Speed Racer (Widescreen Edition) (2008) Review

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(More customer reviews)I can understand why some people might dislike this movie (just look at its box-office) but the one undeniable fact is that it perfectly captures the spirit of the TV show which was never really associated with profound human feelings. It's amazing how everyone involved in it simply decided to give it their all. Just look at the conviction with which Susan Sarandon and John Goodman recited lines that clearly feel out of a cartoon. Usually I hate movies with quick cuts and gratuitous CG effects and SPEED RACER is 135 minutes of quick cuts and CG so I guess nostalgia goes a long way. I was so glad they included the sound effect of the Mach 5 jumping over and over again. My only real complaint about the movie is that there was a little bit too much of the chimp for my taste.
I can't blame anyone for complaining on leaving the theater with a headache. The world outside the theater I saw SPEED RACER in looked so slow once the movie ended, this is one exhausting film but certainly worth it.

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Start your engines and fasten your seatbelts for the high-octane adventure Speed Racer, combining heartfelt family humor and groundbreaking visual effects. Speed Racer (Emile Hirsch) is a natural behind the wheel of his thunderous Mach 5. With support from Pops and Mom Racer (John Goodman and Susan Sarandon), girlfriend Trixie (Christina Ricci), younger brother Spritle (Paulie Litt) and the mysterious Racer X (Matthew Fox), Speed takes on fierce competitors to save his family’s business and protect the sport he loves. When Speed steps onto the track, it’s not just a race. It’s an adrenaline-fueled, high-speed charge to the finish. Go, Speed Racer, go!!

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Death Sentence (Unrated Edition) (2007) Review

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(More customer reviews)DEATH SENTENCE is a tough movie to watch, not because it is a poorly made film, but because of the degree of violence that, once started, is mayhem on a roller coaster ride. Though based on a novel by Brian Garfield, the script by Ian Jeffers is a patchwork quilt - the holes show whenever the police arrive on the scene. James Wan, of the 'Saw' movies fame, directs with a keen eye for breathless action sequences and almost intolerable suspense timing that makes the film fly through the 111 minutes of the Unrated version.
During the opening credits we are introduced to the perfect family via home movies and domestic scenes: Nick Hume (Kevin Bacon) is the devoted father, Helen (Kelly Preston) his bright and loving wife, Brendan (Stuart Lafferty) is the golden boy son with all the hockey laurels, and Lucas (Jordan Garrett) the younger 'also ran' son. The glitch in this family's happiness happens one night when, out of gas while driving home from a hockey game, Nick stops at a gas station and while Brendan is in the convenience store a gang comes in and murders the store owner and Brendan: the reason for the killing is not robbery but an initiation rite into a gang accomplished by young Joe Darley (Matt O'Leary) and the demand of his older brother Billy (Garrett Hedlund, in a very out of character role from his usual 'Troy', 'Friday Night Lights', 'Eragon', 'Georgia Rule' persona). Nick witnesses the killing and when the lawyers and police work with him in the aftermath to 'arrange a deal' instead of a murder trial, Nick decides to take matters in hi s own hands.
The Darley brothers are part of a ruthless gang sponsored by their own father Bones Darley (John Goodman, in a very dark and well-realized role). Nick stalks Joe Darley and murders him, and once the deed (that happens to begin a gang war against Nick) is done the terror begins. The gang is out to kill not only Nick but Nick's family also. How this pursued and pursuers game works out furnishes the remainder of the film. It is the old eye for an eye story that ends in tragedy for everyone concerned.
When the film is dealing with the 'family' and the 'gang' the dialog sparkles, but when the police, headed by Detective Wallis (Aisha Tyler), become involved the aid from the police becomes as ludicrous as the dialog placed in their mouths. Kevin Bacon gives a bravura performance as the gentle father driven to murderous madness and Garrett Hedlund matches him as the ruthless and terrifying gang leader Billy. There are enough sidebars about father/son relationships on both sides of the plot line to make the movie have a message. But in the end it is the wildly frantic camera action and directorial decisions by Wan that make this a horrifying and arresting film. Not for the queasy viewer. Grady Harp, January 08

