Showing posts with label miniseries. Show all posts
Showing posts with label miniseries. Show all posts

Monday, March 4, 2013

Lonesome Dove: The Outlaw Years (1996) Review

Lonesome Dove: The Outlaw Years (1996)
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LDTOL is one of the best TV shows ever. It's right up there with the 1st season of Michael Mann's Crime Story from the mid 80's. This is the show HBO's Deadwood wishes it could be.
Start with the opening credits. The editing and the theme music of the credits themselves are worth the price of admission and a good precursor to the overall quality of the show. To break it down further, the opening shot of the credits, Call on his horse coming into town, is a knock out image. If they'd put it on a poster I'd buy it.
The characters in the show are complex and richly drawn, a testament to the quality of the shows writing. The tension between Call and Moseby is the highlight but all of players in LDTOL mesh seamlessly to the greater good of the show.
And finally, the actors. To hell with Will and Grace, the Clay Moseby character is the one Eric McCormack was meant to play. (And hopefully, the one he'll be remembered for once the immediately forgetable W&G leaves the air.) Scott Bairstow as Call completely dominates every scene he is in. Tracy Scoggins and Kelly Rowan are smoking hot but their sensuality is relentlessly downplayed through the course of the series.
Finally, the one big quibble.
The set comes in a five disc package. Why the creators couldn't manage the simple task of placing these episodes in their chronological order, by air date, is beyond me. For the serious fan who wants to view them in their intended order this is the sequence to use. (Note: the number in parens is the actual episode number. For the last two numbers, 1st Number- the CD, 2nd Number- Episode No. on CD in their order on the set).
__1st_______2nd________3rd________4th_________5th
(1)_1-1___(5) 2-1____(9)_3-1____(13) 4-1____(18) 5-2
(2) 1-2___(6) 1-4___(10)_3-2____(14) 4-2____(19) 5-1
(3) 1-3___(7) 2-4___(11)_2-3____(15) 4-3____(20) 5-3
(4) 2-2___(8) 3-3___(12)_3-4____(16) 4-4____(21) 5-4
_____________________________(17) 4-5____(22) 5-5Starting with the end of disk one thru disk three they completely shuffled the deck with the episode order. The long narrative arcs and the character developments are scrambled to the point of distraction.
IMO you don't need any extras (director's commentary, promos, whatever) for this series. The quality of the writing, the acting and the production values sell themselves. If the bozos who packaged this set could just get the order right they would really have something.

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Featuring 22 Episodes! The untamed glory of the Old West as it really was returns when Lonesome Dove: The Outlaw Years saddles up for another season of high-spirited episodes, with a new look and an exciting cast of characters struggling to survive on the wild frontier. The year is 1880. Curtis Wells, the locale of Lonesome Dove: The Outlaw Years, is now a boomtown on the Montana frontier. When neighboring Sweetwater was left in ashes by a prairie fire, its whores and desperadoes took up residence in Curtis Wells, changing its character forever. Newt Call has come back to the town after living the past two years on the trail as a bounty hunter. Call is a man whose past has left its scars. Having left Curtis Wells a few nights after the explosion which killed his beloved Hannah, Call went on a downward spiral, aimless and soulless, eventually hitting bottom. Coming back to the town has reopened some of those old wounds for Call, not the least of which is his unresolved business with Clay Mosby, the man who coveted his wife before the fire took her. Mosby has made Curtis Wells his personal dominion. Behind his charming, roguish facade, he is a ruthless businessman, swift and severe with those who cross him, ready to shape the town to his own dark vision. Lonesome Dove: The Outlaw Years brings to life all the grit, romance and excitement of the West--an untamed world where anything is possible.

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Tuesday, January 8, 2013

Gulliver's Travels (1996) Review

Gulliver's Travels (1996)
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Contrary to popular belief, Jonathan Swift's "Gulliver's Travels" was never intended to be simply a children's fantasy / fairy tale. Although the Lilliputans are cute as heck, this story has some serious overtones. As a matter of fact, although more subtle perhaps, there are aspects of this tale which are as dark and bitter as the commentaries on humankind written by the likes of Dostoevsky, Camus and Kafka. Jonathan Swift never was a very happy man.
This rendition of Swift's classic is, in a word, fabulous. It reaches to the heart of the message Swift was trying to convey while at the same time is accessible to all. It is also appropriate for a family to watch. I cannot remark enough on just how well done this film was; it would have been so easy to do a half-baked job and let it be yet another ambitious television movie that somehow went awry. I'm so glad that didn't happen here.
In truth, I have never cared too much for Ted Danson. However, in this film he delivers a surprisingly exceptional performance. So much so, in fact, that looking back I can't imagine anyone else as Gulliver. The rest of the cast did a superb job as well, and the inclusion of Peter O'Toole as the king of the Lilliputans was a great touch. (Then again, when can having Peter O'Toole in the cast of a movie ever HURT?) The direction and the way they chose to tell the story was wonderfully done. The soundtrack (written by Trevor Jones, who co-wrote the soundtrack to "The Last Of The Mohicans" among other things) was right on the $$$ for emotionally gripping scenes.
This is the type of ambitious, fervent film-making that studios can be proud of. If one Jonathan Swift were around today, I have no doubt that he could not and would not have asked for a better adaptation of his prose. A GREAT movie!

