Showing posts with label jude law. Show all posts
Showing posts with label jude law. Show all posts

Saturday, April 28, 2012

The Imaginarium of Doctor Parnassus (2008) Review

The Imaginarium of Doctor Parnassus  (2008)
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Are you ever in the mood for something fresh and original? Are you tired of all the safe movies designed for the masses? Well, take a trip through the mirror of Doctor Parnassus. Terry Gilliam is a love him or hate him type of director, but for some reason I'm more of in the middle. I like half or so of his films and just don't get the appeal of the others. In this case, I loved just about every second of it.
Most people know that this was Heath Ledger's last role and that he died during the filming process, but what surprised me was how much he is actually in the movie. I would say around 50% of it. His performance is really good here as expected. He totally dropped the Joker influence completely and showed us once again that we were looking at a guy who had just begun to scratch the surface of his talent. Christopher Plummer (Doctor Parnassus) and Tom Waits (Satan) both turn in equally excellent acting showcases. Even newcomer Lily Cole does a good job and is very nice to look at to boot. Verne "Mini-Me" Troyer is not the best actor in the world, but he seems to be trying hard and is given a couple of good lines. Johnny Depp, Jude Law and Colin Farrell fill in the gaps that Ledger could obviously not. Depp gets the least amount of time, but all three bring the right amount skill to each "tribute" version of Ledger's character. Since Ledger was able to film all the reality parts before his death, his ever changing look could easily be explained in the fantasy realm.
The visuals and music are wacky as can be, but in a good way. It's nice to see so much imagination and unique storytelling in modern cinema. The Imaginarium of Doctor Parnassus is not for everyone, but I think most who give it a shot will find themselves lost in the the mind of one stange filmmaker.

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Blessed with the extraordinary gift of guiding the imaginations of others, Doctor Parnassus (Christopher Plummer) is cursed with a dark secret. An inveterate gambler, thousands of years ago he made a bet with the devil, Mr. Nick (Tom Waits), in which he won immortality. Centuries later, on meeting his one true love, Dr. Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his daughter reached her 16th birthday, she would become the property of Mr Nick. Valentina (Lily Cole) is now rapidly approaching this ‘coming of age’ milestone and Dr. Parnassus is desperate to protect her from her impending fate. Mr. Nick arrives to collect but, always keen to make a bet, renegotiates the wager. Now the winner of Valentina will be determined by whoever seduces the first five souls. Enlisting a series of wild, comical and compelling characters in his journey, Dr. Parnassus promises his daughter’s hand in marriage to the man that helps him win. In this captivating, explosive and wonderfully imaginative race against time, Dr. Parnassus must fight to save his daughter in a never-ending landscape of surreal obstacles – and undo the mistakes of his past once and for all! Also starring Heath Ledger, Andrew Garfield, Verne Troyer, Johnny Depp, Colin Farrell, and Jude Law.

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Tuesday, December 6, 2011

The Talented Mr. Ripley (1999) Review

The Talented Mr. Ripley (1999)
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When picking out films to see, I usually gravitate toward the "small" independent type of film usually avoiding the larger "major" productions. Thus, I avoided "the Talented Mr. Ripley" up until recently. My mistake! "The Talented Mr. Ripley" is outstanding and has, to me, everything a movie should have to make it the "complete film experience"-great script and direction, great acting, wonderful sound tract and beautiful cinematography. This film has it all!
The acting, by all of the actors, is superb. Matt Damon, as Tom Ripley is outstanding. He portrays a very complicated character believably. At no time are you aware that he is acting. This character does things that are, indeed, despicable; however, due to the acting skills of Damon, I actually liked the guy and felt deep sympathy and empathy for him and for his desire to be someone else
(I think we all have been there-at least I have-fortunately all of us don't do what Tom Ripley does, in the film, to achieve our wishes). To me the last scene of the film is fantastic and heart breaking due to Matt Damon giving a gut wrenching performance--the character Tom has finally found someone to love, and has found someone that accepts him as himself but due to past deeds and the need to keep his past hidden, he has to kill the person that could have brought him love and happiness. As usual, Jude Law, as the playboy and errant son Dickie, is awesome. He plays a cad but due to his acting skills you, like this cad. Gwenyth Platrow gives a "knock-em dead" performance, as Dickie's girlfriend starting out as a plastic rich "air-head" and ending up as the only one that really knows what has happened to Dickie when he has disappeared and becoming a completely different person because of that knowledge. Her knock down drag out with the character Tom is great. Cate Blanchett plays a socialite- debutante-type wonderfully. The acting alone would have made "The Talented Mr. Ripley" a great film; however, there is more!
The film has one of the best sound tracts that I've ever heard. The sound tract makes use of Renaissance Church music, so-called "Classical music" "cool" jazz and one of my favorites I (if not my favorite) pop standards-"My Funny Valentine" sung wonderfully by Matt Damon. The sound tract is gorgeous! What impressed me the most is that Matt Damon and Jude Law took the time to learn to really play the instruments that they were suppose to be playing in the film-Damon, the piano and Law the saxophone. One of my favorite scenes is in the smoked filled American-jazz nightclub--fabulous.
The recreation of 1950-era Italy is great and it is shot beautifully.
If you want to have an enjoyable film experience, buy this film

