Showing posts with label robin williams. Show all posts
Showing posts with label robin williams. Show all posts

Saturday, November 3, 2012

Awakenings (1990) Review

Awakenings (1990)
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Based on the real life story of Dr. Oliver Sacks, 'Awakenings' ranks as one of the best movies I've seen. If features a terrific screenplay that was adapted from the book and a memorable directing job by Penny Marshall. But the most suprising thing to me was the choice of actors to play the two main roles in the movie. Robin Williams was pretty much known as the slightly insane comic genius from the 1980's, and Robert DeNiro was playing such hard-hitting, aggressive characters in films like 'Raging Bull', 'The Untouchables', 'Taxi Driver', and 'The Deer Hunter'. Both actors turn in career performances, and play parts that totally will smash any preconceived notions you had of them up to that point.
The film is based on Dr. Leo Sayer(Williams) and his work with people who have come down with a mysterious sleeping-sickness in 1918, which has left them in a catatonic state. Dr. Sayer is a shy person who is not comfortable conversing with others, but is also a very dedicated neurologist. He starts to work with these "sleeping" people and thinks that he senses something in them that is alive deep inside. He begins to work with a man called Leonard Lowe(DeNiro), and takes a special interest in him. He reads up on the drug L-Dopa, which had helped people in similiar states as his patients, and tries to convince the hospital and Leonard's mother to try the drug on her son. They allow the test to happen, and Leonard wakes up from his "sleep". The drug is then tried on his other patients with similar results. You would think that it was a happy story from thereafter, but life is not full of Hollywood endings, and the story does not take the easy way out. It won't leave you depressed or exhilarated but somewhere in between, like life is most of the time.
Definitely one of the best films to come out in the past 12 years, and should be in any serious movie buff's collection. There are no extra's on the DVD, but the quality of the picture is pretty good. But in the end, isn't it about the movie, not the extra's(by the way, I love the extra's just as much as everyone else). Marshall, Williams, and DeNiro have made a special film that they should be proud of and will be watched by generations to come.

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BASED ON THE TRUE STORY OF A SHY RESEARCH PHYSICIAN WHO USES AN EXPERIMENTAL DRUG TO AWAKEN CATATONIC VICTIMS OF A RARE SLEEPING SICKNESS.

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Wednesday, April 18, 2012

Disney's Flubber (1997) Review

Disney's Flubber (1997)
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I am opposed to remakes in general. Rarely are they as good as the original. I have thought, and continue to think, that remakes are a way to admit that filmmakers are not as creative as they once were, and a remake begins with a completed product. Having said all that, I did like this movie. The movie has problems, but I managed to ignore the problems and have a few good laughs.
Professor Philip Brainard (Robin Williams) is a science genius. Professor Brainard has enough inventions in his house to keep a fleet of patent agents and attorneys busy for years. However, the movie ignores such trivialities to focus on Professor Brainard's need to develop a cheap source of power. The story has Brainard focusing on his pursuit of cheap power to the exclusion of his fiancée Dr. Sara Jean Reynolds (Marcia Gay Harden) and his impending marriage to her. Brainard also seems to be oblivious that Wilson Croft is out to steal his girl, his inventions and sink the college at which they are employed, all at the same time.
Robin Williams is in good form, providing laughs throughout the film. While Fred MacMurray had an air of absent-minded innocence that Williams fails to achieve, Williams brings his own style to the role and does a good job. Marcia Gay Harden almost seems unnecessary to the film though I did like her character. Williams's frenetic characterization of Brainard makes everyone else seem mundane in comparison.
Two of the biggest stars in this movie are special effects, the flubber and a flying robot. The flubber sings and dances and squeaks like a mouse. The robot watches too many soap operas and movies and is jealous of Sara Jean. The robot works diligently to keep the wedding from happening.
This movie does ignore a lot of things in order to keep the plot moving along. I kept wondering how Brainard created an intelligent flying robot the size of a football. Brainard also ignores the need for nuclear elements to power his flubber, with the attendant problems associated with nuclear materials. The missing of the wedding seemed an excessive plot detail, and I found that portion of the plot distracting.
I think the original "Absent-Minded Professor" movie remains superior to the remake. However, if you ignore that this movie is a remake and you are able to ignore the inconsistencies, the movie has a number of very funny moments. I would consider this movie for a family library, though some of the action is quite violent and I would probably limit watching to children ages 7 or 8 and above. Good luck!