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Friday, November 23, 2012

The Thorn Birds - The Complete Miniseries (1983) Review

The Thorn Birds - The Complete Miniseries  (1983)
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Ok... first, I have to say that Tom Keogh, whose review sits above as the standard review for Amazon, needs to actually watch the movie. Opinion is one thing, but at least get the facts correct. Rachel Ward plays Meggie Cleary (not Meggie Carson) and Barbara Stanwyck plays her greedy, manipulative, devil-incarnate aunt.... not her grandmother. That aside...this still stands...for me at least, as the greatest mini-series ever! And, considering all the recent scandal surrounding the Catholic Church today, it is as relevant and thought provoking today as it was in 1983 when so many were incenced not only by the content and plot of the movie, but by its time of airing (holy week-the days leading up to Easter). The cast is perfection and makes an already engaging story about the inner battles of an ambitious Austrailan Priest (played by Richard Chamberlain who never looked more gorgeous)even more amazing. Not a single miscast here. The performances are phenomenal. This is a movie with that searing edge of forbidden love and the torment of unrequited love combined with a heavy dose of romance, great characters, manipulation, greed, and the progress of a family torn apart by various maladies. The chemistry between the all the characters is so apparent. It is a movie that makes you think and makes you cheer for something that is deliciously guilt-ridden. In case you couldn't tell... I love this movie!!!!!!! This is a guilty pleasure to the highest degree... like the most decadent Godiva chocolate if it could be made in the form of a film. Buy it...keep it... watch it over and over. Perfect for a girls only party or a rainy saturday afternoon. Get some snacks... sit back and know that 8 hours will seem to float by.

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Sunday, August 26, 2012

Degrassi Junior High - The Complete Collection Review

Degrassi Junior High - The Complete Collection
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In response to the previous review, I wanted to point out that this box set contains the entire Degrassi Junior High series. There were only 3 seasons. The next season is when the show switched over to the "Degrassi High" title. So the next season is techinically season 1 of Degrassi High, not season 4 of Degrassi Junior High. Anyway, this series is great and full of nostalgia for all of us 80's kids. The only reason I give the discs 4 stars is because the quality of the dvd transfers is not very good. There is a lot of digital compression/artifacting that can be seen in the image. But this is not bad enough to keep you from enjoying watching these shows again.

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Go to school with the show in a class by itself- and get real! Hailed as "groundbreaking," "powerful," and "totally authentic," Degrassi Junior High confronts it all-friendship, puberty, rumors, sports, studies, and more-with a refreshing ensemble cast and a unique teen’s-eye-view of life. Sometimes moving, sometimes shocking, but always believable, Degrassi Junior Highis a classic for teens of all ages. All your favorite characters and storylines are waiting-find your seat-school’s open!Includes all 42 episodes of Degrassi Junior High on 9 discs.DVD bonus features include Degrassi Between Takes--a documentary made during the filming of the original Degrassi Junior High series; bonus Degrassi Talks videos on topics such as drinking and drugs, trivia quizzes for all three seasons, downloadable computer wallpaper, and printable materials for educators.

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Tuesday, August 14, 2012

The Corner (HBO Miniseries) (2000) Review

The Corner (HBO Miniseries) (2000)
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Before viewing this miniseries, I had only read the book (of the same name) by David Simon and Edward Burns published in 1997. Still, the world of decaying neighborhoods, the havoc of street drugs and hopelessness among the disadvantaged has deepened in the Bush era. It took an ingenious director like Charles Dutton to recount one family's troubled history gripping miniseries that doesn't miss a beat. And he's selected a cast of relative unknowns who assume their roles with dead-on realism
The film follows a year in the life of one impoverished family against the backdrop of their neighborhood during the 1990's a drug-ridden quarter-mile from Baltimore's Inner Harbor. Dutton, like Simon and Burns, dwells on the humanity of his cxharacters and the universal themes of their day-to-day struggles. You needn't have been an alcoholic or drug addict to enter the hearts of these people or understand how they swing between hope and hopelessness.
As political commentary, THE CORNER couldn't be more timely, especially in its grasp of urban education, inner city commmunties, underage pareenthood and America's Dickensian juvenile justice system. Viewing what these potentially gifted people endure, viewers may ask how many good people we discard because of our cultural myopia, institutional racism and apathy.
The core performance here is T.K. Dutton's "Gary" -- the father of his broken family. The ways in which he struggles to overcome present shame in light of past success is something most of us will recognize -- race aside -- if not today, then tomorrow.
There is no score to speak of except for Corey Harris's blues track which occurs on splash screens and during the credits for each of six episodes. Dutton frames each episode with interviews of different principal characters to evoke the feel of a documentary, and he more than succeeds.
Dutton understands the lives of these characters because he grew up in their neighnorhood and experienced first-hand the dissolution of life on these corners -- where red tops and spider bags are the basis of life and death. He knows that the pain of addiction is potent, but not always as devastating as the cruelties of the real world "clean."
Every facet of this production suggests HBO should rebroadcast THE CORNER on its tenth anniversary. You wil laugh, weep, wince and cheer; and when it's over, you will hate to leave these good people.
While there are segments that are bleak, Dutton didn't intend to shock. He wanted to remind us that these men and women are fully human, and that --like Gary-- we have the potential to stumble, too. We might be doomed to the Corner but for the grace of God.
Five glowing stars for the DVD set -- and the book on which it's based.

