The Machine Girl (2007) Review

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(More customer reviews)MACHINE GIRL (aka. One-Armed Machine Girl) is an over-the-top, campy, ultra-violent action film by Iguchi Noboru (Sukeban Boy). The film is definitely NOT for everyone but will appeal to fans of Japanese cult films with a touch of dark comedy and unrealistic ultra-bloody violence made popular by Ichi the Killer and even Tarantino's magnificent "Kill Bill". Folks will either applaud or be repulsed by this film's execution, but it is a wickedly twisted, darkly-toned entertainment that knows exactly what it's going for. The film features well-known Japanese bikini model Minase Yashiro in her first feature role, ex-AV star Asami and the beautiful Honoka as the Yakuza boss' twisted wife. Do I have your attention yet?
Plot synopsis partly derived from the back cover:
Ami (Minase Yashiro) is a tough but otherwise average high school girl, trying to lead a normal life with her younger brother. Her whole world comes crushing down when her brother and his friend are killed by ruthless bullies led by a Yakuza Boss' son. When she goes to find those responsible, she finds herself in over her head and minus her left arm. Barely surviving, Ami escapes and finds shelter from a kindly mechanic and his wife Miki (Asami) who also happen to be the parents of her brother`s friend. They take pity on Ami's plight, helping her heal, training her and fitting her with a powerful machine gun where her left arm used to be. She then teams up with the tough mother to seek vengeance and together they unleash an unholy, non-stop, over the top kill fest against the equally creative machinery of their ruthless Ninja-Yakuza enemies.
The film is a wild blend of 70's "pink violence" and 80's super-violent splatter horror that doesn't take itself seriously. The film is full of bloody sequences and oddball weird humor that will undoubtedly garner a cult following. It was quite inventive of the filmmakers to rely on "old-school" style violence to conduct the visual blood and gore. Whether this decision was made because of budget constraints or some other factor, it made the film work; from an entertainment standpoint kind of way. The exaggerated gallons of blood complements the film's action sequences; chainsaw-fu, machine gun-fu, swordplay and brassiere-fu are the film's many unorthodox style of brutality. The film is an example of an adult-Tokusatsu (Kid's TV show)with the wild blend of action, camp, humor, sci-fi and even horror that plays like a stunt/Gore show.
The film also has some campy ideas that will make you say; "What the heck" as the film makes fun of certain anime-inspired names such as "Super Mourner Gang" and "Junior high Shuriken gang" seem attempts to somewhat tone down all the violence and brutality displayed. There are also twisted touches of oddball humor with the "sushi fingers" and "tempura arm". I've always wondered how Hellraiser's "Pinhead" got that look; Miki and Ami were very obliged to demonstrate how that sinister look can come about in a human being.
Sexy Minase Yashiro plays the lead, I'm a little undecided as to how well her first starring performance is. She has the right school girl look and she has a lot of charisma, but at times she looks a little awkward with the action sequences. Asami plays Miki and she looks a little young and definitely too cool to be the mother of a teenager. Nude model Honoka adds a lot of eye-candy as the wife of Yakuza boss Kimura. The woman is twisted in her own way, she has that no-nonsense appeal further accentuated by Honoka's sheer sexiness. She is seductively, yet creepily appealing as she displays her "Drill Brassiere" as an added campy display of villainy. Shimazu Kentaro is the Yakuza Boss who seemed to have been based on "Heihachi Yashima" from the "tekken" video game. The whirling and hurling flying razor sharp "bucket" adds more to the film's twistedly, campy appeal. Boss Kimura an intimidating villain although he isn't an originally fresh concept.
With Ami's Sailor Moon-inspired outfit, sentai/tokusatsu heroism, references to ninja and Yakuza elements, the film is definitely aimed at anime fan boys and those very initiated with Japanese cinema. The film's enjoyment requires a very large suspension of disbelief for its entirety. Take two cups of "Shoot `Em Up", three tablespoons of "Darkman" and even "Planet Terror" to two gallons of "Ichi The Killer" and stir vigorously, then you will have an accurate idea just how this film plays out. The film doesn't take itself seriously and if "Machine Girl" is any indication of the filmmakers take on twisted entertainment, then I'm sold to see "Tokyo Gore Police".
Recommended for fans of J-cinema and Pink violence [3 ½ ++ Stars]

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Ami (Minase Yashiro, in her film debut) is a tough but otherwise average high school girl, trying to lead a normal life.Her world comes crashing down when her brother and his friendare killed by ruthless bullies.As Ami tracks down the ringleader, sheis surprised to discover the bullies' association with a sinister ninja yakuza family. When she goes afterher revenge, she soon finds herself in over her head and minus her left arm.Barely surviving, Amiescapes and seeks out shelter fromtwo kindly garage mechanics. They take pity on her, fitting her with a high-powered machine gun where her arm used to be. She then teams up with the chainsaw-wielding mother (Asami) of her brother's slain friend and together they unleash an unholy, non-stop, over-the-top kill fest against the equally creative machinery (drill bra, flying guillotine) of their relentless ninja enemies.

