Showing posts with label germany. Show all posts
Showing posts with label germany. Show all posts

Sunday, October 7, 2012

Hetalia: Axis Powers - The Complete First Season Review

Hetalia: Axis Powers - The Complete First Season
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I've been following the manga and anime since the series debuted in Japan. My biggest fear for the dubbing of "Hetalia" was that it would be stripped of everything not PC (which is literally the entire show). However, in the English version, the jokes are more offensive and the innuendo more rampant. The Japanese version skirted around any Nazi references, but the English version throws one in no more than a 2 minutes into the first episode. Couple that with America referring to Russia as "cannon fodder" and you've got yourself a winner of a show. If you're easily offended then this is obviously not the series for you, though I appreciate the culture clash and parodying of stereotypes. Of course, I also laugh at dead baby jokes.
Fans of the series might complain about the dialogue changes, which, from what I've seen, capture the spirit of the situation but contain altered jokes. Some of the voices are taking me a while to get used to, but overall I think the dubbing was well done. If I hadn't watched the Japanese version, I probably wouldn't think twice about judging the English voices. It's simply hard not to compare when you're used to something else.
I am impressed by the script changes and actually like the English dialogue more than the original. I'm basing my opinion on the few short clips FUNimation has put on YouTube, but I have high hopes for the rest of the series.

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Forget everything you learned in history class, and imagine all the nationsof the world as cute guys hanging out on a wildly inappropriate reality show. Now, toss in every stereotype ever and prepare to pledge allegiance to your favorite superpower in Hetalia Axis Powers!
Maybe you’ll surrender to Italy’s charms. He’s a sweetie who’s always got a noodle in his mouth and he’s bff with blue-eyed Germany and shy Japan. Sounds nice, right? Of course, their friendship sort of causes world war II, but is that really such a big deal? Not if it means those adorable allies France, America, and England will be stormin’ the beach! No matter who comes out on top, victory is yours! Now ditch your textbooks and try to keep up, because history happens fast in Hetalia Axis Powers!

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Monday, July 30, 2012

Snow White and the Seven Dwarfs (Disney Platinum Edition) (1938) Review

Snow White and the Seven Dwarfs (Disney Platinum Edition)  (1938)
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Walt Disney's "Snow White and the Seven Dwarfs" (1937) remains an enduring landmark in cinema history. Happily, the DVD edition does justice to one of the all-time great films, featuring a pristine transfer and a wealth of archival material. With the exception of "Fantasia" (1940), Disney never surpassed this remarkable achievement in animation.

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The most revered of all Disney films, SNOW WHITE AND THE SEVEN DWARFS is alive with fairy tale magic, heart-pounding suspense, and rousing adventure. Once Snow White's vain stepmother, the wicked Queen, consults her Magic Mirror to learn that her stepdaughter's beauty surpasses her own, the lovely young girl must flee into the forest. There, she meets seven lovable dwarfs: Dopey, Sleepy, Sneezy, Bashful, Happy, Doc, and the rough-edged Grumpy. But even their devotion cannot save her form the Queen's spell ... the spell that can only be battled by a prince! Now, through high-definition direct-to-digital technology, you can own "The One That Started It All" -- the first full-length animated feature ever created, lovingly restored for a memorable entertainment experience for all ages!

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Tuesday, January 24, 2012

Barbie as Rapunzel (2002) Review

Barbie as Rapunzel (2002)
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I was so surprised to see the lukewarm reviews about this video. My 4 1/2 yr. old son and 2 1/2 yr. old daughter watched it repeatedly when we rented it from the video store, so now we are buying it.
I watched it with them several times and was completely enchanted with the original twist on the familiar Rapunzel tale. This version is full of interesting characters, including dragons, dueling kings, and even children. I loved the entire concept of the magic paintbrush as a portal into the village. How unique!
Sure, the animation wasn't exactly as well-done as, say, "Finding Nemo," and the story line was less than perfect, but it was certainly exciting and interesting, even to an adult who was watching it repeatedly with her preschoolers.
I was hesitant to introduce my daughter to the world of Barbie, so to speak, but now that there are such fun new fairy tale characters and ideas to explore, I am much more of a fan.

