Showing posts with label denzel washington. Show all posts
Showing posts with label denzel washington. Show all posts

Monday, January 28, 2013

The Siege (1998) Review

The Siege (1998)
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The Siege tells a hypothetical story about terrorist attacks on New York City by Islamic fundamentalists, and how an FBI department led by Special Agent Hubbard (Denzel Washington) tries to stop them. A CIA agent (Annette Bening) is also involved, and refuses to cooperate with the FBI, at least at first. When the attacks continue and the FBI and police are unable to stop them, President Bill Clinton imposes martial law and U.S. Army units under General Devereaux (Bruce Willis) occupy and isolate Brooklyn and round up all the young Arab men and place them in an internment camp. This leads to several consequences and to a final showdown that will not be revealed here.
The Siege was controversial already in 1998 when it was released: the American-Arab Anti-Discrimination Committee and the Council on American-Islamic Relations both protested strenuously and said the movie was offensive and discriminatory. After the 9/11-2001 terrorist attacks on the United States it can be seen that the movie was in some ways prescient: it practically predicted terrorist attacks on New York by Islamic fundamentalists, a fatal lack of cooperation between the FBI and the CIA, and the imposition of measures that reduced civil liberties for average Americans.
In fact, the key conflict in The Siege is not the conflict between the terrorists and the law enforcement agencies. The key conflict is an ideological one: On one hand there are those who believe that all possible means, including the use of torture and the detention and isolation of suspects with no access to legal process, can be necessary responses to a terrorist threat. On the other hand there are those who believe that use of torture and the reduction of civil liberties can never be justified, and that if one resorts to these measures then one has handed victory to the terrorists.
It is the emphasis of this ideological conflict that makes The Siege so thought provoking and leads me to award it five stars.
Others have panned The Siege as being too anti-military, claiming that the imposition of martial law is farfetched and the U.S. military depicted as too inhumane. Here it must be pointed out that in the hypothetical situation presented in The Siege there was an on-going series of terrorist attacks with no end in sight, a far different situation than that experienced on 9/11-2001.
It's interesting to note that the script for The Siege was written by Lawrence Wright, who later, in 2006, wrote a book, The Looming Tower: Al-Qaeda and the Road to 9/11, and won the Pulitzer Prize for it. This book is also highly recommended.
A few words about DVD extra material. The first DVD release (2000) includes a 13-minute special feature "The Making of The Siege", which is fairly interesting but nothing very special. There is a newer DVD release (2007) subtitled "Martial Law Edition" which includes two additional special features, "The Siege: Taking New York" and "The Siege: Freedom is History". Unfortunately I haven't seen this edition yet.
Highly recommended, at least if you want more than just action and drama and enjoy thought-provoking stories.
Rennie Petersen

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When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make it's bloody mark on the streets of New York, it's up to FBI special agent Anthony "Hub" Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Together, they face explosive danger at every turn when they team up towage an all-out war against a ruthless band of terrorists.

