Sex and Death 101 (2007) Review

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(More customer reviews)Told through first-person narration, Sex and Death 101 is a little like the Wachowskis' The Matrix collides with Shainberg's Secretary (stick with me here). The premise: a (sentient?) "machine" has begun interfering with humanity, issuing e-mails that reveal a person's fate. While many people received an e-mail revealing their death-day, Roderick Blank was "gifted" with a list of every woman he has and WILL sleep with. Sounds great, right? Well, what the viewer learns is that "the chase" is fairly boring when the results are a given. Watching Rodrick try to plow through his list is dark and hysterical (especially when we reach Bambi and Thumper ... a world-class, lesbian power-couple). Now for the twist, the FINAL person on Roderick's list is a notorious serial-killer ...
With a budget of five-million, Waters created a pretty slick film. The casting is quirky (in a fantastic way!!). Patton Oswalt (The King of Queens and Ratatouille) plays a lascivious lackey to the "Morpheus-like" Alpha. I'm entirely biased here (since I think Oswalt is one of the most adorable, underrated actors in Hollywood), but his character alone makes the film worth watching. Moreover, Mindy Cohn (The Facts of Life) was a brave and fabulous choice. All grown up, Cohn rocks her character. She adds sweetness to (what could have been) your typical "lesbian" character. Kudos!! Julie Bowen, Winona Ryder, and Simon Baker nicely round-out the cast. Overall, the acting is wonderfully on-point. We could genuinely loathe the character of Roderick BUT Baker brings an irrefutable charm to him. And, this is where the film is a success. Roderick may be a slick, handsome, fast-food King ("Have a startling and unique day!!"), but as he resigns himself to fate he becomes brooding and vulnerable. Love it.
Why should you watch this work? One: it has a montage of lower-back, Chinese-symbol tattoos to represent the passage of time (a great joke resides in this moment ... pay attention). Two: watching Roderick don faerie-wings just to join Bambi and Thumper (in slow-motion) ... TOTALLY WORTH IT! (And so funny). Three: the scene with the school bus ... that's all I can say (by far, the absolutely most unpredictable, wildly amusing moment).
I noticed that this work is receiving some seriously scathing reviews. As a harsh-critic, I respect the opinions of others. I have a feeling this film appeals to a niche crowd: one which seeks dark, erotic, adult faerie-tales (a la Shainberg's Secretary ... see, I told you to stay with me). If, like me, you find the American Pie style of films trite and juvenile, give Water's work a spin. It won't disappoint.

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Roderick Blank, Simon Baker, is a successful modern man, content with his personal and professional life. However, a week before his wedding to a suitably stuffy fiancee, Rodericks perfectly planned existence is upended by a mysterious e-mail containing the names of every woman he has had sex with and, eerily, every woman he will have sex with in the future. He is stopped in his tracks when he meets a femme fatale, Winona Ryder, who targets men guilty of sex crimes against women. Co-starring Patton Oswalt and directed by Daniel Waters, writer of the cult hit Heathers.

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Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection) (1986) Review

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(More customer reviews)This consists of two discs for each film, the original and an alternate version (more on that below) on the first disk, and collections of approximately 2 hours of featurettes and other bonuses on the second disc. The ninth disc is a hodgepodge of trailers and other items from previous DVD and laser disk versions. Although the extras have been released in a variety of forms over several years (the John Hurt documentary 'The Alien Saga', being the latest), THIS is the definitive version.
'Alien' (average user rating: 4.6). If you haven't seen this classic film, then you must be living under a rock. The collection includes the original theatrical version (which I prefer) and the "Director's Cut", notable for its inclusion of the controversial captain-cacooned by alien scene (controversial because from the Alien mythology developed in later films, we know that only the massive queen can lay eggs). I prefer the original (which is actually 1 minute longer), and interestingly enough, it appears that Ridley Scott prefers the original as well. The making of featurettes are extensive and reveal Giger's extensive participation and how what was originally expected to receive a b-moive budget became one of the very few examples where Fox studios followed the vision with a classic.
'Aliens' (average user rating: 4.7). This is the only sequel I know of that is rated higher than the original. This time, the "Special Edition" version (also on the previous 'Alien Legacy' box set) is a superior experience and exactly is how upstart director James Cameron (who had written the script prior to the release of 'The Terminator') wanted to release the film, but was constrained entirely by time limits. The result is additional scenes featuring the colonists and Ripley's family lost to the time she spent in hypersleep. As with the first installment, the featurettes are interesting and thorough, although the Viet Nam War metaphor is not as thoroughly explored with Cameron as has been in other releases.
'Alien 3' (average user rating: 3.2). As a fan of the franchise, this was perhaps the most anticipated part of this new box set. The "working print" of the film (the longest of all the versions here, and complete with subtitles for missed sound editing), adds a depth to the film that was not in the original. That is, the arrival of Ripley and the characters are covered much more thoroughly, the alien creature is begotten by an oxen with a much more original look, there is an additional plot twist arising from the nature of the inhabitants (criminally delusional), and there is no riduculously-timed chest-burster scene at the end. Still, the film is a flawed masterpiece. The film is better appreciated in light of the bad situation first-time director David Fincher had been placed in - not the least of which is an incomplete script during production and a set that had already been constructed for the ill-conceived "wooden planet/monestary" vision of the previously assigned director. In this sense, the three production featurettes come across as almost an apology/tribute to Fincher. (NOTE: Fincher is the only director who is not interviewed on the box set.)
'Alien Resurrection' (average user rating: 3.0). What happens when you put the French director of 'Amelie' (Jean-Pierre Jeaunet) in charge of an alien movie? Well, foreign/art movies were all the craze in the last 1990s, so . . . Fox studios thought, "Why not?" In the end, many fans of the franchise did not appreciate the obviously satirical slant on this final installment. The opening scene and ending scenes (the only additions of substance) on the extended version make the film even more tongue-in-cheek. Despite the French director and crew's obvious regard for the original 'Alien' (as documented in the featurettes), armed with the return of Sigourney Weaver and the addition of superstar Winona Ryder, the director ultimately made a quirky, campy action film. But in the end, it was the last quarter of the script that makes this the weakest of all the installments by far. Postscript to Fox studios: if you had given Fincher this much creative freedom, you would have have a third masterpiece.