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Monday, May 28, 2012

The Wire: The Complete Fifth Season (2008) Review

The Wire: The Complete Fifth Season (2008)
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That quote by Bunk (Wendell Pierce) in the opening episode of the final season of David Simon's brilliant The Wire sets the stage for the events that unfold in these final ten episodes of the beloved HBO series.
Picking up from the fourth season, Mayor Carcetti (Aidan Gillen) is pouring money into the Baltimore school system, which prompts the police force to work without paid overtime, and also finds the ever self-destructive Jimmy McNulty's (Dominic West) wiretap on murderous drug dealer Marlo Stanfield (Jamie Hector) put to a premature end. Things begin to change however, when McNulty, along with Freamon's (Clarke Peters) help, manipulate and orchestrate an imaginary, homeless preying, serial killer that garners national attention, all in an effort to put Marlo away once and for all.
Also, much like the previous season focused on the broken education system, the fifth season focuses on the impact of the media in the form of the Baltimore Sun; as editor Gus Haynes (longtime series director Clark Johnson) deals with the downsizing of his staff, and the rise of a reporter (Thomas McCarthy) who may be making up his stories. In the meantime (proving that The Wire is indeed the most multilayered television drama ever created), other subplots abound, including a revenge driven Omar (Michael K. Williams) returning with Marlo in his sights; young Michael (Tristan Wilds) and Dukie (Jermaine Crawford) learn just how dire their situation is; Bubbles (Andre Royo) finds light at the end of the tunnel; and Daniels (Lance Reddick) prepares to take on the role of Commissioner. Most notably however is the impact of the actions of McNulty and Freamon; an impact that ends up effecting everyone in striking distance and beyond, and sets the stage for the final episode of the series, which is one of the most brilliant pieces of television to ever materialize. Not everyone walks away clean (or walks away at all) and rides into the sunset, but it is a perfect way to end a perfect series, and with appearances from familiar faces aplenty along the way, things couldn't have been wrapped up better.
All in all, the final season of The Wire further proves the frequently mentioned point of just how unbelievably good this show was, and how much of a shame it is that it never achieved the kind of uber-popularity that it deserved compared to many of HBO's other shows. Either way, longtime fan or late newcomer, there is nearly nothing better than The Wire, even to its bittersweet end.
"...you gotta keep the devil way down in the hole..."

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In the projects. On the docks. In City Hall. In the schools. And now, in the media. The places and faces have changed, but the game remains the same. Times are tough for the detail. Mayor Carcetti has slashed the departments budget to the bone. Police are operating without overtime some without cars and radios. Angered, McNulty is off the rails again and headed down a dangerous path of deception and lies that will ally him with an unscrupulous reporter. The drug trade still rules the corners, all you have to do is read between the lines.DVD Features:Audio CommentaryFeaturette


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Wednesday, February 15, 2012

Steven Spielberg Presents Taken (2002) Review

Steven Spielberg Presents Taken (2002)
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Steven Spielberg, best known for movies like E.T. and Jaws, delivers a tour-de-force epic on a scale few "made-for-T.V." movies have ever reached. Taken, a mini-series originally developed for Sci-Fi, is a multi-generation story of three families, and their experiences with other-worldly beings. The story begins during World War II and continues up to present day, elaborately exploring the lives of people who have been abducted and others who would cover up such knowledge.
The story is broken up into 10 episodes:
1.) "Beyond the Sky", set in 1947, the first episode introduces the audience to three families whose lives will be forever changed by alien abduction, goverment cover-ups, and a series of events is put into motion that will effect future generations of these families for years to come.
2.) "Jacob and Jesse", set in the early 50's, these two boys are introduced to the series. Jacob, a boy who is half alien/half human, is sought out by the military for his unique abilities. Jesse, the son of an abductee is taken for the first time.
3.) "High Hopes", set in the late 50's, the story continues with Owen Crawford, top officer behind the military's investigation into the U.F.O phenomenon, attempts to capture Jacob, and fails. Later, he is approached by Jesse Keys and discovers that both Jesse and his father have an alien implant in their brain.
4.) "Acid Test" Owen's sons learn of their father's involvement with the military cover up of extra-terrestrial contact when they discover the remains of the crashed ship in a safe within the father's office.
5.) "Maintenance" Eric Crawford takes over his father's work when Owen dies suddenly of a heart attack. He continues his father's search for Jacob Clarke and Jesse Keys, the latter of whom disappeared from inside a military bunker during one of his abduction incidents.
6.) "Charlie and Lisa" Charlie, the son of Jesse, and Lisa, daughter of Jacob, are brought together by their alien abductors, and Lisa conceives a child, a little girl with extraordinary powers.
7.) "God's Equation" Charlie and Lisa learn about their daughter Allie's powers while trapped in a dangerous situation. Mary Crawford, grand-daughter of Owen Crawford, learns of the little girl and begins to make plans to take her.
8.) "Dropping the Dishes" General Bears kidnaps Allie in an attempt to lure the aliens to him. Realizing that Allie is an alien/human hybrid, and knowing that the aliens protect their own, he beleives they will come for her.
9.) "John" Charlie and Lisa conspire to save Allie from the military, and in so-doing, they learn of their daughter's immense and amazing powers.
10.) "Taken" Allie learns who she really is-an alien/human hybrid, and she is forced to make the most difficult decision of her life, a choice that will forever change her life and that of her family.
The series combines state-of-the-art special effects with a story that is both compelling, entertaining, and high spirited. Such a major undertaking might not have worked even 10 years ago, but with the use of computer animation, the fantastic world of "Taken" is brought beautifully to life.
The story plays a little like an elaborate X-Files Episode, and not without good cause....the material is certainly similar. However, it is treated with a level of intelligence that really captures the imagination of the audience. Taken won the 2003 Emmy for best mini-series, an accomplishment well earned by the cast and crew of this enjoyable and massive film.

