Picture This Review

Average Reviews:

(More customer reviews)I saw the premire of this movie and although it is girl likes jock, popular girl declares Jock hers and tries to kill girl socially. It was a really cute father daughter (or parent letting go) movie. As a HS guaduite, I thought this was a great movie to watch with my mom, and i was right. Shes been having seperation issues, like Ashley's Dad, and it was a fun movie to watch and connect with. Even my teenage brother thought it was a hilarious movie, watching all the things Ashley has to go through. From phone punking her Dad to convincing an audience to pretend to be a DVD movie.
I thought it was a really good movie!
Great job Ash!
Oh one more thing I really liked about it is the main character stayed true to herself. She didnt let the guy use her.

Click Here to see more reviews about: Picture This

A high school girl is invited to a party by the most popular boy in school -- only trouble is, she's grounded!

Get 13% OFF

Click here for more information about Picture This

The Doors (15-Year Anniversary Edition) (1991) Review

Average Reviews:

(More customer reviews)'The Doors' were one of the greatest rock and roll bands of the sixties and the quintessential California group of the decade. They so embodied the West Coast counterculture experience that viewing this biographical film about Jim Morrison and The Doors also provides a fascinating view of the cultural and spiritual forces that drove Jim and that entire generation to challenge the status quo of the American mainstream.
What exactly is the true story of the life and death of Jim Morrison? Is it the story of one of the many rebellious young adults of the time who in looking for an alternative way of living got lost along the way in the drugs, alcohol and sexual freedom that so dominated that culture? Or is Jims' story a deeply mystical tale announcing the rebirth of ancient shamanism into the collective consciousness of the twentieth century? The story of someone chosen by the spirits to bring the 'old ways' to a new generation looking for something to fill the spiritual void brought about by the loss of belief in the Christian God?
Director Oliver Stone has played the mythmaker to perfection in this amazing film providing us with the unique experience of entering into the American Dreamtime. Layering mundane worldly events intermitently with glimpses of the psychic, shamanic forces motivating those events we are given the opportunity to chose for ourselves what level of reality we are willing, or ready to accept. A truly remarkable accomplishment.
As for the performance of Val Kilmer as Jim Morrison, it couldn't have been better. His ability to capture both the physcial appearance and dark persona of the legendary rock star so completely is beyond extraordinary. Without question Val was born to play this role.
Did Jim really believe he was the "Electric Shaman" called by the spirits to open the "Doors of Perception" to a sleeping world? Was he Dionysus reborn, here to use his suggestive music and lyrics to arouse his followers and bring to fruition his new 'Rites of Spring' with "Golden copulations in the streets of L.A." More likely he was playing the part of the mischevious Indian 'Trickster' leading us once again in the wrong direction. Maybe it's just like his Mother said long ago while the old Indian lay dying along the roadside in the California desert. "It's just a dream Jimmy, that's all it is."
So relax, show no fear, "Kiss the Snake" and enjoy the ride!

Click Here to see more reviews about: The Doors (15-Year Anniversary Edition) (1991)

Jim Morrison (Val Kilmer), one of the most sensual and exciting figures in the history of rock and roll, explodes on the screen in THE DOORS, the electrifying movie about a time called the sixties and a legendary outlaw who rocked America's consciousness - forever. Meg Ryan, Kevin Dillon, Kyle MacLachlan, Frank Whaley and Billy Idol also star.

Get 12% OFF

Click here for more information about The Doors (15-Year Anniversary Edition) (1991)

Land of the Lost (2009) Review

Average Reviews:

(More customer reviews)"Captain Kirk's nipples!"
...and if that quote didn't tell you the new big budget big screen "Land of the Lost" film isn't exactly directed at the Saturday morning TV crowd... I fondly recall spending those mornings in the 70's with Will, Holly, Dr. Marshall and the Sleestak, so when I heard Will Ferrell would be taking the lead I was content in the knowledge that the campiness of the original Sid and Marty Kroft show would be preserved. As fate would have it this preservation extends even to the cheesy theme song which Ferrell nearly performs in one scene...this theme song pretty much covers the series and movie's premise...the aforementioned characters, on a "less than" routine expedition via an earthquake and a tachyon gadget (this part is new) end up in a parallel space they call the "Land of the Lost" complete with prehistoric critters and lizardmen. Unlike the series they need to find Dr. Marshall's misplaced gadget in order to get home, this leads to lots of mishaps and sight gags. But as I mentioned, this is not your father's "Land of the Lost" this is a Will Ferrell, albeit watered down, but nonetheless, a Will Ferrell film, so as you'd expect there is overt crude references flying aplenty, including hot Sleestak-on-Sleestak action (not really on screen), nothing to cringe-worthy...although some drug and vague sexual jokes.
"LOTL" is bookended by a "TODAY" show sequence in which Matt himself interviews Dr. Marshall about is kooky space/time theories and then again later interviews a vindicated Dr. Marshall at the movie's end. Dr. Marshall is classic Will Ferrell, the pompous, dimwitted boob he plays soooo well, so you know precisely what you will get upon entering the theater. This time he is a nutty paleontologist who has a strange fixation on "Chorus Line" and comfort food binges. "Land of the Lost" is more "Elf" than "Anchorman", I guess. What is new here is the digital dino and big bug eye candy, not really the norm for a Ferrell film, more in the spirit of Ringo Starr's "Caveman" than "Jurassic Park" though (especially the cave-boy-speak).
The kitsch aside, if possible, "LOTL" includes some impressive sets, some true to the original show, like the Sleestak ruins and some less Kroft, but equally cool, parallel world Bermuda Triangle parallel world clutter ala desert complete with missing ships, planes and gas stations. Also true to the Kroft look are the Sleestak lizard people (one of which is voiced by Leonard Nimoy a.k.a Spock) who look largely unchanged, but I'd have bought a ticket just for them anyway.

Click Here to see more reviews about: Land of the Lost (2009)

Comedic genius Will Ferrell stars as has-been scientist Dr. Rick Marshall, who gets more than he bargained for when his expedition takes a wrong turn into the Land of the Lost. Now, Marshall, his crack-smart research assistant Holly (Anna Friel) and a redneck survivalist named Will (Danny McBride), have no weapons, few skills and questionable smarts to survive in a world full of marauding dinosaurs, fantastic creatures and laugh-out-loud comedy!

Get 45% OFF

Click here for more information about Land of the Lost (2009)

Good Luck Chuck (Unrated Widescreen Edition) (2007) Review

Average Reviews:

(More customer reviews)Having seen Dane Cook as a stand-up comedian and been entertained by his humor and delivery, GOOD LUCK CHUCK seemed like an innocuous brainless evening entertainment. Unfortunately the story and script and direction are so sub par that even the most devoted of potty mouth movie fans will likely find this dud a bore. Hopefully Cook will be given better material for his next outing.
The story is meager but deals with a childhood hex placed on Cook's character, dentist Charlie Logan, which prevents him from finding lasting love: every woman with whom he sleeps (and there are countless encounters in the buff on endless multi-screen images) will marry the man she meets after her liaison with 'good luck' Charlie Logan. His obnoxious breast augmenter best friend Stu (Dan Fogler) sees Chuck's hex as a godsend for open sex, but when Chuck meets Klutz penguin trainer (Jessica Alba) and falls in love, there are problems - the solutions of which are so disgusting and unfunny that hardly need repeating.
This is a film, apparently with an audience (!), that is gross and so over the top that it completely wastes the talents of Cook and Alba. The film is being advertised as the 'chance to extensively see Dane Cook in the buff', but even that is an overstatement. Maybe if the viewer is on strong drugs....No, probably not even then. Pass on this one. Grady Harp, January 08

Click Here to see more reviews about: Good Luck Chuck (Unrated Widescreen Edition) (2007)

GOOD LUCK CHUCK - DVD Movie

Get 56% OFF

Click here for more information about Good Luck Chuck (Unrated Widescreen Edition) (2007)

Then She Found Me (2008) Review

Average Reviews:

(More customer reviews)Released earlier this year, Baby Mama covers the same emotional territory but in much broader slapstick terms, while this 2008 serio-comedy is driven far more by character than situation. In this case, the protagonist is 39-year-old April Epner, a New York kindergarten teacher who was raised in a close-knit Jewish family and desperately wants the biological connection of a birth child before her alarm clock goes off. She marries fellow teacher Ben, an inarticulate schlub with a terminal case of the Peter Pan Syndrome. After a brief time, he wants out of the marriage, and at almost the same time, April's adoptive mother Trudy dies. Not even a month goes by before April's biological mother suddenly shows up in the form of the brazenly overbearing but genuinely likeable Bernice Graves, a cable talk-show hostess who is something of a local media celebrity. If life was not complicated enough, April also finds herself drawn to Frank, the single father of one of her pupils. Unlike Ben, he feels the same about April but is fighting his own bitterness about his own recent divorce.
Not only does Helen Hunt star as April, but she also co-wrote the screenplay with Alice Arlen and Victor Levin and makes her big-screen directorial debut. Granted she's more impressive as an actress than a filmmaker, but as a director and writer, she makes the most of a storyline that stacks the deck a bit like a Lifetime TV-movie. There are enough realistic surprises that take the plot off the rails in a good way. Looking gaunt and avoiding much make-up, Hunt is really playing a variation of the beaten-down waitress she played in As Good As It Gets, as she carries that same constantly pained expression of disappointment and looks about to explode during moments of emotional duress. However, a decade later, Hunt inhabits the character more naturalistically this time and with a deeper sense of vulnerability and haggard exhaustion. Perhaps to minimize any unnecessary dramatic risk, Hunt cast the other principal roles with actors playing familiar parts. Matthew Broderick effectively portrays Ben as the perpetually dazed man-child he is, while perennial love interest Colin Firth gives texture to the seemingly ideal suitor Frank, especially as he edges toward the breaking point in tolerating the sum of April's foibles.
In one of her increasingly rare screen appearances, Bette Midler gives a scene-stealing performance as Bernice. She lights up the movie with the character's unfettered sense of abandonment while gradually exposing the secrets that threaten to undermine her newly found relationship with her daughter. Other parts are played with minimum fuss - Ben Shenkman as April's physician brother Freddy feeling put-upon for having a biological tie to their mother, and Salman Rushdie (yes, the controversial author of The Satanic Verses which brought him a death sentence from the Ayatollah Khomeini in 1989) as April's doctor. Hunt provides the principal actors, especially herself, plenty of good, meaty scenes with opportunities for bravura moments, and they do deliver. It just doesn't quite come together as a whole by the end, and that may be that Hunt is so used to the sitcom format of the long-running series, Mad About You. The incomplete result is that some laughs feel a bit contrived, some scene transitions seem jarring, and some expected character revelations are given short shrift. Nonetheless, the dramatic developments toward the end carry the emotional impact necessary to make the movie truly affecting, and Hunt should be given full credit for a most auspicious debut as a filmmaker.

Click Here to see more reviews about: Then She Found Me (2008)

An all-star cast with memorable performances by Helen Hunt, Matthew Broderick, Bette Midler and Colin Firth powers this smart, funny drama about love and destiny. Desperate to start a family, schoolteacher April Epner (Hunt) is thrown into confusion when she is unexpectedly abandoned by her husband (Broderick). She gets another shock when she meets her unusual birth mother (Midler), a self-centered talk show host who's not exactly the ideal mom. At first she rejects her, along with the attentions of a divorced dad (Firth), but then she begins to find her life opening up in ways she had never imagined.

Get 38% OFF

Click here for more information about Then She Found Me (2008)

The Witches (1990) Review

Average Reviews:

(More customer reviews)"The Witches" is one of my favorite films. The film combines the substantial filmmaking talents of Nicholas Roeg with the wonderworking of Jim Henson and an unforgettable performance from Angelica Huston. Every time I watch this film, I find something new to like about it.
Since I have seen the film numerous times, I was a bit disappointed that the DVD did not contain any special features, such as a commentary from the filmmaker or one of the actors. Other than the most basic chapter selection, the DVD does not offer any of the bonuses that one would like to see. Fortunately, the film itself is so good that it is worthwhile to buy this disc in spite of the substandard packaging.
From the very beginning of the film, we are thrown into an imaginative world where witches reside in literally every small village and where no child is safe in any country. As the credits roll across the screen, Roeg treats us to a ride on a broomstick, to a witch's-eye view of the frozen Scandinavian countryside.
The film then introduces us to Luke and his grandmother, the protagonists of this tale. We learn that the grandmother has long been fighting the witches and even has lost part of her finger in the struggles. After tragedy strikes the young boy's parents, the pair travel to England, which is literally infested with witches. Fortunately, Luke has been well-warned how to recognize them and can play safely in his tree house when other children would be in grave peril.
The delicious irony compounds when the grandmother takes Luke to a seaside resort hotel for her convalescence. It is the precise time when all the witches of England are meeting under the cover of the Royal Society of Prevention of Cruelty to Children. In a closed-door session, the witches remove their wigs and uncomfortable, yet practical, shoes, letting us see them in all their repulsiveness. The Grand High Witch (played to perfection by Angelica Huston) reveals her plan to turn all the children of England into mice. Of course, the witch's plan goes astray, and tables are turned on all the witches in one of the most delightful scenes in all of modern cinema. Every time I watch it, I think to myself how much fun it would be to make a film like this one.
This is a charming, delightful film with enough diversions to keep children fascinated, told with enough skill to keep adults interested. It is a keeper, worth watching many times.