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Ripley is sent to Italy to bring home a rich and spoiled millionaire playboy but befriends him instead. As he begins to enjoy the rich life, Ripley kills the playboy and assumes his life.Genre: Feature Film-DramaRating: RRelease Date: 29-DEC-2004Media Type: DVD

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Saturday, May 21, 2011

Lemony Snicket's a Series of Unfortunate Events (Widescreen Edition) (2004) Review

Lemony Snicket's a Series of Unfortunate Events (Widescreen Edition) (2004)
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Alot of people are going to hate me after this, but the worst problem with "Lemony Snicket's A Series of Unfortunate Events" is Jim Carrey, but I don't think the role of Count Olaf was meant for him. I like Jim Carrey, and I think he's very talented. He proves he can do great comedy, like in "The Mask" and "Bruce Almighty," and he proved that he could great do drama, like "The Truman Show" and "Eternal Sunshine of the Spotless Mind," but he is just too big of a star for this movie. He was doing his own thing throughout, and while everybody else was on one level, he was on another, and the two didn't mix very well. I mentioned in my review for "The Life Aquatic with Steve Zissou" that the second half of 2004 has been great visually. "Hero," "House of Flying Daggers," and now "Lemony Snicket" have great things to watch, and I think this movie actually requires a second viewing so you can look around and find all the little visual quirks you might have mixed. Look around the front hall when the children enter the home of Count Olaf. Paintings on the wall, the staircase. It's almost like you are stepping into a brand new world.
The movie is based on a seris of books. There are 13 in the seris overall, but only 11 have been written. This movie covers three of the books. "The Bad Beginning," "The Reptile Room," and "The Wide Window." I've read the books, and the movie covers the basic idea, but not word for word, and we jump the first book to the second to the third and back to the first again. We begin with the voice of Lemony Snicket at his typewriter, writing the story of the three Baudelaire children. There is Violet, who loves to invent, and whenever she is getting ready to invent something, she ties a ribbon to get the hair out of her eyes. There is Klaus, who loves to read, and is able to retain all the information he gets from books. Then there is baby Sunny, who has two teeth, and can bite anything. They always find her hanging from the table. She speaks in baby talk, and we get subtitles to translate what she says. Their parents die in a fire, and the banker Mr. Poe brings the children to live with their closet relative, and it's their parents third cousin four times removed or their fourth cousin three times removed. Whichever order, their relative is Count Olaf, a tall, actor with the tatoo of an eye on his ankle. He makes the children do chores, and cook roast beef dinners for his acting group, but his intentions are to kill the children and collect the fortune that their parents left behind. He tries to kill them, fails, and they get sent to live with their Uncle Monty, who is going to bring them on a trip to Peru, an animal lover with snakes, in cages, all over his house. Eventually they are sent to live with their safety freak Aunt Josephine, who doesn't like to open door with the knobs because she is scared that they will shatter and pieces will go into you eyes, and she doesn't like to cook things on the stove because she's scared that it'll blow up, so she feeds herself and the children cold cucumber soup. No matter where they go, they are always persued by Count Olaf, always in a different disguise, with his acting group not far behind, always with a clever trick up his sleeve to get that money.
Besides Jim Carrey, "Lemony Snicket's A Series of Unfortunate Events" has some all star cast members. People that you see all the time, but don't know their names. There is Catherine O'Hara as Olaf's neighbor. Cedric the Entertainer as a police officer. Olaf's theatre group includes Jennifer Coolidge, Jane Adams, Luis Guzmen, and Craig Ferguson. These names may not mean anything, but if you see the movie, you'll recongize them right away. The music is something else to see. Thomas Newmen is a brilliant composer. He did the music for one of my favorite movies, "American Beauty." His music gives such a gloomy feel, but you can't help but smile at it's genius. Stay for closing credits and listen, and you'll fall in love. I have been trying to rack my brain figuring out who would have made a better Count Olaf, but I can't think of any. Carrey also brings to much comedy to the roll, something that takes away much of the seriousness to the character. Olaf is not a nice person. He lies, cheats, steals, and kills to get his way, and you don't use those characteristics when you think about Jim Carrey.
Every single adult in this move, except for Count Olaf, is plain stupid. They just don't listen, which is a big problem in life. It's ironic that the children are always right, and the adults roll their eyes. What's so great about the film, is that Count Olaf uses the stupidity of these adults for his own benefit. Everything is connected to everything else. When Olaf is disguised, a person like you and me can see right through him, but not these characters. If they have any suspision that he is an imposter, they think that he is somebody completely different. It's darkly comic, and disturbing to think something like that could really happen. "Lemony Snicket's A Series of Unfortunate Events" is a very good movie, aside from Carrey's unwantedness. He simply was not right for the role. Maybe a John Malkovich type would have fit better. It's enough to bypass that performance, and just let the visuals wash all over you. I would see a sequal, because this movie doesn't tie up all the lose ends, and I'm glad that they are different from the book seris, otherwise, we would all know exactly how it ends, or if it doesn't end. Lemony Snicket was with the voice of Jude Law, as the 2004 Jude Law film festival concludes. This year alone, he's in "Sky Captain and the World of Tomorrow," "I Heart Huckabees," "Alfie," "Closer," "Lemony Snicket," and "The Aviator," and he has become one of my favorite actors. His narration is perfect for this film, and his addition if truely wanted. Not one of the best films of the year, but certainly one of the most entertaining.
ENJOY!
rated PG for thematic elements, scary situations and brief language.

