Showing posts with label suspense thriller. Show all posts
Showing posts with label suspense thriller. Show all posts

Friday, January 11, 2013

The Canyon (2009) Review

The Canyon (2009)
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In "Open Water" (2003), a pair of scuba divers (who were also a couple) got stranded in the middle of the ocean and found themselves imperiled by a school of sharks. Well, in "The Canyon", we have a newly-married couple stranded somewhere in the Grand Canyon and hunted by wolves. It's basically a survival-type drama with some twists, but on the whole is quite formulaic. What makes this watchable (though more as a rental and not a purchase) is the acting, which I thought was quite alright, considering this is a low-budget indie flick. The story centers around Nick (Eion Bailey) and Lori (Yvonne Strahovski) who are a pair of newly-weds and eager for adventure (well, Nick mainly) - Nick's idea of a perfect honeymoon is to explore the deepest recesses of the canyon via muleback. Unfortunately, Nick did not have the foresight to apply for a permit for their excursion and the pair decide to take on the proffered services of a grizzled old guide Henry (Will Patton).
Will Patton makes the initial part of this movie quite watchable with his dry humor and vast knowledge of the canyon - he really is quite a hoot to watch in his role as guide. Unfortunately, his role is rather shortlived, and it is left to Nick and Lori to carry the rest of the movie through as the stranded pair are forced to rely on their wits to stay alive and make it out of the canyon, even as tragedy and danger stalk them in the form of a pack of determined wolves. Eion Bailey's Nick is quite average in his role as the smart ass new husband who uses his persuasive skills in getting Lori to agree to his adventure - a plan that seems doomed from the beginning considering his lack of planning and foresight.His character as such is hard to empathize with. Lori as portrayed by Yvonne Strahovski has more of a screen presence and manages to convey a wider range of emotions convincingly and had me rooting for her all through the movie. The highlight of this movie is actually the gorgeous cinematography of the canyon - simply breathtaking. On the whole, this is basically a been-there-done-that sort of survival drama, and I'd recommend it as a rental at best.

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Honeymooners Nick and Lori head off to the Grand Canyon for adventure and time alone together. Upon arriving, they hire Henry as their guide, who seems to have his own idea about the outdoor excursion. When tragedy strikes, the newlyweds must fend for themselves. Discovering they areprey being hunted by something orsomeone, they desperately fight forsurvival to escape the canyon alive.

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Thursday, July 5, 2012

Lakeview Terrace (2008) Review

Lakeview Terrace (2008)
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Don't think for one second that director Neil LaBute and screenwriters David Loughery and Howard Korder didn't know what they were doing. "Lakeview Terrace" is not merely a disturbing thriller about a black cop that hates his neighbors for being an interracial couple; it's an intelligent, thought-provoking examination of race relations in general, strengthened by its atypical cinematic approach to racism. How different would the reaction to this film be if the roles were reversed, if it told the story of a racist white cop that hated his black neighbor? It would most likely be ignored, because goodness knows we've seen such movies before. "Lakeview Terrace" is refreshing in its willingness to look at things from a largely unseen perspective, which in turn gives the audience more to think about. What a mature turn for LaBute, who completely missed the mark with his God-awful 2006 remake of "The Wicker Man."
It should be noted here that Lakeview Terrace, a suburb of Los Angeles, is where Rodney King was beaten and arrested by the police in the spring of 1991. This is obviously not a coincidence on the filmmaker's part, and neither is the fact that the story is ambiguous in its social commentary. Essentially, LaBute expects up to make up our own minds about who's right and who's wrong. Granted, it seems pretty clear-cut throughout the film; LAPD officer Abel Turner (Samuel L. Jackson) goes to great lengths to destroy the lives of his new next-door neighbors, and he does so because the husband, Chris Mattson (Patrick Wilson), is white and the wife, Lisa (Kerry Washington), is black. Turner begins slowly, dropping a series of subtle hints. His security lights, for example, come on in the middle of the night, and they shine directly into the Mattsons' bedroom. As the film progresses, his hostility escalates into full-blown psychological warfare.
I'm making this sound far too simple. Turner is not merely an evil man; as both a cop and a single father, he's seen his fair share of injustice. To elaborate would give too much away, but rest assured, he has very definite reasons for hating his neighbors, for wanting to not only get them out of Lakeview Terrace, but also to drive a wedge between them. Chris and Lisa are introduced as a lovey-dovey couple happy to be first-time homeowners. But it isn't long before tensions begin mounting. Example: Chris is hesitant to start a family even though Lisa is eager. He has legitimate reasons for wanting to wait; they just moved in, after all, and they need time to settle into their new lives. In spite of this, one can't help but believe it has nothing to do with settling in. While not directly stated, it may, in fact, have to do with raising biracial children. This, as it turns out, is a source of tension between Chris and Lisa's father, Harold (Ron Glass), who never seems to address his son-in-law without a great deal of effort.
Is it possible that Chris and Lisa were never meant to be together? Did they fall in love for all the wrong reasons? Again, none of this directly stated. But considering the way they're now treating each other, it seems very likely that they're rethinking some of the decisions they've made. Lisa thinks their biggest mistake was moving to Lakeview Terrace, not just because their neighbor is unfriendly, but also because she's away from her family and her friends. Chris, determined to prove himself as both a husband and a man, refuses to leave the neighborhood. This paves the way for the film's last twenty minutes, which, on the surface, unfolds in much the same way as an ordinary thriller. Below the surface lies miscommunication, grief, and a lifetime of hard feelings, none of which make it easy to determine who represents good and who represents evil. I say this because, when the climactic final battle between Chris and Turner begins, we immediately see that both men are pointing guns at each other.
The most interesting moments in "Lakeview Terrace" occur within the first ten minutes, when Turner and his children meet at the breakfast table. His young son, Marcus (Jaishon Fisher), comes downstairs wearing a Lakers jersey. Turner wants him to take it off because it displays the number twenty-four, which is Kobe Bryant's number. He's made it abundantly clear that from now on, they're giving all their support to Shaq. Why? Is it because of Bryant's highly publicized extramarital affair? Immediately afterwards, he scolds his fifteen-year-old daughter, Celia (Regine Nehy), for not using correct English. Is he encouraging his children to be the best they can be, or is he controlling them because improper speech reminds him of someone he hates?
While these questions are never answered, they still add a tremendous amount of depth to the story, solidifying Turner as a man holding a grudge against the world. I have no doubt that some audiences will see things from his point of view; when life hurts you a few too many times, hatred is completely understandable. On the same token, I'm sure that many will have no sympathy for him at all. Some will see him as a heartless monster preying on an innocent couple. Both arguments are valid. You should take them into consideration when watching "Lakeview Terrace," a taut, suspenseful human drama that will make you uncomfortable no matter what side you take. My hope is that it will start a line of communication. If it doesn't lead to peace, then maybe it will lead to an understanding. Of all the things noticeably absent from "Lakeview Terrace," a line of communication is the most important.

