Showing posts with label stanley tucci. Show all posts
Showing posts with label stanley tucci. Show all posts

Sunday, February 26, 2012

Big Night (1996) Review

Big Night (1996)
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This is a beautiful movie on a number of levels. As many reviewers have noted already the Italian cooking and the scenes in the kitchen will have you craving a fine Italian dinner as soon as you finish watching.
Beyond the food this is a fine film with a very touching story involving two immigrant brothers who are extremely close despite their obvious personality differences. The tension between the brothers builds as they attempt to salvage their struggling restaurant business. Primo (Tony Shalhoub)the older brother has an artistic temperment and that applies to his uncompromising approach to cooking and cuisine. His brother,Secondi(Staney Tucci), has more material ambitions and is manipulated by a competing restauratnt owner into an ill-advised attempt to publicise their restaurant by having an elaborate dinner party for singer Louie Prima. Hence the film revolves around preparations for THE BIG NIGHT.
The climax has the conflict between the brothers break out into the open and the film ends with a beautiful sequence in the kitchen where there is a silent reconcilliation.
The story is set in a New Jersey shore town in the 1950's. The period is captured beautifully with big-finned Cadilacs cruising down the main street and the women's fashions are right on the money. The soundtrack is absolutely fabulous with cuts from Rosemary Clooney, Louie Prima and some lesser known Italian recording artists.
Both Shalhoub and Tucci are excellent in thei roles and the supporting cast is very good as well.
Overall I highly reccomend both the film and the soundtrack.

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Primo & Secondo, two immigrant brothers, pin their hopes on a banquet honoring a famous musician to save their struggling restaurant.Genre: Feature Film-DramaRating: RRelease Date: 6-NOV-2007Media Type: DVD

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Friday, December 16, 2011

The Terminal (Widescreen Edition) (2004) Review

The Terminal (Widescreen Edition) (2004)
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"The Terminal" has a lot going for it.
It has the crowd-drawing director, actor, actress, and a plot that would make anyone say, "how in the world?"
And for the most part, it lives up to it. Hanks is absolutely amazing in his role. I forgot it was him for the majority of the film, and though that should be par for the acting course, it's not for many actors. He loses himself as Victor, and he's not afraid to lay it out for his character. He changed his walk, stance, everything for Victor. It's the complete package, and Hanks never misses a beat.
Spielberg delivers what you expect: excellent directing. There are so many little touches in the background during the entire film that you sit and smile when you catch it, and when a scene comes off as completely coherent, you realize there was so much reinforcing what had occurred. The typical (of recent films anyway) Spielberg lighting comes into play frequently, and it makes for a lovely film. He got such a marvelous performance from Hanks and the rest of the cast...must be a really famous director, eh?
Catherine Zeta-Jones had a smaller role than I expected, but she still pulled a decent performance. I believed her, for the most part. A couple scenes, no, but for the most part.
The supporting cast of Victor's airport friends is marvelous. The chemistry between them and Hanks is great, even with Hanks not speaking English very well. I really like those characters, and the actors pulled it off brilliantly.
The script is good, dialogue believable, and story followable and lovable.
My only complaint with the film is that it seemed a little drawn out at points. It's about 2 hours, and I thought it could've been shorter. But the subplots keep you entertained, and you really grow to appreciate the characters. There are some fascinating character developments and studies in this one. You'll want to think when it's over, though you may not know what about.
"The Terminal" may not be what you expect; but it is a good film, with comedy throughout and some nice dramatic moments too. I recommend it. Enjoy Hanks' brilliant work!

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Thursday, July 21, 2011

It Could Happen to You (1994) Review

It Could Happen to You (1994)
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Very sweet movie. I loved it, and I think true Romantics will love it too. Based on a true story, it follows the adventures of a cop who wins a lottery and shares his winnings with an out-of-luck waitress. Rosie Perez did an excellent job as the Cop's overbearing and greedy wife, as did Ms. Fonda and Mr. Cage.
I nearly cried at the end when the citizens of NY came through for the kind-hearted Cop and the Waitress.
When you find out what happens to the Cop's wife at the end of the movie, you will laugh out loud.
I couldn't get through Sleepless in Seattle, and found this movie to be much better than the usual so-called Romantic movies.

