Showing posts with label japan. Show all posts
Showing posts with label japan. Show all posts

Thursday, April 11, 2013

Kenichi: The Mightiest Disciple - Season One, Part One Review

Kenichi: The Mightiest Disciple - Season One, Part One
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Kenichi the Mightiest Disciple is a simple action comedy that is very entertaining. The character himself is the nice guy underdog who is completely isolated at the beginning. Since his strength is lacking and he has no friends he is often mocked at the very least and beat on the very worst. I don't want to talk about key points in the plot but its engaging to see Kenichi evolve to become both physically and emotionally stronger. His training and the various interactions between characters are quite humorous and the fights are well done.
When he fights a tough opponent it is plausible he is able to be a contender because his training is not only sadistically harsh and long but also he learns counter moves. They go into great detail about the fighting styles in this anime. What they are used for, their strengths and weaknesses, and how they are learned (performed). I hope my review was helpful and I hope enough people enjoy (purchase) Kenichi that funimation will license the rest of the show (they licensed 26 out of 50 episodes to test the product.)
This DVD Contains 13 Episodes and B will have 13 Since Funi only licensed the first 26. Trailers and clean opening/ending are the only special features included here... standard/generic special features only. Total Run time for the 13 episodes is 312 Minutes.
Edit: Part Two is Available Now.

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Yeah, Kenichi’s a total wimp. He’s always getting picked on and doesn’t have a lot of friends to stick up for him. The guy needs motivation if he hopes to graduate in one piece.
Well, Miu’s the perfect motivation. She’s hot, she accepts him, and she just so happens to live at a dojo with six martial arts masters. You could say fate has led Kenichi to their door, or you could say he was just following the hottie. Either way, he’s about to get whipped into serious shape. If he can survive some hard-core training, he might survive another day at school. He might even score with Miu. Yeah, you could call Kenichi a wimp. But let’s go with underdog instead.
Stills from Kenichi (Click for larger image)



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Sunday, March 10, 2013

Inuyasha - Down the Well (Vol. 1) (2002) Review

Inuyasha - Down the Well (Vol. 1) (2002)
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Rumiko Takahashi is one of the, if not the, most famous female manga artist in the world. With titles such as "Ranma" and "Maison Ikokku" in her resume, she has established a worldwide following and has garnered a reputation as the Queen of Romantic Comedy. Her latest undertaking, "Inu-Yasha", has already gained a cult following in the US and, like her other manga series, has been made into a successful anime series that has just a strong following in America. American publisher Viz, having already published twelve volumes in the US, now brings us the anime.
At first glance, "Inu-Yasha" seems like a typical anime series. Kagome, a Japanese high school girl, is transported to the feudal age of Japan through a magical well, where she unwittingly awakens a cocky, imprisoned half-demon called Inu-Yasha. You see, Inu-Yasha was after the Shikon no Tama, a powerful jewel that could grant him his wish to become full demon, but a village priestess called Kikyo stopped him with a mystical arrow. Suffering from untreatable wounds, Kikyo decides to die and take with her to her grave the Shikon no Tama. But get this: Kagome is apparently Kikyo's reincarnation, and she just so happens to have the Shikon no Tama with her! Then, through a bizarre set of circumstances, the jewel ends up shattering and scattering all over Japan, and now Inu-Yasha and Kagome have to team up and find these pieces.
Typical, huh?
Not quite.
You see, "Inu-Yasha" is a lot deeper than the first set of episodes will have you believe. Sure, it looks like something you'd find in just about every other fantasy anime series out there, but truthfully, the meat of the series is found in later episodes, when Takahashi demonstrates her true (if not bizarre) genius. But even with this in mind, the first three episodes found on this DVD do a really good job of starting the series and drawing you in. The characters are likable and three-dimensional, and the plot is executed at a reasonable pace. And with Takahashi's unique sense of humor spread all over, you know this series is over-the-top as well as dark and intriguing. Overall, the first three episodes are well done and should give the viewer a general idea of what to look forward to, even though Takahashi's plot twists are completely unexpected.
Visually, "Inu-Yasha" is one of the cleanest series around. The artwork isn't as clean as, say, that of "X: TV", but it's definately sharp and crisp enough to make an average viewer go "wow!". Character models present marvelous representations of their manga counterparts, backgrounds are vibrant and fully detailed, and movement is smooth and fluid. In short, "Inu-Yasha" is a beautiful series that does justice to its source material.
Sound wise, the music is a beautiful compliment to the visuals. It's not the most memorable of soundtracks, but Kaoru Wada's melodies are beautiful and wistful and can get emotional when they need to be. The one complaint I have, however, is that the songs tend to repeat themselves quite often and some songs are often nothing more than variations of other songs. But overall, the series' soundtrack has no real complaints. And the opening and ending...well, the ending song is really haunting and ends each episode on a perfect note, but who's idea was it to use a Korean boy-band song as the opening?
As for the English dub...to put it simply, the dub is above average. It does have its problems, but overall it's enjoyable. Richard Cox does a marvelous job as the half-demon Inu-Yasha, bringing the cocky anti-hero to life wonderfully. Monica Stori, unfortunately, stumbles at the beginning as the heroine Kagome. Many complain about her sounding too young, but I feel her biggest problem was that at first she didn't feel comfortable with her role. In later episodes she improves remarkably, but starting out she sounds somewhat stale and flat. Pam Hyatt does a respectable job as Kaede, but she can sometimes sound unenthusiastic and it's somewhat weird that she speaks in Old English and no one else does...
...which brings me to the dub's biggest problem: the script, written by Trish Ledoux, who also wrote the script for "Ranma". Trish has an annoying habit of using "Trishisms," which are cliches and catchphrases, in her scripts and it's these Trishisms that bring the dub down. Adding in her own "touches" such as the phrase, "Toto, I don't think we're in Tokyo anymore" makes the script feel dumbed down. Granted, the script doesn't drastically alter the story in any way, but these Trishisms are the biggest thing holding the quality of the English track back.
So in general, for die-hard fans of the show, the dub will be debatable because they associate the characters so much with the original Japanese voices and thus anything that doesn't fit will render the dub a travesty; nitpicking and complaints such as "they pronounce names differently" or "this voice sounds off" or "Kagome says, 'Sit, boy!'" will definately be popping up in many reviews to come. But for casual anime fans who won't have to go into the show with this kind of baggage for an incredibly popular series, the dub should satisfy.
Overall, the first volume of "Inu-Yasha" is a solid release. The only complaint I have about the show is that the content of the series was toned down from the manga to meet television standards (no full frontal nudity, not as much violence, etc.), but that's only a minor complaint. Many will complain about the episode count per DVD, but just remember that the Japanese got only two episodes on the first disc and you may feel better (maybe). But if you're still unsure as to whether you'll like this series or not, you can catch it on Cartoon Network's Adult Swim block in a very, very lightly edited format. And since the show gets better as the series progresses over its 90+ episodes (it's still running in Japan, by the way), there will be plenty more "Inu-Yasha" to get excited about in the future.

