Showing posts with label christianity. Show all posts
Showing posts with label christianity. Show all posts

Wednesday, March 27, 2013

Tyler Perry's House of Payne, Vol. 5 Review

Tyler Perry's House of Payne, Vol. 5
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I love Tyler Perry's House of Payne 5. We keep it in the DVD player and watch it over and over again. It is so funny, and the whole family enjoys it.

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Thursday, February 21, 2013

Two Weeks (2006) Review

Two Weeks (2006)
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The humor is way too forced, superficial and well-trodden to add the well-intentioned black comedy elements this otherwise bittersweet soap opera needs, but this 2007 film offers a vanity-free Sally Field giving a powerhouse performance as Anita Bergman, the dying mother of four grown children. The movie's title refers to the amount of time her character is expected to live before succumbing to ovarian cancer. With the clock ticking, the four children gather at her North Carolina home from different parts of the country and respond differently to the imminent tragedy. Directed and written by Steve Stockman as a series of vignettes, the characterizations represent different archetypes, and the actors are left to flesh them out to some human dimension. The results of their efforts are variable.
Affecting an unrecognizable American accent, Ben Chaplin fares the poorest as eldest brother Keith, an LA-based filmmaker whose sarcastic jokes are meant to shield him from feelings of insecurity and guilt. His character has the most screen time, yet his constantly jokey facade gets in the way of any sympathy we have for him. At first, Tom Cavanaugh plays Ben, the son Anita has dubbed the responsible one, as an obnoxious yuppie workaholic who gradually reveals his fears of loss but fades in the background. As only daughter Beth, Julianne Nicholson is terrific in unconditionally embracing her role as chief caretaker given that her mother is really her best friend, for better or worse. Youngest brother Matthew is drawn in the broadest strokes as the picked-upon baby of the family, and his resentment has manifested itself with a shrewish wife whom everybody else hates.
On the sidelines is Anita's second husband of 13 years, Jim, played by James Murtagh, who glowers in resentment as her children take over their house with nary a thought in his direction. Anita's first husband and the father of her children exists as a shadowy figure in the story, and Anita - in one of many revealing videotaped excerpts - has obviously not fully come to terms with her divorce. These clips - showing Anita recorded by Keith in an earlier stage of her cancer - are used as a dramatically effective framing device for the story, and Field shows herself to be at the height of her artistry in these scenes even when the material gets mawkish. Stockman based the story on the death of his own mother in 1997, and this experience informs a lot of the moments in the film, especially the brutalizing scenes of Anita's rapid decline under hospice care.
The 2007 DVD is two-sided split between full and widescreen versions and with the extras divvied up. Stockman provides an informative commentary track accompanied periodically by Dr. Ira Byock, a physician specializing in treating those knowingly facing death. There's also a solid 23-minute making-of featurette, "Learning to Live Through Dying", and four scenes labeled deleted though truthfully only one is deleted while the other three are extended. There is a group discussion guide included in each version that provides text questions to help the viewer face the death of a loved one.

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Wednesday, January 30, 2013

The Bible Series Box Set (2000) Review

The Bible Series Box Set (2000)
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Three out of these four DVDs are excellent! This is probably the nicest series of Bible stories available. The photography is beautiful, as well as the costumes, props and sets; the acting of the main characters is superb, likeable and believable; and the scripts usually stay very close to the actual Bible verses.
Genesis is the only stinker in this set. It is nothing like the other 3. The Genesis DVD has nice photography, but it does NOT act out the Bible scenes like the other three movies do! Genesis just narrates a reading of the book of Genesis, while showing contemporary desert people going about their daily lives.
If you are undecided about buying the whole set, then I would suggest buying at least one of these separately. "Jeremiah" is my favorite, and it really captures the attitude of a humble prophet being persecuted by the wayward Israelites. "Esther" is probably the most accurately told of these three good movies. It is a pretty clear storytelling, where the other movies sometimes change the order of events (but still portray the overall message accurately). "Solomon" covers the biggest chunk of Scripture, retelling many scenes of the life of Solomon and what Solomon wrote in the Bible.
I would rate the Genesis movie with 1 star, for being so misleading as to its content. But the other 3 films, Esther, Solomon, and Jeremiah are all 5 star movies! Even with the useless Genesis, the price of this DVD set is still a bit cheaper to buy the three good movies here, at one price, than to buy them one at a time.