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Packed with unmistakable Disney magic, FLUBBER explodes on the screen, fusing adventure, eye-popping visual effects, and the gravity-defying comic genius of Robin Williams. The resulting concoction is a hilarious adventure for all ages. Brilliant but befuddled Professor Phillip Brainard (Williams) is on the brink of inventing a revolutionary energy source and missing his wedding to fiancee Dr. Sara Jean Reynolds (Marcia Gay Harden) -- president of financially challenged Medfield College -- for the third time! When Phillip experiments with his own big bang theory, a miraculous elastic good -- Flubber -- emerges, leaving him ecstatic, but unmarried! Phillip and his flying cyber sidekick, Weebo, soon discover that Flubber, applied to anything, enables it to bounce super high and fast. However, many questions remain. Is Flubber good enough to win Sara back, save Medfield from its financial problems, and slip through the hands of the evil financier who is bankrolling the college? FLUBBER slips, slides, giggles, glides, flips, and flies -- the stuff of surefire family entertainment. Now you can bring home Disney's box office hit that's two parts innovation, three parts imagination, and "100% pure fun!" (CNN)

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Thursday, March 22, 2012

Weapons of Self Destruction (2010) Review

Weapons of Self Destruction (2010)
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I had the privilege of seeing this show live. We were originally supposed to see it in March but it was postponed because right before our original date because he had his heart surgery. As a result, we saw the show in October.
I had been laid off for the second time in a year the day of the show and I almost was too depressed to go. But I had been waiting soooo long to see him and spent so much money on the tickets that we went.
The show is definitely different than some of his earlier shows -- he worked in a lot of material about his heart surgery and aging in general and it made him seem more "human". However, in typical Robin manner -- it was so frenetic and off the wall that I still laughed so hard I ached by the end of the show. Most of the audience seemed like we were all around Robin's age so we are all on a similar journey in terms of aging.
Most of the material in this show isn't about the wild and whacky early days of youth where you act crazy because you believe you are indestructable. Rather the material comes from someone who has been through that stage and lived to tell about it and recognizes his own mortality and all that goes along with the natural aging process.
Maybe that doesn't sound like funny stuff -- but Robin Williams makes it funny and allows you to laugh at yourself and the aging process which is a relief. It is sort of like -- you can either whine and moan about getting older or your can laugh at yourself. I know I would much rather laugh and revel in the shared experience that all of us boomers are going through.
Other themes that he touches on are the economy (again, making you laugh at the absurdity that got us here just as Jon Stewart of the Daily Show makes you laugh), some politics, and just generally absurd tangents in a way that is Trademark Robin Williams...
If you have followed Robin Williams career from the days of Mork (which means you are old enough to have aged with him and lived through the decades with him), then I think you will enjoy this DVD. If you are expecting his previous style of "free association" comedy that you might have seen snippets of but where you don't know the "history", then you may be disappointed (as the first reviewer obviously was).
Great artists evolve. Robin Williams has evolved but he has definitely aged well and if you want a chance to laugh at yourself and the aging process -- you will find yourself worn out with laughter after viewing this DVD.
As I said, I was almost too depressed to even go to this show. However, after I left, I felt so much better because I had laughed so long and so hard. Laughter truly is the best medicine and Robin Williams is the best "practitioner" of this medicine in my humble opinion!!
[NCJAR]

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Robin Williams - comedian, writer and Academy Award-winning actor - returned to HBO for his first solo TV concert since 2002.The show was filmed at Washington D.C.'s DAR Constitution Hall on his sold-out "Weapons Of Self Destruction" national tour.Robin covers such topics as global warning, health care in America (suggesting a "cash for clunkers" for elderly relatives), and more personal topics such as his recent open heart surgery.Bonus features include clips from Robin's previous concerts - some dating back to 1978 - as well as tour highlights filmed all along the 2009 tour.

