Beetlejuice (1996) Review

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(More customer reviews)When this movie first came out about fifteen years ago, my father owned a video store and every Wednesday night was "Beetlejuice" night. I'm older now, obviously, but I still cannot get enough of this movie.
Alec Baldwin and Geena Davis play Adam and Barbara Maitland, two Connecticut yuppies who die prematurely in a car wreck. Within a couple weeks, their home is overrun by an ultra-trendy New York City family, Charles and Delia Deetz, and their Goth daughter, Lydia (played respectively by Jeffrey Jones, Catherine O'Hara, and Winona Ryder). Adam and Barbara want their house back, and attempt to scare the Deetz's out of the house by wearing sheets and even by possessing them over dinner, making them sing and dance to Harry Belafonte's "Day O." Those attempts fail and enter Michael Keaton as Betelguese, "the afterlife's leading freelance bio-exorcist." The movie is dark without being scary and funny without being ridiculous.
In my opinion, one of the real gems in this film is the late Sylvia Sidney as Juno, Your Case Worker. Sidney was pushing eighty when this film was made, but turns in a great performance as the embittered equivalent of an afterlife social worker. Love how the smoke from her ever-present cigarette comes out of the slit in her throat.
If you've never seen this movie, see it. If you have seen it but don't own it on DVD, get it. The picture quality is better than ever.

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a couple of nice homebody ghosts, trying to rid their house of afamily of trendsetting human beings, is hell-bent on making theirhome unlivable -- even for the dead.DVD Features:Other:Alternate music-only track (5.1)Production NotesTheatrical Trailer

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The Long Kiss Goodnight (1996) Review

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(More customer reviews)Okay, so sometimes I call this movie "The Long Kiss Goodbye" instead of "The Long Kiss Goodnight," but that does not detract from the fact this is one of my favorite action films from the post-"Die Hard" era (yes, more than "Speed"). The hook is fairly simple: Samantha Caine (Geena Davis) has had amnesia for eight years when suddenly Mitch Henessey (Samuel L. Jackson), the fourth-rate private investigator she hired to work on her case, actually stumbles over a clue. However, that becomes rather academic when some guy comes bursting through Samantha's front door trying to kill her and she dispatches him on pure reflexes.
What we have in this film are the requistie elements for a great action film: interesting characters, memorable dialogue, and great set pieces for the action. Geena Davis comes on like a next generation Sigourney Weaver, going through a fairly intense gamut of emotions as her new life collides violently with her old one (I think this might have been the film were Davis learned her hand/eye coordination was good enough for her to take up archery on a level just below Olympic caliber). Then there is Samuel L. Jackson: is there another action in America today who curses as well as this guy? Every time he swears it comes across as character development rather than profanity (okay, really kewl profanity, the type our parents would never want to hear coming out of our mouths). Think of this as a buddy film where the buddies have neither gender nor race in common.
The supporting cast features Craig Bierko as Timothy, a terrorist who prides himself on knowing when somebody is lying to him, Brian Cox as Dr. Nathan Waldman, the person who knows the truth about Sam, and David Morse as Luke, another important person from her past. The government as boogey man comes into play yet again in this film, but that old chestnut is not central to the fun and games. Despite Jackson's profanity laced tirades (although Davis holds her own at times), most of the really great lines in this film are not obscene. To make lines like "Chefs do that," "I took lessons," and "Am I lying?" great lines, you have to set them up in term of the characters.
The bottom line is nicely expressed by Henessey's character early in this film. When it comes to judging the quality of "The Long Kiss Goodnight," never make an assumption, because when you do, you make an "ass" out of "u" and "mption." You will not fall asleep during this film.

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A violent tale of a young mother who awakens after years of amnesia to discover she's an assassin, with her former bosses in hot pursuit.

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