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Sunday, January 6, 2013

The Chronicles of Narnia - The Silver Chair Review

The Chronicles of Narnia - The Silver Chair
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Years before Walden Media debuted their big-budget version of "The Lion, The Witch and the Wardrobe," the BBC created their own Narnia Chronicles. Despite some goofy prosthetics and a shoestring budget, this is easily the best of the three movies, with excellent acting, pacing, and even some decent special effects.
The story opens at a trendy school that Eustace Scrubb attends. But a garden shed doorway leads Eustace and his bullied schoolmate Jill to Aslan's country. But after Eustace is almost killed because of Jill, the god-lion Aslan gives girl an assignment and four signs to follow. King Caspian is now an old, dying man with no heir to follow him, because his son was lured away by a strange serpentine temptress long ago.
Jill and Eustace team up with a gloomy Marshwiggle, Puddleglum, who serves as their guide as they go to north Narnia. Along the way they must deal with carnivorous giants, enormous bridges and bad weather. But the enigmatic signs that Aslan gave Jill are hard to follow -- and they soon find that the missing Prince is ensnared in a web of madness and magic.
Don't expect this to be a mere copy of the past two movies -- the Pevensies are nowhere to be seen, and old faves like Caspian, Aslan and Trumpkin only have cameos. Sure, they ride owls and hang out with giants. But this is a grimmer, darker story, with a cataclysmic finale and a tight, sometimes harrowing storyline.
The past two Narnia movies suffered from hokey special effects and some spotty acting. "The Silver Chair" cleans all that up, trimming the special effects edges and focusing on the more majestic sets, costumes and scripting. And for the most part, it's quite a success. Even the flashbacks to the queen's death and Rilian's disappearance are heartrending and quietly effective.
There are a few flaws -- for a paradise, Aslan's country looks pretty scrubby and brown. And the final battle with the Emerald Witch is downright silly, with a giant snake puppet twisting around on the floor. But the special effects are infinitely improved in this one, ranging from convincing giants to some genuinely harrowing moments on a giant bridge.
Lewis had become a bit less hamhanded with the allegory and Christian symbolism by this time. Instead, he gives jabs at anything-goes attitudes and nihilism. Additionally, he creates one of the most intense and outstanding scenes of the entire Chronicles, with the Witch playing elaborate brain games with Rilian and the kids, slowly convincing them that all they know and believe is a lie -- including the sun and the world above ground.
Thwaites and Power both give excellent, understated performances as two kids who bicker constantly, but really care about each other, and Tom Baker (of "Dr Who" fame) is glorious as the perpetually pessimistic Marshwiggle. Barbara Kellerman, alas, is still hamming it up, with lots of over-the-top laughter, screeching, cooing and snarling.
Despite Kellerman and some primitive CGI, "The Silver Chair" is probably the best of the three BBC Narnia movies, with its darker storyline and excellent lead acting.

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Item Name: The Chronicles of Narnia - The Silver Chair; Studio:Homevision

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Thursday, January 3, 2013

Angel Wars: The Messengers Review

Angel Wars: The Messengers
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We have been super impressed with all the Angel Wars series and this latest release is Incredible!! We are thrilled that a new movie has been added to the series and our boys LOVE it.(ages 5 & 8) Even my 14 year old daughter said I could watch this over and over!! It really fits a great need for the younger current generation! We look forward to the continuation of all the Angel Wars series!!I highly recommend this video.Angel Wars: The Messengers - Unleash Heaven

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Item Name: Angel Wars: The Messengers; Studio:20th Century Fox

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Friday, November 23, 2012

Left Behind - The Movie Review

Left Behind - The Movie
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I did not buy this movie in order to pick over the special effects (which, by the way, I have no complaints with)or complain that it couldn't compare in quality to all of Hollywood's big budget movies. This is a movie with a message and it comes across loud and clear to me. I've watched this movie almost daily since I got it and each time I see something that I didn't see before. When it hits the theater next Feb I plan on loading up the van with a bunch! And for those who complain that Christian movies don't compare with the ones that Hollywood generates, thank God! Because you spend more doesn't make it better.

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Monday, November 12, 2012

Come to the Stable (1949) Review

Come to the Stable  (1949)
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Loretta Young, one of Hollywood's most respected actresses had one of her greatest roles as the assured and determined Sister Margaret in Twentieth Century Fox's 1949 "Come to the Stable" a beautiful story of two women's determination and sheer belief in the rightness of what they are seeking in their work for others. Loretta Young, a staunch catholic in real life is one of those rare actresses in a league with the likes of Ingrid Bergman, Deborah Kerr and Audrey Hepburn , that seem totally convincing as nuns whether it be in their displays of humility in portraying their characters or just by the total immersion that they undergo when taking on the nun role.
"Come to the Stable" tells a very simple but extremely moving story based on a short story by Clare Booth Luce, of the journey that two nuns, one American and one french, make to fulfill a solemn vow made during World War 2. Resulting from the fact that through prayer to St. Jude, the Patron Saint of lost causes, their hospital was spared destruction by the advancing forces the two make a vow to return to America to set up a similiar hospital for young infants in Bethlehem, Connecticut where they have learnt of a woman who paints very beautiful religious paintings. After finding the right place atop a serene hill with perfect views of the town the nuns with very little money, very few propects and with a strong unquestioning faith proceed to achieve everything that has become their lifes work. Their journey from a hopeless situation with no funds to build the hospital or obtain the land, to one that inspires others to get involved to achieve the dream of the new hospital makes for inspirational viewing and puts across the strong message of the basic good of all people if you only take the time to look for it. In their drive to fulfill their aim the nun's encounter some interesting characters who's lives they alter in very positive ways. Miss Potts played by Elsa Lancaster in a wonderful performance is a lonely spinister who loves to paint and finds her whole life turned upside down by the unexpected arrival of the nuns on her door step. She for the first time finds a real purpose to her existence as she involves herself totally in the plans of Sister Margaret and Sister Scholastica (Celeste Holm). In their search for land to build the church on the sisters find themselves travelling to New York where they encounter small time con man Luigi Rossi who after hearing their story not only gives them a sizable donation but also the deed to the land with the promise that a commerative stained glass window will be installed in memory of his son who was lost in the war not far from where the sisters nursed in Northern France. His transformation from a small time hood to a man with a conscience is only one of the miracles that the nuns work in their dealings with others. Hugh Marlowe plays the nuns new and indeed quite unhappy neighbour Robert Mason who despite being against the idea of a hospital literally in his backyard finds himself helping the nuns and in a crucial situation where the nuns find themselves short of financing for their repayments, chips in and ensures the sisters dream becomes a reality.
Directed with a sentimental but sure hand by veteran director Henry Koster who was responsible for such diverse efforts as "Harvey", "Flower Drum Song"' and "The Robe", the representation of what strong belief can do to achieve great things either big or small in ones life is always the central theme of "Come to the Stable". Loretta Young as Sister Margaret was an inspirational choice as the lead in a role originally intended for Irene Dunne. She is everything a nun should be, strong, gracious, determined, and a firm believer in the basic good in man. Her's is a superb performance which quite rightly received an Academy Award Nomination for Best Actress. Equally honoured is the beautifully unplayed performance of Celeste Holm in the role of French nun Sister Scholastica, Sister Margaret's helper who in a comical moment reveals herself in a past life to have been a top class French tennis player in a scene where she is forced to play in full nun's habit for high stakes, namely a large badly needed donation to the building fund!
Such beautifully put together films as "Come to the Stable" often make me wonder what Hollywood is really doing nowadays as such delicate themes as guiding faith and divine providence, would not be able to be made nowadays what with the harsh reality of most modern screenplays. I never fail to be touched by this story or by the wonderful performance by Loretta Young in the lead. It is a heart warming viewing experience for anyone who has ever had avow to fulfill or a dream to pursue. Watch this film and be inpired as I always am to try and fulfill my dreams while enjoying an terrific excursion back to movie making as it used to be.