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Wednesday, September 28, 2011

Jumanji (Collector's Series) (1995) Review

Jumanji (Collector's Series) (1995)
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When Alan Parrish finds an old board game in a construction site, he has no clue what awaits him. When he and friend Sarah Whittle start to play, he is pulled into the game and she is chased from the house by bats. Fast-forward 26 years to when brother and sister Peter and Judy Shepherd start to play. They free a now grown Alan from the game, but in the process release monkeys, mosquitoes, and a lion. They realize they must finish the game to make everything return to normal. Reuniting with the adult Sarah, they attempt to stay alive long enough to do just that.
This movie is a fantastic fantasy/action movie. It starts out well, and the suspense continues to build until the climax. At the same time, it's got some great one-liners and funny scenes to break the tension. The entire cast does well with the material, including all the special effects. The special effects show their age today and are a bit more stylized then realistic, but they serve the movie well.
A word of warning to parents. This is a very intense movie. Even though it was marketed as a family movie, many small kids will be frightened by it. Keeping that in mind, you might want to preview it before you show it to them.
This DVD is a perfect showcase for the movie. The picture is sharp, and the surround sound puts you right in the middle of the action. There is a commentary and two documentaries from the special effects team that give you insight into how they brought the animals in the film to life. If you're looking to purchase this film, this is the version to get.
Jumanji is an action movie that gets it right. It has the perfect mix of character and story supported by special effects. Pick it up today and be prepared to leave your world behind.

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JUMANJI:COLLECTOR'S SERIES - DVD Movie

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Wednesday, September 21, 2011

Robots (Widescreen Edition) (2005) Review

Robots (Widescreen Edition) (2005)
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As reviewers, it's natural for us to compare an artist's work to his/her previous album, movie, book, etc. In this case, it becomes "natural" to compare "Robots" to the previous animated hit by Fox, "Ice Age". If we do this, "Robots" comes out lacking against its frozen predecessor. It is not as novel in terms of its intent and also the script is not as powerful (perhaps because it's also tougher to relate to inanimate beings such as robots, than it is to relate to animals or humans). But still, it is a funny (though predictable) movie, with touching moments and plenty of excitement all through it. I particularly enjoyed the ride that Rodney is put through when he arrives in Robot City, in order to get to the headquarters of Big Weld, where he dreams of working.
The humor can be argued to be more adult-oriented, but still with proper supervision, I totally see it being fit for children. The fact that our 18-month old was jumping out of his seat halfway through the movie is more the result of him being hyper than the movie not being fit for children. Now I admit this is no "Finding Nemo" (which keeps him entertained all through it, time and again). So, bottom line, while not as good as or innovative as "Ice Age" and without a very powerful storyline and groundbreaking animation as "Nemo" got us used to, "Robots" is still a funny movie worth checking out.

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Fasten your seat bolts and gear up for a hilarious, heartwarming comedy that's "Fun for the whole family!" (Clay Smith, Access Hollywood)With the help of his misfit mechanical friends, a small town robot named Rodney embarks on the adventure of a lifetime as he heads for the big city to pursue his dreams?and ultimately proves that anyone can shine no matter what they're made of.Featuring an all-star voice cast and a groundbreaking visual style that pushes the boundaries of animated filmmaking. Robots is a dazzling, fun-filled feast for the eyes and a riveting good time for all ages!