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In Lakeview Terrace, a young couple (Patrick Wilson and Kerry Washington) has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their interracial relationship. A stern, single father, this tightly wound LAPD officer (Samuel L. Jackson) has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly harassing to the newlyweds. These persistent intrusions into their lives ultimately turn tragic when the couple decides to fight back.

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Tuesday, June 19, 2012

Backdraft (1991) Review

Backdraft (1991)
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This is actually a 2-disc "Anniversary" special edition.
Digitally Remastered Picture & Sound
2.35:1 Anamorphic Widescreen
English DD5.1 Surround
English SDH, French and Spanish subtitles
Ron Howard Introduction
Extras:
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Over 40 Minutes of Deleted Scenes
"Igniting the Story" -Director Ron Howard, Academy Award®-winning producer Brian Grazer and others discuss the evolution of the film from script to screen
"Bringing Together The Team" -From the casting room to firefighter clinics see how director Ron Howard brought together a talented team of actors and real-life firefighters
"The Explosive Stunts" -Filmmakers reveal the state-of-the-art technology and heroic stunts that created the explosive action of the film
"Creating the Villain: The Fire" -See how an overwhelmingly talented team of special effects creators and stunt coordinators worked together to bring the fire to life
"Real-Life Fireman, Real-Life Stories" -Get an insider's perspective on what it takes to be a firefighter in this round-table discussion with the crew of Station 73, Santa Clarit

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AN ACTION-THRILLER DEPICTING THE NERVE-SHATTERING, LIFE AND DEATH STRUGGLES OF TODAY'S FIREFIGHTERS. AN ARSON INVESTIGATION IS THE FOCUS OF THIS WHITE-KNUCKLE ADVENTURE. BONUS FEATURES: PRODUCTION NOTES, TALENT BIOS AND FILM HIGHLIGHTS.

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Monday, April 16, 2012

U.S. Marshals (Special Edition) (1998) Review

U.S. Marshals (Special Edition) (1998)
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They could have named this one the Fugitive II and gotten away with it. There was a slight lack of originality, but the spectacular cast pulls it off. Overall the movie was good. Tommy Lee Jones does a wonderful job and Robert Downey, Jr. was memorable as well. The comic relief was a must and was appreciated as it helped counterract the amazing suspense level present. I think I will add this one to my collection.

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Ladies and gentlemen, be alert. We are going to initiate a hard-target search for a fugitive in an ever-widening perimeter. We will wade through swamps, prowl Manhattan streets, search every house and doghouse. We'll eat on the run, sleep tomorrow, watch our backs. And since Marshal Sam Gerard leads the hunt, we will experience suspense, action and daring twists every breathless step of the way. Returning to his Oscar-winning role from The Fugitive, Tommy Lee Jones is Gerard, joining an A-team including Wesley Snipes, Robert Downey Jr. and director Stuart Baird. (Executive Decision) to deliver adrenaline-rush excitement. The suspect: armed, extremely dangerous, perhaps linked to a spy ring. The chase: highlighted by an out-of-control 727, a death match in a ship's cargo hold, a 12-story plunge onto a moving train and more heart-pounding sequences. The movie: U.S. Marshals. DVD Features:Audio Commentary:Commentary by Stuart BairdDocumentary:"Anatomy of the Plane Crash" (14:00) "Justce Under the Star" (12:06)TV Spot:3 TV Spots - "Trailer Cutdown", "Sam Gerard", & "Manhunt"


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Friday, September 16, 2011

Double Jeopardy (1999) Review

Double Jeopardy (1999)
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This highly suspenseful thriller showcases Ashley Judd's tremendous talent. Not only is she a phenomenal actress, but also her physical abilities in this movie were impressive. Tommy Lee Jones is as good as he always is. His performances always look so effortless, but never less than stellar. The decision to pair Judd and Jones was genius. They played well off of each other, and had a commanding on screen presence. What a great movie that leaves you guessing on the outcome until the very end!

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DOUBLE JEOPARDY - DVD Movie

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