Two Weeks (2006) Review

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(More customer reviews)The humor is way too forced, superficial and well-trodden to add the well-intentioned black comedy elements this otherwise bittersweet soap opera needs, but this 2007 film offers a vanity-free Sally Field giving a powerhouse performance as Anita Bergman, the dying mother of four grown children. The movie's title refers to the amount of time her character is expected to live before succumbing to ovarian cancer. With the clock ticking, the four children gather at her North Carolina home from different parts of the country and respond differently to the imminent tragedy. Directed and written by Steve Stockman as a series of vignettes, the characterizations represent different archetypes, and the actors are left to flesh them out to some human dimension. The results of their efforts are variable.
Affecting an unrecognizable American accent, Ben Chaplin fares the poorest as eldest brother Keith, an LA-based filmmaker whose sarcastic jokes are meant to shield him from feelings of insecurity and guilt. His character has the most screen time, yet his constantly jokey facade gets in the way of any sympathy we have for him. At first, Tom Cavanaugh plays Ben, the son Anita has dubbed the responsible one, as an obnoxious yuppie workaholic who gradually reveals his fears of loss but fades in the background. As only daughter Beth, Julianne Nicholson is terrific in unconditionally embracing her role as chief caretaker given that her mother is really her best friend, for better or worse. Youngest brother Matthew is drawn in the broadest strokes as the picked-upon baby of the family, and his resentment has manifested itself with a shrewish wife whom everybody else hates.
On the sidelines is Anita's second husband of 13 years, Jim, played by James Murtagh, who glowers in resentment as her children take over their house with nary a thought in his direction. Anita's first husband and the father of her children exists as a shadowy figure in the story, and Anita - in one of many revealing videotaped excerpts - has obviously not fully come to terms with her divorce. These clips - showing Anita recorded by Keith in an earlier stage of her cancer - are used as a dramatically effective framing device for the story, and Field shows herself to be at the height of her artistry in these scenes even when the material gets mawkish. Stockman based the story on the death of his own mother in 1997, and this experience informs a lot of the moments in the film, especially the brutalizing scenes of Anita's rapid decline under hospice care.
The 2007 DVD is two-sided split between full and widescreen versions and with the extras divvied up. Stockman provides an informative commentary track accompanied periodically by Dr. Ira Byock, a physician specializing in treating those knowingly facing death. There's also a solid 23-minute making-of featurette, "Learning to Live Through Dying", and four scenes labeled deleted though truthfully only one is deleted while the other three are extended. There is a group discussion guide included in each version that provides text questions to help the viewer face the death of a loved one.

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The Seventh Seal - Criterion Collection (1958) Review

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(More customer reviews)This is the film that transformed me from a fan of movies to a lover of cinema. I have probably seen this film more than any other single one - certainly over a dozen times over the years. Some of the Amazon customer reviewers felt the film moved too slowly, or was not stimulating enough in black and white. For such moviegoers this film is definitely not for you. However, for those who enjoy films that speak on many different levels and provoke thoughts that linger with the viewer, this is a masterpiece.
The action takes place in Europe after the crusades. A knight, Antonius Bloch, is returning to his home in Denmark. He is accompanied by his squire. Block is an idealist who joined the crusades because he wanted to do something significant in his life. However the crusades turned out to be completely disillusioning. On his journey he notes that the plague is sweeping across the land. Superstition reigns, along with a severe version of religion. His squire is not as bothered by what he has seen, having been much more cynical all along. Still, the squire has a strong sense of justice that is demonstrated when he saves a girl from an attack.
Along the way a number of people join with the knight for protection. These include a troupe of actors, a blacksmith and his faithless wife, and the woman the squire rescued. Death is lurking, and confronts the knight, informing him that his time has expired. The knight protests that he cannot die before having accomplished something significant. Death says, "They all say that," but the knight insists, and successfully challenges Death to a chess match. This gives the knight additional time to make his life worthwhile.
The knight has tried to accomplish the BIG act based on a profound sense of life and of God. The juggler and his wife have a much simpler idea of life, God, and goodness. As Death is on the verge of winning the chess match and taking everyone in the knight's party, the juggler wakes his wife and child to flee. The knight recognizes that the juggler has seen Death, and upsets the chessboard to distract his opponent. This gives the juggler just enough time to escape. Death asks the knight whether the delay was worth it, and the knight gives an enigmatic smile. He has accomplished his worthy act, not by saving the world, but by saving just one family.
Everything about this fine film is outstanding, from the acting to the cinematography to the direction. The Criterion transfer restores the film to the best possible condition. The commentary tracks are very informative. Many movies have parodied The Seventh Seal, including Woody Allen and Bill and Ted's Adventure series. None of that has taken away from its greatness. I give this film the highest recommendation.

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After a decade of battling in the Crusades, a knight challenges Death to a fateful game of chess. More than forty years after its initial release, Ingmar Bergman's stunning allegory of man's apocalyptic search for meaning remains a textbook on the art of filmmaking and an essential building block in any collection. Criterion is proud to present The Seventh Seal in a pristine new transfer.

