Showing posts with label catherine zeta-jones. Show all posts
Showing posts with label catherine zeta-jones. Show all posts

Thursday, April 19, 2012

The Legend of Zorro (Widescreen Special Edition) (2005) Review

The Legend of Zorro (Widescreen Special Edition) (2005)
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This movie gets high marks from me in the "PG" category. It can not truly be compared to 1998's Mask of Zorro, even though the characters are reprising their roles, because the original was a significantly darker "PG-13." Don't go with expectations that it will match the original.
When we revisit Don Alejandro de la Vega (aka Zorro, played by Antonio Banderas) and his charming wife Elena (played by Catherine Zeta-Jones), ten years have passed since the original movie, and their son is a major player in their lives (he is masterfully and comically played by the young Adrian Alonso). As married life as gone on, Elena has continually urged Alejandro to give up his secret life as Zorro, but he keeps feeling the tug of his people. The two quarrel and separate, leading to separate lives amongst some major political upheaval and the arrival of a strange Frenchman who seems to have his own plans for the homeland. There are a few stretches in the plot, but nothing too outrageous for an action/comedy, and there is plenty of witty banter and sight gags to make up for it. (Of course, any history buff will find the plot laughable, but it's for entertainment, okay?) Elena gets to do some excellent fighting and espionage-types scenes in this plot, really coming in to her own.
As my review title states, this is a family movie. The darkest moments are Alejandro's sad drunken sloven days. Again and again, the values of family, fighting fair, not shooting anyone in the back, doing well in school, etc. are reinforced, but not in a preachy way. The young son of Zorro is quite a troublemaker in school, and he learns a lot about "doing the right thing" throughout the movie, much to the comic delight of the audience. See this with a younger audience and know that you are getting some good action/adventure, packed with comedy and romance, without anything vulgar. If you like darker entertainment, avoid this sequel.

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Friday, December 16, 2011

The Terminal (Widescreen Edition) (2004) Review

The Terminal (Widescreen Edition) (2004)
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"The Terminal" has a lot going for it.
It has the crowd-drawing director, actor, actress, and a plot that would make anyone say, "how in the world?"
And for the most part, it lives up to it. Hanks is absolutely amazing in his role. I forgot it was him for the majority of the film, and though that should be par for the acting course, it's not for many actors. He loses himself as Victor, and he's not afraid to lay it out for his character. He changed his walk, stance, everything for Victor. It's the complete package, and Hanks never misses a beat.
Spielberg delivers what you expect: excellent directing. There are so many little touches in the background during the entire film that you sit and smile when you catch it, and when a scene comes off as completely coherent, you realize there was so much reinforcing what had occurred. The typical (of recent films anyway) Spielberg lighting comes into play frequently, and it makes for a lovely film. He got such a marvelous performance from Hanks and the rest of the cast...must be a really famous director, eh?
Catherine Zeta-Jones had a smaller role than I expected, but she still pulled a decent performance. I believed her, for the most part. A couple scenes, no, but for the most part.
The supporting cast of Victor's airport friends is marvelous. The chemistry between them and Hanks is great, even with Hanks not speaking English very well. I really like those characters, and the actors pulled it off brilliantly.
The script is good, dialogue believable, and story followable and lovable.
My only complaint with the film is that it seemed a little drawn out at points. It's about 2 hours, and I thought it could've been shorter. But the subplots keep you entertained, and you really grow to appreciate the characters. There are some fascinating character developments and studies in this one. You'll want to think when it's over, though you may not know what about.
"The Terminal" may not be what you expect; but it is a good film, with comedy throughout and some nice dramatic moments too. I recommend it. Enjoy Hanks' brilliant work!

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Sunday, September 11, 2011

No Reservations (2007) Review

No Reservations (2007)
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A lot of people seem to be saying, "Don't watch this awful remake! Go watch Mostly Martha, the original!" I say, by all means, watch Mostly Martha, but don't bypass this version.
It's true that if I had watched this without having seen the original version, Mostly Martha, I would probably have liked it even better. This American version is really too close to the original, right down to the appearance of several characters (Leah, the sous-chef, for instance). For this reason, if you try to compare the two, it comes off as a half-hearted reproduction, Mostly Martha's reheated leftovers.
In many ways, it does lack some of the heart and depth of Mostly Martha. The characters are not as deep and intense, so their relationships aren't as meaningful to the audience. Kate is not quite as tightly wound as Martha, not quite as isolated--so her sudden inheritance of a child and the infringement of a stranger in her kitchen are less difficult and less meaningful. Zoe is much happier and lively than Lina ever is, and is not as scarred by her mother's death, so her struggle to accept Kate is again less meaningful. Nick, I felt, was outstanding--he was different from Mario, but equally effective. I actually preferred Nick, in fact, as I found Mario bordered on annoying at times, while Nick was more appealing all the way through (and Aaron Eckhart is certainly better looking!).
So why did I give it four stars? Well, I'm a sucker for a good romance. I feel that if I hadn't seen Mostly Martha, I would have given it four stars as a good romantic comedy. That is what is, and that is, I think, all it tries to be. It is fun to watch, the characters are sympathetic, the acting is excellent, the chemistry between Zeta-Jones and Eckhart is wonderful, and the plot is engaging, if predictable.
I also don't mean to say that No Reservations loses all the heart of Mostly Martha. I think it retains it pretty well, while simply lightening up the plot a little. Overall, I actually prefer this version in many ways. I preferred the story without the presence of Lina's father, who to me interrupted the story considerably in Mostly Martha. And if the characters here are a little less intense, they were easier to relate to, for me at least. I found the romance between the leads more convincing here, and the ending considerably more satisfying than Mostly Martha's. Kate and Nick, by the end, actually seemed a little more human than Martha and Mario ever did, and if the ending is predictable...well, some of us like happy endings!
No Reservations may not fill you up with emotion like Mostly Martha, so don't coming looking for a full-course meal. This a essentially romantic comedy, the soufflés of the movie world: light and fluffy and delicious.

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A perfectionist chef addicted to her work struggles to adjust when her sister passes away leaving her with a little girl to raise and a new soup-chef threatens to take over her kitchen with his high-spirited and free-wheeling ways.

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