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Friday, March 23, 2012

The Taking of Pelham 1 2 3 (2009) Review

The Taking of Pelham 1 2 3 (2009)
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Though Scott's uniquely frenetic editing has been toned down from his previous films, his unmistakable style still frequents the action and accentuates the tension-filled premise. Denzel Washington's quick-witted and moderately corrupt dispatcher plays off of John Travolta's Wall Street savvy sociopath with plenty of clever exchanges, and the dark humor and suspense that find its way into the bloodshed culminates in an engaging game of cat and mouse. Not quite as slick as the original, and perhaps a little too conspicuous in its efforts at exuding cool, this latest take on the subway heist story still accomplishes entertainment at break-neck speed.
When a New York City subway train is hijacked, Rail Control Center dispatcher Walter Garber (Denzel Washington) becomes an unwitting negotiator for the ruthless criminals aboard. Led by the uncontainable Ryder (John Travolta), the hijackers demand ten million dollars in exchange for the seventeen hostages and offer only one hour to deliver the ransom. As minutes quickly count down, Garber must utilize his cunning and resourcefulness to buy time and catch the mercenary off guard as the situation goes from bad to catastrophic.
The unusual, highly stylized, frenzied editing is assuredly a now permanent technique for Tony Scott films - it's a signature method that he ceaselessly experiments with, frequently going overboard, and only occasionally able to harness. In Pelham it looks familiar but doesn't detract from the story, even if some moments of suspense are dulled by the blurred colors of slow-motion and missing frames. The remaining stunt sequences are exciting and tense, but hardly necessary. The car chases are never about catching someone, but rather beating the clock. It's action for action's sake, and while enjoyably destructive, it's entirely apparent.
Most audiences will not know that The Taking of Pelham 123 is based on a John Godey novel, or that it's been adapted into a movie twice before with the same name. While Scott's version stands on its own as a big-budget action movie, the purpose of specifically remaking this story is puzzling. Shouldn't the reasoning behind the revisiting of a popular plot be to improve upon some outstanding aspect? The use of the internet, cell phones, snipers, bloodshed, crude language and more give this new vision a sparklingly modernized feel, but when the movie draws to a close, it just can't compete with the 1974 version. Washington and Travolta have an intriguing chemistry, but even that can't outdo the cat-and-mouse mindgames between Walter Matthau and Robert Shaw, who played their counterparts in the first feature adaptation. Perhaps a title change could have appropriately distanced Scott's take from being endlessly compared to an infinitely superior film.
- The Massie Twins

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Walter Garber (Denzel Washington) is a New York City subway dispatcher whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train. Ryder (John Travolta), the criminal mastermind behind the hijacking and leader of a highly-armed gang of four, threatens to execute the train's passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet, Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages. But there's one riddle Garber can't solve: even if the thieves get the money, how can they possibly escape?

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Saturday, February 25, 2012

Malcolm X (1992) Review

Malcolm X (1992)
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While the movie itself is excellent, this is one of those DVDs that makes a great film even greater.
Much has been said about the 1992 film, so I'll concentrate on the extras. First of all, the widescreen is not so wide that it makes you squint to see it. It's at a good porportion. But the edited scenes are really interesting. We see previously unseen footage of Denzel as Malcolm courting Angela Bassett as Betty Shabazz (in a rather touching way). We see Denzel/Malcolm putting an initiate through the rigors in an amusing fashion, we see him studying and feeding his hunger for books while in jail, and we see some interesting scenes of Denzel/Malcolm making anti-racist and pro-brotherhood statements near the end of his life to a young white girl and an Arab he meets in Mecca. A lot of people who miss the point about Malcolm's transformation should see those scenes (which actually appear in the original book).
(Slight complaint, the stuff about the Sphinx's black nose being shot off by Napoleon is a bunch of BS that didn't happen, even Molefi Asante admitted this on 60 minutes a few years ago. So it's just as well that that scene was not included in the original film).
Also, "Baines" was actually John Bembry, aka Bimbi, who encouraged Malcolm to read in prison. It was actually Malcolm's real life brothers who really introduced him to the Nation of Islam teachings. Not a complaint, just a clarification.
There is also an excellent documentary about the making of this film. A real Horatio Alger type story of how Spike beat the odds through dogged determination to raise the money to make the film the way he felt it needed to be made. It was sad to realize that the film was not as popular as hoped among young people upon it's intitial release and the "Malcolmania" of the early 90s turned out to be a fad, but at least this DVD will give people the opportunity to learn from Malcolm's story.
Then there is the uncut 1972 documentary "Malcolm X. The raw, uncut REAL Malcolm talking strong and taking numbers! This is a brilliantly edited collection of chronological clips of Macolm, Elijham Muhammad, the young Louis Farrakhan, and all the other major players into an excellent biography without additional narration. It lets the viewer decide in an excellet fashion.
So see the 1992 movie, then the "making of" documentary, then the deleted scenes, and THEN the 1972 documentary and you'll get the next best thing to reading all there is to know about Malcolm X thought. Enjoy it, I did. College and high school teachers will REALLY want this for their history classes.