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Tuesday, October 9, 2012

Desperate Housewives - The Complete Third Season (2006) Review

Desperate Housewives - The Complete Third Season (2006)
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After a good though not great second season, "Desperate Housewives" got back to full form for its third season. Even though season three wasn't as good as the first season, it was definitely better than the second season. Teri Hatcher (Susan), Felicity Huffman (Lynette), Marcia Cross (Bree), Eva Longoria (Gaby), and Nicollette Sheridan (Edie) all return for more hijinks on Wisteria Lane (located in the fictional town of Fairview), which saw plenty of the usual ingredients (romance, sex, murder, secrets, etc.) mixed in with its share of sharp comedy, serious drama, and intriguing mysteries that have been frequently featured in its first two seasons. Other series' regulars who came back for season three include James Denton (Mike), Ricardo Chivara (Carlos), Doug Savant (Tom), Andrea Bowen (Julie), and narrator Brenda Strong (Mary Alice).
After the disappointing storyline involving the Applewhites of season two, creator Marc Cherry and his staff of writers came up with a storyline for season three that was far more intriguing. This starts with a new character for the third season: Orson Hodge (well played by Kyle MacLachlan). As most fans of this show know, Orson was first introduced late in season two, and played a major role in the last episode of the second season, which led to a bigger role in season three. As we began to sense in the season two finale, Orson was someone with a troubled past. This led to him hitting Mike with his car (Mike was suspicious of Orson), and then in the final scene starts having a relationship with Bree (who met Orson at the psychiatric hospital that she checked herself into after thinking she was about to have a nervous breakdown after dumping her son Andrew (Shawn Pyfrom) along the side of a road in the middle of nowhere and daughter Danielle (Joy Lauren) running away from home). In the first episode of season three (which begins 6 months after the end of season two), we start to know some of Orson's past, and it's not pretty. But his relationship with Bree brings some joy into his life, and they marry in the second episode. But the journey into marriage turns incredibly bumpy when Bree starts to sense some of the things that have haunted Orson's past, and some of those elements come back, most notably in the form of his crazy mother, the return of a previous wife (who everyone thought was missing and presumed dead), and the mystery involving a dead woman who Orson had an affair with. All these situations are put to good use and in the end the payoff delivers. Though the end of this storyline comes sooner than anticipated, thanks in part to Marcia Cross' real-life pregnancy. Shortly after production began on the third season, Cross announced that she was pregnant, which kind of put a little bump in the road for what Cherry was planning for the season. He didn't want to make Bree pregnant, so he and his crew devised ways so that we don't notice Cross' pregnancy in the episodes by having constant close-up shots of her face or putting items in front of her in many scenes. If there was a scene where Bree had to perform a minor stunt, a body double was used (such as a moment where Bree walks up a ladder). And when Cross was ordered to stay on bed rest for the remainder of her pregnancy (with twins), she invited the crew to come to her home to shoot some scenes. As a result the storyline ended two-thirds of the way into the season, which allowed Cross to go on maternity leave from the show. But no need to fear, Bree makes a triumphant return in the final episode. Thank goodness, because of all these desperate housewives she has become my personal favorite. "Desperate Housewives" slightly lagged a bit without her perfectionist attitude.
Besides MacLachlan, there were other interesting new characters that get introduced. Dougray Scott was superb as Ian, an Englishman who strikes up a relationship with Susan; Josh Henderson is excellent as Edie's bad boy hunky nephew Austin, who starts a sweet romance with Susan's daughter Julie; Valerie Mahaffey is terrific as Orson's previous wife Alma, who appears in the first episode, then disappears for a while before reappearing at the mid-point of the season (much to Bree's shock); John Lafferty is very good as Gaby's new beau (and Fairview mayoral candidate) Victor Lang; Kiersten Warren is obnoxiously hilarious as Nora, (first introduced in the season two finale) an incredibly annoying woman who Tom had a one night stand with years ago and got pregnant with his child before he married Lynette, and tried to wreck havoc on the Scavo household by trying to get Tom back; Rachel Fox is cute as a button as Nora's daughter Kayla, who also happens to be Tom's daughter; Laurie Metcalf (from TV's "Roseanne") is memorably menacing as Carolyn, a friend of Alma's who suspects Orson murdered her; and the great Dixie Carter (from TV's "Designing Women") is a hoot as Orson's evil mother Gloria.