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Sex and Death 101 (2007) Review

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(More customer reviews)Told through first-person narration, Sex and Death 101 is a little like the Wachowskis' The Matrix collides with Shainberg's Secretary (stick with me here). The premise: a (sentient?) "machine" has begun interfering with humanity, issuing e-mails that reveal a person's fate. While many people received an e-mail revealing their death-day, Roderick Blank was "gifted" with a list of every woman he has and WILL sleep with. Sounds great, right? Well, what the viewer learns is that "the chase" is fairly boring when the results are a given. Watching Rodrick try to plow through his list is dark and hysterical (especially when we reach Bambi and Thumper ... a world-class, lesbian power-couple). Now for the twist, the FINAL person on Roderick's list is a notorious serial-killer ...
With a budget of five-million, Waters created a pretty slick film. The casting is quirky (in a fantastic way!!). Patton Oswalt (The King of Queens and Ratatouille) plays a lascivious lackey to the "Morpheus-like" Alpha. I'm entirely biased here (since I think Oswalt is one of the most adorable, underrated actors in Hollywood), but his character alone makes the film worth watching. Moreover, Mindy Cohn (The Facts of Life) was a brave and fabulous choice. All grown up, Cohn rocks her character. She adds sweetness to (what could have been) your typical "lesbian" character. Kudos!! Julie Bowen, Winona Ryder, and Simon Baker nicely round-out the cast. Overall, the acting is wonderfully on-point. We could genuinely loathe the character of Roderick BUT Baker brings an irrefutable charm to him. And, this is where the film is a success. Roderick may be a slick, handsome, fast-food King ("Have a startling and unique day!!"), but as he resigns himself to fate he becomes brooding and vulnerable. Love it.
Why should you watch this work? One: it has a montage of lower-back, Chinese-symbol tattoos to represent the passage of time (a great joke resides in this moment ... pay attention). Two: watching Roderick don faerie-wings just to join Bambi and Thumper (in slow-motion) ... TOTALLY WORTH IT! (And so funny). Three: the scene with the school bus ... that's all I can say (by far, the absolutely most unpredictable, wildly amusing moment).
I noticed that this work is receiving some seriously scathing reviews. As a harsh-critic, I respect the opinions of others. I have a feeling this film appeals to a niche crowd: one which seeks dark, erotic, adult faerie-tales (a la Shainberg's Secretary ... see, I told you to stay with me). If, like me, you find the American Pie style of films trite and juvenile, give Water's work a spin. It won't disappoint.

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Roderick Blank, Simon Baker, is a successful modern man, content with his personal and professional life. However, a week before his wedding to a suitably stuffy fiancee, Rodericks perfectly planned existence is upended by a mysterious e-mail containing the names of every woman he has had sex with and, eerily, every woman he will have sex with in the future. He is stopped in his tracks when he meets a femme fatale, Winona Ryder, who targets men guilty of sex crimes against women. Co-starring Patton Oswalt and directed by Daniel Waters, writer of the cult hit Heathers.

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Twin Sisters Review

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(More customer reviews)Trying to catch up on some of the significant international cinema of the last few years, I stumbled across the Dutch epic "Twin Sisters." Based on an enormously popular bestseller, this is a much honored film that represented the Netherlands at the 2004 Academy Awards. While set largely during World War II, and having much to say about the subject, this is first and foremost a study of sisterly love and commitment. For even though the characters are separated through the bulk of the picture, the loss and the bond that these sisters have infuse every scene and every decision that they make.
The film starts with a brilliant setup. When two young girls are left orphans in Germany, they are wanted by two different sets of in-laws. The German in-laws are a poor farming family who need free labor, while the rich in-laws live in the Netherlands and want to bring the girls up properly. A concession is made that pleases neither, but eliminates further debate. Lotte, who has consumption, is given away to the Dutch family who can try to cure her and Anna, the healthy one, is kept on the German farm. It is that random--the course of your whole existence decided in a split second. It's an interesting and thought-provoking topic.
Lotte is cured and leads a life of privilege. Playing the piano, luxuriating on yachts, and finding romance and engagement with a family friend--you can't help but envy her lifestyle. Anna, meanwhile, is kept from school by being declared "retarded," worked, and brutalized on the farm. The two girls lose complete track of one another, their "parents" have each made independent decisions that it is best if they don't communicate. Eventually realizing they are each still alive, they reconnect--but much has changed, including the rise of Nazism. The film looks at Anna's life as a German, she is a maid and supports her country. And the film examines Lotte's life. While still a German, she sees things from the outside--and, in fact, her fiance is Jewish.
The beauty of "Twin Sisters" is that you see these girls evolve as products of their environments. Each has much to be admired, but each makes terrible mistakes. Your allegiance flip-flops back and forth as you inevitably get caught up in their stories. The cast is impeccable. Through different ages, and through a narrative flashback structure, there is a lot of story to be told here. Occasionally, I wished to be able to spend more time in a certain sequence--to really feel its import. But there is no question that the film packs an emotional wallop. I respected "Twin Sisters," it's a serious minded film for people who like adult entertainment. The ultimate moral dilemma is posed, what if things were different? What if the roles had been reversed, would the outcome have been the same? Good stuff. KGHarris, 01/07.

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Nominated for an Academy Award® (Best Foreign Language Film, 2003), TWIN SISTERS (DE TWEELING) is the emotional and provocative story that tells the tale of two sisters who must come to terms with their fate amid the heat of World War II. Lotte and Anna become orphans by the age of six. One is sent to live a life of privilege with wealthy relatives in the Netherlands, while the other stays in Germany to face a harsh existence on her uncle’s farm. When they reconnect years later, they not only discover that their lives have taken drastically different paths but, following Germany’s invasion of Holland, they find themselves pitted on opposite sides of the war. Powerful and thought provoking, this award-winning motion picture earned worldwide critical acclaim!

