The Mickey Rooney & Judy Garland Collection (Babes in Arms / Babes on Broadway / Girl Crazy / Strike Up the Band) (2007) Review

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(More customer reviews)This is the long awaited boxed set of four Mickey Rooney and Judy Garland musicals that includes a fifth bonus disc. The contents are as follows as described by a press release from Warner Home Video:
Babes in Arms (1939)
This is the first film the two did together and was adapted from the 1937 Rodgers and Hart Broadway hit of the same name. Busby Berkeley directed the film and also did the choreography. This film is being shown as it was in its initial release in 1939, complete with the minstrel numbers that might seem offensive today and a sequence involving the impersonation of FDR and Eleanor Roosevelt that was cut shortly after FDR's death since MGM didn't want to appear disrespectful under the circumstances. The plot is simple - Rooney plays a kid trying to prove his musical talent and therefore decides to put on a show. Garland plays another talented youngster who decides to help him do it.
DVD Special Features:
Introduction by Mickey Rooney
Commentary by historian John Fricke
Vintage Our Gang short Duel Personalities
Classic cartoon The Mad Maestro
1939 Newsreel with Mickey and Judy
Audio-only bonuses:
Leo Is on the Air radio promo
3 different radio shows with Rooney and Garland
Theatrical Trailer
Strike up the Band (1940)
This one has more of a plot than the first, plus some great music. Rooney plays self-involved musician Jimmy Conners who impresses bandleader Paul Whiteman so much that he offers him a job in New York City. However, a friend's medical emergency makes Rooney choose between his own plans and his friend's health, and he chooses his friend in the end. Rooney's character now has to come up with a way to replace the travel money. Busby Berkeley again provides the choreography and the direction in this film. Highlights include a big Busbv Berkeley production number called "Do The La Conga" and Rooney's "Drummer Boy" sequence. The film also features the Oscar-nominated song "Our Love Affair" and a rousing finale with the Gershwins' title tune.
DVD Special Features:
Introduction by Mickey Rooney
Pete Smith specialty comedy short Wedding Bills
Classic cartoon Romeo in Rhythm
"Do the La Conga" stereo remix version
Audio-only bonuses:
Leo Is on the Air radio promo
Millions for Defense radio special with Mickey and Judy
Additional radio show with Rooney and Garland
Theatrical Trailer
Babes on Broadway (1941)
Rooney plays Tommy Williams, a singer in a restaurant who wants a shot at Broadway. Garland plays Penny Morris, and Williams uses her interest in orphaned children to come up with the idea of "putting on a show" to send them on a vacation in the country. However, Williams really is only interested in self-promoting his talent, not the orphans. However, in the end, he learns his lesson. Musical highlights include the song "How About You', Rooney's impersonation of Carmen Miranda, and a massive Busby Berkeley finale which was featured in 1974's "That's Entertainment!".
DVD Special Features:
Introduction by Mickey Rooney
Pete Smith Specialty comedy short How to Hold Your Husband Back
Classic cartoon Dance of the Weed
Audio-only bonuses:
Two Leo Is on the Air Radio Promos
Radio Show Adaptation of Merton of the Movies with Rooney and Garland
Chin Up! Cheerio! Carry On Song Demo performed by composer Burton Lane
Theatrical Trailer
Girl Crazy (1943)
This is the strongest of the four included films. This time Norman Taurog shares direction duties with Busby Berkeley. Here Rooney plays Danny Churchill, a rich college kid that is partying more than he is studying. His father sends him to an all-male college in the middle of nowhere where he can regain his focus. However, Danny does fall for the one eligible female in the hundred mile radius of the school - the dean's granddaughter, Ginger Gray (Garland). Ginger, however, is more concerned that the college is in danger of closing than in Danny's advances. She enlists Danny's help to see that the school stays open. Songs include "Embraceable You," "Fascinating Rhythm," "Bidin' My Time," and a the Garland solo "But Not for Me." Of course there is a huge Busby Berkeley finale done to Gershwin's "I Got Rhythm", with Mickey, Judy, a large supporting cast, and Tommy Dorsey and His Orchestra.
DVD Special Features:
Introduction by Mickey Rooney
Commentary by historian John Fricke
Vintage short Hollywood Daredevils
Classic cartoon The Early Bird Dood It
I Got Rhythm stereo remix version
Audio-only bonus: Bronco Busters Outtake
Theatrical Trailer
Finally there is a bonus disc with over three hours of extras that include:
Private Screenings with Mickey Rooney - 1996 TCM special hosted by Robert Osborne
The Judy Garland Songbook- A superb collection of 21 complete, magical Judy Garland musical numbers spanning her many films from 1936-1954
Mickey and Judy Trailer Gallery
The bottom line on this set is that if you are looking for "Gone with the Wind" level serious drama and you don't like great music look elsewhere. However, if you are looking for charming escapist musical entertainment, these films fit the bill. After all, they were made so that troubled audiences could get away from it all during troubled times - the pre and early World War II era. Plus it looks like Warner Home Video has continued their "Film School in a Box" tradition with this set that I have grown to like so much.

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Bugsy Malone (1976) Review

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(More customer reviews)The DVD that is being shipped is an import from Hong Kong, and was marked for all zones, so it should play anywhere. Very nice copy with a good clean picture and dolby 5.1 sound.
Titles are in english and chinese, but there are no annoying subtitles on the screen when you play it. I have been waiting for years for this to come out in DVD and I am very happy with the DVD.