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Wednesday, December 12, 2012

Afro Samurai (Director's Cut) (2007) Review

Afro Samurai (Director's Cut) (2007)
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There's no doubt that Afro Samurai has a cool and simple concept and a very bloody style. In this future world of feudal Japan nothing seems to matter but two headbands that represent the two best fighters. To get to the number one fighter you must go through the number two and to get to the number two you must go trough everyone else. This way of life that nobody should have to live especially a child who has nothing but the headbands and revenge on his mind. As a child Afro saw his father who was the number one fighter at the time get massacred by a man named Justice. After the fight is over Justice takes the number one headband off of the head of Afro's father, which was not too far away from his body. Justice tells Afro something similar to what Uma Thurman said to Vivica A. Fox's daughter in Kill Bill, that if he wanted revenge he would fight him when he came for him.
Afro took those words very seriously and took a few things of his fathers including his very cool Katana. Afro immediately went from an innocent child to an almost emotionless man with a ton of weight on him as he begins his vengeful journey. Afro Samurai is a unique anime or story for that matter. You don't see too many people willing to put out a story with basically nothing but very bloody fight scenes for about two episodes before a really good story starts up. Especially in a 5 part series where the episodes are only between 20 and 30 minutes long. I can't lie because I love stuff like that and it made Afro Samurai all the more tempting to finish watching. The second is that this was a pricy anime to make costing $1 million per episode so I'm sure a few viewers from the Hip hop community were expected to watch this. Even if you're an action film fan you have to admit when there's too much action and not enough story Even in a revenge tail like Kill Bill with a certain scene that this anime could relate to 88 times over it had a mystery and story.
Afro was on the verge of being in the too much and not enough category and then a cool story hits you somewhere around the end of episode two. Flashbacks of Afro's life are showed, you see him as a kid again and the people who took him in and gave him his gritty skills. All throughout the 5 part series you see that the money was well spent because the animation is amazing and beautiful. The things that Afro does with his skills are crazy and this animation was a giant step up for anime samurai fight scene, it was flawless. The voice actors are great including Sam Jackson who is great for co-producing this and putting his foot in it.
I think it would have been cool to actually give Afro a real name, it's cool for people that take him on to call him Afro but I think he should have had a name for his other life before he became the Afro Samurai. In other words I kind of wish the story went just a bit deeper with a little bit more complexity. I think that Afro Samurai is a great series that everyone should see especially to view its beautiful quality.

