. Schoedsack wowed audiences with their chilling adaptation of this Richard Connell short story. Criterion is proud to present the DVD premiere of The Most Dangerous Game in a new digital transfer.

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Wednesday, November 7, 2012

Ticking Clock (2010) Review

Ticking Clock (2010)
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Oscar-winner Cuba Gooding, Jr. has had one of the strangest acting careers in a long time. Ever since he won at the Academy for his performance as Rod Tidwell in 'Jerry Maguire,' he has been caught in a sort of downward spiral. This has sent the once-promising actor deep into the realm of straight-to-video nonsense, like his previous films 'The Devil's Tomb' and 'The Way of War.' Why he's been doing this is a mystery. No talent agent is bad enough to actually think these scripts are worth while or think they're anything more than a guaranteed failure. Maybe it's bad luck, maybe it's laziness, maybe Cuba just doesn't want the spotlight he deserves.
Whatever the reason for his failing success, it has led him straight to 'Ticking Clock.' In it, he plays Lewis Hicks, a journalist who gets put on the trail of a sadistic serial killer after his own girlfriend is viciously murdered. With the killer's journal in hand, Lewis must race against time to rescue the murderer's next victims. As the path begins to weave its way around and to a young orphan boy, Lewis begins to discover a deeper mystery surrounding the murders.
In the crime-thriller subgenre, there are really only a few good ways to go about writing a story. One maintains consant mystery, concealing the identity of the killer until a final reveal that should be a shock to the audience. The other is to reveal the killer from the start and use his intentions and motivation as the mystery. With 'Ticking Clock,' however, both approaches are mostly thrown out, revealing the killer's identity, his motive, and everything else pretty much immediately. This is a problem because the mystery is what is usually keeps a viewer watching in a film like this. If you don't have it, the audience just won't care. Here, the writers knew what they wanted to accomplish with an interesting (though ridiculous) twist, but didn't give enough reason to stick with it in the first two acts. By the third act, the audience is fairly apathetic with the story & characters and will most likely not even care about the twist, which the entire film revolves around.
This major flaw is not the only problem with the film. No, a more detrimental issue to its success comes from the extremely amateurish direction by Ernie Barbarash, a man very familiar with mediocre straight-to-video thrillers with his work on 'Cube Zero' and 'Stir of Echoes: The Homecoming.' If you look at a film like 'Se7en' (which, by the way, 'Ticking Clock' actually compares itself to on its DVD sleeve along with 'Silence of the Lambs'), you will see a perfect a example of how to craft a stunning & dark crime thriller. With 'Se7en,' David Fincher used the gritty city setting as almost another character, having the actors play off the direction in a way that added a deep realism to the film. Barbarash, with 'Ticking Clock,' blows his opportunity to do this by squandering the Baton Rouge & Las Vegas settings he had at his disposal, instead limiting the entire film to a few boring settings like living rooms & back alleys. Add this to the rather annoying cinematography by Phil Parmet and 'Ticking Clock' is just all around unpleasant to watch.
Unfortunately, there isn't much else to cling onto to try to save the film from being a total disappointment. The script is boring & contrived, providing nothing much that hasn't been done better many times before. The lack of mystery & thrills for the first two acts gives no real drive to continue watching for anyone but completionists who don't like to leave a film unfinished. Even the ridiculous, supernatural twist isn't original, and ends up hurting the film anyway due to the number of plot holes it creates. For being so crucial to the film's success, one would think the filmmakers would be willing to do what they can to seal plot holes (like a simple case of incorrect eye colour, for example). Even the once-talented Cuba Gooding, Jr. has nothing much to offer thanks to how poorly his character was written. Let's face it, an actor can only do so much with what they're given. Take De Niro & Pacino as examples in supremely disappointing 'Righteous Kill' from a couple years back. Add in some shoddy gore FX, CGI that looks like it should be in a mid-90s sci-fi flick, and a mundane cast of supporting actors, and you have nothing more than a sad excuse for a crime thriller here.
Overall, 'Ticking Clock' is just one of those films that will be stuck on the Blockbuster® shelvse for a few months trying to bait renters into biting onto the former star power of Cuba Gooding, Jr. Sadly, it will do nothing but disappoint with its unoriginal & unthrilling story and amteurish filmmaking.
Final Verdict: 3.5/10. Hopefully Cuba will get another chance in the spotlight some day.
-AP3-