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Final Destination 3 (Widescreen Two-Disc Special Edition) (2006) Review

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(More customer reviews)Being a big fan of the previous Final Destination movies I knew I would love this one as long as it stuck to the formula. Not only did this movie accomplish the task, it left me squeezing my boyfriends arm a few times too many, a good sign that the disturbing scary horror parts did their job! I liked al the new characters introduced, a class of McKinnley high school seniors celebrating end of their schooling with a wild night at the amusement park. The whole movie does not take the place in the park, only the beginning, the place of unspeakable horrors and lot's of bloody bodies.
Mary Elizabeth Winstead in head role as Wendy Christensen was a new face to me but a joy to watch on the screen. She had a really disturbing premonition of the roller coaster ride breaking, and while everything happened as she imagined, the remaining people who thought they were lucky had no idea what horrible things would await them. I was shocked at the gruesome death scenes perfectly set up in a cat and mouse style of a game. It reminded me of those old fashioned Dominoes games I would play, arranging the pattern on the floor for hours, then at one push one thing led to another and the whole design pushed forward slumped in a mess. That's how death worked in this movie, one misplaced object would leak onto another, push a cart then a bottle toppled over, wetting a heater which in then increased the temperature in a tanning booth while two saved girls tanned in. A coat hanger tripped by an air fan showed the bookshelf on top of the booth locking them in, that is how this movie happens. There are no bad guys, no monsters , no ghosts, just that evil draft and unfortunate coincidences that somehow brought boys and girls to bloody pulp. All of the death scenes were amazing, as much as disturbing, they were really shown in full detail, as I had no idea this movie was going to be that hair raising. The rollercoaster scene itself was incredible, totally disgusting and something I will love to see again.
The best, well the most disgusting death scene was with the nail gun, you guys who have seen it know what I am talking about, I was shocked yet at the same time I was really impressed at the effects and the poor actors. Overall a great fun movie, a blast to watch and really gory but interesting enough when you care for the characters.
I loved trying to figure out with them how to cheat death and seeing their failed attempts and small successes lead somewhere. I hope more parts will come out, as I can never get bored of this theme!
- Kasia S.

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Fasten your seatbelts and brace yourself for the "2-Disc Thrill Ride Edition" of Final Destination 3! It's the DVD that takes you on a ride BEYOND terror where YOU control your limit of fear!!DVD Features:Alternate endingsAudio CommentaryDVD ROM FeaturesDocumentariesFeaturetteOther

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Flicka (2006) Review

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(More customer reviews)The original Flicka is so much better this one doesn't even compare. The parents in this movie are too young for the kids or the kids are too old for the parents. In the original movie the boy was a 12 year child not an out of control teenage girl. Very Hollywood.

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Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out t

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Bridge to Terabithia (Widescreen Edition) (2007) Review

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(More customer reviews)I watched "The Bridge to Terabithia" on a whim with my wife and daughter with little foreknowledge of the plot. I'd never read the Newbery Award-winning book by Katherine Paterson, and I'd seen only one trailer for the film, which left me with the impression it would be a Narnia knock-off. It's not.
I'm not dissing "The Chronicles of Narnia," which in its way was a remarkable film. But "Terabithia" didn't deserve the CGI-laden marketing campaign it received; far from a fantasy blockbuster, this is a deep and thoughtful movie that places substance over sparkle -- a rare treat in the sprawling field of youth-oriented theater. It ranks up there with one of my favorites, "The Secret of Roan Inish," which accomplished more with no special effects than most family-friendly movies could with a billion-dollar budget.
But I just can't shake "Terabithia" from my head, a fact owed mostly to the performance of AnnaSophia Robb. As Leslie, a spirited young girl with a fiery imagination and endless good cheer, AnnaSophia captured my heart. She's the kind of person you want to know when you're a child and, as my wife remarked midway through the film, she's the sort of young woman you'd be happy to see your daughter grow up to be.
An outsider despite her youthful good looks and family wealth, she finds her perfect match in Jesse (Joss Hutcherson), another outsider who has withdrawn into his art to escape a chilly home life and his own problems at school. Together, they discover a secret getaway that might seem like a fairly ordinary patch of woods to most people; to them, it's a magical world replete with fantastic creatures, hidden dangers and amazing triumphs. It's here the special effects intrude more than accentuate the film; the story would have benefited from a vaguer sense of Jesse and Leslie's own wonder. We don't need to see CGI creatures to believe that these two children do.
The strength here, besides outstanding performances from the two lead actors, is the impact of a story that knows no amount of fantasy can prevent real-life tragedies from occurring. And the tragedy here -- it's hard to write about it without giving it away -- slams into unsuspecting viewers like a sudden kick to the gut.
Parents of younger viewers should be prepared to have a long and serious talk with their children after this movie, but that's not a recommendation to avoid it. "Terabithia" deserves to be seen, discussed and seen again. (Although use some discretion; very young children should wait before seeing this.) My thanks to director Gabor Csupo, as well as writer Paterson, for giving kids something honest and real rather than another serving of high-energy fluff.
by Tom Knapp, Rambles.(n e t) editor

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Wristcutters - A Love Story Review