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Long, long ago, in a time of magic and dragons, there lived a girl named Rapunzel who had the most beautiful radiant hair the world had ever seen.But Rapunzel's life was far from wonderful. She lived as a servant to Gothel, a jealous, scheming witch who kept her hidden deep in a forbidding forest, guarded by the enormous dragon Hugo and surrounded by an enchanted glass wall.However, in a twist of fate, Rapunzel's discovery of a magic paintbrush leads her on a journey that will unravel a web of deception, bring peace to two feuding kingdoms, and ultimately lead her to love with the help of Penelope(TM), the least intimidating of dragons!Stunningly produced in computer animation, the movie stars Academy Award(R) - Anjelica Huston* as Gothel and Cree Summer as Penelope(TM). The movie features a song by Samantha Mumba and music by the London Symphony Orchestra.Barbie(TM) as Rapunzel shows that love and imagination can change theworld...

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Wednesday, January 18, 2012

The White Ribbon (2009) Review

The White Ribbon (2009)
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Or it should - for Best Foreign Film. The best way to describe it is to think of Bergman's "The Virgin Spring" updated to a small German Protestant town immediately before World War I. The film's is shot in austere black and white. One image might be the raw intense power of two candles burning...this will change...to a mob burning down a barn later in the movie. It is all very unsettling and that is the raw power of the film.
Ostensibly the film is a story of accidents, deaths, suicides happening without explanation in this insulated religious village. Some can be accounted for by revenge and despair but others appear to have no explanation at all except that a cancer of distrust, hatred, repression, and (even)meanness is descending on the town. As we know (historically) this is the core group of people - who twenty years later - will be turning to National Socialism (Hitler) for answers. Yes, twenty years later the same persons will switch from white ribbons (totalitarian symbols of innocence) to black ribbons (totalitarian symbols of loyalty). Sociology and psychology still disappoint in providing reasons why humans act so cruelly to one another. The director Michael Haneke seizes upon that reality. He makes the film deliberately ambiguous as we watch a society disintegrate because the bonds of spiritual love and tolerance were never there in the first place.
This is a thinking person's film that seems to be directed more to the subconscious than the conscious. The return to black and white cinematography is integral and "very" effective. That technique allowed the film to move in waves of moods - in the way that Bergman's "The Seventh Seal" does.

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Tuesday, December 20, 2011

Run Lola Run (1999) Review

Run Lola Run (1999)
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Run Lola Run is the type of frenzied arthouse picture that just doesn't get made here in North America. That's really a shame because Run Lola Run is definitley one of the best movies of the year. From a cinematic point of view "Lola" is one of the most creative and energetic films that I have ever seen.
The plot revolves around Lola, a woman who has twenty minutes to save her boyfriend's life from German gangsters. To do this she must miraculously acquire 100,000 Marks.
The film is appropriately titled as Lola really does run for practically the entire film. When she does not succeed in saving her boyfriend the movie cuts back to the opening sequence and the film plays out yet again in an entirely different fashion. The central idea is that small variations in behaviour can change the entire outcome of a situation. This idea was also explored in "Sliding Doors", unfortunately, with far more mixed results.
Eventually the cycle repeats itself three times over the movies one hour twenty minute screen time. Run Lola Run is just bubbling with creative ideas and really is a stunning ride. The action never really lets up (except in a brief bed scene) and is filmed in the kind of frenetic, crazy style that MTV would be proud of. Lola is also extremely funny in many parts especially when the film briefly delves into the future's of various small characters.
This is a perfect little film that stands up to repeated viewings. It is smart, entertaining and is something that is completely unique. Hollywood movies rarely have those three qualities, this German one does.