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Louis hicks is an investigative crime reporter who must stop a brutal serial killer before time runs out.Studio: Sony Pictures Home EntRelease Date: 01/04/2011Starring: Cuba Gooding JrRun time: 101 minutesRating: R

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Monday, October 8, 2012

Numb3rs: The Final Season Review

Numb3rs: The Final Season
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I haven't kept a close eye on "Numb3rs" thanks to its dead end 10 pm Friday night airing, but when I had tuned in (primarily via On Demand), I rarely was ever disappointed. I will submit that the mathematics used in this sixth season wasn't the greatest and in fact during one episode, 'And the Winner Is', didn't make a whole lot of sense in that the theory was sound but how they came about it and in turn found the culprits was on the iffy side. But, I've always felt that while indeed the show's gimmick was using mathematics to solve crimes it is the characters and their arcs that make it worthwhile viewing. In the sixth season I could immediately tell that even the writers had an inkling this would be the final season as they began tying up the characters' stories and by the series finale, as a casual fan, I was mostly satisfied. Yes, it is a very low key ending to the show as even the plot was in line with most of the stories that have come before but I wouldn't want it any other way. They could have had some big shootout or major explosion that would've altered or even killed a main character but far too many shows (see: "CSI: Miami") do that and it just comes off as melodramatic and rarely works. Plus, with only a few exceptions, isn't really "Numb3rs" style.
As for this DVD, I can see how the features have devolved from the first couple of seasons (5-6 episode commentaries, a few featurettes) to the latter releases where, in the case of The Fifth Season, having only a featurette and no commentaries at all. In this one, we do get commentaries on 3 episodes ('Con Job' - actor Rob Morrow, director Ralph Hemecker and executive Don McGill; `Old Soldiers' with director Ken Sanzel, actor Alimi Ballard and guest star Henry Winkler; and `Cause and Effect' with creators/writers Cheryl Heuton, Nicolas Falacci (who also directed) and actor David Krumholtz) but unfortunately they couldn't get the entire cast together for the finale, though I am glad it did get one (unlike "Scrubs").
The set also has a decent featurette entitled "Coming Full Circle: Numb3rs The Final Season" (25:42) in which the first half chronicles Falacci's directorial debut on the series finale before going into the cast and crew talking about this being the end of the road (it also includes emotional on-set final statements by the cast). There are also two more featurettes ("The Women of Numb3rs" (11:04) and Pixel Perfect: The Digital Cinematography of Numb3rs (15:10)) and each are pretty good, though "Coming Full Circle" is the one to see. There is also a photo gallery with pics taken of the cast and crew taken over the years.
The video and audio quality are both on par with previous seasons including a bombastic audio during the opening and transition scenes.
Anyway, fans of the show should of course pick this up and I think for casual fans like myself, it's still worth it as I feel this is one of the better shows that was on TV and it's nice to have it sitting on your shelf, plus it helps the show has plenty of repeat value.

