The Wire: The Complete Fifth Season (2008) Review

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(More customer reviews)That quote by Bunk (Wendell Pierce) in the opening episode of the final season of David Simon's brilliant The Wire sets the stage for the events that unfold in these final ten episodes of the beloved HBO series.
Picking up from the fourth season, Mayor Carcetti (Aidan Gillen) is pouring money into the Baltimore school system, which prompts the police force to work without paid overtime, and also finds the ever self-destructive Jimmy McNulty's (Dominic West) wiretap on murderous drug dealer Marlo Stanfield (Jamie Hector) put to a premature end. Things begin to change however, when McNulty, along with Freamon's (Clarke Peters) help, manipulate and orchestrate an imaginary, homeless preying, serial killer that garners national attention, all in an effort to put Marlo away once and for all.
Also, much like the previous season focused on the broken education system, the fifth season focuses on the impact of the media in the form of the Baltimore Sun; as editor Gus Haynes (longtime series director Clark Johnson) deals with the downsizing of his staff, and the rise of a reporter (Thomas McCarthy) who may be making up his stories. In the meantime (proving that The Wire is indeed the most multilayered television drama ever created), other subplots abound, including a revenge driven Omar (Michael K. Williams) returning with Marlo in his sights; young Michael (Tristan Wilds) and Dukie (Jermaine Crawford) learn just how dire their situation is; Bubbles (Andre Royo) finds light at the end of the tunnel; and Daniels (Lance Reddick) prepares to take on the role of Commissioner. Most notably however is the impact of the actions of McNulty and Freamon; an impact that ends up effecting everyone in striking distance and beyond, and sets the stage for the final episode of the series, which is one of the most brilliant pieces of television to ever materialize. Not everyone walks away clean (or walks away at all) and rides into the sunset, but it is a perfect way to end a perfect series, and with appearances from familiar faces aplenty along the way, things couldn't have been wrapped up better.
All in all, the final season of The Wire further proves the frequently mentioned point of just how unbelievably good this show was, and how much of a shame it is that it never achieved the kind of uber-popularity that it deserved compared to many of HBO's other shows. Either way, longtime fan or late newcomer, there is nearly nothing better than The Wire, even to its bittersweet end.
"...you gotta keep the devil way down in the hole..."

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In the projects. On the docks. In City Hall. In the schools. And now, in the media. The places and faces have changed, but the game remains the same. Times are tough for the detail. Mayor Carcetti has slashed the departments budget to the bone. Police are operating without overtime some without cars and radios. Angered, McNulty is off the rails again and headed down a dangerous path of deception and lies that will ally him with an unscrupulous reporter. The drug trade still rules the corners, all you have to do is read between the lines.DVD Features:Audio CommentaryFeaturette

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Generation Kill (2008) Review

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(More customer reviews)As an Iraq veteran I was skeptical about watching this at first, thinking that it would be a "Hollywoodized" version of the war. Then a buddy of mine told me it was by far one of the greatest shows he's ever seen, so I gave it a go. Halfway through the first episode I was awestruck. Like the title of my review states, this show is brutal, relentless, and above all AUTHENTIC. Though I was with the Army, our job was very similar to these Marines in that we rode around in Humvees searching for the bad guys.
Anyone who has served in Iraq in a combat role will relate to these Marines all-too-easily. Well talk the same, have the same frustrations with the chain-of-command and understanding our mission some days (though thankfully my unit did not have anyone like "Captain America"), and deal with the same issues regarding supplies, lack of sleep, and fighting an enemy who the day previously may have been begging you for food.
Some viewers may be turned off by the extreme vulgarity and profanity, but fact is that is the way most "grunts" talk. And I think every Platoon or Squad in theater has its own "CPL Pearson." Fact of the matter is, none of us are saints and war does bring out mankind at both its best and its worst. "Generation Kill" shows both sides to the Marines in the rawest sense. One thing I like is that it does not attempt to take a political stance one way or the other on the war. Some may view the series as anti-war, given the way some of the Marines question their mission and why they are there. But again that is another reality of this war.
I never thought I would ever want to watch a movie or series about Iraq, however this is by far one of the best series I have ever seen, period! For anyone who is a veteran, knows a veteran, or just wants to know what the war over in Iraq is really like, "Generation Kill" is a must see!
SFC James Mace, U.S. Army
OIF III, 2004-2005

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Based on the national best-selling book by Evan Wright, Generation Kill is an authentic and vividly detailed 7 part HBO mini-series event that presents a uniquely epic and intimate portrait of the first 40 days of the Iraq war from the perspective of the Marines of the First Recon Battalion – a new breed of American soldiers.
The mini-series tells the story of these young Marines physical and emotional journey into the heart of Baghdad in those initial weeks, and how the war reveals to be much more complicated, problematic and tragic than anyone had contemplated. Many of the complications and problems that arise are due to the unwieldy military bureaucracy which the Marines confront in the midst of the war, the challenges of over-zealous and incompetent commanding officers, ever-changing rules of engagement, a non-existent strategy, severe deficiencies in necessary armor and supplies, and an enemy they don’t understand.
Generation Kill is a humorous and frightening first hand account of these remarkable men, of the personal toll of victory, and of the brutality, camaraderie and bureaucracy of a new American war. It is a profoundly insightful and realistic look at the risk, costs and ultimately, the failures of the war.
Written and produced by Emmy-award winner David Simon (the Wire), and also produced by the award-winning George Faber (Elizabeth I).

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