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Ice Cold Soul and a Jones For Revenge
Afro Samurai (voiced by Academy Award® nominated Samuel L. Jackson) is an epic tale of a black samurai's hunt for Justice (voiced by Ron Perlman: Hellboy Alien Resurrection ) who murdered his father. With music score by The RZA ( Kill Bill Wu Tang Clan) Afro Samurai blends traditional Japanese culture, funky technology and hip hop to create a brutally fresh entertainment experience.
Director's Cut features:
15 MINUTES OF NEVER BEFORE SEEN FOOTAGE
Exclusive Manga art from Afro Samurai Creator, Takashi Okazaki
In the Booth with RZA - Music Production Tour
Director's Cut Edition of Afro Samurai is a 2-disc set with over 170 minutes of action!
All the cool action at a hot new price!

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Wednesday, October 24, 2012

Kamikaze Girls (2005) Review

Kamikaze Girls (2005)
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`Kamikaze Girls' is a delightful, pop, unique, and utterly sweet tale of the friendship between two Japanese girls Momoko and Ichigo. Sure, some part of the film's very disarming charms can be appreciated more with knowledge of modern Japanese culture, but that doesn't mean the film should be seen only by the small coterie of moviegoers. After all the film's theme is a universal one.
First, remember the film's original title (and its original novel) is called `Shimotsuma Monogatari' (The story of Shimotsuma) because this actual town that is located in the northern suburb of Tokyo City (about 60 km to the north of the metropolis) is the place where we meet our cute heroines.
OK, this rural town is the place where Momoko (meaning literally `peach-child' in Japanese) is living. She loves wearing pretty, girlish (and expensive) clothing (usually referred to `Lolita' or `Lolita Fashion' in Japan) and in order to buy them she goes all the way to Tokyo. One day, she thinks of a brilliant idea to get money. Following the `business' of her ex-yakuza father, Momoko sells counterfeit designer clothing on the net.
Only one customer shows up. It is Ichigo (literally meaning `strawberry'), a teenage girl clad in a long coat (signature of Japanese teenage motorcycle gangs), and riding a ridiculously decorated pink-colored scooter. Somehow this incongruous pair of girls gets friendlier to each other, and Momoko, confirmed loner, finds there is something precious that she cannot buy, more precious than the fancy dress that she is wearing.
[DELIGHTFUL] The incredibly charming film is not so much about the story as the two incredibly charming characters Momoko (Kyoko Fukada) and Ichigo (Anna Tsuchiya). From the exaggerated cartoon-ish style of introduction, we immediately fell in love with these heroines, whose unique outlook on life and original code of behavior perfectly matches their equally unique and original fashion. Actually, Momoko's costumes are one of the assets of the film, which will be good inspiration for designers.
Unfortunately, some amusing scenes might be lost on non-Japanese viewers, which heavily rely on the linguistic differences between some regions in Japan. Please remember this. Momoko's father is from Kansai area, of which dialect is more down-to-earth and slightly earthy than the words Momoko usually uses with a posh voice, who loves the French rococo fashion. Momoko's always gramatically correct speech makes a great contrast with Ichigo's frequent verbal slip-ups when heard in Japanese. And as to the several funny episodes about selling counterfeit goods, they are very exaggerated, but not totally fictional.
But you don't have to worry about the languages, because the joy of `Kamikaze Girls' means its amusing visuals and portraits of the likable heroines, Momoko and Ichigo. The only thing I disagree with `Kamikaze Girls' is its misleading English title. Why not call it simply like `Momoko and Ichigo' or something? Otherwise it is an absolutely charming film with these cute, lovely, and inimitable heroines.
By the way, contrary to the impression you might have from the role of Ichigo, Anna Tsuchiya started her career as fashion model.

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Saturday, May 19, 2012

The Fast and the Furious - Tokyo Drift (Widescreen Edition) (2006) Review

The Fast and the Furious - Tokyo Drift (Widescreen Edition) (2006)
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Loud, Brash, Noisy, Sexy, Morally Murky, Bursting with Energy and Guts, Justin Lin's (the terrific "Better Luck Tomorrow") take on episode 3 of the "Fast and Furious" franchise is a great way to spend a hot Summer afternoon along with a gallon size soft drink and a tub of Popcorn.
Here Lin is in Tokyo with the stoic, deadpan line reading Lucas Black (as the booted out of the US to avoid Juvenile detention, Shane Boswell...a car nut addicted to driving fast and grinning like a Cheshire cat) who, of course finds the local car culture and its inhabitants by way of a school pal, Twinkie played by the appealing Bow-Wow. And he just as quickly falls in with the "wrong crowd" consisting of Han, a sort of Sensei to Shane (the enigmatic and excellent Sung Kang from "Face" and "Better Luck Tomorrow"), and the villain of the piece, Yamata played with his face crunched and a constant sneer by Sonny Chiba. Then there is the lovely Neela (Nathalie Kelley...a dead ringer for FFI's Jordana Brewster): like Shane and Twinkie a High School (!)student with very, very permissive parents.
Lin directs this piece to within an inch of its life: your eyes and ears are never bored, never without something to feast your eyes upon or pop your fingers to.
Lin never judges his characters, we never feel that he is slumming...he always respects the material he is given to direct and he always puts his personal stamp on everything that he does.
I wish he were given something as meaningful and heartfelt as "Better Luck Tomorrow" to direct but he's young and he has many many movies to make before he is through.