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Studio: Paramount Home VideoRelease Date: 05/01/2007Rating: Nr

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Saturday, January 28, 2012

East of Eden Review

East of Eden
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This is by far the best version of Steinbeck's "East of Eden" ever made; far, far better than the superficial James Dean version, which was little more than a vehicle for the then popular teen idol. (Contrary to all the Hollywood hype I never thought much of Dean as an actor.)
Steinbeck has always been my favorite American novelist; and "East of Eden" is, in my opinion, his finest work - superior even to "The Grapes of Wrath." It is a substantive and timeless work, in which Steinbeck transcends his earlier novels, bounded as they are by his conception of the nobility of the poor. Here, in "East of Eden" he goes beyond his earlier sociological obsessions with poverty, exploitation and radical politics to explore somthing much deeper: character, the essence of good and evil, betrayal and guilt. This is a book of Biblical proportions, based on the story of Cain and Abel; and the meaning of God's pronouncement upon Cain.
All of which is captured beautifully in this TV mini series; just as it is ignored, overlooked or simply not grasped in the James Dean movie. Needless to say this version is true to Steinbeck's conception. And the many memorable performances by the cast - Jane Seymour, Timothy Bottoms, Bruce Boxleiter, Lloyd Bridges, Soon-Tek Oh, Sam Bottoms, Hart Bochner, Karen Allen -(a number of which I can still visualize in my mind 25 years later) bring clarity to the meaning of Steinbeck's story - something one can rarely say about contemporary Hollywood acting.
A movie not to be missed.

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Friday, January 27, 2012

Alice (2009 Miniseries) (2009) Review

Alice (2009 Miniseries) (2009)
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There's a girl in a blue dress, a Queen of Hearts, and a a magical looking glass that whisks the heroine into a surreal Wonderland.
But beyond that, don't expect this SyFy miniseries to have much in common with Lewis Carroll's classic novel, "Alice in Wonderland." Instead, "Alice" is a whole different animal -- a deliciously gritty sci-fi adventure filled with action, romance, monsters psychedelic horrors, and a revolution against a drug-peddling queen. It's a little silly, but still immensely entertaining.
Alice's (Caterina Scorsone) dinner date with her boyfriend Jack (Philip Winchester) falls apart when he offers her an heirloom ring. When she chases after him, she sees him being dragged off by some suit-wearing thugs -- and promptly trips THROUGH a looking glass. Of course she ends up in Wonderland, a world of grimy urban ruins and art deco casinos. And it's ruled by the Queen of Hearts (Kathy Bates), a ruthless tyrant who keeps her populace drugged with emotions from kidnapped "oysters" (ordinary humans).
Alice ends up following the eccentric Hatter (Andrew-Lee Potts), who offers to take her to the Resistance -- but when they get there, they discover that Jack's ring is actually the Stone of Wonderland (which powers the transdimensional Looking Glass). Since everybody in Wonderland wants the Stone, Hatter and Alice end up on the run from both the Resistance and the Queen's assassin Mad March. Alice is still determined to rescue Jack and return home, but she soon finds that her boyfriend isn't quite what she thought -- and that one of her loved ones is the Queen's brainwashed slave.
The whole idea behind "Alice" is that Carroll's story was real, and that Wonderland has become a very different place in the last 150 years -- crumbling smoky cities, insectile airships, bunny-headed cyborg assassins, and a pair of sadistic interrogators called Dr. Dum and Dr. Dee. It's a far darker, more complex affair than Carroll's books, and that's what makes it so brilliant.
There's plenty of sci-fi action and chaotic battle scenes, including aerial chases, bombing runs and the occasional attack from the grotesque Jabberwock; and the writers keep the complex plot flowing along nicely. But they also keep the story grounded with a love triangle between Alice, Jack and Hatter, as well as Alice's quest to free the oysters and a long-lost family member. And there's just enough humor to keep it from being excessively grim ("We don't have to use a user manual, do we? I HATE user manuals").
Problems? A few of the homages (the grinning cat, the "drink me" bottle) are pretty superfluous, and the siege of skeletal soldiers is kind of silly (especially the "Hit them with everything we've got").
Scorsone makes an excellent modern Alice -- intelligent, capable and capable of butt-kicking her way out, but still vulnerable and young ("You don't remember me!"). Potts makes a deliciously quirky, sexily disheveled Hatter, and Frewer rounds out the main trio as a mildly insane White Knight. Winchester and Colm Meaney are also excellent, Tim Curry is brilliant but underused, and Kathy Bates absolutely rules as the casually cruel, petulant Queen. And yes, she does say "off with his head!"
I don't know what beloved children's story will get reworked next, but "Alice" does a great job with Lewis Carroll's classic novel -- lots of action, a touch of romance, and just enough surreality.

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Abandoned by her father as a child, the independent twenty-one-year-old Alice is accustomed to men being unpredictable, but Jack Chase is something else. Just moments after surprising her with a rare family ring, he’s suddenly kidnapped by two thugs and driven into darkness. It is then that Alice is confronted by a sharply dressed stranger who calls himself White Rabbit, and who promises to know more about Jack than she. Where Alice follows him is through the liquid glass of an ornate mirror. Where she lands is Wonderland, an outlandish underground city of twisted towers and parapets, staircases conceived in a Dali dream, and an otherworldly purple horizon. Soon, the word’s out that Wonderland has its most prized captive. It seems Alice has the ring that controls the looking glass—the key to the power of the Queen of Hearts. It was mad folly for her son Jack to give it to a girl he barely knew. But Jack had his reasons. Discovering them is up to Alice.