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Friday, September 16, 2011

Old Dogs - 3 Disc Blu-ray Combo Pack (Includes DVD + Digital Copy) (2009) Review

Old Dogs - 3 Disc Blu-ray Combo Pack (Includes DVD + Digital Copy) (2009)
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In the insufferable and unwatchable "Old Dogs," John Travolta and Robin Williams play longtime Manhattan business partners who've been best friends since high school. One's a superannuated swinging bachelor (I'll let you guess which); the other's a divorced commitment-phobe who suddenly discovers that he's the father of two fraternal twins from a woman (Kelly Preston) he briefly married, then got an annulment from, seven years earlier. Now that the kids are in his life, Williams is learning what it means to be a daddy - movie-comedy style, that is.
I guess there must be an audience out there for these dumbed-down daddy-day-care scenarios, featuring grown men who are more childish and immature than the kids they`re supposed to be raising, but, frankly, I don't get the appeal. Suffice it to say, the script - a gruesome combination of painfully contrived setups, unfunny jokes, teeth-grinding sentimentality and stunningly desperate slapstick routines - feels as if it were written by a not particularly gifted third-grader; the direction is low-grade and cheesy, and the acting consists of little more than nonstop mugging for the camera. It even employs the oldest family-comedy standby of them all: a cutesy dog for cutaway reaction shots that are somehow supposed to make the whole thing even more side-splitting and hilarious than it already is. (And, in deference to their careers, we hesitate to even mention that Bernie Mac, Ann-Margret, and Matt Dillon drop in for some ill-advised cameos, which I`m sure they`ve since come to regret).
This may not be the worst movie ever made by either Travolta or Williams, but it's certainly right down there vying for the title. An embarrassment for all concerned, the pooch included.

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John Travolta and Robin Williams star in Old Dogs, the hilarious family comedy that will have you howling. Two best friends have their lives turned upside down when they're unexpectedly charged with the care of seven-year-old twins while on the verge of the biggest business deal of their lives. The clueless bachelors stumble in their efforts to take care of the children, leading to one debacle after another, with a gorilla and some pecking penguins -- and perhaps to a newfound understanding of what's really important in life. Featuring a riotously funny supporting cast including Seth Green, Kelly Preston, Matt Dillon and Lori Laughlin, Old Dogs is a laugh-a-minute comedy filled with heart.Bonus Features Include Exclusive To Disney Combo Pack: Young Dogs Learn Old Tricks, Exclusive To Disney Combo Pack: Music Video You've Been A Friend To Me Performed By Bryan Adams, Bloopers, Deleted Scenes, Music Video Every Little Step Performed By John Travolta And Ella Bleu Travolta, Audio Commentary By Director Walt Becker, Producer Andrew Panay And Writers David Diamond And David Weissman, DVD Feature Film Plus Bonus, Digital Copy Of Feature Film