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(More customer reviews)Most romantic comedies take place in... you know, the world of the living. They rarely star dead people. And not suicides, either.
But "Wristcutters: A Love Story" is not going to be tied down by that. This delicious, dark little cult film is about people who have committed suicide, and are now stuck in a limbo zone that is just like the living world, but less appealing. It's also dark, funny and poignant -- everything you want in a very original little indie movie.
Because of a breakup, Zia (Patrick Fugit) has decided that life is no longer worth living. He cleans his house, slits his wrists -- and finds himself in a strange twilight-zone with no sunshine, smiles, or appetizing food, and entirely populated by suicides -- think a Midwestern small town, but more depressing. He eventually gets a job, a nasty roommate, and befriends Eugene (Shea Whigham) a likably bombastic Russian rocker.
But then Zia learns from a new suicide that his girlfriend, Desiree (Leslie Bibb) has also offed herself. So he and Eugene bundle into Eugene's horrible old car, and start a road trip to find her -- picking up the pretty, feisty Mikal (Shannyn Sossamon), who says she's been placed there mistakenly. The odd trio rattles through this suicide world, until they stumble across a strange camp in the wilderness...
I first heard about "Wristcutters" a long while ago, on myspace -- but in the months that followed, it just sort of floated in a limbo of its own. Pretty frustrating, but Goran Dukic actually makes it worth waiting for -- it's a quirky and dark indie comedy, a tragedy, and a love story all in one.
As you can probably guess, the movie's main message is that you should live a life worth enjoying, and love someone worth loving. Yeah, the core of it is a guy who loses the girl, kills himself, tries to regain the girl, and falls in love with the worthier choice -- all while wondering if love is still possible for those whose hearts have stopped.
But that potentially soppy message is wrapped up in clever little quirks in Wristcutterville (Zia works at "Kamikaze Pizza") or the various deaths of the people who live there (Eugene electrocuted himself to get the crowd to pay attention). It feels pleasantly, wistfully warped -- both with macabre humour (the hole-in-the-head cop) and delicious dialogue ("I'm not going out tonight. It just makes me depressed." "So, what you gonna do? Kill yourself?").
And you gotta admit, this postmodern Purgatorio is an interesting concept -- it's portrayed with a sort of low-budget magical realism. Suicide wounds, pale faces, bleak landscape, and "Love Will Tear Us Apart" is a popular tune. It's pretty fitting that the place for those who have given up hope is a place where hope and joy are nonexistant.
It also has a very pleasant, poignant ending -- yeah, it seems like a bit of a cop-out, but somehow by the time we got there, I didn't mind. It ties in with the lesson of the movie, and the poignant little love between Zia and Mikal.
Fugit is a likably confused, sweet character who is just a bit dense, since it takes him awhile to figure out what a great, funny girl Mikal is. And Whigham -- whose character was partly based on Gogol Bordello's Eugene Hutz -- rules all the scenes he's in, as one of the few suicides who still has his vitality, libido and humour intact ("Everyone knows that man in back does not have c**k").
Sad, quirky and poignant, "Wristcutters: A Love Story" is an offbeat love/road-trip movie in the land of suicides -- it's a brilliantly warped little cult movie, and definitely worth seeing.

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Being Human: Season 1 Review

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(More customer reviews). . . and best werewolf and best ghost show on TV. Mind you, I like TRUE BLOOD and have even come to see the upside to THE VAMPIRE DIARIES, but both of those are enjoyable diversions with no real subtext (TRUE BLOOD gestures at subtext with its parallels with prejudice against all kinds of difference, but in 2010 that is a pretty worked over subtext and lacks power at this point). But if you want more depth of subtext and a more subtle narrative and richer character development and, well, less garishness, than this is a show you should check out. Not yet available in the U.S. on DVD and Blu-ray (every time I have checked on Amazon I've only seen an outrageously overpriced $70 Blu-ray that never seems to be available -- though if you have an all regions DVD player, you can order an infinitely more affordable edition from Great Britain, which I strongly recommend, I repeat, only if you have an All-Regions player). There are only six episodes in Season One and eight in Seasons Two, so the idea of paying over $10 per episode is rather offensive. But you can either catch the show on BBC America or on Region 2 DVDs.
The series starts when two orderlies at a hospital at Bristol decide to room together. What makes this desirable for them is that they are supernatural creatures. Mitchell is a vampire. Not a terribly old one by vampire narrative standards (less than a century old). George is a werewolf and on three nights a week has a rather violent transformation into a truly nasty beastie (and thanks to CGI his transformations are truly horrendous). Both of them are trying to pass as normal humans, and for economic reasons and simply because they don't want to live alone, they decide to find an apartment together. By happy circumstance, the apartment they find and move into is inhabited by an outrageously sunny and upbeat ghost named Annie. Together, the three of them try to lives that are as normal as possible.
The trouble is, the rest of the world doesn't want them to live normal lives. The vampire community (why does there always seem to be a vampire community?) wants Mitchell to return to the fold. They especially don't want him living with a werewolf. And meanwhile, the afterlife wants Annie to move on, into the light, and away from her human life. So their struggles are unusually rich and complex.
What made BUFFY and ANGEL so vastly superior to TRUE BLOOD and MOONLIGHT and THE VAMPIRE DIARIES and the TWILIGHT series (both novels and movies) was what they were able to do with the premises, with the metaphorical richness of the stories. TRUE BLOOD ends up being a glorious one-dimensional guilty pleasure show, all glorious surface with nothing beneath. BEING HUMAN is much more like BUFFY, with richly developed, deliciously articulated stories with timely cultural references. Mitchell's vampirism, for instance, is used less as a metaphor for homosexuality, as it is in TRUE BLOOD, but addiction and the difficulty of human self-control.
The show is driven by its appealing leads. Russell Tovey (George) will be perhaps best known from his appearance on DR. WHO and the movie THE HISTORY BOYS, but Lenora Crichlow (Annie) and Aidan Turner (Mitchell) are appealing newcomers. There are endless polls about who the hottest vampires are and if Mitchell were better known in the U.S. he'd almost certainly win them all. He is a spectacular incarnation of the really bad boy who wants to be good but for whom it is a constant struggle. George, meanwhile, is like the big silly family dog. There is meanwhile absolutely noting ghostly about Annie except that she can't be seen. She is dark complexioned, but if you had to assign a color to her personality, it would be yellow. Bright yellow. She is sunny and irrepressibly happy and upbeat. Any room she is in has no dark corners. In other words, the polar opposite of all of the stereotypes of ghosts.
SyFy has announced that they are developing an American version of BEING HUMAN. Hopefully they won't blow it. The BBC series is a great one. I am not opposed to an American version, as long as it is more like the American adaptations of THE OFFICE than other efforts. But even if it fails, it should be seen as a gesture towards the excellence of the original. But even if the American version turns out well, if you love extremely high quality shows dealing with the supernatural, you should definitely know the original. The only thing I hate about this show is that there have been only fourteen episodes to date.