While new characters popped up in season three, there were some old characters from the previous two seasons that turned up as well. Mark Moses and Cody Kasch returned for a couple of episodes as Paul Young and his troubled son Zack (who actually was Mike's son); Jesse Metcalfe shows up in an early episode as Gaby's former gardener (and lover) John; Richard Burgi turns up briefly as Susan's ex-husband Karl; and Steven Culp returns to narrate an episode as Bree's late husband Rex (Mary Alice got the day off on that episode).
While there have been so many memorable characters on "Desperate Housewives", there is a reoccurring character who's so funny on the show that it would be a shame if I did not mention her. And that character is the old cranky Wisteria Lane neighbor Mrs. McClusky, played to the hilt by Kathryn Joosten. First introduced back in season one, Mrs. McClusky was at complete odds with just about everyone, especially Lynette. But since then she has started to show a softer side that is wonderfully touching. She's now good friends with Lynette, and helps out the Scavo family by babysitting their kids while Lynette and Tom are at work. The character even had a minor storyline late in season three that involved her late husband. This character has become one of the best things on "Desperate Housewives", and Joosten is perfect in the role. She's already won an Emmy for the role (as Guest Actress in a Comedy Series for season one). This character doesn't appear in every episode of the show, but for the episodes that she does turn up in (whether its one scene or five scenes) brings a smile to my face, which is usually followed by laughter. This character provides some of the biggest laughs on the show.
During its first three seasons, there have been many great episodes of "Desperate Housewives". But the very best episode of the show so far (in my opinion) comes in season three. Episode 7, titled "Bang", is the bone-chilling, on-the-edge-of-your-seat episode about that supermarket hostage crisis that affects the residents of Wisteria Lane. This episode has all the elements: some big laughs, high drama, and suspenseful thrills. Plus, Laurie Metcalf gives a great performance in this episode as Carolyn, the crazed woman who literally snaps after hearing some very disturbing news and proceeds to go off the deep end by taking some residents of Wisteria Lane hostage at the supermarket. This episode is an absolute must-see.
"Desperate Housewives" - The Complete Third Season should be out on DVD before the start of the fourth season, and I encourage anyone who bailed out on the show after season two to go out and get it the moment it becomes available. Until then, you'll have to catch reruns of season three throughout the summer. Or you can view seasons one and two, already out on DVD as well as reruns airing on Lifetime. But one way or another, the third season of "Desperate Housewives" is a winner. And the season ends with another stunning cliffhanger, which will lead into season four.
*** ADDITIONAL COMMENTS ***
Since this review I watched these episodes again on DVD, and I need to bump my original rating of 5 stars down to 4 1/2 stars. Don't get me wrong, this is still an excellent season of "Desperate Housewives", but I had a few annoying quibbles about it while watching the episodes on DVD. And all of this takes place in the second half of the season. First off, the character of Ian started to get on my nerves in the later episodes. If you recall, Susan started dating Ian while Mike was in a coma from his accident at the end of season two. Susan fell in love with Ian, but not long after Mike woke up for his coma he wanted Susan back. And every time there was a scene where Mike and Susan shared a moment together and Ian either saw it or heard about it, Ian would constantly complain about it over and over again. I started to get really tired of hearing him complaining about Mike. It's like you just want to shout out at the character: "quit your whining!" Another setback was the behavior of Lynette's husband Tom. This (which also takes place during the last part of the season) deals with Tom's job as the owner of his new pizza parlor. After hiring wife Lynette to be the manager, they start disagreeing on certain things, but this storyline takes a slight detour when a new character is introduced. After Tom suffers a major back spasm that requires bed rest, Lynette hires Rick (played by Jason Gedrick), who's a master chef. During the course of these later episodes, it seems that Lynette and Rick are attrached to each other, and that drives Tom into a jealous rage. Plus while Tom is at home recuperating from his back problems, he starts having angry fits that I found to be kind of unpleasant. I only wish that the writers could have found a better way to handle these situations. But in the end all the resolutions turn out to be good, and the show moves on. But because these two storylines got a little irritating during the second half of season three, I now give "Desperate Housewives" 4 1/2 stars.