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Thursday, November 3, 2011

Generation Kill (2008) Review

Generation Kill (2008)
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As an Iraq veteran I was skeptical about watching this at first, thinking that it would be a "Hollywoodized" version of the war. Then a buddy of mine told me it was by far one of the greatest shows he's ever seen, so I gave it a go. Halfway through the first episode I was awestruck. Like the title of my review states, this show is brutal, relentless, and above all AUTHENTIC. Though I was with the Army, our job was very similar to these Marines in that we rode around in Humvees searching for the bad guys.
Anyone who has served in Iraq in a combat role will relate to these Marines all-too-easily. Well talk the same, have the same frustrations with the chain-of-command and understanding our mission some days (though thankfully my unit did not have anyone like "Captain America"), and deal with the same issues regarding supplies, lack of sleep, and fighting an enemy who the day previously may have been begging you for food.
Some viewers may be turned off by the extreme vulgarity and profanity, but fact is that is the way most "grunts" talk. And I think every Platoon or Squad in theater has its own "CPL Pearson." Fact of the matter is, none of us are saints and war does bring out mankind at both its best and its worst. "Generation Kill" shows both sides to the Marines in the rawest sense. One thing I like is that it does not attempt to take a political stance one way or the other on the war. Some may view the series as anti-war, given the way some of the Marines question their mission and why they are there. But again that is another reality of this war.
I never thought I would ever want to watch a movie or series about Iraq, however this is by far one of the best series I have ever seen, period! For anyone who is a veteran, knows a veteran, or just wants to know what the war over in Iraq is really like, "Generation Kill" is a must see!
SFC James Mace, U.S. Army
OIF III, 2004-2005

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Based on the national best-selling book by Evan Wright, Generation Kill is an authentic and vividly detailed 7 part HBO mini-series event that presents a uniquely epic and intimate portrait of the first 40 days of the Iraq war from the perspective of the Marines of the First Recon Battalion – a new breed of American soldiers.
The mini-series tells the story of these young Marines physical and emotional journey into the heart of Baghdad in those initial weeks, and how the war reveals to be much more complicated, problematic and tragic than anyone had contemplated. Many of the complications and problems that arise are due to the unwieldy military bureaucracy which the Marines confront in the midst of the war, the challenges of over-zealous and incompetent commanding officers, ever-changing rules of engagement, a non-existent strategy, severe deficiencies in necessary armor and supplies, and an enemy they don’t understand.
Generation Kill is a humorous and frightening first hand account of these remarkable men, of the personal toll of victory, and of the brutality, camaraderie and bureaucracy of a new American war. It is a profoundly insightful and realistic look at the risk, costs and ultimately, the failures of the war.
Written and produced by Emmy-award winner David Simon (the Wire), and also produced by the award-winning George Faber (Elizabeth I).

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Monday, August 15, 2011

Centennial: The Complete Series Review

Centennial: The Complete Series
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The story of the American West doesn't get any better than this!
As a middle school social studies instructor, I can say that Americana is on display in its most enticing format here! The acting is as superb as the actors are familiar! Star after star makes us forget whatever role they played on televison, and remember them for their characterization in Centennial! This is the highest compliment to a film-maker's casting director and producer!
The cast IS exceptional--especially Conrad, Chamberlain, and that old Detroit Lion lineman Alex 'Brumbaugh' Karas! Honestly, having seen this epic four times, I have often wanted to just sit right through all 20+ hours consecutively; it really does grow on you! I can never forget the 'Wendells' every time I hear 'Whispering Hope', and just watching that last half hour's flashback sequence accompanied by 'Guess He'd Rather be in Colorado' still gives me goose bumps!
I enjoyed this epic so much in fact, that while in Colorado in 1993, I tried to locate the town of Centennial. I noticed many familiar landmarks, crossed the Platte River, but of course, found no Centennial town--only the cafe.
I can only say that if one loves the history and drama of the American West and has not seen this chronicle--from Robert Conrad's trip downstream at the beginning, to David Janson's reflective retrospection by the lonely railroad tracks at the consclusion, one has NOT fully seized upon all that Hollywood can contribute to learning about our great country.
Thank you Clay Basket, Levi Zendt, Hans Brumbaugh, R.J. Poteet, Lame Beaver...though fictitious, you made learning come alive for us! And a special thanks to the production company of 'Centennial'!
"...only the rocks live forever".

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Journey to the Wild West in the sweeping, sensational epic drama Centennial: The Complete Series! Relive the grand hopes, dreams, loves, and adventures of generations of residents in Centennial, Colorado - from their risky attempts to establish a settlement in 1795 through the politics and power plays of the 20th century. With over 26 TV hours of content on DVD for the first time, this incredible set gives fans the opportunity to own the complete chronicle that showcases one of the finest casts ever assembled, including Richard Chamberlain, Robert Conrad, Timothy Dalton, Mark Harmon, Andy Griffith, Raymond Burr, Dennis Weaver, Lynn Redgrave, Sharon Gless, Stephanie Zimbalist, Sally Kellerman and many more. Based on James Michener’s best-selling novel, this Primetime Emmy®Award-nominated saga is a captivating look at the intertwining lives of the brave men and women in a fictional American town that endured the growing pains of a nation on the rise.