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Inspiring story of Malcolm X, as he rises up from poverty, encounters the law, achieves spiritual enlightenment, and reaches out to others in the fight for human and civil rights.Item Type: DVD MovieItem Rating: PG13Street Date: 01/16/07Wide Screen: yesDirector Cut: noSpecial Edition: noLanguage: ENGLISHForeign Film: noSubtitles: noDubbed: noFull Frame: noRe-Release: noPackaging: Sleeve

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Thursday, December 15, 2011

Inside Man (Widescreen Edition) (2006) Review

Inside Man (Widescreen Edition) (2006)
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The one note about Spike Lee films is that you're never sure what you're going to get. I'm not really a fan, I find that his films are too convoluted with extraneous detail and somewhat over produced. Inside Man retains all the elements of a solid bank robbery/caper film, whilst also giving us Spike Lee's trademark of gritty, street-wise irreverence.
The problem with Inside Man is that it's impossibly unbelievable with a plot that strains the realms of credibility; combine this with it's over-long running time and you have a film that features some great performances by it's cast - Denzel Washington, Clive Owen, Christopher Plummer and Jodie Foster - but ultimately sags a bit in the middle and ends up becoming rather ponderous.
Lee manages to pull off a handful of effective scenes, but he doesn't have the flair to bring the whole movie off with real conviction. An enigmatic master criminal (Owen) - who spends most of the movie wearing a mask - plans and executes a "genius plan" in which he and several masked companions take over a Lower Manhattan bank and brutally seize several dozen of its customers as hostages.
The NYPD negotiator given the task of dealing with these crooks is an affable junior detective, Detective Keith Frazier (Washington) - under a cloud of suspicion from a previous case - he soon surmises that the perpetrators don't actually want the bank's money. Enter smarmy and elegant New York political insider Madeline White (Foster) who knows everybody and even has the ear of the Mayor.
Madeline is hired by the chairman of the bank's board of directors (Plummer) to oversee the crisis and make sure that certain secrets he has in his safe-deposit box stay secret. The bulk of the film involves the standoff between the bank robbers and the NYPD as they try frantically to ensure that the hostages remain safe.
Of course we know the hostages survive because Lee inserts interview footage of them after the heist is over, this device, however, tips off the outcome, dissipates suspense and quickly becomes tiresome. This is just one of the many techniques Lee uses to clutter the movie's structure and prevent the plot from unfolding as quickly as it should.
Obviously, everyone has something to hide, particularly the bank president, but when his past is revealed, it finally appears with a bit of a thud, with the movie going through to much difficulty to arrive at very little. In all fairness, Inside Man has some interesting things to say about race, money, power and the ethics of urban living, particularly in New York and the performances are wonderfully cynical and gritty.
Washington is sexy and strong, Foster is skillfully odious as the icy, sophisticated and amoral Madeline who cares for nothing but chasing big bucks, Owen is morbidly compelling as the determined heavy and Plummer is letter-perfect as the guilt-ridden bank honcho.
Lee, however, just doesn't seem able to bring all the disparate elements of a heist film into a convincing and gratifying whole and in the end; the movie is vaguely unsatisfying and impossibly far-fetched. Mike Leonard August 06.

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Academy Award winner Denzel Washington, Academy Award nominee Clive Owen and Academy Award winner Jodie Foster star in this intense and explosive crime thriller. The perfect bank robbery quickly spirals into an unstable and deadly game of cat-and-mouse between a criminal mastermind (Owen), a determined detective (Washington), and a power broker with a hidden agenda (Foster). As the minutes tick by and the situation becomes increasingly tense, one wrong move could mean disaster for any one of them. From acclaimed director Spike Lee comes the edge-of-your-seat, action-packed thriller that The Wall Street Journal calls "a heist film that’s right on the money."