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In the Electric Mist (2009) Review

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(More customer reviews)This is the second film adaptation of one of James Lee Burke's Dave Robicheaux series, the first being "Heaven's Prisoners" with Alec Baldwin horribly miscast as Robicheaux.
In this film, Tommy Lee Jones is perfectly cast as Robicheaux, capturing all the nuance of the literary character: the alcoholic obsessions, the need to impose justice, his essential toughness and goodness.
This is a pretty faithful adaptation of the novel, and captures the flavor of the books, as well as the Louisiana settings. In all honesty, this was almost exactly how I'd pictured it from reading the books.
But a caveat: if you haven't read the books, you're probably not going to enjoy this movie, which is probably why in the USA it was released directly to DVD. Burke's novels are very introspective, which makes for interesting literature, but slow movies. There's plenty of drama, with several murders, corruption, and depravity to spare. But the books - and this movie - are at their hearts character studies of the Robicheaux character. This is more akin to "Smilla's Sense of Snow" than "Dirty Harry".
I loved it; your mileage may vary.

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Academy Award winner Tommy Lee Jones leads an all-star cast in this psychological thriller based on the bestselling novel by James Lee Burke. While on an investigation into a series of grisly murders, veteran detective Dave Robicheaux (Jones) navigates his way through the Louisiana bayou and the dark, sultry world of New Orleans mobster "Baby Feet" Balboni (John Goodman). Layers of corruption and long-dead secrets reawaken grudges and a lethal alliance A tangled web of killings, past and present, converges in a shocking showdown with stakes that become deeply personal to Robicheaux and his family. Featuring music from five-time GRAMMY Award-winner Buddy Guy, this film takes you deep into Cajun country's hidden worlds. *Best Supporting Actor: The Fugitive, 1993

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Fallen (Snap Case) (1998) Review

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(More customer reviews)Fallen is underrated, as I felt it wasn't nowhere near as bad as some critics said it to be. It's a very interesting mix of The Exorcist and The Silence of the Lambs and Seven. The result is one of the best thrillers of the decade. It's not quite up there with Lambs or Seven but it's as good as Arlington Road and is significantly superior to The Bone Collector and Kiss the Girls.
The plot is about Detective John Hobbes (Denzel Washington), who has just captured serial killer Edgar Reese (Elias Koteas). Before Reese is executed, he speaks to Hobbes in a strange language and tells him a riddle, asking him why there's a space between Lyons and Spakowsky. Hobbes doesn't think much of this and watches silently as Reese is executed in the gas chamber.
The next day, another murder occurs, and Hobbes and his partner Jonesy (John Goodman) check it out. To his shock, Hobbes finds the same riddle Reese told him scrawled on the wall of the victim's apartment. Unraveling the clue and with the help of an intelligent woman named Gretta Milano (Embeth Davidtz), he discovers that a demon called Azazel had inhibited the body of Reese and can switch from one human host another with a simple touch.
The premise itself is chilling, yet I was a bit hesitant to watch this film. The critics' reviews were mixed but all of them seemed to agree that the film was a bit slow moving. The truth is, Fallen is a bit slow for the first forty or so minutes, but the last eighty minutes are full of intriguing ideas that are well explored along with plenty of extremely suspenseful scenes, especially the ending, which, by the way, has a great twist.
Regarding the suspenseful moments of the film, they can truly be described as edge of your seat. One of the most harrowing sequences in this film is an original chase scene that involves the domino effect, where the demon chases after Davidtz by passing from one human host to another. There's also the chilling scenes where Washington has to try and keep up with who Azazel has just possessed.
Fallen's greatest aspect, despite all those truly thrilling and very suspenseful scenes, is its ending. It first involves a very clever plan being unfolded by one of the characters and ends with a great and unpredictable plot twist. This is truly one of the most unpredictable endings I have seen. It might not have as much of the shock power as the edgy (and twisty) climaxes of Seven and Arlington Road (or for that matter, The Sixth Sense), but it's just as surprising if not more.
The performances in this film are solid. Denzel Washington is fine as the detective who is much more clever than Azazel thinks. John Goodman is his usual solid self as Hobbes' partner, and he excels in this role, proving he has a lot of range ever since his show Roseanne was cancelled. Embeth Davidtz's performance is okay though her character is slightly underwritten. The real scene stealer, though, is Elias Koteas. Though he's in the film for five minutes his Edgar Reese character is scary and actually a bit fun to watch. Most of the characters are well-developed and this helps us care for Hobbes and his family.
The script by Nicholas Kazan is well-written and the twist in the end makes it better to appreciate and Gregory Hoblit's use of a dark, edgy atmosphere and mood is undeniably effective.

