Showing posts with label quirky. Show all posts
Showing posts with label quirky. Show all posts

Saturday, September 1, 2012

Boston Legal - Season One (2004) Review

Boston Legal - Season One (2004)
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I've been a Judge for the past 12 years. Often when selecting a jury the attorneys will ask the jurors "who watches Boston Legal?" Attorneys laugh and say "well this is not TV this is reality." I want to jump off the bench and yell "so is much of Boston Legal", but I can't.Boston Legal is a real hoot. For any attoney who has worked in a large law firm you can see many of the same people you work with in the Boston Legal characters. Denny Crane is the man and I can assure you that many of his likes exist in the legal system. They are a royal pain to Judges. You either love them or dislike them. Great story lines and wonderful casting keeps this Judge smiling.

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Led by an Emmy Award-winning cast (James Spader, Denny Crane and Candice Bergen), "Boston Legal" tells the professional and personal stories of a group of brilliant but often emotionally challenged attorneys. Fast-paced and darkly comedic, the series confronts social and moral issues, while its characters continually stretch the boundaries of the law.

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Wednesday, August 29, 2012

Eureka: Season One (2006) Review

Eureka: Season One (2006)
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Welcome to EUREKA, the weirdest town in America, and also the title to the Sci-Fi Channel's inventive, breath of fresh air television series. Here's the set-up: When U.S. Marshal Jack Carter (Colin Ferguson) transports his rebellious, runaway daughter Zoey (Jordan Hinson) home in his custody, an auto accident lands him and his charge in Eureka, a top-secret, rustic town populated by eccentrics and genius scientists. Carter immediately becomes aware of Eureka's uniqueness as embodied in its odd residents who are more than they seem: an auto mechanic who's also a space shuttle engineer, a beautiful innkeeper who doubles as a psychotherapist, children who give intricate directions and who write mathematical formulas on the sidewalk...Added to the peculiar sights he witnesses, Carter's interest is further piqued when his offers to help the local constabulary in a missing child case is summarily rebuffed.

In due course, he does learn the secret of Eureka, of which origin dates back to Albert Einstein and Harry S. Truman, who, after World War 2 and the scare of the atomic bomb, decided to build the tiny town as a safe haven and a workplace for our nation's greatest thinkers. In the fifty years of Eureka's existence, its residents have been hugely responsible for most of today's technological advances. But, of course, not everything can be a bonafide success. Global warming, for example, has been touted as one side effect of one experimental goof in Eureka. Sworn to secrecy, Jack Carter proves to be instrumental in resolving a horrific scientific project gone awry, impressing the powers-that-be enough that he ends up as the new Sheriff of Eureka.
The series is colorfully flavored with a host of idiosyncratic characters effectively brought to life by a good cast: Carter's mutinous daughter Zoey (Jordan Hinson); the beautiful, gung-ho ex-Army Ranger and current Deputy Sheriff Josefina "Jo" Lupo (Erica Cerra, with whom I think I'm in love); Department of Defense agent Allison Blake (Salli Richardson-Whitfield), who toils as the government liaison between Eureka and the Pentagon and who, by the way, looks muy caliente in her pink undies; Nathan Stark (Ed Quinn), the icy, controlling head researcher of Global Dynamics and also Allison's husband; the insightful and sexy psychotherapist Beverly Barlowe (Debrah Farentino), who has dark secrets of her own; genial guy and mechanical genius Henry Deacon (Joe Morton), who slums as a car mechanic; the unstable Aussie Jim Taggart (Matt Frewer), the self-styled "biological containment specialist"; and young Douglas Fargo (Neil Grayston), the bespectacled, sycophant computer geek. By the way, solely from a red-blooded dude's perspective, it's always appreciated when three gorgeous females are featured regularly in the same show, and Richardson-Whitfield, Farentino, and Cerra contribute in lifting EUREKA to new heights of must-see-TV-ness.
Colin Ferguson's performance as Sheriff Jack Carter provides the bridge and the grounding point of view for the audience. As the witty, perceptive, and sometimes lost-at-sea Sheriff, he hits all the right notes here. His normal guy reactions to the endless slew of strangeness surrounding him are believable and, at times, hilarious. There's some nice verbal sparring (read: sexual tension) between Carter and Allison, but I particularly relish the chemistry *snicker* between Carter and his fully automated, hermetically sealed, very vocal military bunker/smart house, S.A.R.A.H.
As a television series, EUREKA proved to be the highest-rated show on the Sci-Fi Channel of 2006, beating out the equally excellent, revamped BATTLESTAR GALACTICA. This exuberant show is equal parts X-FILES, TWILIGHT ZONE, STAR TREK and NORTHERN EXPOSURE in its playful quirkiness and forays into the weird; not to mention, the whistly, whimsical theme tune puts you immediately in sync with the show's oddball frequency.

