Showing posts with label islam. Show all posts
Showing posts with label islam. Show all posts

Monday, January 28, 2013

The Siege (1998) Review

The Siege (1998)
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The Siege tells a hypothetical story about terrorist attacks on New York City by Islamic fundamentalists, and how an FBI department led by Special Agent Hubbard (Denzel Washington) tries to stop them. A CIA agent (Annette Bening) is also involved, and refuses to cooperate with the FBI, at least at first. When the attacks continue and the FBI and police are unable to stop them, President Bill Clinton imposes martial law and U.S. Army units under General Devereaux (Bruce Willis) occupy and isolate Brooklyn and round up all the young Arab men and place them in an internment camp. This leads to several consequences and to a final showdown that will not be revealed here.
The Siege was controversial already in 1998 when it was released: the American-Arab Anti-Discrimination Committee and the Council on American-Islamic Relations both protested strenuously and said the movie was offensive and discriminatory. After the 9/11-2001 terrorist attacks on the United States it can be seen that the movie was in some ways prescient: it practically predicted terrorist attacks on New York by Islamic fundamentalists, a fatal lack of cooperation between the FBI and the CIA, and the imposition of measures that reduced civil liberties for average Americans.
In fact, the key conflict in The Siege is not the conflict between the terrorists and the law enforcement agencies. The key conflict is an ideological one: On one hand there are those who believe that all possible means, including the use of torture and the detention and isolation of suspects with no access to legal process, can be necessary responses to a terrorist threat. On the other hand there are those who believe that use of torture and the reduction of civil liberties can never be justified, and that if one resorts to these measures then one has handed victory to the terrorists.
It is the emphasis of this ideological conflict that makes The Siege so thought provoking and leads me to award it five stars.
Others have panned The Siege as being too anti-military, claiming that the imposition of martial law is farfetched and the U.S. military depicted as too inhumane. Here it must be pointed out that in the hypothetical situation presented in The Siege there was an on-going series of terrorist attacks with no end in sight, a far different situation than that experienced on 9/11-2001.
It's interesting to note that the script for The Siege was written by Lawrence Wright, who later, in 2006, wrote a book, The Looming Tower: Al-Qaeda and the Road to 9/11, and won the Pulitzer Prize for it. This book is also highly recommended.
A few words about DVD extra material. The first DVD release (2000) includes a 13-minute special feature "The Making of The Siege", which is fairly interesting but nothing very special. There is a newer DVD release (2007) subtitled "Martial Law Edition" which includes two additional special features, "The Siege: Taking New York" and "The Siege: Freedom is History". Unfortunately I haven't seen this edition yet.
Highly recommended, at least if you want more than just action and drama and enjoy thought-provoking stories.
Rennie Petersen

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When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make it's bloody mark on the streets of New York, it's up to FBI special agent Anthony "Hub" Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Together, they face explosive danger at every turn when they team up towage an all-out war against a ruthless band of terrorists.