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Thursday, February 23, 2012

The Karate Kid Collection (Four Film Set) (1994) Review

The Karate Kid Collection (Four Film Set) (1994)
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Part I (5 stars): Funny, I'm just not a big "karate buff", in fact, this probably is the only set of movies like this I own, or may ever own. When I tell people this is one of my favorite movies *ever*, they laugh. Then they say, "Are you serious?" And my words to explain why always fall short. Beyond the karate, beyond the underdog nature, there lie two characters that seem to compliment each other so perfectly it really makes the movie what it is regardless of the subject matter. Something about the chemistry between Pat Morita and Ralph Macchio simply defies convention and thrives on it. The casting by all involved was surely just one part luck, one part fortune, the DVD extras merely icing. My only complaint is this not being mastered to 5.1 DD sound.
*edit* I watched the commentary last night and I must say I was disappointed. Pat Morita's input was intrusive, and many comments made by the group were simply uncalled for. When Elizabeth Shue would walk away from the camera they would comment about her rear end and totally ruined a part of my respect for them. They went on to ridicule an "extra" who became a greeter of some sort. They laughed and carried on through the whole thing. At the beginning I thought, well they are a lively group, but after 45 minutes it wore thin and I wished then I would have turned it off. There were a few bits here and there I learned, but what I really learned is why companies have the disclaimer at the beginning of the movies.
Part II (4 stars): I'm kind of ashamed of avoiding this movie now. As much as I loved the first I never bothered with the second. I've just never been fond of sequels. Be it Back to the Future Two, the Lost World, or the hundred other sub par sequels, they just seem to mar the original product. However, here at Amazon I read that this story picks up 5 minutes after the first and that peaked my interest. Previously, I just assumed it would be directionless swill. So wrong. The score, the heart, the soul, and even the casting practically live up to the first, and I'm shocked at that. In fact Daniels love interest in this even out does the first!! Having the impact on me this film had 19 years after it was made is quite remarkable. It's not without it's flaws though, the last 15-20 minutes really just seemed to lose steam, the "storm" sequence being almost painful. Sad that there are no extra's to speak of, this movie may have been even more interesting to hear about.
Part III (3 stars): Definitely the weakest of the three, still a must see for the simple fact that Pat and Ralph still have that spark. Sadly, the casting choices for the villains are overwrought and the story just seems forced. I suppose the concept was losing its impact but regardless, the script just wasn't well thought out. Again, this picks up right after Part II and there is just something about this continuity that makes me think John Avildsen has courage and vision. The weakest part of the script easily being the "sign the paper" portions that defied common sense, still like Part II I'm simply shocked these movies are not disastrous "1 out of 5's" (as some here at Amazon alluded to) although having the original director onboard surely meant these movies had the stability they needed... and deserved. Having viewed Parts II and III has forever altered the way I will view Part I, and I'm relieved to report it's all for the better. They only enhanced what I knew and make me appreciate it that much more. Why not have commentary on all three movies?
---
The Next Karate Kid (2 stars): I'm trying to view this as a sort of "bonus movie" within the packaged set. While 2 stars may seem low I think this movie does contain some decent performances by Hillary and Pat. The problem again is the script, hell, even the premise. So, a middle aged woman lets a friend of her fathers move in with her teenage daughter while she goes and stays at his home California? Please. A big problem are the overzealous sadistic "TV Movie" quality of just about everyone except the two leads. Even the love interest in this is so utterly flat it is totally deflated. Most of what should have had an impact (like the Hawk) didn't and a certain parts (like "Zen" bowling) seemed like embarrassing filler.