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Lola receives a frantic phone call from her boyfriend Manni, who's lost a small fortune belonging to his mobster boss. If Lola deosn't replace the money in twenty minutes, Manni will surely suffer severe consequences.Genre: Foreign Film - GermanRating: RRelease Date: 1-MAY-2007Media Type: DVD

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Monday, October 31, 2011

Valkyrie (Single-Disc Edition) (2008) Review

Valkyrie (Single-Disc Edition) (2008)
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9/10 Stars Forget all the negative hype surrounding Valkyrie, because I assure you it is false. Bryan Singer has made a well-crafted thriller that kept me and my family on the edge of our seats until the end - even though we all know what the story's unfortunate outcome. Also, many tabloids were making this out to be the movie that would permanently cripple the career of Tom Cruise. This is entirely false. Cruise delivers a fine performance, and this hatred I can only assume is related to his rather odd personal life. Tom Cruise is as strong of an actor as he ever was, and I won't let something like turning Oprah's couch into a playground deny the fact that the man has talent, and is a truly passionate actor (and seriously, he does have a slight resemblance to Stauffenberg).
The movie is based on the last of fifteen known attempts on the life of German dictator Adolf Hitler (I'm sure everyone will have him in a nice "Five Most Evil People" list), and has Tom Cruise playing Colonel Claus von Stauffenberg, who of course was the key player in the assassination attempt. Ultimately this attempt failed (as we all know Hitler would die by suicide nine months later), but that doesn't keep Valkyrie from being an addictively engaging film.
Every member of the cast does their part well, not jockeying for superiority in any way. More importantly Cruise does not grandstand in this movie, fading in with the rest of the cast, rather than trying to stand above them like you'd expect, given his past films. Cruise gives a performance similar to 2005's War of the Worlds, where he does a good performance, but he never tries to overpower the other members of the cast. In Valkyrie Tom Cruise is a being a good team player, not trying to steal any glory, and never once does he overact the part.
Using very little CGI Valkyrie is also a wonderful film to look at. The vintage automobiles and aircrafts make this film have a distinct authentic flair that few other war films have (CGI looks like it was only used for the climatic assassination attempt). You can look at this and tell that this is the real deal, with the production team putting careful care into how they want this film to look, unlike most Blockbuster films that try and inflate every aspect of the film rather than aim for reality. Like the performance by Tom Cruise they don't try and overpower the audience with special effects, they simply let the characters slip into the realistic settings.
Also, the complaints about the accents I truly feel are desperate attempts to bash Cruise's performance. It was director Bryan Singer's concept to not use false German accents, and not that of Cruise, or the primarily British cast. I agree with Singer's concept that if feels false, and inaccurate to have people speak in English, but with foreign accents. I know several Germans in real life, and they do not sound very "German" when they speak in English, because the accent is not intended for the English language. I personally feel the desire for English being spoken in German accents comes from decades of WWII films where we've categorized every-single member of the German army, and by them speaking in that accent only is to cliché them and separate them from American audiences. They can speak in German accents, but only if they're speaking in German, because if they aren't it seems to be a tool to keep your common American moviegoer from relating to the characters.
Don't go into Valkyrie expecting to be greeted with a horrifically bad film that you will be able to poke fun at with friends. The movie has been released, and I feel the rumors, and negative hype of been proven decisively false. This isn't a movie to kill Cruise's career, but it won't help him regain love in the American community either (as previously mentioned he doesn't shine so much as mix in with the rest of the cast). It is a very enjoyable dramatization of a true event, and I don't think the material could have been handled much better, even with a full German cast, because Singer's style and method of conveying this story are all very well-done.
Go out and enjoy this dramatization of one of the darkest periods of human history. It is worth every second of your time, and all though it isn't Oscar-worthy it is certainly worth two-hours of your time.