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Friday, July 29, 2011

What Dreams May Come (1998) Review

What Dreams May Come (1998)
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There is such a profound sense of drama, magic and emotion behind the story in "What Dreams May Come," a film based on the novel by Richard Matheson. There is a strong story with which anyone who loves someone else can identify, as well as an austentatious and elegant scope of visual and auditory imagery that jumps right for your eyes onscreen. Matheson's visions of heaven and hell are magnificently realized here, as well as the love between two people that is unbreakable, even after death.
The movie begins with the chance meeting of two American tourists traveling in Switzerland. Soon after, Chris and Annie become inseperable, and after their wedding, they bear two children. Many years later, Ian and Marie are killed in a car collision, leaving their parents distraught yet overcoming. Another couple of years later, Chris dies in a car accident as well, on his way to celebrate the "Double D" anniversary of his wife's emotional recovery from their childrens' deaths. This begins his trip into heaven, which is rocky at first during his attempts to console his living wife, then graduating into his acceptance of his immortality and ascemding into heaven, which turns out to be the creation of his own thoughts and settings. When he realizes that he is not completely happy without Annie, he becomes depressed, so it is no surprise that when Annie commits suicide and is sent to hell, he readies himself to rescue his wife from her emotional confines that keep her in her prison of eternal darkness.
The story for this movie is very ambitious, as are the filmmakers who bring it to life. There is an abundance of vivid memories in the form of flashbacks, many of which are precisely used to move the plot along and keep the story moving. Instead of becoming bored with the ongoing story of Annie and Chris's married and parental life, I found myself becoming more and more entranced as their lives unfolded, and say what you will, but the only way to tell a story like this is through flashbacks. If you were to take all of the memories and place them in order at the beginning of the movie, the audience would forget about the important moments that have an effects on the actions and events that take place in later instances of the film. Each one is a separate piece of the puzzle, and they all fit together quite well.
This film is one of those movies that showcases the possibilities for filmmaking in the future. Really, when you think about it, there is no way that the movie could have been made thirty years ago and still have the same impact as it does now. The settings and scenery play the most important role of the movie, for they provide the reason for the emotion and action that affects our characters. The beginning shots in Switzerland show us beautiful vistas of mountains and lakes, which will later become the inspiration for Chris's heaven, as well as many of the paintings Annie creates. Their home bursts forth with color and brightness, proving that color plays a big role in the film. When everyone is alive, everything seems light and airy. After Chris's death, all is dark, and the walls of the home seem dismal and gray. One scene in particular is a scene in which Chris watches his children being driven away in their van down a long line of lilac trees, a slight fog covering the scene. Their is that brilliance of color, yet the dark fog makes us uneasy, hence the accident that kills their children.
Heaven is elegantly portrayed in this film, and is done so with a new twist: that each person has their own private heaven created in the image of their own personal desires and thoughts. Chris's heaven is based on the paintings of his wife, from the mountains of Switzerland to a small island in the middle of a mountain lake with an opulent, airy house. The filmmakers give each scene the precise look of a painting, even after the special effects fade, using vivid colors, lots of flowers and mountainous backdrops, to transport us into Chris's new world. This is one of the most incredible film achievements ever, taking us to a special place that is warm, inviting, and personifies every thought we, as an audience, have ever had for beauty and vision.
Hell is given a truly horrifying and intense treatment, displaying visions of suffering as well as the personal and emotional pain of life that haunts us all. Somewhat like the way in which Heaven is created, Hell is seen as a persons's "life gone wrong," which allows for the creation of their pain-driven eternity. The gateway to hell is a stunning visual image, a vast, smoky graveyard of smoldering shipwrecks that creak and groan. There is also a dismal, endless sea of decrepit faces of hell's inhabitants, that groan and scream at one another. The most striking of all the settings is the overturned cathedral, where Annie resides. The columns rise from the ceiling and go on forever into the darkness, which gives the whole place a sense of the neverending.
There is a unique chemistry between the two leads that carries on the film's emotion and power. Robin Williams is charming, humorous and bold as Chris Nielsen, and through his acting and talent, he is able to make us believe in the love that Chris holds for Annie. Annabella Sciorra is moving as Annie, embodying all of the emotions and grief that set the stage for the second half of the story. When the two are together onscreen, they are happy and in love, and we buy it because they make it appear very authentic. Cuba Gooding, Jr. plays the angel that brings Chris to heaven, doing well in his performance of helping Chris through his struggle to realize his death. Max von Sydow, whose part is not as big as others he has had, is the tracker who takes them all to hell, and his words of wisdom keep the film's informative angle moving.
"What Dreams May Come" will go down in history as one of the most innovative and spectacular films ever made, full of ambition and inspiration. In its story, we are taken on a journey of the human heart, as well as a striking vision of what may lie in store for everyone under God's eye.