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Thursday, August 4, 2011

The 10th Kingdom (2000) Review

The 10th Kingdom (2000)
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Until the "Lord of the Rings" trilogy this movie was the most complex fantasy ever attempted. In some ways the story does ramble, but the intricate elements are woven together so coherently that they smoothly fit into the quest undertaken by the principal characters.
Virginia and Tony Lewis (Kimberly Williams and John Larroquette) live in a New York apartment. One day a dog enters Virginia's life. However, the dog is not just any ordinary dog, but Prince Wendell (Daniel Lapaine) changed into a dog by an evil Queen (Dianne Wiest). Soon trolls enter the story along with magic, and the story begins.
Virginia and Tony travel through a magic mirror into the land of the nine kingdoms (with New York being the 10th kingdom. It takes Virginia and Tony little time to realize that the world they have entered has very different rules from their own. Their goal is to find a mirror that will allow them to travel back to their own world, and the quest for the mirror forms the heart of the story.
Along the way both Virginia and Tony, but most especially Virginia, are on a voyage of discovery about themselves. Through a series of vignettes they learn the history of the nine kingdoms, and learn there are mysteries related to that history. One of the most startling revelations is that Virginia and Tony are somehow involved in the nine kingdoms, but it's not until we get well into the movie that we understand the nature of their involvement.
The plot is generally coherent and I had little trouble keeping track of the parallel stories. I admit that there were a few things that confused me when I watched the story in its original television debut, but my confusion was cleared up by watching the DVD version without the commercials and all in one 7+ hour sitting.
The acting talent in this movie is phenomenal. Rutger Hauer plays the Queen's woodsman, with his own poignant story. Warwick Davis is Acorn, a criminal with a tongue-in-cheek character. Ed O'Neil is perfect as Relish the Troll King. Scott Cohen as Wolf took a little getting used to, but once I realized how he fit into the story I enjoyed his antics and characterization. Camryn Manheim makes an interesting Snow White. Ann-Margret brings class to Queen Cinderella. This list is but a fraction of the cast possible by the epic nature of this movie.
The story is an adult fairy tale. There is violence in the movie as well as a number of intense scenes that are likely inappropriate for children below the age of 7 or 8. However, for everyone else this movie is fun and complicated. If you enjoy fantasy, and you can be open-minded about how fantasy is approached, this movie could be perfect for you.

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At the edge of the mortal world lies a mystical vortex which leads to the Nine Kingdoms a fantastic land where fairy tales are reinvented... and not with happily-ever-after results!An evil queen (Dianne Wiest) has just doomed Prince Wendell (Daniel Lapaine) to life as a dog.His quest to recapture the throne leads him through a portal to the mythical Tenth Kingdom... Central Park!With the help of ordinary mortals Virginia (Kimberly Williams) and Tony (John Larroquette) they battle evil in a parallel universe of vile trolls goblins and every fairy tale character imaginable.Stunning visual effects and a stellar cast include Scott Cohen Rutger Hauer Camryn Manheim and Ed O\'Neill dominates this epic adventure that will enchant audiences of all ages.System Requirements:Starring: Ann-Margret Scott Cohen Rutger Hauer John Larroquette Camryn Manheim and Ed O\'NeillDirected By: David Carson and Herbert WiseRunning Time: 417 minutes ColorPresented in "Standard" formatFormat: DVD MOVIE Genre:CHILDREN/FAMILY Rating:NR UPC:707729127185 Manufacturer No:12718

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Sunday, July 3, 2011

State of Play (BBC Miniseries) (2003) Review

State of Play (BBC Miniseries) (2003)
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"The more compelling moments of the series come not in the various subplots surround the mystery in front of us--although it is a great mystery indeed--but in how indoctrinate and incestuous the interplay between politics, media, and industry are in the modern information age. All three stand at cross-purposes, yet secretly acknowledge that none can succeed without careful consideration of the other two. Vital communication often runs deep underneath the observed interactions between the groups, taking place in back-room meetings and clandestine e-mails, and through veiled threats." Judge Arsenault
Having just come off the viewing of 10 weeks of the critically acclaimed HBO's TV show 'The Wire', I needed a pick me up, and wowser did I find one. This BBC 6 show series that aired in 2004 has it all and it is an even toss up with me as to which show is best, 'The Wire' or 'State of Play'. In both series the acting is superb. Bill Nighy as the wry, buttoned down, full of himself editor of the Herald hits the mark every time and won the UK's Best Actor award. Polly Walker known to most of us from HBO's 'Rome' is the politician's wife and is flawless. David Morrissey, as the politician, John Simm and Kelly Macdonald as the intrepid reporters for the Herald mark this cast as fully realized.
The shotgun murder of a drug-related killing, and the apparent accidental death of Sonia Baker, a researcher for Member of Parliament Stephen Collins seems unrelated. The one difference is the makings of a scandal when the news of Sonia's death hits the streets. Stephen Collins the Parliament member who employed Sonia is visibly shocked and upset when her death is announced. The editor of the Herald suspects some hanky-panky and sends two of his best investigative reporters out to look the matter over. Cal McCaffrey and Della Smith find that these two deaths are not only related but were linked to the oil industry and the British government. One scandal after another is uncovered and this minor story soon leaps to the largest story of the year.
The story of corruption and mayhem and lies and deceit are all realistic. The fact that the media, government and industry could all be in collusion seems all too true to those of us in the US looking at the war in Iraq and what has been wrought. What we don't count on is that once we think we have everything figured out, a new twist occurs. Some of this is a little over the top, but the superb acting counters any fallacy.
'State Of Play' shines on the media, in this case, the newspaper, the Herald. Financial success is intertwined with the government, and it is not easy to convince the CEO and the board that publishing the story is the right thing to do. Everyone in this series is touched in some manner by the final decisions and actions that take place. The action, the suspense, the writing, the cinematography are all as one to produce one of the best BBC series I have viewed. Helen Mirren and Russell Crowe are at this moment filming a movie version of this series. We have the best here, how could they ever top this series?
Highly, Highly Recommended. prisrob 03-13-08
The Girl in the Cafe
8 1/2 Women