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Monday, August 22, 2011

The Reader (2008) Review

The Reader (2008)
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I am writing this review on Oscar Nomination morning (although due to the fact that I refuse to post a review until the DVD has dropped you will be reading this much later) mostly due to my elation that it has been nominated for not only the marvelous performance by Kate Winslet (in the right category mind you) but also for Best Picture, Best Director and Adapted Screenplay. I've been chomping at the bit to write this review ever since I walked out of the theater a few weeks back, and since then I've seen the film a record three times and I would watch it again right now if I could. I've pondered this film, discussed this film, relived this film and can honestly label it the best film of the year and quite possibly one of the best films I've seen in a long time.
Sure, you can be quick to pinpoint it's supposed faults, and you can try and label it something that it is not, but if you allow your eyes to open and your mind to absorb you may be able to see this for what it really is; a masterpiece.
When sitting down to write this review I asked my friend how I was going to be able to do so without being redundant or irritating. I mean, how many different ways can you say masterpiece before someone says "I get the point, now move on"? I'm going to try and get all that out of the way right now so that my review will be palatable.
`The Reader' is a masterpiece.
Okay, I'm done now.
Having read Bernhard Schlink's beautiful novel I was really anticipating this film. I feel that Kate Winslet is the finest working actress today and this just seemed like such an ideal role for her (Oscar, if you pass her over this year I vow to never watch another telecast). I of course try and shrug off all `high expectations', and thankfully with `The Reader' there was no hype. It hasn't been hailed as the best of anything, and while it has landed on a few top ten lists it rarely breaks close to the top. The reviews have been mixed, some raving it as a masterpiece, some labeling it a faux; an imitation of a more insightful film. The only awards the film has garnered up until the point have been for Winslet so walking into the film, I was not feeding into hype.
I was simply hoping to see a good movie.
The film tells the story of Michael Berg, a young fifteen year old boy living in Post-WWII Germany. One day while making his way home he falls ill and is helped back by an older woman named Hanna. After waiting out his illness he attempts to thank Hanna but he winds up falling into a steamy affair. The two bond over books, using reading as a form of foreplay, and the two become almost inseparable. Then for no apparent reason Hanna leaves town without a word and Michael is left wondering why his only love has left him. Years later while Michael is attending law school he gets the opportunity to sit in on a trial being held over war crimes and is stunned, and ultimately heartbroken, to see Hanna is one of the accused.
First and foremost it should be addressed that this is not your typical Holocaust film, for quite frankly the Holocaust is the least impressionable part of this film. The film, like the novel, deals strongly with the feelings of guilt and redemption. There is a moral play that runs throughout each scene that begs the audience to cast judgment, but not in an absolute way but in a more complex and understanding way. `The Reader' has no easy answers, but it throws at the audience a bit of a conundrum. It reminds me very much of `Dead Man Walking', a film that appears to have such an easy answer yet causes you to rip apart your own ideals.
I am keeping SPOILERS to a minimum here, but be forewarned that there may be a few.
When we meet Michael and Hanna they seem like an odd match. He is obviously better off financially than she is. He is attending school and is doing rather well. Hanna is working a dead end job and living in a small apartment. Her education is limited but her yearning for more is apparent. There is an attraction physically, which cannot be denied. While Hanna is rough due to the nature of her life she is a diamond in the rough, a beautiful woman trapped within the shell of her former life. Michael is young and coming into his own; a handsome boy with a head on his shoulders.
There's innocence within him that Hanna desires.
Their relationship is very fast and very graphic, but there is a sincerity there that one needs to truly look for. Some have complained that the relationship was pure surface; nothing but lust. They are missing something crucial. `The Reader' is a film filled with quiet moments that speak volumes about the characters. There is a deeper connection between these two souls, one that maybe they can't even recognize. There is a moment where Hanna finds herself inside a small church listening to a young choir and the tears are streaming down her face, and as Michael watches her from the doorway we can see it; even if he or even she doesn't truly understand it.