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The women of Wisteria Lane are back, and it’s time to air some dirty laundry.In the Emmy Award®-winning show’s sensational third season, the gossip is juicier, the secrets are more scandalous and the revenge is even sweeter."Desperate Housewives is back," raves The New York Daily News. Experience all 23 tantalizing episodes of Season Three, and get the dish on Susan’s new love, Bree’s unsettling marriage to Orson (Kyle MacLachlan) and a dangerous new presence living down the lane.Everything will come out in the wash in this spectacular six-disc set. Bubbling over with exclusive bonus features, including a behind-the-scenes look at the season finale and even more secrets straight from the show, this is the sudsiest season yet.

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Sunday, September 16, 2012

Best of Both Worlds Concert: The 3-D Movie: Extended Edition Review

Best of Both Worlds Concert: The 3-D Movie: Extended Edition
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As a 16 year old male, I recieved far more than several strange looks upon entering the theatre to see this movie. There was one girl in particular who sat in front of me and managed to turn around and look at me with a rather pathetic lack of comprehension somewhere between 10 to 20 times before the movie started. I could just see in her eyes that she, like many of the other close-minded immature tweens whom surrounded me, was thoroughly considering either my sanity or my sexual orientation. It really is incredibly unsettling that our society is as bigoted and incapable as it is. Target demographic, shmarget demographic; Miley/Hannah's music is incredibly entertaining, well composed, and, at times, moving, regardless of age or gender.
BUT anyway, on with the review...
Miley's voice is amazing. It's even better live than on her CD's, and this film presents absolutely no exception. Her control and range are darn impressive, while at the same time her voice maintains an innocence and untapped potential that makes it satisfyingly difficult to stop listenting to her. I have to say that I love the unique controlled vocal crack that seems to be her signature during extended segments of vocal influctuation. She's also absolutely fearless; how many 15 year olds could keep their composure in front of 15,000+ people nearly every night with the comfort and facility that she does?
And on top off all her talent, she is, to put it incredibly frankly, pretty darn hott.
The instrumentation throughout the concert was superb. Her lead guitarist and drummer especially were outstanding in my opinion. One thing that I love about concert experiences is that the music itself is always far better than it is on the recording, since record companies and such can't put restrictions on spantaneous improvisations by the musicians. It was also a treat to listen to Miley play an acoustic guitar during "I Miss You."
Perhaps the best part of the film was the 3D effect. The glasses, thank God, weren't the blue and red sort that leave your color perception ruined and your head aching for hours, but were much better quality plastic ones.
I happen to be an aspiring filmmaker, so coming from a cinematographic point of view, this movie left nothing to be desired. Sweeping camera shots, pleasantly unexpected close ups, and creatively fun visual tricks in post production made the absolute best use of the 3D effect possible. At one point during viewing, I almost subconsciously convinced myself that I actually WAS right there, front row at her performance. You literally feel like you could reach out and touch her at any time.
The vibrant use/balance of color was in no way distorted by the glasses [if anything, the 3D effect enhanced them] and the very well designed stage setup and enormous venue could've made even the smallest theatre seem wonderfully spacious.
One of my personal favorite moments of the experience was the period of time in which the incomparable Jonas Brothers played a few songs while Miley changed. Their dramatic music, rich instrumentation, and dependably deep and passionate performances/vocals alone were worth the $15, and one can only hope that they will release a filmed concert as well... Haha, but I digress.
My only complaint would have to be that the entire concert is not included. There were numerous songs that I was looking forward to, but that didn't make it past the cutting room floor. I suppose they had to pick and choose between performances though since they had to fit behind-the-scenes action as well.
All in all, this movie is incontrovertably entertaining and simply bursting with refreshing talent. People can tell me I'm "not supposed" to enjoy what Miley has to offer all they want, but the fact of the matter is that she is a quality entertainer and to refuse fandom based merely on social expectation is ridiculous and pathetic. I cannot wait until this DVD comes out, and you can bet that it'll be in my DVD player before the day it becomes available is through.

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The sold-out concert event that rocked the nation is bursting onto Disney DVD for a limited time only in a two-disc extended edition with a 3-D concert experience so real it's like having a backstage pass! Make Some Noise and get ready for the year's most eye-popping dance-in-your-seat music experience with HANNAH MONTANA & MILEY CYRUS BEST OF BOTH WORLDS CONCERT MOVIE! For the first time ever Miley performs as herself and Hannah in the same epic show! With a special appearance by the Jonas Brothers and exclusive bonus features including a sing-along mode additional songs and a rare inside look into the rock star lives of Miley Cyrus and the Jonas Brothers this movie sensation is as close as you'll come to achieving the best of both worlds; (Elizabeth Weitzman New York Daily News). With additional songs and footage not seen in theatres including the songs: Right Here, SOS, Good & Broken, and Pumpin Up the Party. Comes with 2D and 3D versions plus 4 pairs of 3 D glasses!System Requirements:Running Time: 90 minutesFormat: DVD MOVIE Genre: CHILDREN/FAMILY UPC: 786936767179 Manufacturer No: 05763200

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Wednesday, August 15, 2012

COLLISION: Christopher Hitchens vs. Douglas Wilson Review

COLLISION: Christopher Hitchens vs. Douglas Wilson
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I was lucky to see an advance of 'Collision'. Hitchens is at his best and Wilson is his perfect foil. It was so refreshing to hear two intelligent, passionate and knowledgeable men able to have a meaningful debate/discourse without it degenerating to any disrespectful level - (especially in these current times).
The evolution of their debate and discourse is also quite interesting. It could just be good editing, but I believed these men listened to each other and were often challenged to not rely on their standard answers and thoughts. The debate increases in enjoyment because of it. It was also refreshing to see them often agree with one another, on completely different merits - (not fundamentally of course).
My level of respect has risen for both of them. Whatever your belief system, or lack thereof, this film will challenge some of your ideas. I highly recommend it.