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Being Human is a witty and extraordinary look into the lives of three twenty-somethings and their secret double-lives - as a werewolf, a vampire and a ghost – as they struggle to live normally despite their strange and dark secrets. George (Russell Tovey) and Mitchell (Aidan Turner) work in anonymous drudgery as hospital porters in Bristol, England. They lead lives of quiet desperation under the burden of a terrible secret - Mitchell's a vampire and George a werewolf. Deciding to start life afresh and leave behind the dark side, they move into a house, only to find that Annie (Lenora Crichlow), the ghost of a woman killed in mysterious circumstances, haunts it. As the threesome deal with the challenges of their new lives together, they're united in their desire to blend in with their human neighbors. But with unwelcome intruders into their world, a threatened revolution from the vampire underworld, constant threats of exposure, and the day-to-day issues faced by young people - the only thing they may be able to rely on is each other.

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Death Sentence (Unrated Edition) (2007) Review

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(More customer reviews)DEATH SENTENCE is a tough movie to watch, not because it is a poorly made film, but because of the degree of violence that, once started, is mayhem on a roller coaster ride. Though based on a novel by Brian Garfield, the script by Ian Jeffers is a patchwork quilt - the holes show whenever the police arrive on the scene. James Wan, of the 'Saw' movies fame, directs with a keen eye for breathless action sequences and almost intolerable suspense timing that makes the film fly through the 111 minutes of the Unrated version.
During the opening credits we are introduced to the perfect family via home movies and domestic scenes: Nick Hume (Kevin Bacon) is the devoted father, Helen (Kelly Preston) his bright and loving wife, Brendan (Stuart Lafferty) is the golden boy son with all the hockey laurels, and Lucas (Jordan Garrett) the younger 'also ran' son. The glitch in this family's happiness happens one night when, out of gas while driving home from a hockey game, Nick stops at a gas station and while Brendan is in the convenience store a gang comes in and murders the store owner and Brendan: the reason for the killing is not robbery but an initiation rite into a gang accomplished by young Joe Darley (Matt O'Leary) and the demand of his older brother Billy (Garrett Hedlund, in a very out of character role from his usual 'Troy', 'Friday Night Lights', 'Eragon', 'Georgia Rule' persona). Nick witnesses the killing and when the lawyers and police work with him in the aftermath to 'arrange a deal' instead of a murder trial, Nick decides to take matters in hi s own hands.
The Darley brothers are part of a ruthless gang sponsored by their own father Bones Darley (John Goodman, in a very dark and well-realized role). Nick stalks Joe Darley and murders him, and once the deed (that happens to begin a gang war against Nick) is done the terror begins. The gang is out to kill not only Nick but Nick's family also. How this pursued and pursuers game works out furnishes the remainder of the film. It is the old eye for an eye story that ends in tragedy for everyone concerned.
When the film is dealing with the 'family' and the 'gang' the dialog sparkles, but when the police, headed by Detective Wallis (Aisha Tyler), become involved the aid from the police becomes as ludicrous as the dialog placed in their mouths. Kevin Bacon gives a bravura performance as the gentle father driven to murderous madness and Garrett Hedlund matches him as the ruthless and terrifying gang leader Billy. There are enough sidebars about father/son relationships on both sides of the plot line to make the movie have a message. But in the end it is the wildly frantic camera action and directorial decisions by Wan that make this a horrifying and arresting film. Not for the queasy viewer. Grady Harp, January 08

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Death Note Box Set 2 (2009) Review