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Wednesday, March 16, 2011

Easy A (2010) Review

Easy A (2010)
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It's easy to like a character, but it isn't often you come across one that you would want to actually be friends with, or maybe even wish you could be like. For me, such a character is Olive Penderghast (Emma Stone), a high-school student from Ojai, California. True, she may only be a fictional character, but she's also the embodiment of personality - smart, witty, and affable, yet not so perfect or above it all that she fails to be human. Despite these magnetic qualities, she isn't noticed much by her peers, and she's all but upstaged by her best friend (Aly Michalka), who makes it a point to believe only what she wants to believe instead of actually listening to the truth. Things drastically change for Olive when she gains an infamous reputation as the school floozy, something she didn't start but certainly chose to perpetuate.
Her story is told in "Easy A," which is not only one of the funniest teen comedies of recent memory, but is also one of the most intelligent. Rather than go for obvious lowbrow sex and booze toilet humor, director Will Gluck and writer Bert V. Royal show the temerity to engage the audience with clever dialogue, strong characters, and a plot we can actually care about. It doesn't play down to the audience. If we laugh, it's not because of a vulgar throwaway gag but because of genuinely funny scenarios, many of which are relatable to varying degrees. Perhaps the film is founded on an extraordinary premise, but in my mind, it's a perfectly plausible premise, and the fact that the filmmakers could keep the story grounded while making it entertaining is quite an amazing achievement.
Olive's infamy begins when she lies about having lost her virginity over the weekend to a college student she made up. The lie is overheard by Marianne (Amanda Bynes), a judgmental and pious Little Miss Christian, who proceeds to tell everyone she knows about Olive's indiscretion. Rumors quickly spread. Other students begin to take notice of her, and although she never asked for her newfound reputation, she finds she's appreciating the attention. She's then approached by her gay friend, Brandon (Dan Byrd), who's so tired of being harassed by homophobic bullies that he begs her to pretend to have sex with him. Knowing that no one would believe her if she simply told people about it, Olive drags Brandon to a classmate's party, where they lock themselves in a bedroom and make all the necessary noises. Everyone is fooled.
This includes Marianne and her circle of Christian friends, one of whom boldly suggests that Olive follow the lead of Hester Prynne in "The Scarlett Letter" and mark herself. Not content with doing things half-heartedly, Olive arrives at school the next day wearing a bustier with a red A affixed to the right breast. In due time, she's approached by other boys who want Olive to do for them what she did for Brandon; she agrees to help them all, although she's well aware that the situation is getting out of hand. It's bad enough that they're using her to inflate their egos. Why must they also compensate her with gift certificates and coupons to affordable stores like The Home Depot and Bed Bath and Beyond?
The ads have prepared us to view Olive as a cliché - a wisecracking teen who never shows her emotions and flaunts her superior intellect in the form of biting sarcasm and dry wit. But we end up seeing nothing of the sort. Olive is a young woman of considerable depth, jokey on the outside but within harboring needs, hopes, and deep insecurities. They emerge during scenes with the school mascot, Woodchuck Todd (Penn Badgley), the one guy who has known Olive most of her life and sees the person behind the reputation. Through him, she comes to believe that regaining her self-respect depends on tracking down each of the boys she helped and coercing them into telling the truth. This proves far more difficult than she expected. It's just as well; the root of "self-respect" is "self," which is to say no one other than her can turn the situation around.
Other characters, such as Olive's loveably liberal parents (Patricia Clarkson and Stanley Tucci) and her perpetually flustered school principal (Malcolm McDowell), add color to the story, even if they are a bit less three-dimensional and serve mostly as comedy relief. The English teacher, Mr. Griffith (Thomas Hayden Church), is not only as witty and charming as Olive but is also remarkably perceptive; the same cannot be said about Mr. Griffith's estranged wife (Lisa Kudrow), which is ironic since she's the school's guidance counselor. I don't want to reveal too much about this couple. Let it suffice to say that Olive's actions have consequences that extend beyond the limits of the student body.
The film is told as a retrospective, Olive opening the film with a webcam confessional that continuously weaves in and out of the story proper. This is far from an original narrative technique, but Stone's performance and Royal's dialogue elevates it to new heights. Right at the start, we're drawn to this character, and we want to stay near her even after the story has come to an end. Not too many roles have this kind of power. Not too many teen comedies are this well written. "Easy A" is a sweet, sassy, ingenious little movie, one that I hope will not be forgotten ten years from now.

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OLIVE AN AVERAGE HIGH SCHOOL STUDENT, SEES HER BELOW THE RADAR EXISTENCE TURN AROUND OVERNIGHT ONCE SHE DECIDES TO USE THE SCHOOL'S GOSSIP GRAPEVINE TO ADVANCE HER SOCIAL STANDING.

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Sunday, March 13, 2011

Julie & Julia (2009) Review

Julie and Julia (2009)
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Well, I guess it's finally happened...the consumer and film buff who does not own a Blue-Ray compatible DVD player is now officially SOL. The standard DVD release of Julie and Julia contains as special features only a commentary track and behind-the-scenes featurette. To get the full array of special features, one must purchase the Blue-Ray version of the film, AND of course, a Blue-Ray dvd player. Here are the features NOT available on the standard dvd: tour of Julia Child's kitchen in the Smithsonian; featurette "Friends and Family Remember Julia Child;" and "Cooking Lessons," with Julia Child, Jacques Pepin, and other renowned chefs preparing several of Julia Child's best-loved dishes. Why can't the studio release a two-disc special edition in the standard format for consumers like me who don't own the latest home entertainment equipment? I loved the film (especially The Divine Ms. Streep), loved Julia Child's book "My Life in France," very much liked Julie Powell's book "J & J," and can't tell you how much I've been looking forward to owning the DVD. I'm miffed, and in no position to go out and buy myself a new DVD player in this economy, not even at Christmas. This really stinks. So, five stars for the film itself, no stars for the DVD release manipulation.

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A culinary legend provides a frustrated office worker with a new recipe for life in Julie & Julia, the true stories of how Julia Child's (Meryl Streep) life and cookbook inspired fledgling writer Julie Powell (Amy Adams) to whip up 524 recipes in 365 days and introduce a new generation to the magic of French cooking. Stanley Tucci (The Devil Wears Prada) co-stars in director Nora Ephron's delicious comedy about joy, obsession and butter. Bon appétit!

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