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The documentary COLLISION pits leading atheist, political journalist and author Christopher Hitchens (God Is Not Great: How Religion Poisons Everything) against fellow author and evangelical theologian Pastor Douglas Wilson on a debate tour arguing the topic “Is Religion Good For The World?”. Lives and worldviews collide as Hitchens and Wilson wittily and passionately argue the timeless question, proving to be perfectly matched intellectual, philosophical, and cinematic rivals. COLLISION is directed by prolific independent filmmaker Darren Doane (Van Morrison: To Be Born Again, The Battle For L.A., Godmoney). This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

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Tuesday, July 10, 2012

The God Who Wasn't There (2005) Review

The God Who Wasn't There (2005)
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The reviewer who felt "let down" by this DVD and who worried that it was "teasing Christians" is either totally clueless or is engaged in a subtle attempt to discourage viewership.
I was impressed by the manner in which the director laid out his case for the non-existence of a historical Jesus. The information comes from scholars, researchers, and amatuer investigators, and is all available elsewhere, but this DVD brings the ideas together quickly and concisely. He then engages in a series of short interviews with those same scholars, researchers, and amatuer investigators, essentially allowing them to state their part of the case directly. (More in-depth interviews are available in the special features section of the DVD).
Equally illuminating are the interviews with believers in Jesus, who are allowed to make their own statements of belief without interruption. The fact that none of the believers were able to demonstrate any knowledge of the known history of Jesus or the early church demonstrates just how effectively Christian leaders have been able to divert attention from these controversial issues.
But the most compelling part of the film is the ending, where the director (a former evangelical Christian himself) visits the fundamentalist school he attended as a child and interviews the current president of that school. I won't reveal the dramatic ending to that interview (and to the film) but it truly tied everything together (the history, the controversy, and the impact on individuals today).
If you are a big fan of the Rev. Pat Robertson, (who just advised the people of Dover, PA., that they are no longer entitled to God's protection because they voted out a school board that supported teaching "Intelligent Design" in science class), then don't get this DVD. For anyone with an open mind on the subject, even if you are already aware of the intellectual arguments against the existence of Jesus, this DVD brings focus and a human context to the debate.

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Bowling for Columbine did it to the gun culture. Super Size Me did it to fast food. Now The God Who Wasn't There does it to religion. Holding modern Christianity up to a bright spotlight, this eye-opening documentary asks the questions few dare to ask. "Did Jesus even exist?" is just the beginning for The God Who Wasn't There. Your guide through the world of Christendom is former fundamentalist Brian Flemming, joined by such luminaries as Jesus Seminar fellow Robert M. Price, author Sam Harris and historian Richard Carrier. In addition to the film, which won the Best Documentary award at the 2005 Grassroots Cinema Film Festival, this feature-packed DVD includes: -Special commentary tracks with Richard Dawkins and Earl Doherty -Over one hour of compelling additional interview footage -An in-depth Web-enabled slide show -Music from the soundtrack -Bios of all participants This provocative DVD takes off the gloves and gives religion an unprecedented, no-holds-barred examination. So hold on to your faith. It's in for a bumpy ride.

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Thursday, July 5, 2012

Family Fundamentals Review

Family Fundamentals
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This documentary covers three sets of homophobic people and their homophobic relatives. I think many people will relate because the gay people state, "I hate my relative's bigotry, but I still love them." and the homophobes say, "I hate my relative's sexuality, but I still love them."
It is scary to me that there is an anti-PFLAG in existence. But I credit the homophobic relative for speaking openly to the camera.
While this documentary showed a gay male couple, I was very please to see two single gay men. The Ellen coming-out episode ends with her not getting a girlfriend, but most media account show people coming out one second and happily-partnered the next. That may happen over the rainbow, but in the real world, good partners are hard to find.
Unfortunately, and as much as I love Arthur Dong, this was the weakest film of his that I have seen. In his previous documentaries, he interviews many people and they are more than happy to share their thoughts and concerns. In this work, two homophobic groups in the dyads refused to be interviewed. Dong is off-screen constantly raising questions because interviewees on both sides are reluctant to speak. Yes, this is a touchy subject, but I imagine that he could have found more willing participants, especially as much as Americans of all sexualities and religious views loving being in front of the camera.
This is an interesting piece, but I highly doubt that warring factions in families will watch it together.