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Monday, November 21, 2011

Courage Under Fire (1996) Review

Courage Under Fire (1996)
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The basic plot line of "Courage Under Fire" is that Lt. Col Nathaniel Sterling (Denzel Washington) is investigating an incident during the Gulf War to determine whether or not the Medal of Honor should be awarded to Captain Karen Walden (Meg Ryan). It does not take us long to find out that the title of this film refers to both Sterling and Walden. The initial story on Walden, the pilot of a rescue helicopter, is that she made a spectacular rescue of a downed helicopter crew, then fought off attacking Iraquis after her own copter crashed, dying right before they were rescued themselves. But as Sterling questions the surviving members of Walden's crew, he discovers their various versions do not jive, and he begins to question what is the truth. Moreover, Sterling is haunted by his own actions during the Gulf War, where he was responsible for a "friendly fire" incident that resulted in the death of American soldiers. To complicate matters, Sterling is drinking too much, has grown distant from his family, and is being hounded by a commanding officer who wants the P.R. value of Walden receiving the medal and a reporter who knows something of what happened to the Colonel in Iraq.
"Courage Under Fire" makes excellent use of the "Rashomon" technique, wherein we get to see each person's version of what really happened in Iraq. Sterlings own feelings of guilt and responsibility for what happened in Iraq provide an additional level of depth to the narrative (more so than in Kurosawa's original classic film in fact). Some may find the parallel attempts to find redemption to be somewhat heavy handed, but ultimately the film succeeds because of the solid acting performances. In addition to Washington and Ryan, who knew have a scene together, there are solid performances from Lou Diamond Phillips and a very underweight Matt Damon as surviving members of Walden's crew, Michael Moriarity as the General, Scott Glenn as the reporter, and Regina Taylor as Sterling's wife. Certainly this film is closer to the reality of Desert Storm than "Three Kings," but the main enjoyment here is watching Ryan and her crew do the same lines with totally different meanings because of radical changes in context while Washington tries to find meaning in his own life.

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When Lt. Colonel Nathaniel Serling (Denzel Washington) is asked to review the posthumous candidacy of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.

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Saturday, November 19, 2011

Fallen (Snap Case) (1998) Review

Fallen (Snap Case) (1998)
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Fallen is underrated, as I felt it wasn't nowhere near as bad as some critics said it to be. It's a very interesting mix of The Exorcist and The Silence of the Lambs and Seven. The result is one of the best thrillers of the decade. It's not quite up there with Lambs or Seven but it's as good as Arlington Road and is significantly superior to The Bone Collector and Kiss the Girls.
The plot is about Detective John Hobbes (Denzel Washington), who has just captured serial killer Edgar Reese (Elias Koteas). Before Reese is executed, he speaks to Hobbes in a strange language and tells him a riddle, asking him why there's a space between Lyons and Spakowsky. Hobbes doesn't think much of this and watches silently as Reese is executed in the gas chamber.
The next day, another murder occurs, and Hobbes and his partner Jonesy (John Goodman) check it out. To his shock, Hobbes finds the same riddle Reese told him scrawled on the wall of the victim's apartment. Unraveling the clue and with the help of an intelligent woman named Gretta Milano (Embeth Davidtz), he discovers that a demon called Azazel had inhibited the body of Reese and can switch from one human host another with a simple touch.
The premise itself is chilling, yet I was a bit hesitant to watch this film. The critics' reviews were mixed but all of them seemed to agree that the film was a bit slow moving. The truth is, Fallen is a bit slow for the first forty or so minutes, but the last eighty minutes are full of intriguing ideas that are well explored along with plenty of extremely suspenseful scenes, especially the ending, which, by the way, has a great twist.
Regarding the suspenseful moments of the film, they can truly be described as edge of your seat. One of the most harrowing sequences in this film is an original chase scene that involves the domino effect, where the demon chases after Davidtz by passing from one human host to another. There's also the chilling scenes where Washington has to try and keep up with who Azazel has just possessed.
Fallen's greatest aspect, despite all those truly thrilling and very suspenseful scenes, is its ending. It first involves a very clever plan being unfolded by one of the characters and ends with a great and unpredictable plot twist. This is truly one of the most unpredictable endings I have seen. It might not have as much of the shock power as the edgy (and twisty) climaxes of Seven and Arlington Road (or for that matter, The Sixth Sense), but it's just as surprising if not more.
The performances in this film are solid. Denzel Washington is fine as the detective who is much more clever than Azazel thinks. John Goodman is his usual solid self as Hobbes' partner, and he excels in this role, proving he has a lot of range ever since his show Roseanne was cancelled. Embeth Davidtz's performance is okay though her character is slightly underwritten. The real scene stealer, though, is Elias Koteas. Though he's in the film for five minutes his Edgar Reese character is scary and actually a bit fun to watch. Most of the characters are well-developed and this helps us care for Hobbes and his family.
The script by Nicholas Kazan is well-written and the twist in the end makes it better to appreciate and Gregory Hoblit's use of a dark, edgy atmosphere and mood is undeniably effective.