It is there.
As the film progresses and the two are separated we begin to truly see the deeper connection that they are feeling for the first time. As the trial proceeds Michael is caught between his own feelings of right and wrong; between what is ethical and what is not. He is disturbed by the revelations concerning his former love; distraught over what this means for him and whether or not it had anything to do with his personal attachment to this woman.
Can he bring himself to hate her? Can he bring himself to forgive her? Does she deserve that hatred or that forgiveness?
There is a moment when Michael is attempting to visit Hanna in prison when everything makes sense; his eyes swelling with an emotion he has yet to fully realize. He struggles to convince himself that he hates this woman, because hating her would make it easier to forget her.
`The Reader' is a masterfully crafted tale of love and loss; of what we tell ourselves in order to better understand something we haven't the capacity to grasp. There is the shame in Hanna's eyes as she hides her secret (one that you no doubt had guessed long before it was revealed, but the revealing of the secret is not really the point of the story), willing to sacrifice her very life so as not to be downgraded or looked down on. There is the guilt in Michael's eyes as he blames himself for Hanna's fate, unable to step outside his skin long enough to decide the correct course to case. This is a story about mistakes and missteps and regrets and the ultimate loss that comes from not fully understanding how to feel.
Technically, this is a flawless film. I remember reviewing `...Jesse James...' last year (this site still won't let me type in that full name) and going on and on about how technically perfect it was, from the cinematography to the score to the lighting to the mood to just about everything. `The Reader' is the exact opposite in scope yet just as profound. It is a much subtler film, and so the score, the lighting, the cinematography and the set designs are smaller, yet just as pristine. Everything is so crisp and delicate; adding layers to the mood perfectly presented by director Stephen Daldry. I was a little hesitant about Daldry's ability to transfer Schlink's novel to the big screen. I loved `Billy Elliott' and continue to love it more and more every time I watch it, but Daldry's latest effort was that 2002 debacle `The Hours' and so I was truly afraid that he was going to run the same gamut and deliver a similar piece.
`The Reader' is not only much more profound and poignant, but it is also executed much better than `The Hours' (to be fair, I need to watch this movie again, but I was not impressed the first or second go around).
When it all boils down to it though, this movie is all about two things; Kate Winslet and David Kross. Both actors deliver career highs (and to say that about Winslet is saying a lot since she is always top notch). Their performances are truly organic. That has become my new favorite word this year, for I feel as though it truly taps into the depth of these performances. There is a naturalness that fortifies itself within these performances, deepening with each flicker in the eyes or twitch under the skin. Try your hardest to watch Winslet's face (I know it's hard, especially since she is without clothing for practically the whole first hour of the film). There is a scene where she is lying in the bathtub and Kross comes in to hash out their argument. As he speaks you can see for the first time her hard exterior melting away and revealing this woman that she doesn't even know exists. It is so subtle yet so profound.
Winslet is utter perfection.
Kross is just as superb, sinking into his character and delving deep into his emotional responses to his current situation. The scene in the courtroom (all of the courtroom scenes are beyond breathtaking) when he notices Hanna for the first time is utterly immobilized. Watch as Kross exhibits such a natural gut reaction; as controlled as he can be yet giving way to lapses of uncontrollability.
The supporting cast is also superb, from Fiennes' dynamic understanding of Michael's emotional regression to Bruno Ganz's grasp of the real situation at hand. The one standout here is truly Olin, who proves to be one of the most important facets of the film. Her final scene with Fiennes is what makes the movie work, dispelling any easy sympathies for Hanna's atrocities with her cold standing. For anyone who has complained (and there have been many) that this film tries to condone the actions taken by Hanna I urge you to rewatch and study this scene, for in a few short...Read more›