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Studio: Paramount Home VideoRelease Date: 08/10/2010Run time: 678 minutes

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Monday, September 24, 2012

Mission: Impossible - The Complete First TV Season (1966) Review

Mission: Impossible - The Complete First TV Season (1966)
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When Mission: Impossible, the movie came out, I was expecting a big studio update of the classic TV show. What I got was yet another Tom Cruise star vehicle where he preens and postures and seizes the spotlight at the expense of everyone else in the film. To say I was disappointed is an understatment -- I was incensed! The IMF team killed off? Jim Phelps a bad guy? You've got to be kidding me! The TV series' concept of an elite covert operations team working together to save the United States from enemies, both foreign and domestic, was bastardized so Tom Cruise could flash his 1000 watt smile and save the day all by himself. I was so angry, I vowed to never see the film again or any possible sequels. It's a vow I've kept to this day and will continue to keep.
I'm sure that Mr. Cruise and his represtatives had something to do with the delay in releasing the original series on DVD. Thankfully, now that Paramount has shown old Tom the door, we can now see the series that started it all. Peter Graves' Jim Phelps is missing from the first season (Steven Hill of Law and Order plays Dan Riggs, the leader of the IMF during the first season). But Martin Landau as Rollin Hand, Barbara Bain as Cinnamon Carter, Greg Morris as Barney Collier and Peter Lupus as Willy Armitage are all present. Unlike most of the spy stories from the 1960's (and unlike the Tom Cruise film series), Mission:Impossible, the TV series, took a more cerebral approach to its stories. There's no James Bond in these stories -- just a team of agents who covertly depose all types of dictators, terrorists and traitors without leaving any evidence of their involvement. Just as Columbo turned the TV detective genre on its ear so did Mission:Impossible turn the spy genre on its ear.
Here's hoping that those who only know Mission:Impossible from the films have a look for themselves. I daresay they'll realize that the TV series is vastly superior to the film series and that the complete absence of Tom Cruise is a very, very good thing.

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The head of the "Impossible Missions Force", a top-secret government group of operatives, starts a tape recorder and finds out about his latest assignment. Throughout most of the series, they would have to stop some petty dictator or powerful bad guy from whatever evil plot they had against the U.S. or Democracy in general. The elaborate use of electronic gadgetry, masters of disguise and detailed plans that require split-second timing made this tv show an "on the edge of your seater"!

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Friday, September 21, 2012

Survivors: Complete Seasons One & Two Review

Survivors: Complete Seasons One and Two
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For me to call this series the best show today, is a lot. I watch too much TV and expect a lot out of television shows. Survivors is one of the best shows I've ever seen (barring Firefly). It is smart, the actors are excellent, the story is at once human, horrible, and thrilling. The first few episodes when the virus sweeps through England and everyone is dying were a bit rocky - but you have to start somewhere. Around the middle of the first season, when the group consisting of seven people were forming as a sort of family - even though they were strangers to each other, Survivors begins to shine. The brilliance of this series is how these people are very different from each other, but somehow manage to hold on to civility in the face of incredible inhumanity, which is very real and quite frightening as you watch it unfold. Each character holds his or her own in this series, something one rarely sees on television today. Abby is the matriarch - a very kind, maternal woman before the virus, becomes a very strong, central character who holds this ragtag group together and to a level of humanity others cannot seem to do. Tom is the strong, silent mystery man who holds himself separate, but as the story progresses becomes more and more the other half of Abby. We learn he is a murderer and doesn't have the moral balance that Abby has, but the two are almost a perfect complement to each other regarding this family. Greg starts out kind of wimpy, but under Abby and the family's influence blossoms as a man of great character and intelligence. This "family" is the focus of Survivors as they deal with the aftermath of almost complete annihilation of society as we know it. We see one group trying to establish some sort of government, but the flaws are outstanding. We see another who enslaves people to try to jump start an industrial society again. We see groups of people without hope, food, decent water, shelter, and most of all, direction. In the middle of this chaos is Abby's "family." I really hope this show goes on for a very long time, and I hope people will start watching it to continue its longevity. Too many fantastic shows are canceled before their time and this show is too good to end. I highly recommend this one to all of my friends and family and am buying it to share with them. Not everybody gets BBC America to watch it here in the US. But it is one you won't be disappointed with. Much, much better than anything offered on American television today.

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SURVIVORS:COMPLETE SEASONS ONE AND TW - DVD Movie

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