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Asian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.

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Funny Face (1957) Review

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(More customer reviews)In 1957, Paramount produced a very enjoyable musical comedy called "Funny Face", directed by Stanley Donen, and to the music of George Gershwin, Adolph Deutsch, Roger Edens and Leonard Gershe. With a simple plot, the film begins in New York City within the offices of the major fashion magazine named "Quality". Its president, Maggie Prescott (Kay Thompson), is determined to find a new way to promote the magazine. In a moment of inspiration, she comes up with the slogan "Think pink," and breaks into song praising the color pink and saying that everything (from women's clothing, soap, furniture, etc.) must be pink. Of course, she "wouldn't be caught dead" in it.
Moving on to another magazine project, Maggie wants to find the perfect spot to photograph one of the magazine's models named Marion (Dovima, who was a major fashion model in the 1950's working closely with photographer Richard Avedon. This was her only film.). An assistant suggests that they go to a bookstore in Greenwich Village to create an intellectual atmosphere. Maggie, Marion, a host of Maggie's staff all in pink and the magazines head photographer, Dick Avery (Fred Astaire), force their way into a dingy, but quiet, bookstore along with all of their equipment. A store employee, Jo Stockton (Audrey Hepburn) protests the uninvited intrusion vehemently, but the "Quality" magazine army locks her out of the store to work undisturbed. After several hours, the "Quality" mob vacates, but the books and store are left in a shambles for Jo to clean up. Dick offers his help to clean the store, but Jo refuses. After Dick leaves, Jo proceeds to sing another wonderful song in the film, "How Long Has This Been Going On?"
Maggie decides that "Quality" must find a real "Quality woman" to represent the magazine and it isn't Marion. When Dick develops the photos taken at the bookstore, Jo is in one of them. He suggests to Maggie that Jo could be the woman that they need, but Maggie has her doubts. To lure Jo to the "Quality" offices, they order a large number of books and want them delivered. Jo arrives hours later with a pile of books and is accosted by Maggie's staff who want to redress her in preparation for a photo shoot. Jo escapes and hides in Dick's dark room. They talk and he sings to her another of the film's title song, "Funny Face". Jo completely disagrees with everything that "Quality" magazine represents; she believes in "empathicalism", a philosophy that rejects all material things, as described by her idol, Professor Emile Flostre, who lives in Paris. When Jo is told that the "Quality woman" photo shoot and a fashion show will be done in Paris, she reluctantly agrees to be the model since it will give her the opportunity to meet Prof. Flostre.
The film continues in Paris where Jo models many clothes designed by Givenchy and a romance between her and Dick Avery develops. Jo finally gets the opportunity to meet Prof. Flostre (Michel Auclair), but will he meet Jo's expectations? Will the romance between Jo and Dick survive the photo shoot and meeting Prof. Flostre? Does Maggie get to produce the Paris fashion show of your dreams? You'll just have to watch this very entertaining film to find out!
The songs in the film include:
* "Think Pink" 5/5, Kay Thompson. A fast, snappy & whimsical song.
* "How Long Has This Been Going On?" 5/5, A blues song sung by Audrey Hepburn at the bookstore.
* "Funny Face" 5/5, Fred Astaire. A charming song.
* "Bonjour Paris" 5/5, Fred Astaire, Audrey Hepburn, Kay Thompson. A fun song filmed at various locations in Paris.
* "He Loves and She Loves" 4.5/5 Audrey Hepburn and Fred Astair. Filmed at Le Château de la Reine Blanche in Coye-la-Forêt with Audrey Hepburn modeling a wedding dress.
* "How To Be Lovely" 5/5, Kay Thompson and Audrey Hepburn. A fun & gutsy song.
* "Basal Metabolism" 4.5/5, A blues song that Audrey Hepburn dances to in a bistro.
* "Clap Yo' Hands" 5/5, A fun, melodramatic blues song sung by Fred Astaire and Kay Thompson to sneak into the bistro. (a.k.a. "Ring-a Them Bells")
* "Let's Kiss and Make Up" 4.5/5 Fred Astaire. A love song sung again at Le Château de la Reine Blanche.
* "'S Wonderful" 5/5, Audrey Hepburn and Fred Astaire. Another love song sung at Le Château de la Reine Blanche.
Some may think that "Funny Face" is nothing more than fluff, but it was produced to entertain with color, fashion, music, dance and comedy and it does so very well. The acting, singing and dancing from Audrey Hepburn, Fred Astaire and Kay Thompson is quite good and I rate "Funny Face" with 5 out of 5 stars. If you're primarily interested in Oscar-winning dramas, "Funny Face" may disappoint you; but if you enjoy light-hearted musicals and like to laugh, then you'll probably be very entertained with this fun film!

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Bye Bye Birdie (1995) Review

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(More customer reviews)This 1995 made for TV movie is millions of miles away from the tacky propaganda-filled 1963 film. This version follows the real story and doesn't leave out any key parts or songs. The casting was done well, especially Tyne Daly as Mae Peterson (hilarious) and the actor who plays Conrad Birdie--an amazing voice! George Wendt plays the role of Mr. MacAfee and not only can he sing but is a riot in the Ed Sullivan scene. However, Chynna Phillips is not a great choice for Kim--she looks too old, her singing voice is only so-so (Kim's songs have all been lowered an octave) and the way she interpreted the role made Kim seem snotty. One of the best scenes is when Ursula and co. are doing "Bye Bye Birdie" at the malt shop--their voices and enthusiasm are unbelievable. All in all, it's a great show, excellent viewing for anyone wanting to produce or direct the musical.

