Land of the Lost (2009) Review

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(More customer reviews)"Captain Kirk's nipples!"
...and if that quote didn't tell you the new big budget big screen "Land of the Lost" film isn't exactly directed at the Saturday morning TV crowd... I fondly recall spending those mornings in the 70's with Will, Holly, Dr. Marshall and the Sleestak, so when I heard Will Ferrell would be taking the lead I was content in the knowledge that the campiness of the original Sid and Marty Kroft show would be preserved. As fate would have it this preservation extends even to the cheesy theme song which Ferrell nearly performs in one scene...this theme song pretty much covers the series and movie's premise...the aforementioned characters, on a "less than" routine expedition via an earthquake and a tachyon gadget (this part is new) end up in a parallel space they call the "Land of the Lost" complete with prehistoric critters and lizardmen. Unlike the series they need to find Dr. Marshall's misplaced gadget in order to get home, this leads to lots of mishaps and sight gags. But as I mentioned, this is not your father's "Land of the Lost" this is a Will Ferrell, albeit watered down, but nonetheless, a Will Ferrell film, so as you'd expect there is overt crude references flying aplenty, including hot Sleestak-on-Sleestak action (not really on screen), nothing to cringe-worthy...although some drug and vague sexual jokes.
"LOTL" is bookended by a "TODAY" show sequence in which Matt himself interviews Dr. Marshall about is kooky space/time theories and then again later interviews a vindicated Dr. Marshall at the movie's end. Dr. Marshall is classic Will Ferrell, the pompous, dimwitted boob he plays soooo well, so you know precisely what you will get upon entering the theater. This time he is a nutty paleontologist who has a strange fixation on "Chorus Line" and comfort food binges. "Land of the Lost" is more "Elf" than "Anchorman", I guess. What is new here is the digital dino and big bug eye candy, not really the norm for a Ferrell film, more in the spirit of Ringo Starr's "Caveman" than "Jurassic Park" though (especially the cave-boy-speak).
The kitsch aside, if possible, "LOTL" includes some impressive sets, some true to the original show, like the Sleestak ruins and some less Kroft, but equally cool, parallel world Bermuda Triangle parallel world clutter ala desert complete with missing ships, planes and gas stations. Also true to the Kroft look are the Sleestak lizard people (one of which is voiced by Leonard Nimoy a.k.a Spock) who look largely unchanged, but I'd have bought a ticket just for them anyway.

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Comedic genius Will Ferrell stars as has-been scientist Dr. Rick Marshall, who gets more than he bargained for when his expedition takes a wrong turn into the Land of the Lost. Now, Marshall, his crack-smart research assistant Holly (Anna Friel) and a redneck survivalist named Will (Danny McBride), have no weapons, few skills and questionable smarts to survive in a world full of marauding dinosaurs, fantastic creatures and laugh-out-loud comedy!

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Pineapple Express (Two-Disc Unrated Edition + Digital Copy) (2008) Review