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In LEMONY SNICKET’S A SERIES OF UNFORTUNATE EVENTS, after Violet, Klaus, and Sunny Baudelaire's parents perish in a terrible fire, they are placed in the care of their uncle, Count Olaf (Jim Carrey), an evil fiend who is plotting to kill them and seize their fortune. The orphans travel from guardian to guardian, including herpetologist Montgomery Montgomery (Billy Connolly) and grammar-wise Aunt Josephine Anwhistle (Streep), but the worst guardian of all is Count Olaf.Plotting to steal the children’s fortune, Olaf disguises himself as his assistant Stephano and ship captain Julio Sham and keeps popping up in the strangest places.Just when the Baudelaires think things are getting better, something unfortunate happens!

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Saturday, March 12, 2011

The Holiday (2006) Review

The Holiday (2006)
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Nancy Meyers' "The Holiday" has been seriously dissed by most of America's film critics--including one who suggested that any man who goes to see it should be forced to pay with a crucial part of his anatomy instead of money. "The Holiday" is indeed a prime example of what is condecendingly known as a "chick flick," and it's not a movie you can make great claims for. But "The Holiday" succeeds outstandingly in living up to its title; it provides an audience with a two-hour vacation filled with charming, likable actors playing charming, likable characters. The movie is set during the Christmas holidays in which two women with man problems--Iris (Kate Winslet), an English journalist, and Amanda (Cameron Diaz), an L.A. producer of film trailers--meet over the Internet. On a whim, they decide to switch houses for Christmas; Amanda ends up in Iris's picture-postcard-pretty cottage in Surrey, Iris in Amanda's luxurious, gated mansion in Beverly Hills. There, they discover new romantic complications: Amanda with Iris's brother Graham (Jude Law) and Iris with a film composer named Miles (Jack Black). There's also a subplot about the friendship that develops between Iris and an elderly screenwriter played by the venerable Eli Wallach. Nothing that happens in the movie is at all original or consequential. I could even quibble about an inaccuracy or two in Meyers' screenplay (Cary Grant was from Bristol in Gloucestershire, not Surrey). But seeing "The Holiday" makes you feel happy and light of heart, which is all it sets out to do. While the film's appeal is necessarily greater for women, I also think most men will find this a more-than-serviceable date movie. Sometimes you want a movie that's rich, gooey and sweet, that contains no sharp edges and requires no sharp utensils for its consumption. In an increasingly abrasive world, the need for cinematic confections is greater than ever, and "The Holiday" fills that bill.

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HOLIDAY - DVD Movie

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