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No Description Available.Genre: MusicalsRating: NRRelease Date: 21-SEP-2004Media Type: DVD

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The Music Man (Special Edition) (1962) Review

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(More customer reviews)Looking for the musical that beat WEST SIDE STORY for the Tony Award? You've found it here, in Meredith Willson's THE MUSIC MAN -- and its appearance on DVD, in widescreen format and with all the bells and whistles, is long overdue.
Pop the disc in, and you'll immediately be taken to the "Right Here In River City" documentary (you'll have to press the MENU button on your DVD controls to get to the main menu so you can actually view the movie -- why the disc goes immediately to the documentary is rather odd). Hosted by Shirley Jones, who still looks great, the top-notch, too-short documentary is crammed with lots of good stories and bits of trivia, in the words of several of Those Who Were There. You'll find out, for instance, which segments were actually filmed first, how amazed Susan Luckey was at Robert Preston's ability to lip-synch "Trouble" during filming, and why Shirley Jones wore so many frills and flowers on her dress in the scene at the footbridge.
As for the film itself -- the print is beautiful, and as someone who had only experienced the film in pan-and-scan format, it is a delight to finally see entire dance sequences without the cropping. And you'll finally be able to see all four members of The Buffalo Bills barber shop quartet (the poor fellow singing bass could never be seen in TV-formatted versions).
There are other, smaller moments that have always cried our for the letterbox format, and if you watch both versions closely, you'll notice the real advantages in seeing the entire scene as it was shot. For example, one particularly disorienting scene in pan-and-scan format is the "Pick A Little, Talk A Little/Goodnight, Ladies" sequence, when Professor Hill is speaking with Mrs. Shinn and the town ladies about Old Miser Madison, and dismebodied voices drift in from off camera. At one point, Mrs. Shinn says, "Miser," and an off-camera voice says, "Madison," causing Mrs. Shinn to grimace. In pan-and-scan, it looks like a mistake; in widescreen format, the speaker is finally visible to Mrs. Shinn's right, bringing the scene together in a logical fashion. Sounds like a trivial moment, I know, but that scene in pan-and-scan has grated me for years!
The DVD also contains a theatrical trailer, but it's not the trailer for the original 1962 release, but for the re-release a number of years later. It's still an interesting curiosity, featuring a reworked version of the "76 Trombones" sequence with Preston signing new lyrics about the film.
If there's any shortcoming in the disc, it lies in the sound quality. You'll have to crank the volume up a bit to hear everything properly, but beware -- the moment you hit the MENU button, you'll be blasted by and ear-splitting version of "76 Trombones" on the menu screen. Ouch. Hit MUTE right before you touch MENU. You'll thank me later.
It's a worn out cliche, but they really DON'T make musicals like this any more. And if your only experience with THE MUSIC MAN has been with the pan-and-scan format, do yourself a favor and pick up either the DVD or the letterboxed VHS format. You really WILL realize what you've been missing.

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Let 76 trombones lead the big parade from the Great White Way into your home. It's the Music Man, the screen version of one of Broadway's all-time blockbusters, a skyburst of Americana as irresistible as 4th of July fireworks. Robert Preston and Shirley JYear: 1962

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High School Musical 2 (Extended Edition) (2007) Review

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(More customer reviews)I was amazed by the amount of extras on this 2-Disc DVD set. What a fantastic set--with over 5 hours of bonus material. The story is typically light-hearted fun as you would expect from this franchise. It's the last day of school, and all your favorite East High Wildcats are counting down the seconds for the final bell that tells them it's finally summer! The rousing opening song is "What Time Is It?" and gets the movie off to a high energy start. Troy (Zac Efron), Gabriella (Vanessa Hudgens), and the gang must get summer jobs; meanwhile, Sharpay (Ashley Tisdale) wants to get Troy a job at her country club, Lava Springs, so that he can sing with her at the talent show and become her new boyfriend. Unbeknownst to her, the club's manager, Mr. Fulton (Mark L. Taylor), has to hire the entire gang to get Troy...including Troy's girlfriend Gabriella. Sharpay does everything she can to break the two up, including setting Zac up with a sweet college scholarship. Can Zac resist?
Visually, this movie is a technicolor feast that harks back to the Esther Williams/Busby Berkeley musicals of MGM. One of the most spectacular numbers if "Fabulous," sung by Sharpay (Ashley Tisdale) as she lets everyone at the pool know that she has impossibly high standards. Her brother, played by Lucas Grabeel, is dolled up like Elton John and plays a pink piano in the shallow end of the pool while wearing a white tux with hot pink lapels. Definitely classic!
Spec-wise, the DVD audio is a speaker blowing Dolby Digital 5.1 mix and the video is full-frame. Sure, for those with 16x9 or widescreen TVs it's a disappointment. However, this movie was originally shown on the Disney Channel, and as you can clearly see in the behind-the-scenes documentaries (as you look over the shoulder of the camera and see the framing), this movie was COMPOSED for full-screen, even though there was spillover frame to fill out a widescreen. Minor quibbling point...still a great piece of entertainment suitable for ALL ages.
Now onto the extras...there's a ton! You get a great sneak-peak at High School Musical 3 (which will actually debut in theaters), which shows that the whole gang is back, along with three newcomers (looks like Sharpay may have some competition in the conniving department from the new girl). There are also some deleted scenes; although they were trimmed for the right reasons, one does explain a little bit of how Gabriela got to the Country Club for the talent show. Backstage Disney also gives you High School Confidential, an assortment of LOTS of featurettes such as:
*Manly the Dog: director Kenny Ortega's dog who has a featured spot in the movie as Sharpay's pampered pet.
*Sharpettes: Sharpay's sidekicks, featured in the "Fabulous" number
*Hilarious one about Ashley Tisdale; all her costars say she is like Sharpay, even though she protests. Very cute.
*Zac Factor: All about Zac Efron
*Special photo gallery where you can guess what baby photos match your fave HSM star.
*The Making Of "HUMUHUMUNUKUNUKUAPUA'A."
*Hannah Montana/Miley Cyrus is actually in HSM2; never knew that until I saw the featurette about her cameo!
*Cast Favorites: The stars dish (except for Zac who is not in this one) about their favorite singers, movie actors, desserts, and more.
*On Location - Visit the resort area of St. George, Utah
*In The Kitchen - Lucas Grabeel takes fans behind the scenes of the clubhouse kitchen set.
In the Music & More section you get:
*Dance Along: follow along to the moves of "What Time is it?" and "All For One." You'll be doing these dances in no time by following multiple camera angles.
*Music Video "All For One" - A special performance of the song is intercut with the cast recording session and behind-the-scenes footage.
And lots more! All HSM fans should add this one to their collections!