Click Here to see more reviews about: The Witches (1990)

From the great Muppet creator Jim Henson comes this classic bursting with enchantment and adventure. Academy Award winner Anjelica Huston stars as the Grand High Witch in this exhilarating tale.Year: 1990

Click here for more information about The Witches (1990)

Shoot 'Em Up Review

Average Reviews:

(More customer reviews)Whoah! If you're looking for mindless action, THIS is the movie for you.
It's over the top, totally unbelievable, physically impossible, but absolutely brilliant all at the same time.
2 minute version:
Clive Owen eats a lot of carrots, and values his privacy. There are many things that he absolutely hates, and he comes into contact with most of these things when he unwillingly gets involved in a plot to kill a very pregnant young woman. Suddenly faced with a nanny job, he shoots his way out of the frying pan and into the fire, each scenario more draw-dropping-ly impossible than the last. Paul Giamatti plays an unlikely criminal mastermind and Monica Bellucci is under-utilized as the proverbial professional with a heart of gold except she's also got a chest of milk to go with it. Things get political, and hopelessly complicated, and of course there's lots and lots (and lots) of shooting, during any (and I do mean ANY) situation.
Good stuff:
1.Clive Owen
2.Clive Owen's one-liners
3.Clive Owen's stunts
4.The hilariously bad but breathtaking, yet impossible scenarios
5.Paul Giamatti's cell phone calls
6.The body count
7.Clive Owen's nude scene
8.Clive Owen
Bad stuff:
1.Carrots are DEFINITELY not good for some people
2.Not enough Bellucci
3.Plot (nuff said) but then again, we don't need no steenkin' plotIf you can forget that this movie professes to have a plot, you're in for a rollicking good (but extremely violent) time. Definitely a must-see if you're looking for mindless adult entertainment, and don't mind looking at Clive Owen.
Rated: 4.5 stars
Amanda Richards, December 9, 2007

Click Here to see more reviews about: Shoot 'Em Up

Movie DVD

Click here for more information about Shoot 'Em Up

The Brave One (Widescreen Edition) (2007) Review

Average Reviews:

(More customer reviews)Trauma, severe trauma, can unleash aspects of the human personality that may appear as a stranger within. Such is the premise for this well-constructed film by Neil Jordan (screenplay by Roderick Taylor and Bruce Taylor), and while the neither concept of trauma-altered personality or revenge tales is new, THE BRAVE ONE alters the vengeance idea just enough to make it credible and to even draw the viewer into believing that what the character is doing is justified and right! And that is perhaps the most frightening aspect of this terrifying film.
Erica Bain (Jodie Foster) is a night radio talk show performer, a woman who walks the city of New York gathering sounds and observing the mysteries of the 'safest big city' and relates her observations poetically to a large radio audience. Erica is engaged to young physician David (Naveen Andrews) and the couple are very much in love. One night on an evening stroll with their dog they are attacked by thugs, beaten with pipes, and David is killed while Erica narrowly survives. Upon awakening from her coma she is devastated by her loss of David and becomes a strangely haunted woman, unable to sleep, unable to get immediate help from the police, and turns to purchasing a gun in an attempt to right the wrongs she has suffered. This new 'person' or 'stranger within' happens to witness a murder in a little store and to her amazement she responds by killing the murderer. A similar situation happens on the subway where two thugs threaten people, threaten Erica, and Erica again responds by killing the thugs. She feels driven to avenge the death of her David, but at the same time fears her own inner stranger. Erica returns to her radio show, under changing instructions form her boss Carol (Mary Steenburgen), and finds the changes in her psyche result in bracing her listeners about fear on the streets. In her audience is Detective Mercer (Terrence Howard) who has personal problems related to the fact that he has been unable to arrest a known killer. Mercer connects with Erica in various ways, she interviews him for her show, and the two bond. Erica trusts Mercer, wants to share what she is doing, yet hears his frustration about not being able to seek his own brand of revenge frustration against the oily killer he pursues, and decides to eliminate that trauma for Mercer. As the tension builds, the identity of Erica's assailants is discovered, and how she deals with these thugs (and with Mercer's interaction in the solution) forms the surprising ending for the film.
Too little has been written and said about the quality of performances from both Foster and Howard in this tense thriller. These two actors deliver performances so sensitive in execution that memories of previous similar films evaporate. This is a tough film to watch for all the violence not only on the screen but from within the characterizations by the actors (with the capable direction of Neil Jordan), but it is for this viewer one of the strongest films of the year. Perhaps now that the DVD can be viewed within the safety of the home more people will pay attention to a film that deserves awards. Grady Harp, February 08