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Friday, October 26, 2012

Obsession: Radical Islam's War Against the West (2007) Review

Obsession: Radical Islam's War Against the West (2007)
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[[[[[[[The following is a freelance review I wrote of the film after viewing it in Los Angeles last year. Your feedback is welcome at Lhart50@yahoo.com or visit my blog at Choosingfreedom.Blogspot.com ]]]]]]]]]]]
Sometimes with all the political fallout of the Iraq debacle we lose site of what is at stake in the war on terror. Because the country is so divided over President Bush's ability to manage the war, the very real and serious problem of Islamic terror is often relegated to a foolish unimportance. As my brother-in-law told me the other night, "if Bush hadn't gone into Iraq we wouldn't be in this mess." On Wednesday, March 14, the West Valley Jewish Community Center presented "Obsession: Radical Islam's War on the West," sponsored by the West Hills Chabad. Like a clarion call this film reminds us of the clear and present danger that confronts Western Civilization . After the movie one of the primary speakers in the film, Noni Darwish discussed with the audience in detail her pro American/Israeli position to this war. This is a film that every American should see.
Darwish, the daughter of the Egyptian Fedayeen commander in Gaza during the 1950s, spoke about the madness that is gripping her people. You could not help but admire her courage and her recognition of righteousness against all odds. Ms. Darwish has a price on her head, so the security to get into this presentation was very strict. She doesn't waiver from her condemnation of the Arab world, her support for Israel or her love of democratic values. I have to admit, I was impressed. It's not every day that you meet an Arab national speak about her respect for the Jewish state. Perhaps reality is never far behind because as Ms. Darwish spoke you got the distinct impression that she was very alone in this commitment, disowned by her family, her country and the religion that totally dominated her life growing up.
Meeting and talking with a real live hero like Noni Darwish made the evening exciting but the film stands on its own merit as a glaring example of the utter hatred that much of the Arab world and large swaths of the rest of non Arab Islam feel toward the west. Thanks to Al-Jizeera and some other like minded Middle East media outlets there are mounds of written and video evidence to support the film's arguments.
The film argues that we are not taking this war seriously. Most of what is reported in the Arab world and in other places never seems to make it in the western media. Steven Emerson, a long time researcher of the Islamic threat said, "The amount of hate propaganda is far more extensive and pervasive than the attention that it receives in the western media." This has to stop. We need to begin to follow the Muslim press, listen to what they are saying, understand what they are implying with their statements and analyze more closely their intentions. The films ultimate message: We face disaster if we don't.
There is a violent movement to convert the entire world to Islam, to completely eliminate the Christian-Judeo world from the face of the Earth. Perceived western influences around the globe are targeted on a regular basis. Caroline Glick, a senior fellow at the Center for Security Policy, makes the point that many countries in the world today have a problem with Islamic extremism on some level. And then to emphasize that statement the film shows a map of the world covered in red "X"s where Jihadis are on the rise, attacking, bombing and killing. As noted in one Palestinian children's textbook, "this religion (Islam) will destroy all other religions through the Islamic Jihad fighters."
Several of the speakers in the film kept reiterating the fact that the West is in denial of this problem. Even in a post 9-11 environment people do not want to admit that there is a growing malignancy on the planet bent on our destruction. The film is very clear not to condemn Islam as a religion and therefore claims that not all of the world's Muslims are the enemy. But, it is clear that the Jihadi movement is at present very large and is growing with each passing generation. There are many Islamic leaders calling for the deaths of Jews, the destruction of the United States, and the defeat of the west, all the while being cheered on by thousands of onlookers. There is no shortage of hatred in the Islamic world. The film implores us to recognize this threat and to begin to fight back in order to survive. Most disturbing about this enemy is the chair squirming, undeniable connection of the Islamic Jihad movement to the rise of Nazism in Europe during the 1930's.The two historical periods are so closely correlated that it is hard to comprehend how we could have missed its growth. It is as if we were so busy reminding ourselves in the last sixty years that we would never again forget the past in Europe that we did not see it creeping up on us again in another part of the world. The film shows that 19th and early 20th century European anti-Semitism along with a remarkably similar ramp toward fascist ideology are alive and well and flourishing within the Muslim world. The only difference being in Europe it was based on politics and now it is based in religion.
One of the historical parallels to Nazism is the connection between the Mufti of Jerusalem and Adolph Hitler. As disturbing then as it is now the film describes and verifies that Hitler and the Mufti agreed that the extermination of the Jews was central to the War's aims. The Mufti, a radical fundamentalist in his own right, distinguished himself as one of the leaders who tried to prevent Jewish Zionism from establishing a Jewish homeland in Palestine during that era. In exchange for his support Hitler promised him that would never happen.
In one especially chilling moment, Walid Shoebat, a reformed Palestinian terrorist and, who like Noni Darwish is shunned by his family, community and religion, explains the growth of Jihad as compared to the growth of Nazism. He says that Islamo fascism is far more dangerous than Nazism because of its religious components. Jihad makes war in the name of almighty God while Nazism made war for a man, Adoph Hitler. And, it exists in several countries not just one. Therefore, Shoebat concludes, that if we do not stop its rise we will be facing not one Nazi Germany but several.
The sole of Islam is at stake some western commentators have noted, indicating that the only way we can win this is for Islam itself to struggle with the question internally and repair it internally. In other words, we are your supporters but it is you who have to correct the problem. According to "Obsession," and confirmed by Noni Darwish, the struggle is already over, Islam has been stolen by the Jihadi movement. The enemy is getting stronger and the decent Muslim who wants to live his life like we live ours is growing ever weaker. In fact, one gets the sickening feeling that Noni Darwish, and the other Muslim commentators depicted in the film, which courageously stand against the Jihadi enterprise, are lone puppies in a sea of wolves. The danger to all of us is clear. Either we begin to get serious about this problem and take positive steps to end it favorably or we are going to lose. The very existence of Western Civilization is at stake and all the freedoms that we developed, struggled with and refined over the last 2500 years are in danger of being forcibly replaced by something very different. We must recognize that to do nothing and to continue to live in denial of this growing problem is a huge mistake. Unless you are willing to accept that your grandchildren before the end of their lives will be bowing down to Mohammad five times a day I would suggest that you begin looking at our involvement in the Middle East as a matter of survival not as a political football to be argued as Republicans and Democrats. It is not too late but we need to begin now or face a global confrontation of such huge proportions that it will dwarf World War II by comparison. The choice is ours.