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Babette's Feast (1988) Review

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(More customer reviews)The feast of the title doesn't take place until well into the film. In fact, the majority of the film is spent telling the story of 2 godly sisters and the choices they made in life. Both sisters passed up true love and the promise of success in order to remain faithful to their religious beliefs. Instead they pass their lives assisting their minister father and carry on his work after his death. They continue their quiet lives past mid-life until one of the sisters' former suitors sends them a Parisian refugee, Babette. Babette spends 14 years with the sisters as cook, her only link to her former life being a lottery ticket that a friend in Paris renews for her every year. One day she wins the lottery and decides to use the money to prepare a sumptous dinner for the sisters and their small congregation. More than just an epicurean delight the feast is an outpouring of Babette's gratitude.
If the plot sounds thin, be assured it's anything but. The story is as rich and satisfying as the feast Babette prepares. We see the delicate romances that develop for each sister and understand their reasons for turning their suitors away. We see the lives the sisters, and their men, have led after making their decision. The feast comes at a time when the sisters are asking themselves questions that they never voice: Did they make the right decision all those years ago? Was it worth it? Reassurance comes in an unexpected and exquisitely romanitc way.
This film is such a wonderful example of what happens when filmmakers are interested in telling a good story and telling it well. It doesn't follow a 'formula' or cater to a demographic and is a perfect example of why independent and foreign films are so much more satisfying than Hollywood movies.

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Artistic, sensual and sacred passions unite in Babette's Feast. Written and directed by Gabriel Axel, from a short story by Out of Africa's Isak Dinesen, this Oscar(r)-winning*film offers "an irresistible mixture of dry wit and robust humanity" (Newsweek).Onthe desolate coast of Denmark live Martina and Philippa, the beautiful daughters of a devout clergyman who preaches salvation through self-denial. Both girls sacrifice youthful passion to faith and duty, and even many years after their father's death, they keep his austere teachings alive among thetownspeople. But with the arrival of Babette, a mysterious refugee from France's civil war, life for the sisters and their tiny hamlet begins to change. Soon, Babette has convinced them to try something truly outrageousa gourmet French meal! Her feast, of course, scandalizes the local elders. Just who is this strangely talented Babette, who has terrified this pious town with the prospect of losing their souls for enjoying too much earthly pleasure?*1987: Foreign Language Film

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Run Lola Run (1999) Review

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(More customer reviews)Run Lola Run is the type of frenzied arthouse picture that just doesn't get made here in North America. That's really a shame because Run Lola Run is definitley one of the best movies of the year. From a cinematic point of view "Lola" is one of the most creative and energetic films that I have ever seen.
The plot revolves around Lola, a woman who has twenty minutes to save her boyfriend's life from German gangsters. To do this she must miraculously acquire 100,000 Marks.
The film is appropriately titled as Lola really does run for practically the entire film. When she does not succeed in saving her boyfriend the movie cuts back to the opening sequence and the film plays out yet again in an entirely different fashion. The central idea is that small variations in behaviour can change the entire outcome of a situation. This idea was also explored in "Sliding Doors", unfortunately, with far more mixed results.
Eventually the cycle repeats itself three times over the movies one hour twenty minute screen time. Run Lola Run is just bubbling with creative ideas and really is a stunning ride. The action never really lets up (except in a brief bed scene) and is filmed in the kind of frenetic, crazy style that MTV would be proud of. Lola is also extremely funny in many parts especially when the film briefly delves into the future's of various small characters.
This is a perfect little film that stands up to repeated viewings. It is smart, entertaining and is something that is completely unique. Hollywood movies rarely have those three qualities, this German one does.

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Lola receives a frantic phone call from her boyfriend Manni, who's lost a small fortune belonging to his mobster boss. If Lola deosn't replace the money in twenty minutes, Manni will surely suffer severe consequences.Genre: Foreign Film - GermanRating: RRelease Date: 1-MAY-2007Media Type: DVD

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Amelie (2001) Review

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(More customer reviews)I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
When Amelie watches her projected life on TV, a scene that refers to Woody Allen's "Zelig", the voice over is from Frederic Mitterand, nephew of his uncle, who is famous for commenting weddings or funerals of aristocrats on french TV.
The "likes/dislikes" narration was experimented by Jeunet in a short movie "Foutaise" with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to "La vie, mode d'emploi" (Life: a user's manual) from Georges Perec, although Jeunet admits he could never finish the book.
Most TV scenes are stock shots. The story about the horse running in the Tour de France is true. Most stories told in the film are true, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery train is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, "Amelie" comes from "Emily", as Emily Watson was supposed to play the role, and "Poulain" is both a young untrained horse and a chocolate brand. And this is not a coincidence.

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Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

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