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Schools out and Troy, his teammates, and Gabrielle all get jobs at a country club for the summer. Sharpay s father runs the club so she is used to getting her way around there. Sharpay is determined to win the club s summer talent show, an event she has dominated for the last six years. She thinks getting Troy to perform with her will cinch the win, so she dumps Ryan as her partner and schemes to get Troy away from Gabriella so she can perform with him.

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Another Cinderella Story (2008) Review

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(More customer reviews)Usually sequals do not turn out so good (this is not really a sequal) but it was enjoyable to watch... Even though this is completely different than the Cinderella Story with Hilary Duff, it has a similar plot and everything; however I actually liked it better than the "Cinderella Story". It had the masked ball as well but it goes well with the following events and Mary's preparation to go in the path of dancing. This is supposed to be a musical version of the "a Cinderella Story".
Mary (Selena Gomez) works for Dominique, her step mother, and her two step-sisters. She bumps into Joey Parker [the guy she has had a crush on since maybe 11 years old ] several times and dance at the school masked ball. She heads home early so that Dominique will not find out and Joey Parker who is a dancer/singer looks for her.
Mary loves and practices dancing on her own time and basically dancing is what brings Mary and Joey together.
I recommend this movie which is good all the way (music and acting).

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It’s musical. It’s magical. It’s Another Cinderella Story, the dancing ever-after fairy tale. In this joyous update, Selena Gomez(The Wizards of Waverly Place) is Mary, a modern Cinderella complete with dancing shoes instead of a glass slipper. Drew Seeley (High School Musical) is Joey, a Prince Charming and dreamy new-guy-in-school looking for a girl to love. Could Mary be that girl? With your kind of music and dance, your kind of romance and all kinds of surprises, you’ll find that Another Cinderella Story is a perfect fit.

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Babes in Toyland (1961) Review

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(More customer reviews)DVD REVIEW
This DVD release at the time of my review of this film adds nothing to the VHS. No Widescreen, no re-mastering, and no extras. I will keep my VHS copy for now. Now on to the original film itself:
FILM REVIEW
In this 1961 film, the first true live-action musical from the Walt Disney Studio, Tommy Sands is paired up with America's girl next door who got her start with Walt Disney, Annette Funicello. Also the famous Ray Bolger and Ed Wynn are featured, and Ann Jillian was a child actor in this movie. There is more great talent from the Disney in-house stable of stars, Tommy Kirk and Kevin Corcoran, who played brothers in both "Old Yeller" and "Swiss Family Robinson".
The story is simple enough, we are in Mother Goose land and the villain shrinks our heroes to toy size. They must enlist help from the toys in the Toymaker's shop to fight back. The effects were eye-popping at the time, and to see a toy army coming to life and fight the bad guys is a great treat for kids. The movie has some real fun stop motion style animation, where the toys are made to look like they are alive (30 years before computer animation did it for "Toy Story"). The Christmas parade at Disneyland has featured replicas of the marching soldiers from this film for over 40 years. The beautiful wooden toys that are seen in the film were all designed by veteran animator Ward Kimball. (animators X. Atencio and Bill Justice joined Ward on the stop-animation to bring the custom made toys to life).
The movie was promoted in advance on the Walt Disney television show, in a 1961 episode that also promoted "The Parent Trap", (the episode is called "The Title Makers"). The film was promoted again that year in an episode called "Backstage Party", which celebrated the completion of the film and gave the viewers a tour of the Disney Studio. The sets specially built for the film at the studio were so unique, they found a temporary home at Disneyland after the films release in '61 up to 1963, and people could actually see them up close inside the Opera House on Main Street.
The best part of this film is the music, which is the true star of any musical. The musical score features 11 songs from the in-house team of George Bruns (music) and Mel Leven (lyrics), and their score was nominated for an Academy Award.
But even with the music, great stars, incredible sets, special effects, nice costumes, the script and dialogue left a lot to be desired so the film was deemed dull for adults. Uncle Walt hated the end product, but gamely tried to promote it as best he could and use it as an exercise for the studio to learn from, as he really wanted to make a good musical. Just 4 years later he released the studios biggest live-action film ever, a musical to beat all musicals, "Mary Poppins". The lesson had worked.
Watch Babes in Toyland with light expectations, see it for the toys, Annette and the gang, and enjoy the wonderful music.