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THE THRILLS KEEP COMING. THE PLOT KEEPS TWISTING. THE SUSPENSEKEEPS GROWING. HOMICIDE DETECTIVE JOHN HOBBES HUNTS A SATANIC FORCE THAT SHIFTS FROM ONE HUMAN HOST TO ANOTHER IN THIS TAUT,TERRIFIC SUPERNATURAL THRILLER.

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Sunday, October 23, 2011

Deja Vu (2006) Review

Deja Vu (2006)
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Déjà Vu is the perfect blend of science fiction and action film for the average movie watcher as well as the science fiction fan. At its core, it is a thrilling, well paced action adventure story about an ATF agent, Doug Carlin, investigating a terrorist bombing on a ferry full of US Navy sailors in New Orleans. 540 people are killed in the massive explosion, but one young woman's body washes up and doesn't seem to fit with the other victims; though it looks like a victim of the explosion, the body was discovered 8 minutes before the bomb went off. Other pieces of evidence regarding this victim quickly lead Carlin to roughly piece together where she fits in the puzzle; unfortunately, none of it is enough to provide leads to the perpetrator.
When Carlin presents his information to the FBI agents in charge, they are quickly impressed by his keen ability to size up a crime scene and filter out the noise from the pertinent details. They invite him to join a new test project that uses the latest technology to analyze a crime scene. Though the FBI and scientists involved try to hide the true nature of the technology, it doesn't take agent Carlin long to realize that there is more to it than advanced surveillance camera processing. This is where the science fiction weaves itself into the crime action drama film. While testing a new high-powered telescope technology, a way to bend the fabric of space/time is discovered, allowing the ability to watch the past in "real time" exactly 4+ days before.
What makes this film work so well is that the action mostly takes place in the present, but the technology leads to some very good storytelling and the most interesting car chase ever conceived. I had read in some positive reviews that as good as it was it didn't fully make sense...well they are wrong - it complete sense - just pay attention to the details along the way and the story comes together nicely. Yes, there are a few inconsistencies - whose explanations probably were left on the cutting room floor to keep the film well paced - but they are small. If you have a basic understanding of the physics and space/time you can piece them together yourselves; if you are not, don't worry and ignore them because they don't take away from this very film.

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Academy Award(R) winner Denzel Washington (Best Actor, TRAINING DAY, 2001) joins forces with blockbuster producer Jerry Bruckheimer and mega-hit director Tony Scott for DÉJÀ VU — the powerful, fast-paced action-thriller with a spectacular mind-bending twist. Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin (Washington) gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime. But can it help Carlin change the past? Hold on to your seat for an explosive and intriguing thrill ride you'll want to experience again and again.'