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(More customer reviews)A movie like PINEAPPLE EXPRESS should not be expected to be talked about in the same breath as CITIZEN KANE or GONE WITH THE WIND. However, it has nonetheless ascended to near the top ranks in its own particularly little sub-genre: the "pot" comedy.
While Cheech & Chong's UP IN SMOKE will probably always lead the pack, simply for being the first (and for being very edgy...in it's day)...EXPRESS is the first film of its ilk to boast huge laughs, modest thrills, enjoyable lead characters and a narrative structure that doesn't fall apart the further it goes. For example, the HAROLD AND KUMAR films can be greatly amusing, but their "plot" grows more and more flaccid and pointless as they move along. The lead "characters" are hardly believable as people...they are comic devices.
In PINEAPPLE EXPRESS, we have the story of a process server (Seth Rogan) who enjoys doing little else but smoking pot. He is decent at his job, but also spends much of it sitting in his car smoking. He's dating a high school girl who would have been seriously out of his league when HE was in school. His "best friend" may just be his pot dealer (James Franco.) And through an unfortunate circumstance, Rogan witnesses the murder of an Asian drug dealer by the leader (Gary Cole) of the other drug ring in his city. The murder is aided by a policewoman (Rosie Perez), who is also a pretty vicious killer. They get wise to who their witness is when Rogan makes the mistake of tossing his half-smoked joint out the window of his car as he hurriedly drives away. You see, the joint is made of a new weed called Pineapple Express, which thus far has been sold only to one drug middleman (Danny McBride), who has only sold it to one of his dealers...Franco. Thus, almost immediately, Rogan and Franco are on the run for their lives. Eventually they will have to beat these violent men at their own game just to survive.
That's about it for the basics of the plot...but what is nice about it is the way it holds together from beginning to end. The characters go through a journey and they change and grow a little. While the dialogue and humor are important, this is one "pot" movie where the plot is actually important to the film, not just an excuse to make "I'm so stoned" jokes.
Rogan is basically playing his character from KNOCKED UP again...but if you need that sort of character, he's got it down cold. He's a nice loser who actually looks like a real life person. Danny McBride joins this group of losers midway through, and he brings a nice jolt of almost absurdist humor the film. He's like Rasputin mixed with the character Terry on RENO 911 (you know, the "male prostitute" on roller skates). Gary Cole and Perez are a little too generic, and frankly, the bad guys in the film are not well-sketched out. Their behavior is inconsistent and not always credible.
James Franco steals the film, though. He was born to play this role. In movies as varied as SPIDERMAN and FLYBOYS...he often is unsuccessful at playing a button up, "serious" types. He's better when allowed to let his slacker show through. In FREAKS AND GEEKS, he was a stoner heartthrob, who discovered he had deep reserves of loyalty and love. In PINEAPPLE, he's a stoner with very little to offer, but who has a simplicity and openness about him that makes him likeable. Yes, it's the pot that has made him this way...but Franco refuses for settle for a simple caricature. His stoned but winning eyes & smile are the heart of this film.
The humor is certainly R-rated. Lots of "f" bombs. A fair amount of violence near the end too. It's crass and loud at times. Sometimes the jokes are obvious and unoriginal. But mostly it is sustained by moments of real feeling (as we see so often in films with the name Apatow stamped on them), likeable characters and a plot that has a beginning, middle & end.
Now, finally, let me comment on the "drug" elements. I don't use drugs. Even in my days of "youthful indiscretion" I was not a dabbler. I would certainly be what anyone would call "conservative" on this particular issue. So therefore, I might tend to take offense at such "glorification" of drugs. But I'm not sure that the film does that. True, it pretty much assumes that the entire world does drugs. But it also shows, quite clearly and without preaching, that the use of these drugs, while inducing pleasurable feelings, also induces stupid decision making, slothfulness and wastefulness. Clearly, it sides with those who would make pot legal...but it doesn't disdain those who oppose this. It simply IS. I can't imagine this film would make anyone change their behavior. Those who use pot regularly already are likely to smile in recognition at much of the behavior. Those who don't use it will NOT be inspired to give it a try. So while I'm not thrilled at a film that is clouded 90% of the time with pot fumes...I can't get upset about it either.

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A new comedy from the creative genius of Judd Apatow (40 Year Old Virgin, Knocked Up, Talladega Nights) follows a pair of druggie losers as they reach the top of the hit-list when one witnesses a mob murder and drags his buddy into a crazy flight from mobsters bent on silencing both of them permanently. The film stars new sensation Seth Rogen (Knocked Up, Superbad, 40 Year Old Virgin) and James Franco (Spider-Man 1-3) and it co-stars Rosie Perez (Do The Right Thing) and Gary Cole (The Brady Bunch Movie). Movie is directed by David Gordon Green.

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Pineapple Express (Single-Disc Unrated Edition) (2008) Review

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(More customer reviews)Saw this movie in the theater, and it was funny the whole way through. In my opinion, it wasn't like a normal pot movie, where people that don't smoke wouldn't enjoy it, it is funny for pretty much anyone. It's stupid funny sometimes, dark humor other times, smart and stupid, action and drama (a little bit), but all around hilarious. I laughed so hard I cried, and I felt it for days after--quite the ab workout! Definitely worth the money!

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A new comedy from the creative genius of Judd Apatow (40 Year Old Virgin, Knocked Up, Talladega Nights) follows a pair of druggie losers as they reach the top of the hit-list when one witnesses a mob murder and drags his buddy into a crazy flight from mobsters bent on silencing both of them permanently. The film stars new sensation Seth Rogen (Knocked Up, Superbad, 40 Year Old Virgin) and James Franco (Spider-Man 1-3) and it co-stars Rosie Perez (Do The Right Thing) and Gary Cole (The Brady Bunch Movie). Movie is directed by David Gordon Green.