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Enjoy a happy excursion into the world of Mother Goose in Walt Disney's first musical production! All roads lead to magical, merry Toyland as Mary Contrary and Tom Piper prepare for their wedding! But villainous Barnaby wants Mary for himself, so he kidnaps Tom, setting off a series of comic chases, searches, and double-crosses! The "March Of The Wooden Soldiers" helps put Barnaby in his place, and ensures a "happily ever after" for Tom and Mary! This joyful musical fantasy is a delightful experience for the whole family!

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Rent (Widescreen Two-Disc Special Edition) (2005) Review

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(More customer reviews)I saw the movie in a beautiful theater in downtown San Francisco on the Saturday after Thanksgiving and was surprised to find so few people in the movie theater--maybe 75 of us, and the theater could have fit 500. I wonder if some of the lukewarm reviews haven't influenced people's decisions to go to RENT. Hope not, for I'm here to tell you, this movie is dynamite and IMHO much, much better than the play. For one thing, in the movie you can hear every word, even with the increased rock instrumentation, for hundreds of sound experts have worked their magic and made sure that even people underwater could hear every single syllable; whereas on stage, it depended from night to night what percentage of the lyrics were going to be coming across the temperamental sound system of the Nederlander (NYC).
I did miss Daphne Rubin-Vega who was incomparably sexy and chilling as Mimi, but I never believed her being in love, and Rosario Dawson looked like she was just 'playing' at being bad and underneath she was ready to fall in love as soon as she saw Roger through the window. Her scenes of addiction are captured in the movie effectively, in a rpaid montage that might disconcert some rentheads but will, I think, be easily understood by those new to the show.
Yes, some of the actors looked older than 20 somethings. But we forget that most of those who died of AIDS in the 1989-90 period were actually in their 30s. What's the big deal? To me, Angel's fate is all the more sad because he seemed to be healthy for so long and then, all of a sudden, well, any more would bring me into spoiler territory.
Idina Menzel is not as over the top as she is on stage, but there's still plenty of fire power there, and she's bigger than anything in the movies since the heyday of Betty Hutton! She looks remarkably beautiful and she doesn't miss a trick; and just when you think she'll overshadow Tracie Thoms as her attorney girlfriend, Joanne, the latter pulls off some memorable comic business and signals her disappointment and regret with her expressive brown eyes. Anthony Rapp is charming as Mark Cohen, he comes off as a tiny terror, I wonder how tall he is, the constant scenes of him snarking down the streets with his fists clenched in anger at his sides, but no one else around to reveal his true proportions--the old Alan Ladd trick. And Adam Pascal is suave and tormented in equal measures as Roger. His eyelashes are so long I expected them to have a special spotlights in the credits, but no.
I have to disagree with the posters who claim that Larson wrote all the best numbers for the men in the cast. Maybe that's personal pleading, but I find the best songs pretty much divided right down the middle. Mimi's "Out Tonight" isn't as exciting as on stage, but it is much more compellingly staged, as Rosario Dawson steps out of the Cat Scratch Club after her shift only to launch into the second verse, and seems to scale the wall of the loft to get to Roger like Catwoman in the third. ("I'll let you make me . . .") "Light My Candle" suffers a little without Daphne Rubin-Vega in it, and Adam Pascal acts as though he knows he's cheating on her with Rosario Dawson. Afterwards he gets his balls back. The ensemble singing of "Will I?" and "Another Day" are perfectly staged and rehearsed, and it's there that I started to lose it. I guess I must have spent the last seventy minutes of the movie in a continual rain of tears. By the end I had to sit through all the credits in a vain attempt to gather composure. The faces of those whom I lost to AIDS flashed before my eyes. Not all of them, but some of them. I did resolve to go out and try to practice love on a grand scale. They got me this time. "No other path, no other way, give in to love or live in fear."
These sentiments are vapid and, in the daylight, seem a little silly, but the beauty and power of the movie is to convince you of their truth. Good work all around. I hope the movie's an enormous success.

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Yankee Doodle Dandy (Two-Disc Special Edition) (1942) Review