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Wednesday, October 19, 2011

The Great Debaters (2007) Review

The Great Debaters (2007)
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`The Great Debaters' offers what great movie viewing is all about. Based on a true story, the film takes us to Wiley, an African-American Methodist college in Texas during the Depression in 1935. Inspiring, harrowing, and uplifting, the film gives proper transcendence especially during a time and place that didn't offer many breaks.
We are first introduced to Professor Polson (Denzel Washington), a tenacious idealist and poet. As professor at Wiley and debate coach, he hardly yields on any of his principles. Inspired by the man who is named for the heinous lynching, Polson tells his debate recruits that it was in Lynch's best interests to keep Black people, "Physically strong, but psychologically weak." It is with this explanation that we understand his zealous approach to his debate team, and why he makes their training so rigorous.
Entering the field are forty-five tryouts, of which, only four will be selected: two representatives and two alternates. Of the three who make it, we get to know Henry Lowe (Nate Parker) a charismatic and bright figurehead who is easily distracted by beautiful women and hard liquor. Joining him are Samantha Booke (Jurnee Smollett), the first young woman to join the debate team, and James Farmer, Jr. (Denzel Whitaker) forever young at age 14, but an ever resourceful scholar and son of a minister, James Farmer, Sr. (Forrest Whitaker). [No real life relations.] As he notices a romance start to blossom between his teammates, his resentment grows. As the one who researches many of the arguments Henry and Samantha provide on the podium, he is put on the sidelines both in terms of the limelight and the love light.
As you might guess, Wiley enjoys a certain amount of success, and the price of success is opposition. Polson spends a great deal of his time and rhetorical talent organizing a sharecroppers' union, much to the chagrin of Sheriff Dozier (John Heard) who won't have unrest in his sleepy Texas town. In one scene the Farmer family is making a trek by car on a rural country road as they pass a poor white farm. The children who seem so mischievous run alongside the car as they pass along, unaccustomed to seeing a "Negro" with an automobile. Perhaps distracted by the nearby children, he runs over a pig, and in a quietly intense exchange between Farmer, Sr. and the owner, is extorted of a month's paycheck. This reminded me of a similar scene in the 1980's movie, `Centennial,' and showed the contrast between a good film with a similar theme and a great one.
In another part, the debate team makes their way by night to their debate destination when they come across a truly horrible sight. What they see through the windshield reveals a mob of white men who don't like having their heinous deeds brought to light. Shaken, they each try to come to cope with their discovery as they often lose focus and courage in the face of Polson's opposition and the violence laid before them.
Always kept in check by their unyielding leader, the debate team holds out for all possible opportunity. Audacious but unflinching, Polson invites Harvard to a debate match. One of the master strokes of the movie is how the debates and their topics match the action that goes on all around them. Show and tell is mixed expertly for a meaningful movie experience.
`The Great Debaters' is a top-echelon movie experience. Although it is reminiscent of movies like Mississippi Burning, To Kill a Mockingbird (Collector's Edition), and Akeelah and the Bee it captures a fulfilling true life story in a way that doesn't feel like rehash or contain a wasted scene. (Directed by Denzel Washington and screenplay by Robert Eisele)

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Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features: Deleted Scenes The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.My Soul Is A Witness; Music Video Theatrical Trailer Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting Party

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Tuesday, August 23, 2011

He Got Game (1998) Review

He Got Game (1998)
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Spike Lee's film contribution of 1998 marks his greatest graduation as a filmmaker since "Malcolm X". "He Got Game" documents the story of Jesus Shuttlesworth, the top high school basketball player in the U.S. who is receiving incentives one way or the other, to attend someone's university. Jesus' father Jake - in prison for accidentally killing his mother - is offered an early parole in exchange for Jesus' enrollment at the governor's alma mater. Jake has one week to convince his son, who wants nothing to do with him. This film is really not about basketball, it is instead, a tale of a father seeking the forgiveness & respect of his son. Lee makes good documentation of the cutthroat world of professional sports recruiting. Washington, as always, delivers a touching performance. Whether asking his son for forgiveness, or giving his wife's tombstone an embrace, Washington portrays a flawed man in deep need to heal his family.
Lee had no need to cast an NBA player, but cast Ray Allen anyway, who does a fine job. The music, a mix of Public Enemy and Aaron Copeland, is an odd combination that Lee puts to effective use. This film introduced Lee's slower pacing of storytelling, which he would continue to do with "Summer Of Sam", and it works quite well.

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Academy Award(R)-winner Denzel Washington (Best Actor, 2001, TRAINING DAY) stars in this must-see story about a convict given one shot at a second chance to be a father! With promises of a reduced sentence, Jake Shuttlesworth (Washington) is granted temporary release from state prison in order to persuade the nation's top basketball recruit ... his estranged son, Jesus (Ray Allen of NBA's Milwaukee Bucks), to play ball for the governor's alma mater! But just as Jesus faces intense pressures and irresistible temptations contemplating his big decision, Jake is also forced to consider not only what's best for himself ... but what's best for his son! With a groundbreaking soundtrack by the legendary Public Enemy -- plus great cameos from John Turturro and basketball personalities Dick Vitale, John Thompson, Dean Smith, and more, HE GOT GAME is a critically acclaimed hit you don't want to miss!