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FAMILY FUNDAMENTALS - DVD Movie

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Saturday, June 2, 2012

The Exorcist - The Complete Anthology (The Exorcist/ The Exorcist- Unrated/ The Exorcist II: The Heretic/ The Exorcist III/ The Exorcist: The Beginning/ The Exorcist: Dominion) (1977) Review

The Exorcist - The Complete Anthology (The Exorcist/ The Exorcist- Unrated/ The Exorcist II: The Heretic/ The Exorcist III/ The Exorcist: The Beginning/ The Exorcist: Dominion) (1977)
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You can find this set for around $25 and for that price it's definitely worth it. True, the first one is the best (I prefer the original over the "Version You've Never Seen", but they're still both very good), but the third one isn't that bad (in fact, I think it's pretty good) And neither version of the prequel is good, but it is sort of neat to have two VERY different versions of the same film, and in this context, for comparing the power of editing and the how the perspective of a director can affect a movie, these discs are interesting. True, the second one has no merit, but what can you do? But I won't complain. It's good for a laugh.
Just so people know, this set does contain all the extras the other releases had. So that even sweetens the deal more!
Disc 1: The Exorcist
This is the same flipper disc from the original Special Edition release
Side A:
Intro and commentary by William Friedkin
Commentary by William Peter Blatty and Special Sound Effects Tests
Side B:
The Fear of God: The Making of the Exorcist
Interviews, Storyboards, Production Sketches
Original Ending
Theatrical Trailer
TV Spots
Disc 2: The Exorcist "The Version You've Never Seen"
Commentary by William Peter Blatty
Trailer, TV Spots and Raidio Spots
Disc 3: Exorcist II: The Heretic
Alternate Opening Sequence
Theatrical Trailer
Disc 4: Exorcist III
Theatrical Trailer
Disc 5: Exorcist: The Beginning
Commentary by Renny Harlin
Behind-the-scenes Featurette
Theatrical Trailer
Disc 6: Dominion: Prequel to the Exorcist
Commentary by Paul Schrader
Additional Scenes
Stills Gallery
And there you have it. Everything is there. True, you could get just get the original for cheaper, but I still think this is a solid set and a great deal at that!

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Here it is. The scream of the crop. The fear is here. And so is the hope. Because at their center are intrepid souls who dare to look evil in the eye and vanquish it. From The Exorcist (presented in its Original Theatrical Version and the 2000 Version You've Never Seen) to the shocks and surprise of Exorcist II: The Heretic and The Exorcist III to the two versions (by two different directors) of Dominion/The Beginning, this DVD set comprises the scariest and most fascinating collection of movies in modern horror.

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Friday, June 1, 2012

Veggie Tales: Saint Nicholas: A Story of Joyful Giving (2009) Review

Veggie Tales: Saint Nicholas: A Story of Joyful Giving (2009)
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Watching Saint Nicholas, one can only note how much better it is than most of the recent holiday specials, which try to have a moral to the story, but end up flat and heavy-handed. VeggieTales, on the other hand, go far beyond morals to express big ideas. The recent VeggieTales movie, The Pirates Who Don't Do Anything Pirates Who Don't Do Anything: A Veggie Tales Movie (Widescreen), was the sort of superior entertainment that, while it enthralls kids, also engages adults. It's hard to believe this featurette is only 45 minutes, because it runs the gamut from light laughs to moving pathos to profound finale, the same arc as a feature film. Adults who happen to walk by while it's on TV will probably find themselves drawn in. Kids will see something new every time.
Bob the tomato tells the true story of St. Nicholas, while Larry the cuke constantly interrupts with more conventional ideas of Santa Claus. The real saint threw bags of money down the chimneys of poor women to save them from being forced into brothels. In this kid-friendly version, young Nick saves the poor from going to jail. Either way, he becomes the patron saint of those who fight human trafficking. The DVD includes ways for kids and families to help a long-established charity called Samaritan's Purse, and a catchy video by Matthew West and Amy Grant, "Give This Christmas Away."
There's an intense scene when the young Nick's parents die, which might be disturbing for very young kids, like similar scenes in Disney films like Bambi. The film is filled with witty asides and references to holiday trivia and packed with well-performed, singable songs. There's even a pirate who makes an appearance from the recent feature film. Bonus features include "Sing Along with Larry", an art gallery, and "Give This Christmas Away" music video. The previews include trailers for current VeggieTales, as well as bits on Cure International, which provides medical help for kids in need, and MOPS, a support group for Mothers Of Pre-Schoolers.
VeggieTales are inspiring on many levels: CGI animation that is second to none, garden-fresh story lines, sparkling wit to laugh-out-loud humor, a rough ride to the happy ending denouement, and they make you feel better, not worse. But this DVD, linking, as it does, an entertaining story to tangible ways to help, may be the biggest idea yet for bringing joy to the world.

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When Junior Asparagus and his Veggie friends learn that Laura Carrot’s dad has lost his job on Christmas Eve, Bob the Tomato decides to tell the kids a very special story about giving. Using a big storybook and a little imagination, they all travel back to ancient Greece to meet Saint Nicholas — the world’s greatest giver.

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Thursday, May 3, 2012

Doc - Season 1 (2004) Review

Doc - Season 1 (2004)
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Doc is a great show. It is dramatic and funny and uplifting. The shows are very well written and engaging. The characters are wonderful. BUT WHERE ARE THE OTHER THREE SEASONS? We need them also on DVD. Please! Pretty please!