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(More customer reviews)Oh what an out-and-out joy is this film!
As you know by now, the amazing James Cagney sings, dances and acts his way through this rousing biopic of George M. Cohan. He's directed by Michael Curtiz, a director who apparently could work in any genre of movie, and produce masterpieces. Pull up his name on imdb and you'll see what I mean.
Anyways, the film traces his life from his infant vaudevillian beginnings to his conquering of Broadway. After seeing this, you'll know why there's a statue of Cohan in Times Square.
The acting, as expected, is top-notch, with the sweet Joan Leslie as his love interest Mary, Walter Huston as his dad; Cagney's sister plays Cagney's sister...but what will bring you to see this movie again and again are the musical interludes.
Cagney is simply spectacular. He is a comet, bouncing around the Broadway stage. His dancing often flirts with straight-out levitation. I swear there are times when his feet fly across the screen...
Then consider the songs..."Yankee Doodle Dandy", "Mary", "Give My Regards to Broadway" and the most patriotic song I've ever heard, "Over There."
That song was written for the troops of WW I, and this film was being made when Pearl Harbor was attacked. The way this one song is used in this film, I guarantee, will stay with you forever. And knowing that this movie was made during that time only enhances your experience...but I didn't know it until afterwards, and it made no difference.
And that leads to the one thing I feel is overlooked in most reviews of this film: the script. It's has a strong story, great lines, terrific set-pieces and delightful twists. It's funny as all-get-out, and heart-wrenching when you least expect it.
The movie is as American as can be...the rags-to-riches rise of the central figure in Broadway history (the Broadway musical being essentially an American creation), the way his family travels to all the new states as they are incorporated...the evolution of New York City...WW I...WW II...it's all here!
And from beginning to end, Cohan (and the filmmakers) wear their "Grand Old Flag" on their proverbial sleeves, proudly and unabashedly. Patriotism is a definite theme througout the film, rising to dizzying heights right before the credits. Patriotism portrayed simply and honestly, without any hard political bent or satirical edge.
The DVD, one of those sweet Warner 2-disc sets, is exemplary...great transfer, nice extras...bravo Warner, again, for treating your classics with respect.
It's inarguable: this is one of the great films of all time. I envy those of you about to see it for the first time, and I assure you it won't be your last!

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YANKEE DOODLE DANDY - DVD Movie

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Hair (1979) Review

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(More customer reviews)If "Hair" were only a period piece, it would still be wonderful entertainment - but it's so much more. Previous reviewers have already spoken for me in praising this film's astonishing energy, its fine acting (not stereotypes, but iconic characters), and its forever-fresh-as-a-summer-flower soundtrack. I can only agree with them completely, and add my positive vote to theirs. This is a highly (no pun intended) recommended film!
But I'd like to emphasize something else now. Those reviewers who complain about the film being dated are missing an important point. Love, friendship, joy, exuberance - these things are never out of date. And it raises an interesting question: why are some people so embarrassed and downright afraid of the so-called "hippie-dippy" aspect of this movie, and the years it captures so well? Possibly because it goes against the current wisdom, which claims that the uglier and nastier and more downbeat something is, the truer it is.
Well, no one is claiming that this is a perfect world - far from it! - but there is still plenty of joy and beauty and magic to be found in it! Yes, in too many ways it's a more cynical world now ... which is all the more reason to celebrate and uphold those naïve, utterly necessary values. Don't be afraid of looking foolish, don't worry about having to be cool and detached all the time, don't be afraid to embrace the Universe and exult in it - let the sunshine in!

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Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences.*1975: One Flew Over the Cuckoo's Nest; 1984: Amadeus

