Showing posts with label tragedy. Show all posts
Showing posts with label tragedy. Show all posts

Wednesday, June 27, 2012

Bridge to Terabithia (Widescreen Edition) (2007) Review

Bridge to Terabithia (Widescreen Edition) (2007)
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I watched "The Bridge to Terabithia" on a whim with my wife and daughter with little foreknowledge of the plot. I'd never read the Newbery Award-winning book by Katherine Paterson, and I'd seen only one trailer for the film, which left me with the impression it would be a Narnia knock-off. It's not.
I'm not dissing "The Chronicles of Narnia," which in its way was a remarkable film. But "Terabithia" didn't deserve the CGI-laden marketing campaign it received; far from a fantasy blockbuster, this is a deep and thoughtful movie that places substance over sparkle -- a rare treat in the sprawling field of youth-oriented theater. It ranks up there with one of my favorites, "The Secret of Roan Inish," which accomplished more with no special effects than most family-friendly movies could with a billion-dollar budget.
But I just can't shake "Terabithia" from my head, a fact owed mostly to the performance of AnnaSophia Robb. As Leslie, a spirited young girl with a fiery imagination and endless good cheer, AnnaSophia captured my heart. She's the kind of person you want to know when you're a child and, as my wife remarked midway through the film, she's the sort of young woman you'd be happy to see your daughter grow up to be.
An outsider despite her youthful good looks and family wealth, she finds her perfect match in Jesse (Joss Hutcherson), another outsider who has withdrawn into his art to escape a chilly home life and his own problems at school. Together, they discover a secret getaway that might seem like a fairly ordinary patch of woods to most people; to them, it's a magical world replete with fantastic creatures, hidden dangers and amazing triumphs. It's here the special effects intrude more than accentuate the film; the story would have benefited from a vaguer sense of Jesse and Leslie's own wonder. We don't need to see CGI creatures to believe that these two children do.
The strength here, besides outstanding performances from the two lead actors, is the impact of a story that knows no amount of fantasy can prevent real-life tragedies from occurring. And the tragedy here -- it's hard to write about it without giving it away -- slams into unsuspecting viewers like a sudden kick to the gut.
Parents of younger viewers should be prepared to have a long and serious talk with their children after this movie, but that's not a recommendation to avoid it. "Terabithia" deserves to be seen, discussed and seen again. (Although use some discretion; very young children should wait before seeing this.) My thanks to director Gabor Csupo, as well as writer Paterson, for giving kids something honest and real rather than another serving of high-energy fluff.
by Tom Knapp, Rambles.(n e t) editor

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Saturday, February 26, 2011

Life as We Know It (2010) Review

Life as We Know It (2010)
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Hollie and Messer, set-up by best friends Allison and Peter, meet, share a disaster of a non-date and develop an intense hatred for each other. Then Allison and Peter get married and have a baby, forcing Hollie and Messer to be subjected to each other often. Glimpses of Hollie and Messer and their interaction flash on the screen as this relationship that ties them together unfolds. Finally, a laughing moment is shared at Baby Sophie's 1st birthday party where a picture is taken with "Godparents," Hollie and Messer, who don't understand exactly what that term means.
Fast forward several weeks and Hollie and Messer meet up at the police station to discover that Allison and Peter have died in a horrific accident and that Sophie needs them. They discover how much as the rest of the story unfolds.
I really liked this film. I watched it with four friends and we all agreed that it was worth the investment. The main characters are three-dimensional and well-cast. Though not laugh out-loud funny in most scenes, there is enough humor thrown in to make the subject matter less intense. Not pure comedy, or drama, also not pure chick flick. Enough deep issues and emotions play out that the movie grabbed my emotions and heart.
A few cheesy moments make their way into the movie...one in particular is a drug thread that ends up falling flat, though it likely supposed to play as a light-hearted moment. There are a group of neighbors that add annoyingly funny moments throughout the film. Language is minimal, the F-Bomb makes few appearances, the most memorable is a whispered fight. Messer is a new-girl-a-night kind of a guy so there are plenty of comments about his tom-catting ways, though the sex scenes are minimal and primarily off-screen. Hollie is an uptight business owner who's rigidity makes for a few annoying minutes throughout the film as well. But overall the relationship between them ends up being respectful of families and love and this one will end up in my DVD library.

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Holly (Katherine Heigl) is an up-and-coming caterer and Messer (Josh Duhamel) is a promising network sports director. After a disastrous first date, all they have is common is their dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Judging career ambitions and competing social calendars, they’ll have to find common ground while living under the same roof. Josh Lucas, Christina Hendricks, Hayes MacArthur and Jean Smart co-star in this tart and tender romantic comedy directed by Greg Berlanti (TV’s Brothers & Sisters and Everwood).

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