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Tuesday, August 9, 2011

Glory (1989) Review

Glory (1989)
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This review refers to the Columbia Tristar 1/98 release of the DVD edition of "Glory"....
There are many glowing reviews of "Glory" to be found here. I feel the same way about this wonderful film, and after touching on the story I would like to talk about this DVD release(see above) which is an outstanding quality and excellent value.
"Glory" is an exceptional film. A true story of the Civil War that is both touching and inspirational. It depicts the story of the first black unit from the North to be trained and actually go into battle. Led by their very empathetic but very young Colonel(played brillantly by Matthew Broderick), the 54th Regiment endures many hardships felt not only by being soldiers of this devastating war but as African Americans as well.Their spirit, pride and tears along the way, is projected in this film by these wonderful actors in a way that will make you feel all the anguish and pride that they felt.
The cast includes Morgan Freeman as the Sergeant who is the motivating force behind the soldiers. His performance is stirring. Denzel Washington, awarded Best Supporting Actor by Oscar for his role as the runaway slave looking for a home will move you to tears(or at least put a lump in your throat, which remains throughout), and Andre Braugher's smile and tenacity will grab you and keep you.The cinematography and sound(both also honored by Oscar) are exquisite.Beautifully directed by Edward Zwick it is a war story that is more than action, it is one you won't soon forget.
Often, the different DVD editions wind up on the same product page. You may have found yourself on the page of the "Special Edition" of Glory. That is the 2 disc edition with lots of special features. If these are important to you in a DVD than that is the one you should probably go with. However, if you really love this film, but don't want to spend as much for all the extras, this edition is identified by ASIN:0800177967. It is half the price of the "Special Edition",and is a beautiful transfer as well.You have the choice of viewing it in the original widescreen(1.85:1) or a full screen version. The picture is beautiful, sharp, crisp and clean. Colors spectacular. Depending on your set up the sound options are 5.1(Digital Dolby) or 2-channel surround.I watched it in the 5.1 and was very impressed. All the sounds of the Civil War were clear and distinct. The music wonderful. It may be viewed in Spanish or French and has subtitles in English, Spanish and French also.
Whatever edition you choose, this a a film that is a beautiful addition to your DVD collection.It is one that will be watched again and again. Thank you and enjoy.....Laurie

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GLORY - DVD Movie

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Sunday, May 15, 2011

Man on Fire (2004) Review

Man on Fire (2004)
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"Man On Fire" is an intense action thriller that takes you through hell and back. This is not a "happy" movie, and it's not pretty. It's extremely violent at times and the storyline is a reflection of a parent's worst nightmare--the kidnapping and possible murder of their child. While it can be over-stylish at times with fancy editing and camera work, it proves to be a more than effective thriller.
John Creasy used to work for the CIA, but now he's an alcoholic who doesn't think there's much to live for. This is due to the terrible things he has done in his line of work (we never know exactly what he did, but there are more than enough hints). Starting a new life in Mexico, his best friend finds him a job as a bodyguard to a nine-year-old girl since the family is worried about all of the kidnappings that have taken place in Mexico. The girl, Pita, takes a liking to Creasy right away, but he doesn't allow her in and treats her as nothing more than a job. Amazingly, he starts to get attached to Pita and finds a new reason to live. Not only is he her bodyguard, but he is almost like a second father to her.
Things drastically change when Pita gets kidnapped. Creasy does his best to take out the kidnappers when it happens, but is outnumbered and has been shot multiple times. While recovering in the hospital, he learns that the ransom for little Pita has gone sour and that her captors have most likely executed her. This sets off a rage inside Creasy like he has never experienced before. He checks himself out of the hospital and wages his own war against everybody who was involved in the kidnapping/murder of Pita. And he vows to kill every single one of them.
Tony Scott directs this intense and emotional thriller. He does a great job with the material and he knows how to get the performances that he wants from his actors. My complaint is that he goes a little overboard with the fancy camera work and editing at times, but that is something that can be overlooked. Denzel Washington gives one of his most powerful performances since "Training Day." He really makes you feel for his character, and his absolute hatred towards the people involved with the horrible kidnapping is done in an extremely realistic and convincing way. Dakota Fanning does a great job in her role of "Pita" and does well by playing opposite of Denzel. And, we cannot forget the great Christopher Walken who also does a superb job on his part. He plays it perfectly and does not try to steal any scenes from Washington.
It must be said, this is a vicious movie. It's not for people with weak stomachs. There is one scene in particular that makes the ear-cutting scene in "Reservoir Dogs" look like absolutely nothing. Denzel's character doesn't only want to murder the bad guys... he wants to make them suffer in the most horrific ways, and he does that many times. It's not a happy or cute movie. It will disgust a lot of people, so it's not for everyone. Make sure you keep that in mind if you decide to rent this. Other than the option to watch the movie in DTS and two commentary tracks, the DVD has no special features. It looks and sounds great. It would've been nice if they did more with the DVD in the special features department, though.
"Man On Fire" is a powerful and unforgiving thrill ride that will keep your heart pumping and your forehead sweating. Other than some of the flashy and fast editing/camera work, the movie really works. Again, this is not for anybody with weak stomachs. It is very disturbing and unsettling. If you're looking for a powerful thriller with a lot of "bang" and real emotion, then this is something to check out. As dark and brutal as this movie is, I really enjoyed watching this. -Michael Crane