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Nine (2009) Review

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(More customer reviews)I am a little upset with people who are fans of musicals. There isn't enough product to satisfy our desire and when a very good example of this genre is released, we stay away in droves. I simply don't understand why "Nine", the new musical, not to be confused with "9", the recent animated film from Tim Burton, s getting pretty unanimously bad critical reviews. I don't understand why fans of the genre are staying away.
Directed by Rob Marshall ("Chicago"), "Nine" is an adaptation of a very successful Broadway musical adapted from the Fellini film "8 ½". The film contains some very good performances and some amazing vocals and dancing from actors I didn't know could sing or dance. Add to that a beautiful and romantic period setting and you have a film that is a fitting companion piece to "Chicago".
Are fans of this genre waiting for the next Gene Kelly or Fred Astaire? Is that why they are staying away? Do you secretly desire "An American in Paris II" or a remake of "Singin' In The Rain"? That won't happen (I pray to God). As we continue to evolve and our tastes become more modern, the genres we love have to adapt and change along with us. For a long period of time, the only musicals we could see on the big screen were animated. Many of these were great and provided an avenue for talented people. Then, Baz Luhrmann managed to convince 20th Century Fox to let him make "Moulin Rouge". "Chicago", "Mamma Mia", "Hairspray" and more than a few films that should be forgotten followed this. A lot of people didn't like "Moulin Rouge" because of the frantic visual style. I loved it. "Chicago" is a bit more traditional than "Moulin Rouge", allowing the viewer to get involved in the story and characters because they take a moment (every so often) to breath. Now Marshall follows this success with "Nine".
Rome, the 60s. Guido Contini (Daniel Day-Lewis), a very successful Italian film director is experiencing writer's block after two of his films have flopped. This is unfortunate because his longtime producer is practically forcing him to make his new film. They have a title, "Italia" and are convinced it will star Claudia Messina (Nicole Kidman), Contini's longtime muse. Even his confidant, and confessor, his longtime costume designer, Lilli (Judi Dench) knows he is having trouble, but she does her best to provide support and a nudge when needed. A set is in production on a huge soundstage at Cincecitta, but Guido is experiencing a midlife crisis and can't come up with anything to write about. When the pressure becomes too great, he runs off to a spa on the Italian peninsula and hides there, trying to escape everyone and everything. He calls his wife, Luisa (Marion Cotillard, "La Vie En Rose") and tells her he will be home in a few days. Then he calls his mistress, Carla (Penelope Cruz) and gets her installed in a nearby penzione. When his production team and producer show up at the spa, what was supposed to be rest quickly becomes a working holiday and continues to stress out the famous director. Instead, he begins to remember all of the women in his life and with each memory, comes a new musical number and an equally amusing performance by one of the ladies.
I really liked a lot about what "Nine" is trying to do. Unfortunately, I also think many of the things I like are also the same things keeping people away from the multiplex.
As Guido deals with his writer's block and all of the complications of his life, he begins to remember back to each of the important women in his life and their various influences in shaping who he has become. There are some references to Guido's history with women and the sheer number of sexual partners seems to be large, but there are certain women in his life who are important and he remembers each with fondness. As the memories flood back, Marshall begins to cut some of the most beautiful footage I have seen in a long time into the story, providing us with a biographical glimpse into the director's life. He remembers back to his childhood when he paid a loose woman to show off her private parts to a group of children. This is told through black and white footage and shows the boys running across an Italian beach. When the woman comes out of her hut, "Be Italian" begins and the story cuts back and forth from the footage at the beach to a full-blown musical number featuring singer Fergie (from the Black Eyed Peas) as Saraghina. As the musical number progresses, you begin to realize Saraghina and the many other women in the number are actually on the soundstage back in the studio in Rome, it's iconic roman arches ever present. Yet, the singers are sitting on wooden chairs and flinging sand around. It is a visually striking musical number and quickly establishes how the film will unfold.
Not only do we start to get a feeling for Guido's life leading up to this crisis, we also realize he is, in fact, remembering things that will eventually make it into the film he has to make next. His memories are showing him his next film, guiding him through the narrative before he writes it.
Later, when Carla (Cruz) arrives at the Spa, she sings the song "Guido, Guido, Guido"; cavorting around in an outfit Victoria's Secret would be smart to copy. Carla is deeply in love with Guido and dances using pink velvet ropes and silk.
Judi Dench is surprisingly good when her turn comes. As a major influence in Guido's life, he turns to her for support, guidance, a stern word when needed. She reveals a lot about her background as a fashion designer when she sings the song "Folies Bergere", about her early life designing costumes for the racy nightclub in Paris. Dancers in costumes reminiscent of the popular Parisian show dance around the same Roman arches.
Kate Hudson is also very good as Stephanie, a young American journalist in Rome writing about the director for a magazine. She follows Guido to the spa and flirts with him, the sexual tension increasing exponentially. This footage is intercut with Hudson and a slew of dancers performing "Cinema Italiano", which is, I believe, the one new number written for the film. The musical segment is a lot of fun, very fast paced and done as a tribute to the 60s. Hudson seems to be channeling some of her mom's early persona in the performance.
Marian Cotillard and Nicole Kidman are the two most personal female relationships in his life, so their numbers are more introspective and romantic.
Sophia Loren plays Mamma and it is great to see her on screen as Guido's conscience. But her musical number is least successful because she doesn't appear to be as good a singer or as comfortable singing. It is more of the "talking lyrically" type of song people generally do when they can't do a real musical number.
Overall, the musical numbers are very good. Will they be memorable enough to be remembered in a decade? Two? Three? Will Robert Osborne's clone talk about the film one day on Turner Movie Classics? I don't know. But they are fun to watch.
This is one of those films set in a very specific place where everyone has a different accent. This aspect of the film reminded me a bit of the big budget films produced in the late 50s and early 60s, the type filled with an International cast to ensure box office success around the world. Daniel Day Lewis' Italian accent is impressive and even more impressive, he sings in the accent. Nicole Kidman does an okay job playing the Italian movie star. Marian Cotillard restrains her French accent and seems to be going for a more American sound. Penelope Cruz is just herself. Strangely, Judi Dench doesn't attempt any accent other than her normal voice and her character is French. Altogether, a bit of a strange hodgepodge. I guess it's better for some to not even attempt an accent if they can't do one. Hearing the actor's normal voice helps you forget they should have an accent. If they did a bad one, you'd never hear past it.
Daniel Day Lewis is very good as Guido. At every moment, you can see and feel the world crashing in on him. Forced to attend a news conference to announce the new film, he tries to joke, to flirt, to laugh, all in an effort to hide the fact he hasn't written one word of the script yet. He basically has no idea what the new film should be about. When members of the press get close to unveiling the truth, he flees to the spa.
When he is presented with the opportunity to make a change in life, he seems close to taking these leaps, but ultimately the change seems to hard for him and he reverts back to normal. This only serves to drive his crisis.
I think it is brave of Day-Lewis to take on this role. We have never seen him sing or dance before and he does a good job with the singing. When he breaks out into song, he retains his accent, never letting it falter.
Either his dancing wasn't up to the task, or his musical numbers just weren't designed to involve elaborate dance moves. His dancing resembles what kids would do on a jungle gym on the playground. Hoe holds onto bars and swings around them in large, lazy circles and slides his feet around.
The film is set in Italy in the mid 60s. This gives the film a beautiful look; everything appears romantic and almost fantasy like.
If you're a fan of the genre, I hope you will make an effort to see this film. If we don't support these works, Hollywood will stop making them. I can already tell you the names of two producers who will most likely never produce another musical again.

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A vibrant and provocative musical filled with love, lust, passion and glamour. A world famous film director reaches a creative and personal crisis of epic proportion, while balancing numerous women in his life. With its incredible all-star cast, amazing performances, and stunning visuals, this razzle-dazzle extravaganza will make you long to BE ITALIAN.