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Stephen Collins is an ambitious politician. Cal McAffrey is a well-respected investigative journalist and Stephen's ex-campaign manager. En route to work one morning, Stephen's research assistant mysteriously falls to her death on the London Underground. It's not long before revelations of their affair hit the headlines. Meanwhile a suspected teenage drug dealer is found shot dead. These (apparently unconnected) events expose a dangerous habit within modern government of dancing too closely with the corporate devil. Friendships are tested and lives are put on the line as an intricate web of lies unfolds.

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Friday, June 24, 2011

John Adams (HBO Miniseries) (2008) Review

John Adams (HBO Miniseries) (2008)
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Each night I turned on the HBO feature anxious to see a good dramatic series, and learn about my country's struggle for life through one its most underrated founding fathers, John Adams.
Paul Giamatti's performance in the title role is much in dispute as he, like many other actors, seems to play himself as much as his character. He turns from a loving father to the lawyer and representative who sometimes looks apoplectic rather than just an angry or fiery patriot. Much to his credit, I felt the John Adams of later years on subsequent episodes was extremely well-acted.
Abigail Adams is played by Laura Linney, and her performance is superb and not the least in dispute. From the first moment, she is thoroughly credible as the vivacious lover, friend, confidante, advisor, and wife of John Adams. Her acting here should garner her an Emmy. The actors protraying Benjamin Franklin and Thomas Jefferson turned in stellar performances.
Many complain that this did not follow the book of the same title, and was not true to history exactly. To the first query the answer is what does? To the second, it is a well-written and well-acted drama that deserves our attention.
The series begins with the Boston Massacre and John Adams representing the British soldiers. With his successful defense, he is noticed by the Crown, as well as the colonials who are striving for independence. Both want his services. Adams chooses independence over the king and we see him as representative, foreign minister, beggar and borrower, ambassador, vice president, and president. His one anchor through these assignments and occupations in the struggle of a new nation is his love and respect for his wife, Abigail whom he always refers to as "my friend." The letters between the two is one constant that sustains their love through loneliness of separation, as Mr. Adams is more often away than home.
Particularly touching is the drab existence they share in an uncompleted White House, the grief John Adams suffers from the loss of his Abigail, his renewed friendship with Thomas Jefferson, and his dying belief that his friend survives him, even though Jefferson died three hours earlier. In one of the ironies of our history, both men died exactly fifty years to the day, after July 4, 1776.
This story ends with both Abigail and John Adams quoting letters of their love for each other and a young nation, as they ascend a hill together and look out over their country. They hope that they will be able to see future generations of Americans, from heaven, and wonder if they will deserve the sacrifice and freedom they have given them.
So do I.

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John Adams is a sprawling HBO miniseries event that depicts the extraordinary life and times of one of Americas least understood, and most underestimated, founding fathers: the second President of the United States, John Adams. Starring Paul Giamatti (Sideways, Cinderella Man, HBOs American Spendor) in the title role and Laura Linney (You Can Count on Me, Kinsey) as Adams devoted wife Abigail, John Adams chronicles the extraordinary life journey of one of the primary shapers of our independence and government, whose legacy has often been eclipsed by more flamboyant contemporaries like George Washington, Thomas Jefferson, Alexander Hamilton and Benjamin Franklin. Set against the backdrop of a nations stormy birth, this sweeping miniseries is a moving love story, a gripping narrative, and a fascinating study of human nature. Above all, at a time when the nation is increasingly polarized politically, this story celebrates the shared values of liberty and freedom upon which this country was built.

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Tuesday, May 31, 2011

Tin Man (Two-Disc Collector's Edition) (2007) Review

Tin Man (Two-Disc Collector's Edition) (2007)
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If you are expecting ruby slippers and a cackling green lady, you are in for an awakening of your own. Growing up with singing munchkins, I realized, hey, I am a grownup. And SciFi seemed to realize it too with a magnificent departure from the 1939 MGM film to a brilliant, futuristic, decadent, and sometimes apocalyptic telling. The reinventions of characters and fantastical sets soon transport you from the familiar to a place you find yourself hard to take your eyes off of-- from phosphorous-glowing trees, desolate paths, Metropolitan-like art deco palaces, and underworlds unlike anything and then again reminiscent of a certain alphabet city pre-Rudy.
The story itself is not for the kiddies. Mine were told continuously to leave the room, go play, and find something else to do. But the grown up fairy tale is long overdue. The story actually had twists, turns, and menacing meaning-- much more substance and meaning than the trifles the network and cable gurus seem to thrust down our throats.
I honestly cannot wait until the DVD comes out to feast my peepers on the rich masterpiece SciFi laid out for the holidays. (A much better smorgasborg than the Cheeto-fare of Lifetime).
And for just desserts-- SciFi scored an incredible coup with incredibly gifted actors perfectly tailored for each role-- most notably Alan Cumming for Glitch, Neal McDonough as the titular Tin Man, and the remarkable "evil" Azkadelia played by Kathleen Robertson.
Evil no longer is a personality trait to just carry a plot, but in this series, actually has a real beginning, reason to exist, and a true part in throughout the series up to the climatic end. This series is like a force of nature that I found myself carried away in-- somewhat like DG.