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Hard-drinking, burnt-out ex-CIA operative John Creasy (Washington) has given up on life--until his friend Rayburn (Oscar winner Christopher Walken) gets him a job as a bodyguard to nine-year-old Pita Ramos (Dakota Fanning). Bit by bit, Creasy begins to reclaim his soul, but when Pita is kidnapped, Creasy unleashes a firestorm of apocalyptic vengeance against everyone responsible.

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Monday, February 28, 2011

Out of Time (2003) Review

Out of Time (2003)
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"Out of Time" is the story of Banyan Keys chief of police Whitlock (Denzel Washington), a man in the middle of a divorce he does not want. Whitlock turns to his old high-school sweetheart, Ann Harrison (Sanaa Lathan) for solace, only to learn that she has terminal cancer and cannot afford the alternative treatment that might be her only hope. Whitlock can't just watch Ann die, so he steals a large chunk of money he bagged in a drug bust from his own department and lets her have it. But then Ann and her abusive husband Chris (Dean Cain)go up in smoke in an apparent arson, triggering a legal fallout that leaves Whitlock struggling to tie up all the loose ends as his life unravels around him.
"Out of Time" is a somewhat formulaic but still successful mystery/suspenser that slowly pulls the viewer into the web along with Chief Whitlock until there's no escape. Fans of this kind of movie will see a lot of familiar set-ups and plot devices, but the strong cast makes the story work as a whole even if you think you've got it all figured out. Washington's hapless cop is unfailingly appealing, even if he is guilty of some terrible lapses in judgment (but then aren't we all from time to time?). Cain and Lathan likewise do well with their roles, and Eva Mendes is a standout as Whitlock's estranged wife, a homicide detective in her own right who slowly discovers more than she wants to about her husband's role in the Harrison case. Will Whitlock be able to put the puzzle together in time to save his skin from a looming murder rap? And will Mendes help pull him out of the fire, or push him all the way under? You can't stop watching til you know the answers.
The film's seedy, noirish atmosphere is a great plus as well, and if it's not original "Out of Time" is still entertaining. Overall it's worth 3.5 stars, and certainly a movie you want to watch at least once if you like mystery or suspense films. Like many of its kind, however, it may not hold up to multiple viewings once you've learned the secrets, so it may be one to rent rather than buy. Either way, it's a great way to energize a lazy evening.

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Two-time Academy AwardÂ(r) winner* Denzel Washington (Training Day) is "fantastic [in this] inventive, exciting and spellbinding thriller" ("The Movie Network") co-starring Eva Mendes (2 Fast 2 Furious), Sanaa Lathan (Blade) and Dean Cain ("Lois & Clark").In Banyan Key, a small Florida town surrounded by azure seas and sultry secrets, Chief of Police Matt Whitlock (Washington) finds himself caught in the eye of a storm and about to get blown away. Investigating the murder of a woman he was secretly seeing, Matt races to uncover a murky trail of stolen money, drugs and deceit, all the while staying two steps ahead of his own detectives because all the evidence points to him!

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