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Glee: The Complete First Season (2010) Review

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(More customer reviews)First, all of these low reviews are based on the fact that people bought Season 1, Volume 1 DVD's of the show - and are now mad that they are releasing a full season on DVD. Here are a couple of points that you should acknowledge before putting up a low rating:
1. They started selling Volume 1 before the entire season was complete. If you think about that for a minute - how were they going to sell a "whole" season DVD if the shows had not even aired yet? How can you be surprised that you would then be faced with a choice at the end of the season between buying the full season in one set or having to buy Volume 2? Other shows have done the same thing, like Battlestar Galatica. Sure, they do it to make money - to hit the market while the shows are hot - but the fault is really the consumer. If we all stopped buying these 1/2 season DVD's, they would stop selling them. You KNOW they are gonna release a full season DVD at the end of the season. Heck, even if a show is cancelled, they still release it on DVD to make extra money. Be patient.
2. Volume 2 is listed here on Amazon for pre-order and they are giving a discount to anyone who bought Volume 1, if they buy the whole season 1. Don't make it sound like you are being forced to buy the whole season now. You have the option of getting Volume 2, or getting the full season at a discount.
As for the show, I love it. The writing and dialoge is well crafted and the characters, though somewhat stylized, are believable. I will admit, that the last couple shows seemed to lose a step and allowed the music to become more important that the storyline - so, hopefully now that the urgent competition is over, the story lines would be allowed to grow. I did like that they have broadened the focus, allowing the supporting cast to do more solo work and shine more in the singing department. The character of Sue is one of the best characters written on any show today.
Now that the first season is out on Blu-ray, I would encourage those who have heard about the show - who may have caught an episode or two - to start at the beginning and enjoy the Glee experience. We finally have a show that combines comedy, drama, musical features, and good writing. Take the chance.

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Join the club and bring home the fun with Glee Karaoke and Glee Jukebox— available only on DVD! A talented group of high school misfits transforms into a performing sensation with the help of a dedicated teacher. Through laughter, tears, irreverent humor and unforgettable music, they learn to follow their hearts and chase their dreams.

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The Frank Sinatra and Gene Kelly Collection (On the Town / Anchors Aweigh / Take Me out to the Ball Game) Review

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(More customer reviews)All three of these DVDs have been released previously; however, this new boxed set houses a few new mildly interesting "extras" to be found in the Special Features. These three films are all big colorful MGM musicals, but none are in Widescreen because that particular aspect:ratio was not "invented" until 1954. However, they LOOK spectacular anyway!
"Anchors Aweigh" (1945) is a winning musical about two sailors on shore leave in search of a "dame". This musical's only flaw is it is a bit too long, as it has everything but the kitchen sink thrown in it, including a whole lot (too much) of Jose Iturbi, who must have been "quite something" in 1945 (but not now)! However, it is thoroughly entertaining for both adults and children, the latter, due to a lengthy sequence in the middle of the film that pairs live action (Gene Kelly dancing) with animation. Note, this was over 40 years BEFORE "Who Framed Roger Rabbit" and 20 years before "Mary Poppins".
Both Sinatra and Kelly are excellent and Sinatra proves he can DANCE with the greatest of them! (4 1/2 out of 5 stars)
"Take Me Out to the Ballgame" (1949) is not quite as entertaining as "Anchors Aweigh". It less colorful and has a weaker plot, but the songs and dancing are still top-notch! This is the film where Sinatra REALLY proves he can DANCE as he and Kelly charge through a song in striped suits halfway through the film. Songs like "Take Me Out to the Ballgame", "Strictly USA", "The Right Girl For Me", and "O'Brien to Ryan to Goldberg" add to the fun of this film. (3 1/2 out of 5 stars)
"On the Town" (1949) Simply, one of the greatest musicals ever made! This was the FIRST musical in film history to be filmed ON LOCATION, and what a location: NEW YORK CITY CIRCA 1949! If the plot sounds familiar (THREE sailors on shore leave in search of a "dame"), the musical numbers and the thrill of the Big Apple send this one right OUT of the ballpark!
Co-starring Jules Munshin, Vera-Ellen, Betty Garrett, and Ann Miller, with some of the musical sequences composed by Leonard Bernstein, and the great theme song, "New York, New York" ("a helluva town, the Bronx is Up and the Battery Down...", not the Sinatra smash-hit song, which came way later - 1979), "On the Town" is everything a musical could and should be!
(5 out of 5 stars)
Overall rating for this DVD box set, due to the considerable strengths of "Anchors Aweigh" and "On the Town": 5 out of 5 stars!

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THE FRANK SINATRA & GENE KELLY COLLECTION ON THE TOWN The Bronx is up and the Battery’s down, but no one can be down after seeing this ebullient tale of sailors on leave in Manhattan. Sinatra, Kelly and Jules Munchin are the gobs, Ann Miller, Vera-Ellen and Betty Garrett are the gals. TAKE ME OUT TO THE BALL GAME Second baseman Sinatra and shortstop Kelly are in there pitching – pitching woo! Esther Williams and Betty Garrett costar in a tale of baseball and that other American pastime. ANCHORS AWEIGH I Fall In Love Too Easily, Frank croons. And we fall in love with the charms of two sailors at liberty in Tinseltown. Includes a milestone of musical fantasy: Kelly’s dance with cartoon mouse Jerry!

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