These are some of the tried and true sci-fi themes that are touched on: ESP, cloning, cell regeneration, mind manipulation, death rays, super speed, AIs, and nanotechnology. The laudable special effects are there when needed but do not overwhelm the show; the episodes are engrossing, if a bit warped at times, and the season's main story arc, involving the super secret Section 5 and something called the Artifact, promises to go somewhere. I'm so glad the Sci-Fi Channel decided to renew this series for a second season. So, if you want to catch a show where crazy quantum physics regularly run amok, where wild inventions surface on a daily basis which are, by the way, gadgety cool enough to make even James Bond swoon, and where cheerleaders spout theorems and school nerds run the school, and also where the world is constantly threatened by the scientific lab toys of Eureka's brilliant but erratic personalities...well, then, yes, get your geek on and give EUREKA: SEASON ONE a whirl.

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Some of the government's best-kept secrets are waiting to be uncovered as Eureka:Season One arrives on DVD! Step into the quirky and seemingly perfect small town of Eureka, where the hidden work of America's brightest scientists can lead to innovation or utter chaos. Making sense of the mysteries is Sheriff Jack Carter (Colin Ferguson), a former U.S. marshal who is stranded in the surreal small town after a random car accident. Now fans can get in on his entertaining adventures with this 3-disc set packed with over 10 hours of bonus features and innovatively packaged in eco-friendly materials that were "Made in Eureka." Nothing is as it seems in the brilliant and witty new series critics are calling "the most original new drams" (The Courier-Journal).

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Sunday, December 4, 2011

The Virgin Suicides (2000) Review

The Virgin Suicides (2000)
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'The Virgin Suicides' is a beautiful, understated, and tragic drama, punctuated by great rock music of the late '70s, and featuring terrific performances, particularly by Kirsten Dunst, Josh Hartlett, and a nearly unrecognizable Kathleen Turner. What makes the film even more remarkable is that it is the directorial debut by Francis Ford Coppola's daughter, Sofia, best known prior to this by her less-than-stellar performance in 'Godfather 3'! Her sensitivity with this material establishes her as a director to be reckoned with, and a true talent!
The film focuses on the five Lisbon sisters, beautiful, yet repressed by a religious and overly protective mother (Turner), who encourages their intellectual growth, but tries to block any sexual or emotional stirrings. The girls turn their passions into other channels, bonding tightly with one another, and viewing the world as outsiders. When the youngest attempts, then succeeds at killing herself, the family gains an unwanted notoriety, and a group of local boys begin to worship the remaining sisters from afar, gathering materials, and creating a fantasy world about them.
Lux, the most beautiful and free-spirited of the sisters (Dunst), attracts the attentions of the most popular boy in school, Tripp (Hartnett), who confuses raging hormones with love, and begins a campaign to 'have' her. Winning the respect of their father (James Woods, in another excellent 'against-type' portrayal), he succeeds in wearing the mother down, and arranges 'dates' for the sisters, so he can take Lux to the Homecoming Dance. The party provides the springboard for the tragedy that gives the film its name, and catapults the girls into icons that the boys who admire them can never forget.
There are many reasons to buy this film; Coppola's understanding of how boys and girls interact, and her sure touch with their issues about sexuality; Kirsten Dunst's best performance to date, conveying both sweetness, and barely suppressed erotic desire; Kathleen Turner's breakthrough as a character actress, sacrificing her glamorous persona for a stocky and frumpy matron. There are some excellent cameos, as well, particularly Danny DeVito as a clueless psychiatrist, Scott Glenn as a family priest who offers platitudes instead of comfort, and Michael Paré as an older Tripp, reminiscing about Lux, and their 'love'.
This is a very special film, one that you will not soon forget! I highly recommend it!

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In a quiet Michigan community in the mid-1970s, neighborhood boys try to piece together the lives of the five Lisbon sisters, kept isolated by their over-protective parents.Genre: Feature Film-DramaRating: RRelease Date: 9-AUG-2005Media Type: DVD

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Friday, May 20, 2011

Amelie (2001) Review

Amelie (2001)
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I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
When Amelie watches her projected life on TV, a scene that refers to Woody Allen's "Zelig", the voice over is from Frederic Mitterand, nephew of his uncle, who is famous for commenting weddings or funerals of aristocrats on french TV.
The "likes/dislikes" narration was experimented by Jeunet in a short movie "Foutaise" with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to "La vie, mode d'emploi" (Life: a user's manual) from Georges Perec, although Jeunet admits he could never finish the book.
Most TV scenes are stock shots. The story about the horse running in the Tour de France is true. Most stories told in the film are true, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery train is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, "Amelie" comes from "Emily", as Emily Watson was supposed to play the role, and "Poulain" is both a young untrained horse and a chocolate brand. And this is not a coincidence.

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Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

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