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A tent-pole miniseries release from RHI Entertainment and SCI FI Channel, Tin Man is a modern science fiction update of L. Frank Baum’s timeless "The Wonderful Wizard of Oz." When a sorceress named Azkadellia scorches the once-beautiful land of OZ into a desolate wasteland, the only hope lies in an "outsider" named DG, a young Midwestern woman, whose troubling dreams have summoned her to the doomed paradise.D.G. embarks on a journey to find the great mystic man to save the O.Z. and on her way she befriends a scarecrow named Glitch, a tin cop named Cain, and gentle manimal named Raw. Journey beyond the yellow brick road withTin Man, now on DVD for the first time in this 2-Disc Collector's Edition with amazing bonus features and collectible packaging.

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Saturday, April 30, 2011

Rich Man, Poor Man: The Complete Collection (1976) Review

Rich Man, Poor Man: The Complete Collection (1976)
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I met Peter Strauss for the first time after a staged reading at the Westport Playhouse, in which he, along with several other wonderful actors, gave a superb reading of a new play. Speaking to him, briefly, afterwards, I mentioned the absence of "Rich Man" on DVD - and he agreed. He told me he is asked this a lot and does not understand why a terrific DVD edition of this classic miniseries is not available. My God, it should be! This was one of the first real TV "events" - must see TV before it really existed - with a superb, involving story of two brothers growing up in turbulent times, their lives and loves, and their ultimate search for happiness. The acting could not be better. Peter Strauss has always been an underrated actor, in my opinion. In "The Jericho Mile" he gives a landmark performance. Here, in "Rich Man," he believably ages from a high school student to an older, forlorn Senator trying to reclaim his humanity. It was an honor to speak to Mr. Strauss, who could not have been more gracious. He was eager to see this miniseries on DVD and was also interested in being part of an "extras" package to boot. Can you imagine getting Mr. Strauss and Nick Nolte back to discuss the legendary film that began both their careers? EVERY actor here gives a unique performance. It was one of the unforgettable TV miniseries. It deserves a gold star treatment!
UPDATE on DVD release! "Rich Man, Poor Man" is a five star production, but the DVD release rates barely A STAR AND A HALF - it is almost a travesty. I would like to commend Mr. Strauss, brilliant in the role in both series, for offering an excellent, perceptive, and interesting one hour long commentary track to accompany the first hour of the original series - but that is the ONLY recommendation I can give to this product.
First, the video transfer is poor - there is NO high definition upgrade to the original show at all, so it looks like a typical TV show from the '70's, no upgrades at all. The sound quality is also poor.
Second, and most important, the DVD has been EDITED! Incredibly enough, there are whole scenes missing from the DVD - most grievously, in the final hour of the show, after Rudy nearly loses his career after hurting a college girl, whose photo club had taken nude pictures of a drunken Julie, there is a MISSING SCENE when we see the Van Johnson character return to tell Rudy that his political career can be saved - which leads directly back to the scenes where Julie begins to drink again and, inadvertently, causes a tragedy. The scene is gone! And parts of other scenes, including the introductions to the openings, also appear to be trimmed.
I bought some foreign copies of both series some time ago - and both were better than this product. Make no mistake - A & E did this on the cheap and ended up leaving a tarnished legacy for a landmark series. It is STILL worth watching, for all the wonderful stories it tells, but this DVD product is a disgrace - and you will have to find another DVD or VHS tape to actually see the WHOLE series. The VHS tapes actually seem to have better sound and picture quality and more beautifully packaged as well. I would stick with them, except that Book Two, which has great moments, is not available on VHS tapes, but only on foreign DVD's, which, I'm sure, are of better quality than this disgrace. At least these shows don't appear to be edited.
Too bad. Again, Mr. Strauss's commentaries are worth hearing, but I wish there was more. That's the ONLY extra for the high price you are paying. Such a disappointment. Wasn't there ANYONE of any knowledge working for A & E who could have overseen this transfer? For the price you are paying, you deserve better.

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The first-ever dramatic miniseries to appear on American television, the multi-award winning RICH MAN, POOR MAN spans decades and generations to trace the epic story of the Jordache family from 1945 to the late 1960s.Now available for the first time on DVD, RICH MAN, POOR MAN: THE COMPLETE COLLECTION brings together all 34 episodes from Book I and II of this classic '70s series. Based on Irwin Shaw's best-selling novel and featuring an all-star cast (including Edward Asner, Bill Bixby, Susan Blakely, and Robert Reed), the series focuses in particular on Rudy Jordache (Peter Strauss) and his troubled brother Tom (Nick Nolte) as they navigate divergent paths away from their impoverished immigrant upbringing. While ambitious Rudy seems destined for success, Tom suffers from an endless string of bad luck but in the end, finds love. Encompassing a period of tremendous social and political upheaval, the Jordache saga explores timeless themes such as the difficulty of human relationships and the disillusionment of the American dream.An absorbing and masterful portrait of a fascinating and ill-fated family, RICH MAN, POOR MAN: THE COMPLETE COLLECTION recaptures a landmark moment in American broadcasting history.BONUS FEATURE: Brand-new audio commentary for Book I: Chapter 1 featuring star Peter Strauss and television historian David Bianculli

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