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(More customer reviews)Death Note returns with this Second Set containing the final remaining 17 Episodes, D.N. has such great animation and amazing suspenseful music that make the scenes feel truly epic. Packed with twists and turns that will keep you guessing until the very end. It's Anime at It's finest, A must have Even if your not a fan of anime, this series is definitely worth a try.Death Note follows The story of A high school student (Light) who discovers a supernatural notebook, the "Death Note", dropped on Earth by a Shinigami (death god) named Ryuk. The Death Note grants its user the ability to kill anyone whose face they have seen, by writing the victim's name in the notebook. Light's attempt to create and rule a world cleansed of evil using the notebook.
Soon after, the number of deaths of reported criminals catches the attention of the a mysterious detective known only as "L". L quickly learns that the serial killer, dubbed by the public as "KIRA" is located in Japan. L also concludes that Kira can kill people without laying a finger on them. Light realizes that L will be his greatest Enemy, and a game of psychological cat and mouse between the two begins.
Volume 2, Description:
THROUGH THE POWER OF THE DEATH NOTE, LIGHT YAGAMI IS CLOSE TO CREATING A WORLD IN WHICH HE HOLDS ULTIMATE AUTHORITY OVER RIGHT AND WRONG. BUT MANY OBSTACLES REMAIN, INCLUDING A SECOND DEATH NOTE USER WHO HAS HIS OWN NEFARIOUS GOALS, AND THE TWO BRILLIANT PROTEGES OF L, THE GENIUS DETECTIVE WHO ONCE VOWED TO EXPOSE THE IDENTITY OF THE DEATH NOTE'S OWNER. LIGHT IS CONFIDENT THAT HE CAN PREVAIL, BUT AS THE SURVIVING PLAYERS IN THE GAME CONVERGE FOR A FINAL SHOWDOWN, WHOSE NAME WILL BE THE LAST ONE WRITTEN IN THE DEATH NOTE?
Death Note Box Set: 2 includes the following 17 Episodes on 4 Discs plus a bonus disc:
21 "Performance"
22 "Guidance"
23 "Frenzy"
24 "Revival"
25 "Silence"
26 "Renewal"
27 "Abduction"
28 "Impatience"
29 "Father"
30 "Justice"
31 "Transfer"
32 "Selection"
33 "Scorn"
34 "Vigilance"
35 "Malice"
36 "1.28"
37 "New World"
Special Features" On The Volume 2 Box Set:
* Disc 6 - Behind the Scenes with Colleen Wheeler "Rem" and Kavadas "Higuchi"
* Disc 7 - Behind the Scenes with Alessandro Juliani "L", and French Tickner "Watari"
* Disc 8 - Behind the Scenes with David Hurwitz `Mello and Cathy Weseluck "Near"
* Disc 9 - Behind the Scenes with Heather Doerksen "Kiyomi" Kirby Morrow "Mikami and Brad Swaile "Light"
*Disc 10 BONUS DISC- Behind the Scenes with the Japanese voice actors.
*Original Japanese Death Note interstitials.
*Interview with animation director and character designer.
*Conversations with the Japanese cast and crew.
*Expanded art gallery.
Like The Previous Season Set, They Are Released In a 5 Disc Box Set and Presented in Wide Screen Format. Also Contains, Both The Japanese and English (Dub) Language with Optional Subtitles. (Region 1)

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Item Name: Death Note Box Set 2; Studio:Viz Video

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Death Race (Unrated Edition) (2008) Review

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(More customer reviews)Short Attention Span Summary (SASS):
1.By 2012 the US Economy is completely ruined (guess it doesn't matter who you vote for)
2.Prisons are packed thanks to spiraling unemployment and crime
3.Private corporations run the prisons for profit (Serious business, as there's no money left for a bail-out)
4.Terminal Island Prison runs pay-per-view death races as a fund raiser, using inmates to drive cars tricked out with weapons and armor plating
5.There are no rules except if Warden Hennessey (Joan Allen) says there are
6.Jensen Ames (Jason Statham) is framed for the death of his wife
7.Hennessey makes him an offer he can't refuse
8.He becomes a man in an iron mask, with a killer car (literally), a female navigator (to boost PPV ratings) and a pit crew led by scene stealing Ian McShane.
9.Lots of stunt driving, shooting of big guns and explosions follow, although you really can't tell who's shooting at whom for most of it
10.People die
Typical shoot `em up action movie involving high speed racing in armored cars and lots of bad guys, but with plot holes bigger than those left by the armor-piercing RPG Model 7's.
Statham plays his usual tough guy "Transporter" role, and Tyrese Gibson does everything but sing the Coca Cola jingle as arch rival Machine Gun Joe. They throw in a little inspirational family story to soften it up a little, and a teensy tiny little budding romance with dialogue like:
Jensen Ames: [while driving] Get on my lap.
Case: What?
Jensen Ames: Get on my lap!
Recommended for Statham fans and action movie buffs, but I can't see this one going down as a classic for all time.
Jensen Ames: [to Hennessey] You wanted a monster? Well, you've got one.
Rated: 3.5 starsAmanda Richards, September 22, 2008

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What Dreams May Come (1998) Review