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Obsession is a film about the threat of Radical Islam to Western civilization. Using unique footage from Arab television, it reveals an 'insider's view' of the hatred the Radicals are teaching, their incitement of global jihad, and their goal of world domination. The film also traces the parallels between the Nazi movement of World War II, the Radicals of today, and the Western world's response to both threats. Featuring interviews with Daniel Pipes, Steve Emerson, Alan Dershowitz, a former PLO terrorist, and a former Hitler Youth Commander

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Wednesday, April 18, 2012

Osama Review

Osama
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This 2004 Golden Globe award winner for Best Foreign Language film, directed by Afghani Siddiq Barmak, is a stunning indictment of the repressive, fundamentalist Taliban regime and its treatment of women. Filmed on a shoestring budget, the film is a composite of a number of true stories, coalescing into one. It is harrowing look at a feudal sort of government that equated women with little more than chattel. Forced to be totally dependent on men, the question arises as to what would be their fate, if all the men in their world were to no longer be there for them.
This is the issue that confronts one particular woman, a widowed doctor, who treats patients in secret. Unfortunately, the hospital, if one can call it that, has not paid her for some time, and she can no longer work there. Moreover, it has become too dangerous for her to travel the streets, as she is a lone woman forbidden to travel the streets without the accompaniment of a member of the male sex. As her household consists solely of three generation of women, having lost her husband and her brother, circumstances are dire indeed.
She must devise some plan of getting or earning their daily bread, if they are to survive. She turns to her young timid daughter, a girl on the cusp of womanhood. She decides that her beautiful daughter must disguise herself as a boy and go out into the world to help earn some food for the family, or they will die. Thus, the daughter is transformed into a boy called Osama. The mother then takes Osama to see a kindly former comrade of Osama's late father, who now runs a small dusty shop. There, Osama is left to work, stirring cauldrons of steaming milk, scenes that are positively medieval.
Passing as a boy, Osama is obliged to do those things that a male is expected to do. So, when the Taliban police come to the shop looking for boys for indoctrination at a mullah run school, Osama has no choice but to go. Thus, begins the downfall of Osama. Despite the best efforts of Espandi, an enterprising street urchin who has befriended Osama and knows her secret, Osama is to continue a harrowing journey that only one of her sex may travel.
This is an intriguing film that, despite being somewhat choppy and disjointed in the telling, provides a birds-eye view at what life was like for women under the Taliban. The beautiful imagery of the film is a strong counterpoint to the harshness of Taliban rule. It is a mercy for women that the Taliban is no longer in power. This film certainly brings home the absolute cruelty of that regime towards women.
Though the director uses non-actors for the roles in the film, each one of them does a yeoman's job with the given role. Arif Herati, who plays the role of Espandi, has a great deal of screen presence. Marina Gobahan, who has the starring role of Osama, is excellent as the timid and shy girl who reluctantly cross dresses as a male in order to help her family. Her terror of being killed and her fear of the Taliban is palpable throughout the film. Her eyes are most expressive, world weary and infinitely sad. It were those very eyes that drew the director to cast her in the role of Osama. This is a film that will leave its imprint on the viewer.
The DVD offers little by way of special features, though it does offer a moderately interesting interview with the director that runs about twenty minutes in length.