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Disc 1: Alien Collector?s Edition Disc 2: Aliens Collector?s Edition Disc 3: Alien 3 Collector?s Edition Disc 4: Alien Resurrection Collector?s Edition Disc 5: Bonus Disc

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Edward Scissorhands (Widescreen Anniversary Edition) (1990) Review

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(More customer reviews)This wonderful fantasy tale stars Johnny Depp as a not-quite-real teenager who was built by an eccentric inventor. The old man died before he could finish him, so Edward has knife blades where his fingers would be. A well-meaning Avon lady (Diane Wiest) finds him living alone in his crumbling castle, and brings him home to live with her family, which includes daughter Kim (Winona Ryder). Edward is naive and timid, but so sweet and helpful that he soon becomes the darling of the neighborhood. He is smitten with Kim, which angers her bully of a boyfriend (Anthony Michael Hall).
Diane Wiest is perfect as the ditsy and always-cheerful mom. Ryder is convincing as a selfish and spoiled teen. Hall is the villian you love to hate. The star, of course, is Johnny Depp. As Edward, he is painfully shy and lovelorn; his performance is so heart-wrenchingly delicate that you ache for him in every scene. Covered with white make-up and with only a few words of dialogue, Depp proves he is a very talented actor. The wonderful and quite frail Vincent Price, as Edward's loving creator, will surely bring a tear to your eye.
This completely unique film blends comedy, fantasy, and romance to make a sentimental fairy tale that both teens and adults will enjoy. It is a heart-breaker; bring your hankie.
Kona

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Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward.Although Edward had an irresistible charm, he wasn't quite perfect.The inventor's sudden death left him unfinished, with sharp shears of metal for hands.Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family.And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.

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Beetlejuice (1996) Review

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(More customer reviews)When this movie first came out about fifteen years ago, my father owned a video store and every Wednesday night was "Beetlejuice" night. I'm older now, obviously, but I still cannot get enough of this movie.
Alec Baldwin and Geena Davis play Adam and Barbara Maitland, two Connecticut yuppies who die prematurely in a car wreck. Within a couple weeks, their home is overrun by an ultra-trendy New York City family, Charles and Delia Deetz, and their Goth daughter, Lydia (played respectively by Jeffrey Jones, Catherine O'Hara, and Winona Ryder). Adam and Barbara want their house back, and attempt to scare the Deetz's out of the house by wearing sheets and even by possessing them over dinner, making them sing and dance to Harry Belafonte's "Day O." Those attempts fail and enter Michael Keaton as Betelguese, "the afterlife's leading freelance bio-exorcist." The movie is dark without being scary and funny without being ridiculous.
In my opinion, one of the real gems in this film is the late Sylvia Sidney as Juno, Your Case Worker. Sidney was pushing eighty when this film was made, but turns in a great performance as the embittered equivalent of an afterlife social worker. Love how the smoke from her ever-present cigarette comes out of the slit in her throat.
If you've never seen this movie, see it. If you have seen it but don't own it on DVD, get it. The picture quality is better than ever.