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Tuesday, February 7, 2012

The Ramen Girl (2008) Review

The Ramen Girl (2008)
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The late Brittany Murphy shines in this heartwarming movie about self-discovery. Abby (Murphy) moves to Japan to be with her boyfriend but when she gets dumped, she finds herself in a fix. Unwilling to return to the States, thinking she still has a chance to make it up with her BF, Abby finds a new purpose in the ramen place across the street from her apartment. One rainy night, a despondent Abby wanders into the ramen shop after closing, and starts weeping. The chef Maezumi (Toshiyuki Nishida) and his wife are puzzled as they can't speak English and Abby can't converse in Japanese, so they offer some ramen to comfort her. It does that and more - inspired by the wonderful taste of the ramen, Abby is seized by a sudden desire to learn how to cook ramen, and like an annoying gnat, keeps harassing the chef until he finally takes her on as his apprentice - but not without giving her a really hard time (Abby's initial duties include cleaning the kitchen and the dirty toilets as well as waiting on tables).
The heated exchanges between Abby and Maezumi make for great entertainment- Maezumi as played by Nishida is an irascible taskmaster, who hides a lot of pain beneath his prickly demeanor. Abby, portrayed brilliantly by Murphy, is an initially naive, lost soul trying to find a purpose in life, and struggles to adapt to a foreign environment - not speaking Japanese doesn't help either. There is also a cast of secondary characters, such as the American woman who works as a call girl/mistress, the handsome, young Japanese executive who forms a relationship with Abby, the chef's wife, and a few eccentric regulars at the ramen place. The story does not get overly sappy, and the story, though predictable, is not without a couple of twists. The story might not be original, but it certainly is well-cast and the leads make this an engaging watch. I took away one star because I felt some of the secondary characters deserved more development, e.g. the call girl/mistress who just disappears half-way through the movie. On the whole, this is an interesting, and uplifting drama about searching for one's path in life, and showcases Brittany Murphy's acting talents to good effect. The movie is in both Japanese and English, with a lot of Japanese dialogue accompanied by English subtitles. Also recommended for those who'd like to watch another ramen-themed movie is Tampopo, a highly-entertaining movie.

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An American slacker (Brittany Murphy, 8 Mile; Girl, Interrupted) abandoned by her boyfriend in Tokyo finds her calling in an unlikely place: a local ramen house run by a tyrannical chef who doesn't speak of a word of English. Undaunted by the chef's raging crankiness, Abby convinces him to teach her the art of ramen preparation...and despite hilarious clashes of culture and personality, she learns how to put passion and spirit into her life as well as her cooking.Stills from The Ramen Girl (Click for larger image)



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Monday, August 8, 2011

Mr. Baseball (1992) Review

Mr. Baseball (1992)
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For one thing, this movie pivoted on the theme of baseball is a world better than the Madonna/Davis starring "A league of their own" or the more recent travesties like "A field of dreams". For another, the schism between American and Japanese ideologies/way of life is just so truly captured that it is difficult to believe this movie is not the de-facto recommendation for people interested in Japan. Guess it missed out on the major league scene because, well, quite literally it is not about US major leagues?
A US baseball star (Selleck) is traded to a Japanese baseball team and finds himself at intellectual loggerheads with the extant coach of the team. This, plus a slight romantic sub-plot as he falls in love with the coach's daughter.
Barring some minor cheesy moments -- e.g., when the coach takes Selleck to a golf driving range and makes him hit the balls with a baseball bat, only to hear "I want to hit balls" instead of "I want to hit baseballs"...hmm -- the accuracy of Japanese life is truly stunning. Including, eating ramen with vociferous slurps, digging chopsticks vertically in rice bowls being a no-no, the language used to communicate between the American/Japanese, even a scene with a real on-sen. A refreshing break after stereotype galore seen in movies of that time, including the entertaining "Black Rain" or the absolutely goofball "Rising Sun".
To cut to the chase, this is an under-rated gem of a movie, very well shot, some messages about life and profession as seen from two very different perspectives that are likely to resonate with either side. Selleck takes the cake with his acting, baring his tush (literally, I may add) to portray a grouchy American, snubbing people relentlessly and throwing tantrums in public, then letting us inside this character to understand his views. Takakura Ken, needless to say, is fascinating as usual.
A must watch if you are interested in Japan, or baseball, or a good light-hearted cross cultural take on life and sport.

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Tuesday, August 2, 2011

Princess Mononoke (1997) Review

Princess Mononoke (1997)
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Wow. I first saw Princess Mononoke during its limited theatrical release (twice). Many people have issues with the dub, but this is by far the best dubbed anime ever to be released -- I, like most anime fans, normally insist on subtitles, but Neil Gaiman and the cast succeeded in putting real emotion into these characters. The casting of Billy Bob Thornton and Claire Danes might rub some ears the wrong way, but in my opinion the emotional impact is still there regardless of the odd accents. In any case, the Japanese track is included, and it's phenomenal. As for its content, most arguments about its violence and length can be dismissed by viewing it as a film, rather than as a cartoon. It's not Disney. The plot is a complex and delicate exercise in shades of gray. Don't expect Akira or Macross either -- it's really not of the same genre.
The video and audio quality is the sort that you would use to show off your new home theater system. In fact, I found the Japanese soundtrack to be richer and better dynamically balanced than the English track (!). Disney/Miramax really took advantage of the format by including BOTH the Japanese and English opening titles and credits -- they are automatically selected depending on your choice of language via an angle switch. Transparent and ingenious. There are two sets of subtitles -- one for the English track, and the other is the literal translation of the Japanese (since some liberties were taken in creating the English script).
Disney was originally going to release "Mononoke Hime" without the original language track, which created an outrage among anime fans (who, myself included, signed a massive internet petition which eventually turned the tide). I applaud this decision, as well as the splendid attention to detail. It has made this incredible movie an even better value.