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Eastbound & Down: The Complete First Season (2009) Review

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(More customer reviews)This is the funniest series I've seen in along time. With only 6 episodes in season 1 you'll be left wanting more. Sarcastic, fun loving assh*le genius Danny McBride with guest appearance Will Ferrell, tie this show into a comedy that leaves you covering your face in embarrassment, wondering how they got the balls create such a gem.
Do yourself a favor and pick this one up. Underrated as hell, spread the word. Kudos, Danny McBride.
Also see the "Foot Fist Way" if you like this DVD.

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In this hilarious new HBO comedy series, Kenny Powers, a washed-up former Major League Baseball star, is forced to return to his hometown to teach P.E. at his old middle school. While preparing for his triumphant return to the big leagues, Kenny moves in with his brothers family and proves adept at burning every bridge he crosses.

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Up in the Air Review

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(More customer reviews)As someone who has both laid off staff and a year later, became the victim of a layoff after twelve years with the same company, I had a personal interest in seeing how director/co-screenwriter Jason Reitman (Thank You for Smoking, Juno) was going to adapt Walter Kirn's smart, unsettling 2001 novel. Even though eight years have elapsed since the book's publication, the filmmaker - along with co-writer Sheldon Turner - manages to deepen Kirn's themes in this wry, emotionally resonant 2009 dramedy and make them even more relevant with the pervasive downsizing of corporate America. The movie also manages to surprise even when certain plot turns seem evident before they occur. Initially, there is a veneer of cynicism that makes you think the story will be an abject lesson in the impermanence of life, but instead, it evolves into one man's journey into the heart of the emotional turbulence he had been careful to avoid. Toward that end, Reitman seems to be inspired by Alexander Payne's equally perceptive road movies, About Schmidt and Sideways, films that reflect a similar storytelling style.
The plot focuses on laser-sharp corporate layoff consultant Ryan Bingham, a man who regales in the impermanence of life by traveling 322 days on the road, informing targeted employees that they are about to lose their jobs. There is a necessary callousness in his approach, but he knows it's necessary to be present and honest when it comes to conveying the unpleasant news. Bingham is also a motivational speaker who espouses unburdening one's life of possessions and fitting everything essential within the confines of a backpack. Proving his case, he lives in hotels, airplanes, and airport terminals with his one life goal being the seventh person to collect ten million frequent-flier miles. If you can get past the Spartan one-bedroom apartment he keeps in Omaha for the 43 days he is forced to be at home, the hatchet man appears to lead a charmed if rather solitary life. Complications, however, ensue on both personal and professional fronts.
Bingham meets a fellow transient traveler named Alex Goran in an airport lounge and assesses that he may have found his soul-mate, so much so that he invites her to come to his estranged sister's wedding in Wisconsin. Meanwhile, Bingham's boss wants to introduce a new strategy proposed by a fresh-faced, post-grad school upstart. New hire Natalie Keener suggests using remote teleconferencing to perform the layoff notifications. Since the new technology is the antithesis of Bingham's one-on-one method, he brings Natalie along on the road to show her how it can't possibly work. In a role that feels custom-tailored to all his strengths, George Clooney plays Bingham with an emotional precision that complements his charismatic persona which pivots between swaggering and self-effacing. On one hand, it's his most definitive movie-star role, and yet Clooney has never revealed as much about himself onscreen.
The always watchable Vera Farmiga (The Departed, Down to the Bone) is sexy and confident as the woman who seems perfect for Bingham, even though their adroit compatibility could not possibly sustain an actual commitment. Their interplay is fun to watch because there is a Cary Grant-Rosalind Russell-level rapport that keeps both on their toes. Anna Kendrick (Twilight) is winning as Natalie even if her character's naiveté feels a bit manufactured at times. Jason Bateman has a field day playing Bingham's smarmy boss, while Amy Morton, Melanie Lynskey, and Danny McBride (Pineapple Express) plays their accustomed types with aplomb as members of Bingham's immediate family. In cameos, J.K. Simmons (Juno) and Zach Galifianakis (The Hangover) sharply play two of the victimized employees, but for the rest, Reitman uses non-actors replaying their recent experiences of getting laid off. As usual with Reitman's films, it boasts an eclectic soundtrack that works really well with the storyline.

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Ryan Bingham (Academy Award® winner* George Clooney) is truly living the high life. Flying all over the world on business, he never stops moving...until he meets Alex, a fellow passenger and learns that life isn’t about the journey, but the connections we make along the way. Acclaimed by critics and audiences everywhere and included in over 200 top 10 lists, "Up in the Air is light and dark, hilarious and tragic, bouncy and brainy, romantic and real."*- Owen Gleiberman, ENTERTAINMENT WEEKLY

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