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Inspired by a true story, this Golden GlobeÂ(r)-winning* drama is the first film made in Afghanistan after the fall of the Taliban. Hailed by critics as 'stunning(Entertainment Weekly),breathtaking(Slant) and 'emotionally charged(Screen International), Osama isa striking work of cinematic art(L.A. Weekly).After the brutal Taliban regime bans women from working and forbids them to leave their homes without a male escort, a 12-year old girland her mother find themselves on the brink of starvation. With nowhere left to turn, the mother disguises her daughter as a boy. Now calledOsama,the young girl embarks on a terrifying and confusing journey as she tries to keep the Taliban from discovering her true identity.*2003: Foreign Language Film

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Saturday, September 24, 2011

Religulous (2008) Review

Religulous (2008)
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You don't have to pass an IQ test to be in the Senate.
If you build a diorama with animatronic dinosaurs and children coexisting, it must be true.
Dialing a phone on Sabbath is forbidden, dialing a phone with a stylus on Sabbath is allowed.
You will learn all this and more from Bill Maher's hilarious mockumentary, Religulous.
It is not often that a movie is so subversive, funny and educational all at once. Bill Maher certainly has his fair share of ego, but he has the comic chops to support it. In some of his interviews I wish he had gone further, but to do that he would have to have been more serious, less funny and ultimately have made a different movie.
But the movie he makes is brilliant, it shines a spotlight on some of the serious questions and inconsitencies in religion that people allow themselves to ignore. And his ultimate message is one that everyone needs to hear; there are things in this world that are not explained, and that's OK! Not every gap in human knowledge is God-shaped. Doubt is good, doubt makes us ambitious and inquisitive and humble. And that's not a bad way to be.

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COMEDIAN & TV HOST BILL MAHER TAKES A PILGRIMAGE ACROSS THE GLOBE ON A MIND-OPENING JOURNEY INTO THE ULTIMATE TABOO: QUESTIONING RELIGION.

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Monday, July 25, 2011

The Stoning of Soraya M (2009) Review

The Stoning of Soraya M (2009)
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This is a very well acted and compelling movie. I've seen videos of real life stonings, and although somewhat cleaned up, this movie gives a realistic face to the act.
The actors do an exceptional job at portraying the characters. Shohreh conveys with a single look, what other actress's take sentences to do. That's a real feat considering I had to read the words in subtitles at the same time!
The movie also shows what a mob mentality really is. What pressure and teaching can compel a son to do to his mother...it shows what strength really is- not being the hero like in most movies, but in what it takes in the real world, to simply speak the truth. A strength that most people don't have.
As cleaned up as it is (the movie does not deal with the underlining condoning of stoning in Islam such Muhammad demanding it in his famous confrontation with the Jews according to Ibn Ishaq, 257 and Bukhari vol 4 book 61, no. 3635- they are his first biographer, and a collector off traditions Muslims themselves consider reliable)-This movie does however show a present day reality that I fear most viewers won't have the strength to really see.
Watch this movie, and then watch how few people are even willing to talk about the subjects it brings up- how many excuses and side steps people will take, rather than confront the reality that this movie throws in your face.
It is one of the few movies that show human nature- the good, the bad and the ugly. From looters, to the ones who confront them. This movie does more in the side plots showing human psychology, than most other movies that try to protray it as a main subject matter.
In short, this is a must see, if nothing else to better understand a dark side of the world.

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STONING OF SORAYA M - DVD Movie

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