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(More customer reviews)There is such a profound sense of drama, magic and emotion behind the story in "What Dreams May Come," a film based on the novel by Richard Matheson. There is a strong story with which anyone who loves someone else can identify, as well as an austentatious and elegant scope of visual and auditory imagery that jumps right for your eyes onscreen. Matheson's visions of heaven and hell are magnificently realized here, as well as the love between two people that is unbreakable, even after death.
The movie begins with the chance meeting of two American tourists traveling in Switzerland. Soon after, Chris and Annie become inseperable, and after their wedding, they bear two children. Many years later, Ian and Marie are killed in a car collision, leaving their parents distraught yet overcoming. Another couple of years later, Chris dies in a car accident as well, on his way to celebrate the "Double D" anniversary of his wife's emotional recovery from their childrens' deaths. This begins his trip into heaven, which is rocky at first during his attempts to console his living wife, then graduating into his acceptance of his immortality and ascemding into heaven, which turns out to be the creation of his own thoughts and settings. When he realizes that he is not completely happy without Annie, he becomes depressed, so it is no surprise that when Annie commits suicide and is sent to hell, he readies himself to rescue his wife from her emotional confines that keep her in her prison of eternal darkness.
The story for this movie is very ambitious, as are the filmmakers who bring it to life. There is an abundance of vivid memories in the form of flashbacks, many of which are precisely used to move the plot along and keep the story moving. Instead of becoming bored with the ongoing story of Annie and Chris's married and parental life, I found myself becoming more and more entranced as their lives unfolded, and say what you will, but the only way to tell a story like this is through flashbacks. If you were to take all of the memories and place them in order at the beginning of the movie, the audience would forget about the important moments that have an effects on the actions and events that take place in later instances of the film. Each one is a separate piece of the puzzle, and they all fit together quite well.
This film is one of those movies that showcases the possibilities for filmmaking in the future. Really, when you think about it, there is no way that the movie could have been made thirty years ago and still have the same impact as it does now. The settings and scenery play the most important role of the movie, for they provide the reason for the emotion and action that affects our characters. The beginning shots in Switzerland show us beautiful vistas of mountains and lakes, which will later become the inspiration for Chris's heaven, as well as many of the paintings Annie creates. Their home bursts forth with color and brightness, proving that color plays a big role in the film. When everyone is alive, everything seems light and airy. After Chris's death, all is dark, and the walls of the home seem dismal and gray. One scene in particular is a scene in which Chris watches his children being driven away in their van down a long line of lilac trees, a slight fog covering the scene. Their is that brilliance of color, yet the dark fog makes us uneasy, hence the accident that kills their children.
Heaven is elegantly portrayed in this film, and is done so with a new twist: that each person has their own private heaven created in the image of their own personal desires and thoughts. Chris's heaven is based on the paintings of his wife, from the mountains of Switzerland to a small island in the middle of a mountain lake with an opulent, airy house. The filmmakers give each scene the precise look of a painting, even after the special effects fade, using vivid colors, lots of flowers and mountainous backdrops, to transport us into Chris's new world. This is one of the most incredible film achievements ever, taking us to a special place that is warm, inviting, and personifies every thought we, as an audience, have ever had for beauty and vision.
Hell is given a truly horrifying and intense treatment, displaying visions of suffering as well as the personal and emotional pain of life that haunts us all. Somewhat like the way in which Heaven is created, Hell is seen as a persons's "life gone wrong," which allows for the creation of their pain-driven eternity. The gateway to hell is a stunning visual image, a vast, smoky graveyard of smoldering shipwrecks that creak and groan. There is also a dismal, endless sea of decrepit faces of hell's inhabitants, that groan and scream at one another. The most striking of all the settings is the overturned cathedral, where Annie resides. The columns rise from the ceiling and go on forever into the darkness, which gives the whole place a sense of the neverending.
There is a unique chemistry between the two leads that carries on the film's emotion and power. Robin Williams is charming, humorous and bold as Chris Nielsen, and through his acting and talent, he is able to make us believe in the love that Chris holds for Annie. Annabella Sciorra is moving as Annie, embodying all of the emotions and grief that set the stage for the second half of the story. When the two are together onscreen, they are happy and in love, and we buy it because they make it appear very authentic. Cuba Gooding, Jr. plays the angel that brings Chris to heaven, doing well in his performance of helping Chris through his struggle to realize his death. Max von Sydow, whose part is not as big as others he has had, is the tracker who takes them all to hell, and his words of wisdom keep the film's informative angle moving.
"What Dreams May Come" will go down in history as one of the most innovative and spectacular films ever made, full of ambition and inspiration. In its story, we are taken on a journey of the human heart, as well as a striking vision of what may lie in store for everyone under God's eye.

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Meet Joe Black (1998) Review

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(More customer reviews)I'm not a Brad Pitt fan. His physical attributes don't astound and thrill me! But, I've got to give it to him: He was convincing in his dual roles as the coffee shop sweetie and Mr. Death. Claire Forlani, whom I've never seen in a film before was simply luminous. She's the perfect Susan in this parable of one man's last days on earth. Anthony Hopkins as Bill Parrish is remarkable, as always. He truly makes you feel as though he's a man with little time left and has to spend the rest of his alloted time cleaning up his act, making amends with his loved ones, assuring his daughters that he loves them and has always loved them. Also, Marcia Gay Hardin and Jeffrey Tambor are both extremely good as the number two daughter (in her father's heart) and her slightly inept (business wise) husband. They're both touching. I wasn't put off by the length of the film. I think we should take the time to savor some things in life. Slow down, relax and enjoy this beautiful offering from Martin Brest. You did a good job, Marty!

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Bill Parrish (Anthony Hopkins) has it all - success, wealth and power.Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black (Brad Pitt), who soon reveals himself as Death.In exchange for extra time, Bill agrees to serve as Joe's earthly guide.But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan (Claire Forlani).

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Death Becomes Her (1992) Review