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a couple of nice homebody ghosts, trying to rid their house of afamily of trendsetting human beings, is hell-bent on making theirhome unlivable -- even for the dead.DVD Features:Other:Alternate music-only track (5.1)Production NotesTheatrical Trailer

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Girl, Interrupted (2000) Review

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(More customer reviews)Winona Ryder is back from several years of lull in any highly memorable roles in major movies, and she is right on form with possibly her best performance yet. But that is certainly not all this movie has to offer. She plays Susannah Kaysen, an inpatient for a year at a mental hospital, who wrote the book about her real life story on which this is based. Not only Susannah but several of the other inpatients are most memorable characters. Angelina Jolie won Best Supporting Actress for playing Lisa, a sometimes menacing and always interesting patient there because of her anti-social personality. Other quite meomrable characters include a pathological liar who is Susannah's usually sweet roommate, played by Clea DuVall, and the Sullen and obsessed Daisy, who will eat nothing but chicken from her father's rotisserie, played by Brittany Murphy. Through her own struggles and interactions with the others, Susannah confronts in a memorable way some of the hot issues of the late 1960's, making this almost a nostalgia trip as well as a riveting human drama.

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GIRL INTERRUPTED - DVD Movie

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The Crucible (1996) Review

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(More customer reviews)Since Miller helped write the screenplay and one of his sons produced or coproduced the movie, it shouldn't be a shock that the movie is so faithful to the original text where it needs to be and broadens the story where it needs to, as well. Miller knows how to write for the stage, and he apparently knows how to write for the screen, also. After seeing so many "classic" books and/or plays butchered by Hollywood, this movie is a real delight, despite its morbid and all-too-realistic story. This movie has become an essential to my Grade 11 American Literature classes, spectacularly complementing their reading of Miller's play and several pieces from the Salem Witch Trial era.
Ignoring the play's historic flaws and inaccuracies (that's another debate for another time), Miller brilliantly captured the essence of the Salem Witch Trials in his play and has conveyed them to the screen. Hatred, fear, jealousy, hypocrisy, religious mania, attention-seeking, conviction, strength, determination, repentance, and a host of other emotions and character traits are vividly brought to life by a superb cast: Daniel Day-Lewis is a great John Proctor (nobody else could have done better), Winona Ryder is very good as the conniving and bitter Abigail Williams, Joan Allen was nominated for an Oscar for her portrayal of Elizabeth Proctor, and Paul Scofield should have won an Oscar for his cold-hearted portrayal of Justice Danforth. The conflict between Proctor and Danforth is what sustains the play's momentum for the second and third acts (about the last hour and fifteen minutes of the movie), and Lewis and Scofield bring that epic conflict to life: the classic good v. evil, with the sides getting somewhat mixed up as to who is who. . . . Lewis plays the flawed hero to Scofield's self-righteous and vindictive villain with palpable energy. How Scofield's performance was overlooked by the Academy is just another example of their oblivion. He gives me the willies with his methodical, calculating delivery of Miller's chilling dialogue: "Who weeps for these weeps for corruption" (among a bunch of great lines from the play/movie).
This isn't simply a play enacted in front of movie cameras (like Death of a Salesman). The director uses his camera very effectively, capturing some great close-up moments, unique perspectives and camera angles, and bringing a sense of "bigness" to the whole story. The play can seem very isolated, with its sparse sets and black-and-white costumes. Miller also expands the movie to begin well before the play does (giving the movie-goer information that he must have assumed the play-reader would already have) and extending it beyond the conviction of Proctor to include his execution, along with that of Rebecca Nurse and Martha Corey. Just as a side note, each of those three was hanged in a separate group in the original trials--great symbolism from Miller, including each larger original group of victims in the final trio. Also great symbolism in Proctor's Christ-like physical placement in the middle of the two "sinners," as he takes their sins upon him--the crucifixion is represented very effectively.
Bottom line: You won't see a better adaptation of a play to movie anytime soon. Nothing essential is left out, and some nice details are brought in to give the movie a distinction from its original source, the play. If you can make it through this play and not be outraged by the injustice and hypocrisy, then you have a heart as cold as Danforth's. What Miller would likely want you to do is apply that outrage to similar situations that go on every day, just as he intended with his original play (the McCarthy hearings, the "Red" Scare). At least watch the movie, though.

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The Salem witch trials of 1692 are brought vividly to life in this compelling adaptation of Arthur Miller's play, directed by Nicholas Hytner ("The Madness of King George").A group of teenage girls meet in the woods at midnight for a secret love-conjuring ceremony.While the other girls attempt to cast love spells, Abigail Williams (Winona Ryder) wishes for the death of her former lover's (Daniel Day-Lewis) wife.When their ceremony is witnessed by the town minister, the girls suddenly find themselves accused of witchcraft.Soon the entire village is consumed by cries of witchcraft, and as the hysteria grows, blameless victims are torn from their homes, leading to a devastating climax.

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