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Saturday, July 16, 2011

Patch Adams - Collector's Edition (1998) Review

Patch Adams - Collector's Edition (1998)
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+++++
This movie is based on the book "Gesundheit: Good Health is a Laughing Matter" by Hunter Doherty Adams with Maureen Mylander.
Mike Farrell of "M*A*S*H" fame was one of the producers of this movie.
This movie is also based on the true story of Hunter "Patch" Adams.
At the movie's beginning we are taken to the psychiatric ward of a hospital in 1969. We discover here how Hunter Adams (Robin Williams) gets his unique nickname of "Patch" and why he decides to become a medical doctor.
Two years later he goes to medical school where he encounters, among other things, a snobby roommate named Mitch (Philip Seymour Hoffman), a very traditional medical school dean (Bob Gunton), meets a fellow medical student named Truman (Daniel London) who becomes his good friend, and as well meets a stand-offish female medical student Corinne (Monica Potter) who eventually sees his point of view with respect to medicine.
Patch's antics at the hospital where he learns to become a doctor are hilarious. (These antics almost get him kicked out of medical school.) But there is a method to his madness as he wants to humanize medicine. His underlying philosophy is:
"A doctor's mission should be not just to prevent death but also to improve the quality of life [of patients]."
He eventually has a brainstorm of building a free clinic called the "Gesundheit Institute" and to get started he starts a free clinic while still attending medical school.
A tragedy occurs but Patch is able to overcome it.
The movie ends by giving the viewer the following information:
"During the next twelve years, Patch Adams opened a home-based family medical practice and treated more than 15,000 people without payment, malpractice insurance, or formal facilities...construction of the Gesundheit Hospital is currently underway. To date [1998], a waiting list of over 1000 physicians have offered to leave their current practice and join Patch's cause."
All the acting is good but Robin Williams as Patch gives an interesting performance. Even though he delivers sidesplitting humor, I felt that it wasn't over-the-top and is balanced quite well with the inspiring, dramatic, and true story. I was also surprised by Daniel London's excellent performance as Truman, Patch's sidekick. Monica Potter's Corinne character is somewhat one-dimensional but she makes the best of it. Philip S. Hoffman also does a good job as the serious medical student named Mitch.
I also enjoyed the background music. It adds to each scene of the movie.
Some people (including Roger Ebert) don't seem to like this movie. However, according to Amazon's "Theatrical Release Information" (see above), this movie whose budget estimate was $50 million has taken in $194 million worldwide garnering a profit of almost $145 million. So the big question is, "Why don't some people not like this movie." The main reason, I think, is that (believe-it-or-not) some people are satisfied with the traditional medical system as it is today and don't like anything (such as this movie) that criticizes it. Thus, I would not recommend this movie to such traditionalists.
Finally, the DVD (collector's edition) has excellent picture and sound quality. There are a few extras, all of them interesting.
In conclusion, this is an inspiring movie based on a true story that effectively displays Robin Williams' comic and dramatic talents. It is not to be missed!!
(1998; 1 hr,50 min; widescreen)
+++++

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Meet Patch Adams (Academy Award-winner Robin Williams), a doctor who doesn't look, act or think like any doctor you've met before. For Patch, humor is the best medicine, and he's willing to do just about anything to make his patients laugh - even if it means risking his own career. Based on a true story, Patch Adams combines sidesplitting humor with an inspiring story that transcends the traditional comedy.

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Friday, May 20, 2011

The Birdcage (1996) Review

The Birdcage (1996)
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American audiences flocked to this remake of the French classic, "La Cage Aux Folles" - perhaps the funniest comedy ever released in ANY language. It's no surprise that the US viewer could easily lose his or herself in this laugh riot, especially with the incomparable Robin Williams and Nathan Lane in starring roles. Lane is delicious here as the top billed female impersonator and star at Birdcage, a drag extravaganza club owned by his better half Williams. While Williams tones down his Mork routine and actually softens as a result, as funny as he his, Lane steals the movie, with a warm, knowing performance that ranks up there with STeve Martin in "All of Me" as one of the best comedic works ever on film. Dan Futterman (brilliant in "Urbania") plays Williams' son with the right mix of charm and apprehension, while Calista Flockhart (yes, Ally McBeal herself) is strong as his fiance. And that's Hank Azaria (of "The Simpsons" and the ex-Mr. Helen Hunt) as the butler, in a HYSTERICAL mode. Gene Hackman is a hoot as the bride-to-be's right-wing Jesse Helms-like character...and his final scene in drag (think Robert Preston in "Victor Victoria" mixed with Martin Landau in "Ed Wood") alone deserved Oscar consideration. Both Hackman and Lane were robbed at Award time, unlike Ugo Tognazzi (who played the Robin Williams role in the original) who scored an Oscar nomination for Best Actor. Williams doesn't come close to achieving Tognazzi's utter sincerity and charm, but the movie works regardless.
If you've seen and enjoyed the "Birdcage" do yourself a HUGE favor - suspend all fears about reading subtitles and rent thyself "La Cage Aux Folles" (part ONE, not part TWO, which is a poor continuation.) Even in French - perhaps even more as a result of being in French - "La Cage" soars now as it did long before the "Birdcage" was let out of the bag. Its universal themes speak to us in ANY language, but on-screen, the chemistry between its two main characters (indeed, their "marriage" and intimacy) is exceptional - laugh-out-loud funny, utterly winning and full of life. Whereas both Lane and Williams at times seem to be floating through the material, the actors in "La Cage" are clearly taking major risks, especially 20+ years ago when it was first released to wide acclaim. They swish and bicker themselves into your heart and soul, physically and emotionally transforming themselves into shadow images of ANY mom-and-pop couple I've ever known, whether hetero or not.
"La Cage" is flawless. If you've seen La "Birdcage" experience this one-of-a-kind masterpiece and you'll be rewarded with a raw and rowdy comedy that's pure genius.