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THE THRILLS KEEP COMING. THE PLOT KEEPS TWISTING. THE SUSPENSEKEEPS GROWING. HOMICIDE DETECTIVE JOHN HOBBES HUNTS A SATANIC FORCE THAT SHIFTS FROM ONE HUMAN HOST TO ANOTHER IN THIS TAUT,TERRIFIC SUPERNATURAL THRILLER.

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Always (1989) Review

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(More customer reviews)Richard Dreyfuss is a pilot, and kind of a wild card when it comes to his fire fighter flying. This concerns the people around him, girlfriend Holly Hunter and best friend John Goodman, but Dreyfuss shruggs it off because this is what he does. Finally Hunter convinces him he should take a job in Flat Rock, Colorado training pilots to do what he does. Unfortunately he never makes it to Flat Rock, at least not in the flesh. Not trying to give too much away, Dreyfuss comes back as a sort of guardian angel, forced to deal with two things: his love for Hunter and his duty to a young pilot she falls for.
Always is a well made picture. From Spielberg we expect nothing less, though I think his name hinders this film**. The cinematography and the score are excellent as in all his films, as are the action sequences involving the planes. However, the acting is the strongest part of this film. This is the kind of role Dreyfuss shines in. His fusion of wit and sincere emotion is wonderfull and he delivers some difficult monologues which would seem trite is lesser hands. Holly Hunter and John Goodman are excellent as the people dealing with his loss. Also Audrey Hepburn makes her final screen appearance in two scenes as an angel (how fitting).
**I have this theory about Always. It was almost universally panned by critics, but I think the criticism is directed more at Spielberg than at the film. Certainly Spielberg has made better pictures, and perhaps this film was made on a grander scale than it needed to be, but I think if any other director had done this film it would not have received so much scrutiny. But, I also believe in the hands of a lesser director this movie would not be as good. Always combines action, humor, genuine sorrow, and happiness , and it combines them well, which is no small achievement. Spielberg made a good film, let it go.

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You Don't Know Jack (2010) Review

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(More customer reviews)Once upon a time this film would have been released in theatres and this lead performance and maybe even Brenda Vaccaro's would have been nominated for Academy Awards. That is how good this film is, award worthy, notable for it's stellar execution and story, a standout for this year. Al Pacino's Jack Kevorkian is not his best work in a decade, as some have speculated. It is his best work since Angels in America (from 2003), also an HBO produced and presented film. He is as commanding in that amazing series as in this. Pacino has always been physically gifted as an actor; adept at expressing his emotions with his back or his head, his hands or his walk. I think his reputation as actor has suffered in the last twenty years because he moved away from using his body (essential to the art of acting) and compensated with his voice. In this context, this film is a return to form: Donnie Brasco, Carlito's Way, Glengarry Glen Ross, Scent of a Woman, Dick Tracy, to name his best work since 1990.

