Showing posts with label treat williams. Show all posts
Showing posts with label treat williams. Show all posts

Friday, January 18, 2013

Everwood - The Complete First Season (2002) Review

Everwood - The Complete First Season (2002)
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I had never seen an episode of "Everwood" before, but the premise intrigued me. A renowned brain surgeon moving to the middle of nowhere after his wife dies to establish new ties, build a new family, and perhaps forget past failures. Treat Williams is excellent as Dr. Andy Brown, a talented surgeon who treats his patients better than his own children. Andy is neglectful, but not intentionally. His absence from his children's lives is maybe an admission that he has not clue how to relate to them. Watching him bond reluctantly with his hostile son is one of the many pleasures of this delicate, intelligently-written show.
Dr. Brown is an affable man, yet flawed, which makes him instantly recognizable. His struggles to properly raise his son and daughter form the core of "Everwood". Williams anchors the show with his vivid, tortured protrayal of a man with internal demons hidden by a calm facade. He's the type of man one would enjoy inviting to a poker game, a basketball tournament, or a beer in the local bar. His son Ephram, played by the amazing Gregory Smith, is a gifted pianist who clashes with his father over issues of desertion and emotional detachment. Watching them spar and yell and eventually come to a greater understanding of each other is an almost religious experience. Ephram challenges his father to see if he really cares. and his testing brings the family close to the verge of an emotional meltdown. He's the type of adolescent who is fiercely loyal to his friends, sees through the transparency of phony peers, and is uncompromising in his demands for basic decency. The daughter, Delia, is a sweet kid who just wants to fit in at school, but has a tough time adjusting to the almost alien climate of Everwood.
The subplots are compelling, the supporting cast uniformly superb, and the character interactions credible. The season finale builds suspense so brilliantly it's almost painful to watch. After viewing the final episode, I regretted that I would have to part company with these special people, at least for a short time (which means that either the writers did a stellar job or I need to get out and socialize more!). "Everwood" makes you cherish the people you take for granted in everyday life, whether they're brain surgeons, grocery checkers, or the kid that delivers your morning newspaper.

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As a world-class neurosurgeon, Dr. Andrew Brown is a hero. As a father, he's a zero. But that is changing. Tragedy makes him a single parent to his two children. And as the first act of his new life, Andy leaves Manhattan and moves his family to Everwood, the tiny Colorado town where big dreams can grow. The relationship between Andy and his talented but resentful 15-year-old son Ephram forms the heart of these 23 first-season episodes of Everwood, the acclaimed, richly layered series created by Greg Berlanti (Dawson's Creek). Treat Williams plays Andy, learning parenting on the fly as he raises Ephram (Gregory Smith) and 9-year-old Delia (Vivien Cardone). Unafraid to tackle big issues, spiked with sharp humor and filled with engaging characters, Everwood is a place and a series that rewards each visit you make. DVD Features:Audio Commentary:On four episodes (Pilot, Episode 20, the Unveiling, Home) with the show's creators, cast and crew, including Treat Williams and Gregory Smith.Deleted Scenes:"Everwood Casualties"Featurette:"In Search of Everwood" - a behind-the-scenes featurette about the making of the show.Gag Reel


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Wednesday, March 21, 2012

The Deep End of the Ocean (1999) Review

The Deep End of the Ocean (1999)
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Trust me-----this does NOT play like a TV movie. It is a well written story about a mother of 3 who has her youngest boy kidnapped from her. Michelle Pfieffer's performance was great as always----but the REAL star of this movie was Ryan Merriman (as her son, Ben Cappadora). Such talent and emotion for someone so young.

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DEEP END OF THE OCEAN - DVD Movie

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Monday, November 7, 2011

The Ritz Review

The Ritz
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Chunky, quivering, middle-class ordinary Gaetano Proclo (Jack Weston) is 'married to the mob' in the form of wife Vivian (Kaye Ballard)--and his crazy brother-in-law Carmine (Jerry Stiller) hates him. Certain that Carmine is about to kill him, Gaetana hops a cab, tells the driver to take him to the last place any one would ever look for him... and suddenly finds himself hiding out from the mob in the middle of a gay bath house.
But this only the first ten or fifteen minutes of the film: there is much, much more to come, and all of it is over the top hilarious. Jack Weston, Jerry Stiller, and Kaye Ballard are perfectly cast in their roles, but would you believe F. Murray Abraham (Oscar winner for AMADEUS) as the screaming queen to end all screaming queens? How about Rita Moreno as a no-talent lounge singer who is busting a gut to become a bath-house star just like Bette Midler? Or Treat Williams as a P.I. with blonde hair and a squeaky voice? My own favorite of the bunch is Paul B. Price as Claude, a "chubby chaser" who takes one look at Jack Weston and falls in love at first sight--and then proceeds to make his life absolute hell by chasing him all over the bath house. Before it's all over you'll find people hiding under beds, thrown into swimming pools, impersonating the Andrews Sisters, and being pursued by unwanted lovers of the wrong persuasion, all to absolutely hilarious, incredibly giddy effect.
Like most farces, THE RITZ deals in stereotypes--but it is never mean spirited in its portraits, and the cast carries off the eccentric characters (both straight and gay) with considerable aplomb. Filmed long before the AIDS crisis, THE RITZ offers a comic look at a New York gay bath house and a way of life that would soon come to a grinding halt--a fact that gives the film a certain unintended poignancy for gay viewers. Even so, you don't need any specialized background to enjoy this laugh-out-loud movie, which is as much (and really more) for a straight audience as it is for a gay one. Highly, highly recommended... call over some friends, turn up the steam heat, break out some bath towels, and get ready for a true laugh riot.

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An all-male Manhatten bathouse becomes a hilarious hideout for a man from Cleveland ducking the mob. The fat, frisky film of the Broadway farce featuring original stars Jack Weston and Rita Moreno. Year: 1976

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Saturday, August 13, 2011

Hair (1979) Review

Hair (1979)
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If "Hair" were only a period piece, it would still be wonderful entertainment - but it's so much more. Previous reviewers have already spoken for me in praising this film's astonishing energy, its fine acting (not stereotypes, but iconic characters), and its forever-fresh-as-a-summer-flower soundtrack. I can only agree with them completely, and add my positive vote to theirs. This is a highly (no pun intended) recommended film!
But I'd like to emphasize something else now. Those reviewers who complain about the film being dated are missing an important point. Love, friendship, joy, exuberance - these things are never out of date. And it raises an interesting question: why are some people so embarrassed and downright afraid of the so-called "hippie-dippy" aspect of this movie, and the years it captures so well? Possibly because it goes against the current wisdom, which claims that the uglier and nastier and more downbeat something is, the truer it is.
Well, no one is claiming that this is a perfect world - far from it! - but there is still plenty of joy and beauty and magic to be found in it! Yes, in too many ways it's a more cynical world now ... which is all the more reason to celebrate and uphold those naïve, utterly necessary values. Don't be afraid of looking foolish, don't worry about having to be cool and detached all the time, don't be afraid to embrace the Universe and exult in it - let the sunshine in!

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Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences.*1975: One Flew Over the Cuckoo's Nest; 1984: Amadeus

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