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Claire Danes (THE MOD SQUAD), Minnie Driver (GOOD WILL HUNTING), and Billy Bob Thornton (ARMAGEDDON, SLING BLADE) head a cast of hot Hollywood stars who lend their talents to this exquisitely animated, overwhelmingly acclaimed adventure epic! Inflicted with a deadly curse, a young warrior named Ashitaka (Billy Crudup -- WITHOUT LIMITS) sets out for the forests of the west in search of the cure that will save his life. Once there, he becomes inextricably entangled in a bitter battle that matches Lady Eboshi (Driver) and a proud clan of humans against the forest's animal gods, who are led by the brave Princess Mononoke (Danes), a young woman raised by wolves! Also starring Gillian Anderson (THE X-FILES) and Jada Pinkett Smith (SCREAM 2), this monumental struggle between man and nature will have you transfixed as stunning artistry blends with epic storytelling to create a uniquely entertaining motion picture!

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Saturday, July 16, 2011

Howl's Moving Castle (2004) Review

Howl's Moving Castle (2004)
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(In fact 4.5 Stars) Though 'Howl's Moving Castle' ('Hauru-no Ugoku Shiro') may not be Miyazaki's best film, it is still far more enjoyable than many other films, Japanese or American, animated or not. I for one very much enjoyed watching it, and I love the film for its interesting characters and the rich textures of the designs, especially the fantasy world itself where witchcraft and humans' mundane works can be seen side by side. And the titular six-legged castle that really walks among the wilderness is something you never see except in his films.
Miyazaki's new film is based on a book of the same title written by Diana Wynne Jones. The film's story is told from the viewpoint of a 18-year-old girl Sophie, who is working at a milliner's shop every day. But she can hear the sound of bloody battles from the distance, and it is clear that this beautiful country, where witches and wizards live among humans, is going to see another war sooner or later.
But apparently Sophie is still leading an ordianary life until her uneventful routine days are suddenly broken by one accidental meeting with wicked 'Witch of the Waste,' who turns her into an old woman with a curse. Seeking for her place to live, Sophie goes to the wilderness where, the townspeople say, a young wizard named Howl wanders. In fact, Sophie encounters Howl's Moving Castle in the foggy moutainside, and she decides to hop in. There, forbidden to talk about her curse, she starts a new life with young and handsome Howl, who speaks to her kindly like a prince, but at times acts like a spoiled child.
[MIYAZAKI'S LOVE STORY] You will be impressed with many fantastic and colorful images created by Miyazaki. You might find an anti-war message deep in the film's story, but will find the romantic relations between Sophie and Howl is the most touching and impressive part of the film. Sophie's romantic feeling towards Howl is expressed in a unique way (which I don't disclose here), and Miyazaki, as usual, is very good at drawing the character of this independent heroine. One interesting thing is, probably this is the first case in which Miyazaki attempted to show a love story in his films. And a kiss too.
I must say that not everything works in 'Howl's Moving Castle.' I haven't read the original book, but it is obvious that Miyazaki made changes. Not that I'm blaming them. But the story is sometimes told too hurriedly, and when you think something (actions or whatever) will start, it ends abruptly. Howl's character is full of contradictory traits, that's good, but his complicated personality could have been more effective and convincing with more detailed episodes about, say, his mentor magician (and politician) Madam Suliman or Witch of the Waste.
(If I am not mistaken, 'Howl's Moving Castle' is a rare case for Miyazaki who prefers to use his own stories, and this is the first time he adapts someone else's story in 15 years, last time being 'Kiki's Delivery Service. But 'Kiki's' story written by Eiko Kadono is not long -- I know, I read -- while 'Howl's' story is, I think, much longer. Maybe these facts have soemthing to do with my complaint.)
Greatly helped by Jo Hisaishi's beautiful score, 'Howl's Moving Castle' is full of imaginative power, with one strong heroine you can relate to (though she is 90-years-old), plus memorable supports including fire damon Calcifer, (not a bad guy at all), and ubiquitous Prince Turnip who always appears at the right moment. Flawed, to be sure, but enjoyable fantasy tale with a healthy amount of humor and lots of imagination.

The review above refers to the original Japanese version. I know the English version includes the voices of Christian Bale, Jean Simmons, and Billy Crystal, but as I have never seen the version, I did not talk about them. Still, as Mr. Miyazaki is not likely to approve any changes done to his films, I hope what I saw in Japan, you will see in your country.