You Don't Know Jack is an apt title for this film, because I was certainly aware of Jack Kevorkian growing up, knew he was an advocate and involved in euthanasia and that he went to prison, but I didn't know he was such an iconoclast; morbid, graphic and unapologetic painter, a musician, a bachelor and a civil disobedient. These characteristics add to his legend, and his stature as a doctor who seems to have taken his profession and life's work as something more than a path to prestige and wealth, which cannot be said of some doctors in truth and perhaps too many in reputation. The role of the physician in society is an aspect of the successful story told here.
The role of the politician and the collective social fears of death in our society are the other themes, and they too are well told.
Though Kevorkian is presented sympathetically, and his opponents are not; angry "Christians" in general and a politically vengeful D.A. specifically, it is ultimately his own folly that dooms him. This may speak to his bachelorhood, his unemployment at the outset of the film and his stubbornness at getting to the Supreme Court. But his ambitions are not clarified here, other than his humanism, which is made genuine in small moments as well as big.
I highly recommend this film. Al Pacino and Jack Kevorkian are in the center of it, and the other actors, particularly Vaccaro as his sister Margo, are excellent. Euthanasia is an issue brought to the forefront by Kevorkian, but his incarceration did not produce another advocate in his stead, and the issue has unfortunately fallen by the wayside. It is an important consideration, what power we have over ourselves when we are faced with imminent pain before our death. This film handles it incredibly well, and I hope it produces as much discussion and thought for you as it did for me.
Thanks.

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Angel of mercy… or murderous “Doctor Death"? Jack Kervorkian is one of the most polarizing figures in modern American history, a man whose passionate belief that people have the right to die has brought him both praise and vilification. Oscar®- and Emmy®-winning actor Al Pacino brings “Dr. Death" to life in an all-new HBO Films presentation: You Don’t Know Jack, directed by Oscar®-winner Barry Levinson.

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We're Back A Dinosaur's Story (1993) Review

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(More customer reviews)Not unlike everything else produced under Steven Spielberg's Amblimation company, "We're Back! A Dinosaur's Story" was a critic's punching bag and a rare find for anybody who didn't catch its original 1993 release...but even more so than An American Tail - Fievel Goes West or Balto, the story of four dinosaurs in New York seems forsaken by popular animation history, with seemingly more people not even having heard of it than not. While the film does have its faults, this is a lamentable fate for a feature that puts to shame a lot of what's on the market today and whose DVD release was way overdue.
The story: four dinosaurs - Rex (John Goodman, Monsters, Inc.), Elsa (Felicity Kendall, Good Neighbors - The Complete Series 1-3), Dweeb (Charles Fleischer, Who Framed Roger Rabbit), and Woog (Rene La Vant) - gain intelligence and transported across time by the benevolent Captain Neweyes (Walter Cronkite) so they may fulfill the wishes of the children of the modern world. Dropped off in New York City, they swiftly meet up with Louie (Joey Shea) and Cecilia (Yeardley Smith, "The Simpsons") - two young runaways from opposite sides of the tracks - and find themselves fleeing from wary grown-ups as they search for the Museum of Natural History...only to find themselves the target of the spooky ringmaster Professor Screweyes (Kenneth Mars, Young Frankenstein), who harbors sinister plans for the dinosaurs...
"We're Back!" is a children's movie, first and foremost, and was most likely aimed at kids no older than nine or ten. In other words, there's limited action, few scary parts, and completely inoffensive humor. Problems are solved by talking and understanding rather than fighting, and you don't have to be told to know from the start that there's going to be a happy ending. This rather harmless approach carries over to the characters themselves: the dinosaurs are very cuddly, and generally everybody is proved to be very warm-hearted - almost too warm-hearted for me, and probably also for anybody else who grew up watching animated films where peril was commonplace.
The production, overall, is very good. In addition to Goodman, Fleischer, Smith, Kendall, and Cronkite, the cast boasts Jay Leno, Martin Short (Treasure Planet), Julia Child, and Blaze Berdahl (Ghostwriter: Season One) in supporting roles, creating one of the most unique voice ensembles for any film, and they all tend to do good jobs with their roles. Though it retains the trademark big-budget style prevalent in "Fievel" and could still go toe-to-toe with a Disney movie's visuals, the animation has a flaw: the outlines of human characters' features occasionally stuttering inbetween frames - making a nose, mouth, or pair of eyes look less defined from one second to the next. It's not a debilitating error, but is a bit disappointing to watch happen repeatedly.
What the film does hold in its favor, though, is its ability to inspire the inner child. I know it sounds corny, but consider: who hasn't dreamed of having a special friend that no one else had or seeing a real dinosaur in your own backyard...or even having a dinosaur as a special friend? That wonderful ability to warm hearts that Spielberg neglected when he began to tackle adult fare is well at work here, with New York City seeming as magical a place as any wonderland before it became associated with modern disasters. The film pulls off the nostalgia factor incredibly, taking us back to a time before animation turned to 3D and we had "Shrek" shoved down our throats. I'm not sure how much this means to other people, but this aspect saved the movie for me.
In all, it's not difficult to see why "We're Back!" didn't do very well when it was first released, but why it remains so largely unremembered continues to perplex me. Disregard the technicalities of my three-star rating and know that the film's strengths outweigh its faults effectively, and that the movie is a secret opus for fans of classical animation. Don't deprive yourself - give it a look.