Click Here to see more reviews about: The Brave One (Widescreen Edition) (2007)

"Why don‘t they stop me?" Erica Bain wonders. Bain, a popular N.Y radio host, watched her fiancé die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop hot on her trail. Erica?s future is uncertain, but one thing is not: THE BRAVE ONE is a high- tension thriller that packs a visceral and emotional punch.

Get 65% OFF

Click here for more information about The Brave One (Widescreen Edition) (2007)

The Great Debaters (2007) Review

Average Reviews:

(More customer reviews)`The Great Debaters' offers what great movie viewing is all about. Based on a true story, the film takes us to Wiley, an African-American Methodist college in Texas during the Depression in 1935. Inspiring, harrowing, and uplifting, the film gives proper transcendence especially during a time and place that didn't offer many breaks.
We are first introduced to Professor Polson (Denzel Washington), a tenacious idealist and poet. As professor at Wiley and debate coach, he hardly yields on any of his principles. Inspired by the man who is named for the heinous lynching, Polson tells his debate recruits that it was in Lynch's best interests to keep Black people, "Physically strong, but psychologically weak." It is with this explanation that we understand his zealous approach to his debate team, and why he makes their training so rigorous.
Entering the field are forty-five tryouts, of which, only four will be selected: two representatives and two alternates. Of the three who make it, we get to know Henry Lowe (Nate Parker) a charismatic and bright figurehead who is easily distracted by beautiful women and hard liquor. Joining him are Samantha Booke (Jurnee Smollett), the first young woman to join the debate team, and James Farmer, Jr. (Denzel Whitaker) forever young at age 14, but an ever resourceful scholar and son of a minister, James Farmer, Sr. (Forrest Whitaker). [No real life relations.] As he notices a romance start to blossom between his teammates, his resentment grows. As the one who researches many of the arguments Henry and Samantha provide on the podium, he is put on the sidelines both in terms of the limelight and the love light.
As you might guess, Wiley enjoys a certain amount of success, and the price of success is opposition. Polson spends a great deal of his time and rhetorical talent organizing a sharecroppers' union, much to the chagrin of Sheriff Dozier (John Heard) who won't have unrest in his sleepy Texas town. In one scene the Farmer family is making a trek by car on a rural country road as they pass a poor white farm. The children who seem so mischievous run alongside the car as they pass along, unaccustomed to seeing a "Negro" with an automobile. Perhaps distracted by the nearby children, he runs over a pig, and in a quietly intense exchange between Farmer, Sr. and the owner, is extorted of a month's paycheck. This reminded me of a similar scene in the 1980's movie, `Centennial,' and showed the contrast between a good film with a similar theme and a great one.
In another part, the debate team makes their way by night to their debate destination when they come across a truly horrible sight. What they see through the windshield reveals a mob of white men who don't like having their heinous deeds brought to light. Shaken, they each try to come to cope with their discovery as they often lose focus and courage in the face of Polson's opposition and the violence laid before them.
Always kept in check by their unyielding leader, the debate team holds out for all possible opportunity. Audacious but unflinching, Polson invites Harvard to a debate match. One of the master strokes of the movie is how the debates and their topics match the action that goes on all around them. Show and tell is mixed expertly for a meaningful movie experience.
`The Great Debaters' is a top-echelon movie experience. Although it is reminiscent of movies like Mississippi Burning, To Kill a Mockingbird (Collector's Edition), and Akeelah and the Bee it captures a fulfilling true life story in a way that doesn't feel like rehash or contain a wasted scene. (Directed by Denzel Washington and screenplay by Robert Eisele)

Click Here to see more reviews about: The Great Debaters (2007)

Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features: Deleted Scenes The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.My Soul Is A Witness; Music Video Theatrical Trailer Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting Party