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In Hayao Miyazaki's latest animated masterpiece, journey beyond imagination and enter a "breathtaking fantasy world" (Kenneth Turan, Los Angeles Times) filled with adventure, humor and heart. Sophie, a quiet girl working in a hat shop, finds her life thrown into turmoil when she is literally swept off her feet by a handsome but mysterious wizard named Howl. The vain and vengeful Witch of the Waste, jealous of their friendship, puts a spell on Sophie. In a life-changing adventure, Sophie climbs aboard Howl's magnificent flying castle and enters a magical world on a quest to break the spell. Featuring the voice talents of Jean Simmons, Christian Bale, Lauren Bacall, Blythe Danner, and Billy Crystal, Miyazaki's artistry comes to life on DVD with inventive characters, unique storytelling and richly detailed animation. (c) 2004 Nibariki • GNDDDT

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Wednesday, June 29, 2011

Spirited Away (2002) Review

Spirited Away (2002)
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Released on July 20th, in 2001 in Japan, "Spirited Away" stayed in theaters for almost 10 months, breaking all the previous box-office records in Japan, including that of "Titanic" and "Princess Mononoke" by the same director Hayao Miyazaki. With this astonishing film about a girl's spiritual journey, Mr. Miyazaki again showed that he is one of the best directors living in the world. This animation film was also awarded prestageous Golden Bear Prize in Berlin Film Festival, and that is not a surprise at all, after you see this movie.
The film's story traces a girl's strange and fascinating life in another world, where her parents are accidentally and magically transformed, and she has to survice herself and return to her own world. To do so, this pudgy-faced little girl Chihiro, now deprived of her name by a greedy witch Yu-baba, has to work at the baths where gods and sprites all over Japan come to take a rest. Chihiro's life is full of wonderful (and often hard, even terrifying) things, and through her experiences she learns how to live, gaining the true will and power, changing from a sulky girl languidly lying on the backseat of a car, into a lively and truely courageous girl.
That's all you have to know: you don't need to see its trailer (English version trailer is a bit misleading), and just watch this masterpiece. Though there is a character called "Kao-nashi" (meaning "Faceless"), who out of loneliness does something harmful to the place; and there is an episode about a very stinking monster who turns out something very different, there are no villains, no heroes, and no so-called actions. And another strength of the film comes from its designs of the baths. It is based on a mosaic of Japanese and Western traditions (the witch's office looks obviously Western while Chihiro and other female workers room is inspired from the texitle factory girls' residence 100 years ago) Incredibly,some part are even from Chinese style.
The story, some say probably rightly, goes slower in the latter half (of the film that runs more than 2 hours), but "Spirited Away" never lets you down. It's time for any American audience to know Miyazaki's name, and that animation films are not meant for only kids, but for adults.
[The following might hopefully help understand some part of the film. No spoilers contained, but you might read them after watching them. Al the names referred to are from Japanese original print.]
[1] The name "Chihiro" is, when written in Chinese letters, divided into two parts: "Chi-hiro." The first part "Chi" has another way of pronounciation, "Sen," which becomes her temporary name.
[2] Chihiro's real name is "Chihiro Ogino" which is briefly seen on the contract paper she signs.
[3] The handsome boy who offers a help to Chihio is called "Haku" which means in Japanese, "white."
[4] Haku's real name is "Migihayami Kohakusui." All the Japanese audience, as Chihiro in fact was, would be surprised to hear this long and old-fashioned name, which clearly suggests his ancient and aristocratic origin. (CORRECTION added on 1/1/2007) I came upon recently Sonomi's review pointing out the mistake I made here; Haku's name is really "Nigihayami Kohakunushi." I apologize for the mistake.
[5] The witch's spoiled baby is called "Bou" (and his name is written prominently in a Chinese letter on his clothes). This is shrewd naming because the word "bou-ya" (which is used to call, affectinately, to baby boys) implies too much fondness to the babies on mother's side.
[6] Chihiro's father, at the diapidated red gate, talks knowingly about the posibility of a disused theme park. It is true that Japan saw economic depression after the boom of the 80s, and his remarks, though half telling of his too much confidence, have some ring of truth.
[7] For Miyazaki's fans, there are some extra see, for example, the re-appearance of "Susuwatari"s, tiny black speck-like creatures that carry coal in a boiler room. As fans know, they are also seen in Miyazaki's delightful film "My Neighbor Totoro." And check out one of the "guests" at the spa who looks and moves exactly like Totoro.
[8] And those harmless "Susuwatri"s eat Japanese traditional, very sweet confectionary called "Konpeitou" made from sugar. This is the part Japanese viewers smile because of the unexpected combination.
[9] In the same boiler room, the spider-like veteran master gives Chihiro "Kaisuu-ken," coupon-style tickets for train. This is also the part we would smile because we all somehow share the same experience of giving them to children who go somewhere by train or bus, or of finding very old ones somewhere in the desk.
[10] That same kind master, seeing Chihiro step on the crawling worm, makes a gesture of a knife with his hand, and touches Chihiro's hands in a unique way. This is a (now out-of-fashion) custom when touching something very dirty, symbolizing the total safety from the object in case, often accompanied with Japanese word "Engacho" (no more connection). This part is also funny to us.
[11] In the opening scene. behind the back of Chihiro, you can see the glimpse of half-hidden, red-colored package of chocolate bar, which looks like one famous brand. Probably, this is a small token of thanks for the company (famous for coffee, too), which joined in the tie-in campagin for the film's promotion in Japan.
[12] Finally, director Miyazaki says that the film is originally made for unnamed 10-year-old girls he and the movieproducer are both acquainted with, and hope that those girls are delighted to see the film. No doubt they are.