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Lies and deceptionit's all in the family when Robin Williams must convince his future in-laws that he's as upstanding and uptight as they are in "the funniest comedy you'll see this year" (Gene Shalit, "Today Show"). Co-starring Gene Hackman, Nathan Lane, Dianne Wiest, Christine Baranski and Calista Flockhart, The Birdcage is an uproarious comedy that will send your spirits soaring. Armand (Williams) and Albert (Lane) have built the perfect life for themselves tending to their gaudy Miami nightclub. But their pastel tranquility is shaken when Armand's son announces that he's getting married to the daughter of ultra-conservative Senator Keeley (Hackman)...and they're all getting together for dinner! Can Armand and Albert transform themselves into Mr.and Mrs.Family Values in time? It'll take the performance of their lives, but they'll do anythingand everythingto pull the chiffon over Keeley's eyes!

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Tuesday, April 26, 2011

Night at the Museum: Battle of the Smithsonian (Single-Disc Edition) (2009) Review

Night at the Museum: Battle of the Smithsonian (Single-Disc Edition) (2009)
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My wife and I enjoyed the original "Night at the Museum" we expected to the sequel to be typical of seconds... not quite as good. However, "Battle of the Smithsonian" bucks this trend - and in our opinion it is significantly better than the original. The plot is a bit silly - our favorite night-watchman had made it big as inventor of useless products. His new position as CEO means that he is no longer working at the museum. The museum has also undergone a few changes - namely most of the exhibits are being shipped into storage. The storage is below the Smithsonian... and that is where the action begins!
"Battle of the Museum" blends, action, humor and a numerous celebrity cameos into a fun-filled flick. The story introduces us to some Egyptian pharaoh (can't remember which one), Ivan the Terrible, Napoleon, Amelia Earhart , Abe Licoln, and miniature Einstein bobbleheads! The star of the story is the incredibly imaginative action sequences... the jumping in-and-out pictures, the banter of Abe Lincoln.... all of it light-hearted and very entertaining.
As far as the acting - Ben Stiller was .... Ben Stiller - you either love him or you hate him. We really did enjoy Amy Adams as Amelia Earhart - she seems to have nailed the accent, look and walk - plus she was very funny!
Final Verdict - Recommended for everyone (This is a very kid friendly movie) but it highly recommended for everyone who enjoyed the original.
5 Stars

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History is larger than life—and twice as funny—in this monumental comedy sequel that’s “better than the original” (At the Movies)! Ben Stiller leads an all-star cast (including Amy Adams, Owen Wilson, Hank Azaria and Robin Williams) as Larry Daley, a former night watchman at the Museum of Natural History, where the exhibits come to life after dark. But now Larry’s nocturnal friends are being retired to the archives of the Smithsonian Institution, luring him back for a hilarious, all-out battle against museum misfits who plan to take over the Smithsonian...and the world!
Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround
Language: Dubbed & Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 2.35:1


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