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It’s about hope, it’s about understanding, it’s about caring, it’s aboutfighting…..for what you believe in. "DOC" captures the drama and humor of big city medicine as seen through the eyes ofnewcomer Dr. Clint Cassidy.Actor/musician Billy Ray Cyrus plays the handsomecountry doctor from Montana who's love for a woman leads him to New York City wherehe sets up practice at a West Side HMO.He soon discovers that life and medicine aredifferent in the Big Apple.Clint's down to earth style and gentle bedside manner endearshim to patients, but he encounters resistance from his colleagues and the bureaucraticsystem that surrounds him.Never losing his faith, down home values and "fish-out-of- water" demeanor, DOC adjusts to life in his new urban setting.The cast is rounded outby a group of honest, funny, likeable doctors, nurses, patients, friends and family.DOC is award winning and inspiring television at it's best.Since it's debut on PAX TV,DOC has become the networks number one rated drama.

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Saturday, March 10, 2012

The House Without a Christmas Tree (1972) Review

The House Without a Christmas Tree (1972)
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Hi, I am Addie Mills (Lisa Lucas)and I just wanted to thank all of you who wrote such warm and complimentary reviews about "The House Without a Christmas Tree". What touched me most is the lasting impression the show made on so many and I feel very privileged to hold a place in their memory and their holiday tradition. It was a wonderful experience working on such a meaningful project and with such talented people. Actually, we did four specials all together. One for Thanksgiving called "The Holiday Treasure", for Easter called "The Easter Promise" and Valentines day (believe it or not) called "Addie and the King of Hearts." All but the Valentines Day show are available on video and I believe all four books are still out there. It's nice to see that good quality and heartwarming emotional drama can still be appreciated. Thanks again. (No, I'm not acting anymore but I did go onto roles in "An Unmarried Woman" with Jill Clayburgh, "Turning Point" with Shirley Maclaine and some wonderful television films like "The Adams Chronicles","A Perfect Match" and "The Migrants" Special hi to Traci in Canada. Yes,I remember spending many a cold day in your school during filming!

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After a mother dies, her family appears destined to spend the rest of its days picking up the pieces.In 1940's Nebraska, a sweet and intelligent 10-year-old girl raises the ire of her bitter widower father, who has never forgotten that his wife died while giving birth to their daughter.To illustrate for the girl that life does not come easy, the father bars the family, which also includes his mother, from having a traditional Christmas tree.This yuletide, though, has a happy surprise for this home so desperately in need of holiday cheer.

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Monday, February 20, 2012

C.S. Lewis: Through the Shadowlands Review

C.S. Lewis:  Through the Shadowlands
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"Shadowlands" (or "Through The Shadowlands," as it's frequently called,) started as a stage play, became this extroidnary BBC production, then a severly edited American video, then an American theatrical feature starring Anthony Hopkins, and then a book. Obviously, this story's impact resinates and remains powerful through different interpretation and versions. This presentation stands above all of them, though.
This DVD includes BOTH the full length 90 minute BBC version, as well as a worthless 73 minute version, which was released on video in the states for "Christian" markets. Regretfully, that abridged 73 minute video is what most people in the US mistakenly think is the "original BBC" movie. That jumpy and truncated version was done without input or approval from the director, Norman Stone, and aparently exists solely because someone wanted all alcohol and smoking removed. Therefore, scenes of Lewis discussing his beliefs with skeptical Oxford dons are gone, because the professors are holding cigars and brandy. The Christmas Holiday scenes are also cut because there is wine on the dinner table, etc, depriving the viewer of significant and pivital elements of the tightly constructed story and character development. The releasing studio's "justification" for the chopped up version was that it could be used for church classes or discussion groups becuase it's shorter. However, it only saves 15 minutes, which certianly doesn't justify the tremendous loss to the narative.
Josh Ackland's portrayal of Lewis is relentlessly engaging to watch. Lewis' brilliance, confidence, and joy, with intellectual and spiritual pursuits is completely brought to the screen. Without it, his sense of loss, anger, questioning, and understanding could never of had the subsequent impact on the viewer.
Claire Bloom is also completely believable as the Jewish, intellectual, Christian, articulate, single mother who eventually melts Lewis' heart. However, when compared to the performance of Debra Winger in the theatrical version, Claire Bloom definately comes across as much more of an English woman than Debra Winger's portrayal, which actually sounds like a Jewish woman from New York, as she should.
Beyond the fresh, and possibly more accurate, performance by Debra Winger in the theatrical version, this BBC production is superior in almost every way. I say, "almost" because, as others have pointed out, the music in this production doesn't rise to the quality of every other aspect. Not only is the music fairly pedantic, but it's not mixed particularly well, either, and tends to stand out more than it should.
Rising HIGH above any shortcomings, this movie is one of my all-time favorites, and retains all of its' magic, brilliance, and wisdom, through repeated viewings. I can not praise this film highly enough, and I only hope that the recent success of the feature film "Narnia" will introduce new viewers to this masterwork.

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Starring Joss Ackland and Claire Bloom.Winner of over a dozen prestigious awards including the International Emmy for Best Drama and two British Academy Awards.He cried out, "Where is God when I really need him?"This film is about the agonizing spiritual crisis of C.S. Lewis when his wife died from cancer.The love, grief, pain, and sorrow were so shattering to Lewis that his basic Christian beliefs, magnificently communicated in his many books, were now called into serious doubt.But he picked up the pieces and moved out of the depressing "shadowlands," realizing that "real life has not even begun yet."Includes 90-minute television version and 73-minute abridged version.

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