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From one of the most celebrated filmmakers in the history of animated cinema comes the most acclaimed film of 2002. Hayao Miyazaki's latest triumph, filled with astonishing animation and epic adventure, is a dazzling masterpiece for the ages. It's a "wonderfully welcoming work of art that's as funny and entertaining as it is brilliant, beautiful, and deep" (Joe Morgenstern, Wall Street Journal). SPIRITED AWAY is a wondrous fantasy about a young girl, Chihiro, trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free herself and return her family to the outside world. An unforgettable story brimming with creativity, SPIRITED AWAY will take you on a journey beyond your imagination. "To enter the world of Hayao Miyazaki is to experience a kind of lighthearted enchantment that is unique to the world of animation" (Roger Ebert, Chicago Sun-Times). It's a fantastic tale the whole family will want to experience over and over again.

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Wednesday, February 23, 2011

Yo-Yo Girl Cop Review

Yo-Yo Girl Cop
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YO YO GIRL COP is the English language release title for SUKEBAN DEKA: CODENAME ASAMIYA SAKI, a 2006 Japanese movie based on the original "Sukeban Deka" series detailing the exploits of female special agents operating undercover in high school. The new film is something of a sequel to the 1985 TV series, insofar as the main character, Saki Asamiya, is presented as the daughter of the original "Sukeban Deka" (delinquent girl cop), also codenamed Saki Asamiya, and played in this film by the TV actress who played the part in 1985, Yuki Saito.
What's special about this film version is the casting of four Japanese female pop singers from Hello! Project in the main roles, all of whom do extraordinary jobs. Solo artist Aya Matsuura, one of H!P's greatest talents, plays Saki, while Rika Ishikawa, formerly of Morning Musume and current lead singer of the trio, Biyuuden, plays Saki's chief antagonist, Reika Akiyama. The two girls generally display adorably sweet and sunny dispositions in their J-pop day jobs and have appeared together in games, contests and fun bits over the years on Morning Musume's TV show, "Hello Morning," but are called on here to play unrelenting tough girls, complete with climactic yo-yo battle, and do so with utmost spirit and conviction. The supporting roles of Tae and Kotomi, two girls bullied by Reika and her gang, are filled by Rika's sidekicks in Biyuuden, Yui Okada and Erika Miyoshi, both appearing in their very first film. They provide the film's emotional core by playing wounded souls whose victimization brings to the fore the criminal plot behind a website ominously named "Enola Gay" and designed to attract suicidal teens and promote a wave of suicide bombings. It's Saki's job to get to the bottom of all this and she takes the two bullied girls under her wing in a series of extremely touching scenes.
The heavy melodramatic tone (which matches that of the original TV series) may put off viewers expecting a more tongue-in-cheek, over-the-top style of anime-inspired Japanese action a la CUTIE HONEY, a live-action comic book superhero spectacle from 2004. This one is much more somber and a bit slow in getting to the far-fetched fight scenes that a film like this needs. The final yo-yo battle between Aya and Rika, filmed on location in a sprawling abandoned factory in winter weather, is quite a sight to behold, but one wishes a Hong Kong action director with a more imaginative touch and greater experience with female fighters (paging Corey Yuen!), had been brought in for the action scenes.
Still, if one feels sympathy for the basic situation of a damaged soul like Saki pulling herself together to serve a greater good and redeem herself by smashing a cynical plot to manipulate vulnerable teens, one can find this a reasonably gripping high school-themed thriller. And those who are already fans of Aya Matsuura and Rika Ishikawa can simply sit back and marvel at this whole new side of them.
One of the great attractions of this DVD is the inclusion of a special 41-minute feature, "Yo Yo Girl Mission," which chronicles the making of the film and the process by which two endearing J-pop idols are transformed into karate-kicking bad girls and mortal enemies. One can see their normal "amiable" selves in conflict with the "menacing" behavior required of the characters, leading to frequent breakups into laughter during shooting and a charming bit at a press conference where Aya cutely chides Rika for such laughter. And when the petite and eager-to-please Aya insists on doing her own stunts and gets rigged with cables for a "wire-fu" maneuver, it just increases our high regard and admiration for her. She's also seen in a dual interview alongside Yuki Saito, who plays her mother in the film, but shares no scenes with her. The two even compare their yo-yos.
Aya is heard on the soundtrack singing two songs with Miki Fujimoto, another ex-member of Morning Musume and Aya's partner in the H!P duo, GAM.

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Item Name: Yo-Yo Girl Cop; Studio:Magnolia

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