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(More customer reviews)Directed by the amazing Robert Zemeckis, "Death Becomes Her" features a clever script, an awesome cast, and mind-blowing special effects that most Hollywood films lack nowadays. The film centers on the eternal quest for beauty and youth by an aging Hollywood starlet, Madeline Ashton, (played by the brillant Meryl Streep). Her high school rival, Helen, (Goldie Hawn), brings her latest beau to meet Ashton after a campy performance in a musical based on "Sweet Bird of Youth" (get the theme already?).
When Madeline runs off with Helen's fiance (Bruce Willis) Helen falls into a demented state and becomes obese and determined to get even with Madeline. After discovering a secret potion sold by a Hollywood witch (Isabella Rosellini) both Helen, and later Madeline regain their youth, vitality, and beauty. However, all this comes with strings involving immortality.
The wonderful script pokes fun at many stereotypes, rumors, and realities Hollywood is well-known for. From plastic surgery to the fact that no one has never met a neighbor in Los Angeles, the script is intelligent scriptwriting at its' best. The special effects by Industrial Light and Magic which has Helen walking with a hole through her midsection, and Madeline walking with a twisted neck are incredible to watch. One thing I adored about this film was the wicked, dark, and diabolical score by Alan Silvestri that incorporates harps and vengeful theme throughout the film.
The film's ending featuring a legion of Hollywood's undead (including Marilyn Monroe, Elvis, and James Dean)is hysterical and even the names of the two main characters, Madeline ("Mad" as in crazy) and Helen ("Hell" as in hellish) is genius. Personally along with "She-Devil," "Heathers," and "Scenes from the Class Struggle in Beverly Hills," this film ranks as one of the best black comedies to come out in recent years. A must-see for everyone!

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Remember Me (2010) Review

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(More customer reviews)It's hard to escape spoilers these days and while I tried, eventually one caught up with me. Knowing something about the ending and reading the mixed reviews I found myself interested in seeing if Robert Pattinson could act but wondering if this is the right vehicle and whether I wanted to see it. Then I came across an interview with the screenwriter. I pretty much knew the ending before I saw the movie and in a strange way it made the watching even more meaningful since the ending isn't as important as how the film gets there and what it says along the way.
I was plesantly surprised that even tho RP was in nearly every scene I didn't feel this was a vehicle for him but rather a character and relationship study. I expected him to be much more brooding and dark based on what I'd read. I'd like to see him stretch and tackle a variety of roles; I was plesantly surprised at his performance here. Somehow his leading man persona blended into the ensemble more than I expected and gave coherence to the movie. The relationship between Tyler (RP) and his younger sister was particulaly touching. I give RP a lot of credit being able to step into his character and let the assorted relationships surrounding him shine.
This movie will resonate with anyone who's lost someone unexpectely and how we each find ways to go on and live our lives. I found it a study of real people in "real" situations. The plot was somewhat predictable. How the unfolding was handled kept me interested. Being an exNYer, the city and surroundings resonated with me regardless of the ending and clued me into where the movie was going in several places.
Remembering back to my early 20s, it was a very hard time even without loss, for the first time being without structure and trying to find my path in life, not easy in the best of times. Watching so many different people finding ways to cope with senseless loss created a focus on the importance of living and loving every day.
I really appreciated the sensitive handling of the ending. The minimalist way of dealing with the horror had a lot of impact for me. Unexpected tragedy can be part of life. The clues are there all thru the movie. I mostly was haunted by the actual ending and how it tied to the beginning. How healing can come even from great saddness when life is lived with love.

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LOVE STORY ABOUT REDEMPTION, DISCOVERY, AND THE VALUE OF LIFE. UNFORGETTABLE STORY ABOUT 2 WOUNDED PEOPLE BRAVE ENOUGH TO TRY AGAIN.

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Love Happens (2009) Review

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(More customer reviews)It is not often that 'popular romance comedies' have the courage to tackle issues like death and grieving and make the story work, but such is the case with LOVE HAPPENS, a good little film written (with Mike Thompson) and directed by Brandon Camp. And it helps to have a solid cast of popular and well-schooled actors to pull off a subject that might make a few people uneasy.
Dr. Burke (Aaron Eckhart) is a seminar man who runs a business with his colleague Lane (Dan Fogler) based on helping people cope with grief - a group called 'A-Okay'. Burke is a popular guru, more so because of his reason for ministering to grievers: his beloved wife died three years ago in a car accident so Burke can speak about grief from experience. But it seems he is running away from something, too. Most of his followers don't notice, but one man Walter (John Carroll Lynch) is a particularly needy client and seems to pick up on something missing in Burke's seminars. Burke is currently in Seattle (his deceased wife's home) with his manager Lane (who is cooking up all manner of marketing tools and opportunities for the A-Okay team). Burke happens to literally bump into Eloise (Jennifer Aniston) who owns a flower business catering to the hotel in which the seminar is being staged. Eloise seems addicted to losers, and is freshly apart from her latest affair: she is comforted and supported by her sole employee, the somewhat dingy Marty (Judy Greer in a terrific cameo), who encourages Eloise to look for some stability in her next mate.
Burke is attracted to Eloise but is so out of practice in the dating game that he comes across as vulnerable - a trait that makes Eloise wary at first and attracted later. The odd things the two do in the mating dance finally result in the uncovering of the secret problems Burke carries. Refreshingly enough the film does not sell out with a happy-wappy ending, just a few thoughts that are particularly tender.
Eckhart and Aniston are a terrific team on the screen: both are lovable without resorting to being sappy and repetitive. Fogler and Greer are excellent as are such fine actors as Martin Sheen and Frances Conroy in memorable cameos. There is a lot to like in this film that makes it a step above the usual 'chick flicks' that were more popular in theaters. Perhaps audiences, sadly, have difficulty hearing about grieving, but death, as well as Love, happens! Grady Harp, February 10

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Jennifer Aniston and Aaron Eckhart star in the romantic drama Love Happens. When self-help author Dr. Burke Ryan (Eckhart) arrives in Seattle to teach a sold-out seminar, he unexpectedly meets florist Eloise Chandler (Aniston), the one person who might be able to help him help himself. But will two people who may have met the right person at exactly the wrong time be able to give love a chance? If they can, they’ll find that sometimes, when you least expect it…love happens.

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