Click here for more information about The Great Debaters (2007)

Made of Honor (2008) Review

Average Reviews:

(More customer reviews)And a rainy day. I was surprised at how much I enjoyed the film.
Tom (Dempsey) and Hannah (Monaghan) met at a Cornell costume bash 10 years before when a drunken Tom, dressed as President Clinton, stumbled into a dorm room and a girl's bed thinking he'd found "Monica". Turned out he'd gotten the wrong girl. "Monica" was Hannah's inebriated roomie.
They were friends from that moment, sharing Sundays, confidences, and desserts. Tom didn't know how much they shared til Hannah headed for Scotland and stayed gone six weeks. He was ready to propose when she came back, but she returned with a man, Colin (McKidd).
Hannah and Colin were going to be wed in Scotland in two weeks and Hannah couldn't think of anyone she wanted to be her Made of Honor more than her longtime best friend. Tom reluctantly accepted, secretly agreeing to become the best maid of honor and wreck the wedding.
What happens had me laughing until tears streamed down my face. I needed the break and "Made" defintely offered it. Tom hosting the wedding shower was a screamer--particularly when the jealous female friend who wanted to be the "MOH" set him up with a sex toy salesperson and Hannah's sweet Grandma ended up with a necklace of 'thunderbeads.' Then, of course, there was the Highland Games with Tom and Colin tacitly competing for Hannah's hand, Tom dressed in a mini kilt. (Nope, he wasn't dressed regimental--darn!)
Director Sydney Pollack showed up in a rare movie role as Tom's oft-wed Dad. The prenup agreement with Wife 5 (or was it 6, Dad can't remember) had me roaring. The car with the intended bride had to literally go around the block at the church to iron out last-minute details.
Plus, the scenery from Scotland was amazing. I recognized some places I'd been a few years before--and definitely remembered the flock of Hieland Coos stopping traffic on mainstreet.
The music was good, a mix of contemporary plus some old Scottish tunes. I notice there's no soundtrack available. I hope there will be one. It was a pretty decent collection.
The film's what you'd expect and yet, it's still entertaining. And, sometimes you just need something that's a gimme when it's a rainy day and a cheap laugh will lift a few clouds.
Rebecca Kyle, May 2008

Click Here to see more reviews about: Made of Honor (2008)

MADE OF HONOR - DVD Movie

Get 43% OFF

Click here for more information about Made of Honor (2008)

Glee: Season One, Vol. 2 - Road to Regionals Review

Average Reviews:

(More customer reviews)"Glee" was a risky proposition when it debuted: the musical format had never really worked before on TV ("Fame" the arguable exception), despite many, many attempts (indeed, the musical genre as a whole has declined somewhat outside of theatre, though the 2000s saw a resurgence on film). But it did work here, and the show's original thirteen-episode commitment (collected in "Glee: Season One, Vol. 1 - Road to Sectionals") was extended to a full 22-episode season. These nine episodes debuted some months after the original run, and at least a few viewers mistook them for a formal second season, but that's not technically true. We're still in sophmore year at William McKinley High School. Spoilers follow.
The first volume ended with the kids' triumph at Sectionals against the odds, giving the club some breathing room, but, as they find out in episode 14, not a whole lot. And, contrary to what less-popular students like Rachel (Lea Michele) had expected and hoped for, winning at Sectionals hasn't resulted in any dramatic improvement in their social standing back at school, which is as cartoonishly hostile as ever. The ensuing nine episodes cover the period between Sectionals and the Regionals contest, as our main characters grapple with a wide variety of personal issues, and, of course, sing a lot. The season includes a notable innovation for the show, the single-artist-themed episode: "The Power of Madonna", focussing on the works of, well, Madonna (episode 20 is often called the "Lady Gaga" episode, but they only do two songs of hers there; they did as many by KISS in the same episode). This is one of my personal favourites. There are also a number of significant guest appearances: Kristen Chenoweth returns to reprise her role from the first 13, and she is joined (though never onscreen) by "Wicked" costar Idina Menzel, Lea Michele's former Broadway costar Jonathan Groff, and internet fan favourite Neil Patrick Harris ("How I Met Your Mother").
As far as the characters go, the Back 9 are a bit of a mixed bag in terms of screentime relative to the Front 13. Lea Michele and Cory Monteith (Finn) remain the leads, though they interact with each other a lot less for most of the way through; both continue to turn in excellent performances, and Monteith, the weakest singer in the group at the start, has improved quite a lot (he delivers a terrific rendition of the Rick Springfield standard "Jessie's Girl"). Of the rest of the main cast, Chris Colfer (Kurt) and Amber Riley (Mercedes) receive notable boosts in their screentime; Colfer is one of the breakout actors, and he has a couple of strong showcases here, many of them involving his equally impressive father, played by Mike O'Malley (who really should get a Guest Actor Emmy nomination). Riley was possibly the weakest actor on the show at the start (though one of the best singers), but she's likewise improved considerably. The biggest losers in all this would be Jessalyn Gilsig (who appears for only a few minutes) and poor Jenna Ushkowitz (Tina), who for long stretches is almost invisible, though things improve for her in the final few episodes. Dianna Agron (Quinn), also has a lot less prominence, given the writers' desire to sideline the whole pregnancy storyline. By far the biggest winners overall would be Naya Rivera (Santana) and Heather Morris (Brittany), Quinn's former minions and now two of the show's breakout characters; Morris is a brilliant comedienne (if only the promos would stop giving away all her non sequiturs), and Rivera, as the new HBIC at McKinley, has both great skills as a comedic actress and a fantastic singing voice that she gets to use several times here.
Oh, and Jane Lynch continues to be sheer brilliance, but you probably already knew that.
There are any number of plausible arguments for rating this DVD set at 4 stars instead of five: these nine episodes lack much of a sense of a narrative arc compared to the first thirteen, albeit in that case the narrative arcs were largley provided by plots that the fans didn't like (Quinn's pregnancy, Terri's not-pregnancy). Things are looser here, and the show can often be a bit messy in terms of continuity with its plots and characters. And episode 20, "Theatricality", in one of the show's more dramatic moments, falls flat on its face trying to make a point worth making about language (I'm increasingly sensing that the writers' idea of Kurt is very different from the Kurt who comes across on the screen a lot of the time). But, all these flaws accounted for, I simply can't rate it less than 5 stars: for all its messiness, "Glee" has an energy and life beyond any other show on TV right now, and, even when it immensely frustrates me, I still find it compulsively watchable. Tremendous acting on the part of the whole cast deliver characters that I really care about. And the finale is really spectacularly handled.
Recommended.

Click Here to see more reviews about: Glee: Season One, Vol. 2 - Road to Regionals

From Ryan Murphy, the creator of "Nip/Tuck“ comes a musical comedy that follows an optimistic high school teacher as he tries to transform the Glee Club and inspire a group of outcasts to make it to Nationals.

Get 25% OFF

Click here for more information about Glee: Season One, Vol. 2 - Road to Regionals

Cadillac Records (2008) Review

Average Reviews:

(More customer reviews)So it averages out to 4 stars then.
The music is just great with many key blues performances from Muddy Waters, Little Walter, Etta James, Howlin'Wolf and Willie Dixon recreated. The story is a blend of fiction and fact and one wonders why the half truths and lies had to find their way into the story. Just a few of the "mistruths":
-There were 2 Chess Brothers, not just one and both had a strong involvement in the company.
- Len Chess died 2 months after he sold his company not just after stepping foot outside the door.
-Etta James did not record "I'd Rather Go Blind" in Chicago although she did record her composition for the Chess label.
-Etta had already been a star for 5 years prior to joining Chess.
-Len Chess did actually serve as a session musician if the situation demanded it.
-The Chess company recorded many other musicians and styles during their career.
-Whether Chess ever dated Etta James is debatable. She had a boyfriend who was writing some of her best material at the time.
- Chess operated in a few smaller buildings before moving to 2120 South Michigam Ave in 1955.
A thorough account on what is true and what is not would no doubt reveal countless other mistruths. The question is why does Hollywood have to falsify and dress up the facts when a simple report on the facts would have been so much better. Still, the music in this movie is a blues fan's dream and credit must be given for that.

Click Here to see more reviews about: Cadillac Records (2008)

Cadillac Records chronicles the rise of Leonard Chess' (Adrien Brody) Chess Records and its recording artists including Muddy Waters (Jeffrey Wright), Little Walter (Columbus Short), Chuck Berry (Mos Def), Willie Dixon (Cedric The Entertainer) and the great Etta James (Beyonce Knowles). In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting but turbulent lives of some of America's greatest musical legends.