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For every kid who ever wanted to meet a real dinosaur, Steven Spielberg presents We’re Back! A Dinosaur’s Story – the animated tale of four prehistoric pals in the most awesome adventure since the dawn of time! Join Rex, Woog, Elsa and Dweeb as they time-travel to New York City to meet their biggest fans – modern-day kids – and make all of their wildest dreams come true. Featuring the voices of John Goodman, Jay Leno, Martin Short and Rhea Perlman, We’re Back! A Dinosaur’s Story is a magical film the whole family will enjoy.

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Treme: The Complete First Season Review

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(More customer reviews)The premier episode, "Do You Know What it Means", is a work of art. It will easily bear repeated watching because of its outstanding writing and masterful use of the indigenous music.
Not to mention the great acting, many levels of meaning, clever cameos and true-to-life subplots. And most of all: a major media production has finally "got it" about New Orleans, and got it right!
The entire series is "a love letter to New Orleans".Signed,
A New Orleanian from Treme who has actually lived the show

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Amid the ruins of an American city, ordinary people--musicians, chefs, residents--find themselves clinging to a unique culture and wondering if the city that gave birth to that culture still has a future.From the creators of The Wire comes a new series about adversity and the human spirit, set in New Orleans, in the aftermath of the greatest man-made disaster in American history.Welcome to Treme.

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The Emperor's New Groove (2000) Review

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(More customer reviews)This may be my favorite Disney movie ever. (I normally prefer Pixar.)
The reviewers who did not like it clearly expected something for small kids. It is not. It is very abstract in places, especially the art, which is really quite amazing. Watch for the design of the panthers, and the bats. And the landscapes. Wonderful stuff.
And the dialogue and the delivery especially is just hilarious. How you can get such delivery in an animated film is beyond me.
Warmly recommended for mature viewers with an edgy sense of humor.

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If you liked ALADDIN, you'll love Disney's THE EMPEROR'S NEW GROOVE, where outrageous comedy rules! Audiences and critics alike raved about this hilarious animated adventure. "Ebert & Roeper And The Movies" gave it "Two Thumbs Up." Faster than you can say "Boom, baby," arrogant Emperor Kuzco is turned into a llama by his devious advisor, Yzma, and her hunky henchman, Kronk, who want to rid the kingdom of this beast of burden. Now the ruler who once had it all must form an unlikely alliance with a pleasant peasant named Pacha. Together, Kuzco and Pacha must overcome their differences as they embark on a hilarious, "groovy" adventure that will have you howling with laughter.

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