Get 50% OFF

Click here for more information about Cadillac Records (2008)

Defiance (2008) Review

Average Reviews:

(More customer reviews)One wonders why it took so long to tell the story of the three Bielski brothers, who managed to save the lives of 1200 Jews during the Nazi Holocaust in World War II. My personal answer is that they didn't have anyone near the caliber of Daniel Craig to play the part of Tuvia.
The story opens with the Bielski brothers Tuvia (Craig) and Zus (Liev Schreiber) returning to the family farm to discover the Germans killed their parents. They find their younger brother, Asael (Jamie Bell) hiding from the slaughter in a cellar.
They decide to go to the forest to hide out. It's initially pure happenstance that they run into other refugees, but as the story progresses, they have a community from philosophers to warriors.
It's fascinating to see the community grow and the harsh realities of living under the Nazi radar. The images in this film will haunt me as strongly as the original newsreel "Let my People Go" did when I saw it in junior high.
In my opinion, "Defiance" is one of the top films of this year and I hope it earns the awards it deserves. The film is excellent for students of Jewish history, psychology, and community development. It's well worth full price in the theatre and adding to your collection.
Rebecca Kyle, February 2009

Click Here to see more reviews about: Defiance (2008)

Daniel Craig (James Bond: Quantum of Solace) stars as Tuvia Bielski, an ordinary citizen turned hero, in this action-packed epic of family, honor, vengeance and salvation. Defiance is a riveting adventure that showcases the extraordinary true story of the Bielski brothers, simple farmers –outnumbered and outgunned- who turned a group of war refugees into powerful freedom fighters. Tuvia, along with his unyielding brother, Zus (Liev Schreiber, X-Men Origins: Wolverine), motivate hundreds of civilians to join their ranks against the Nazi regime. Their “Inspirational story”* is a true testament to the human spirit. - David Densby, The New Yorker

Get 27% OFF

Click here for more information about Defiance (2008)

Synecdoche New York (2008) Review

Average Reviews:

(More customer reviews)The question for this complex and weird film is whether writer-director Charlie Kaufman's artistic ambition will ultimately frustrate viewer patience. When I saw the film, a couple in front of me walked out halfway through. You will probably love or hate this film; reviews have been sharply divided.
Philip Seymour Hofmann stars as Caden Cotard, a theater director mired in all the midlife crises, real and imagined, of body, mind and spirit. The film begins conventionally enough, or so it seems, but there are telltale signs early-on that Kaufman is going to play with reality itself -- a cartoon on the family TV features Caden as a character, and a realtor walks a client through a house that is permanemtly on fire. Those are two ominous metaphors.
The giveway is that the name "Cotard" bears a striking resemblance to that of the French postmodernist Jean-Francois Lyotard. We shouldn't be surprised when Caden quits his career doing theater among the "blue hairs" in suburban Schenectady, New York, where his latest production was "Death of a Salesman," and with the help of a MacArthur genius grant (a cruel irony given his circumstances) moves to a cavernous warehouse in New York City and recreates his confused life through what eventually becomes a cast of hundreds of characters. Yes, life is a stage and we're the actors.
In his book The Post-Modern Condition (1979), Lyotard made (in)famous the notion of "incredulity toward meta-narrrative," a fancy way of saying that there are no truly universal or absolute meanings or truths in life, and that all meaning is a personal or social construction. This is exactly what Caden tries to do -- he creates meaning in his life through characters who portray his life. He keeps changing the name of the play, one of which is "Simulacrum" (= an insubstantial semblance of something). He keeps saying that he "finally" knows how he wants to direct the play. Indeed, the play is never finished but is instead a building project that piles floor upon floor of sets; it never ends. For Kaufman there's a very thin line between authenticity and absurdity, genuine reality and mere representation, living life and playing roles, healthy self-awareness (however painful) and oppressive self-consciousness, and between true life and certain death.
Does Caden's effort to manufacture even the barest micro-meaning make any sense? The last line of the movie offers a glimmer of hope. Maybe.

Click Here to see more reviews about: Synecdoche New York (2008)

From Charlie Kaufman, comes a visual and philosophic adventure, Synechdoche, New York. As he did with his groundbreaking scripts for Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind, Kaufman twists and subverts form and language as he delves into the mind of a man who, obsessed with his own mortality, sets out to construct a massive artistic enterprise that could give some meaning to his life. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece, but the textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.

Get 50% OFF

Click here for more information about Synecdoche New York (2008)