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The Reader, set in post-WWII Germany, follows teenager Michael Berg as he engages in a passionate but secretive affair with an older woman named Hanna. Eight years after Hanna s disappearance, Michael is stunned to discover her again as she stands on trial for Nazi war crimes. The Reader is a haunting story about truth and reconciliation and how one generation comes to terms with the crimes of another. Kate Winslet won and Academy Award and a Golden Globe for her performance.

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Saturday, July 30, 2011

Nowhere in Africa (German with English Subtitles) (2002) Review

Nowhere in Africa (German with English Subtitles) (2002)
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This is a wonderful German film, which deservedly won an Academy Award in 2002 for being the Best Foreign Language Film. Based upon an autobiographical book by Stefanie Zweig, the film is beautifully acted by a stellar cast and deftly directed by Caroline Link. It is a film that will stay in one's consciousness long after the credits have rolled by. It is also a film that touches upon a number of universal themes.
The film focuses on an upper class, privileged family of secular German Jews. The husband, Walter Redlich (Merab Ninidze), seeing the way things are going in Germany in the 1930s with the advent of Hitler, leaves his law practice and emigrates to Africa, where he finds himself managing a ranch for an Englishman in an arid location in rural Kenya, while setting the stage for his family's emigration from Germany. In 1938, he then sends for his beautiful, haughty wife, Jettel (Juliane Kohler), and young daughter, Regina (Lea Gurka as a young child and Karoline Eckertz as an adolescent), to join him.
When they arrive, the wife goes into culture shock and is in total denial as to their new circumstances. Her reaction to their precarious situation is different from that of her husband, as well as from that of her child. Her husband, a realist about the situation in Germany and a survivor at heart, knows that they cannot return while Hitler is in power and is willing to make the best of the hand that they have been dealt. Jettel, however, still fails to understand just how precarious their situation in Germany was.
Once removed from a familiar environment, Walter and Jettel seem to have very little in common. Now that her husband is no longer a practicing lawyer, Jettel acts as if he has been diminished in her eyes. She also initially disdains her new, hardscrabble life and hates all things African, even the natives, treating them like dirt, until her husband insinuates that she is starting to remind him of the Nazis.
Their household is made complete by a very pleasant and affable Kenyan named Owour (Sidele Onyulo), who had saved Walter's life during a bout with malaria and who acts as the family cook. He helps them in enumerable ways, teaching them the language and customs of his people. Regina immediately bonds with Owour and adapts quickly to her new life and customs. She befriends the native children, learns their language, and prefers Kenya over Germany as her country of choice, notwithstanding its hardships and privations. In her nine years in Kenya, Regina, despite attending a British school, becomes as African in her ways as a native.
The conflicts of war soon make themselves manifest in Kenya, which is under English rule. The threads of Walter's and Jettel's marriage start to fray and unravel, as their hopes and dreams come into conflict. They are, however, always unified in terms of their love of Regina, an extraordinarily perceptive and intelligent child. Still, Walter and Jettel must endure and weather some pretty serious marital storms, as the self-absorbed Jettel slowly undergoes a metamorphosis, which throws her strained marriage into a tailspin for a time.
As Jettel learns to adapt to her changing circumstances and accept some of the changes in her life, the marriage begins to stabilize despite its continual strains and cracks. Upon discovering the fate of their respective families, who had refused to emigrate despite Walter's early entreaties, Jettel now realizes what her fate might have been had her husband not had the foresight to seek an alternative solution. It is then that reality finally sets in. Consequently, when the war is over, she initially refuses to have anything to do with a post-war Germany, while her husband hankers to return so as to be a part of its re-building. What ultimately happens, however, will be the true test of their love.
This is a fully character driven film, played against the largely unseen backdrop of the holocaust. Merab Ninidze is brilliant as the beleaguered Walter. Handsome, sensitive, and intelligent, he is an absolute dream in the role, bringing an astuteness and underlying strength to the role that makes him stand out from the crowd. He walks a fine line but manages to avoid being pitied for the way his wife treats him. The beautiful Juliane Kohler is excellent as the selfish Jettel, managing to interject, at the last, a certain vulnerability into what is essentially a nearly unlikable character. Sidele Onyulo is wonderful as the warm and always helpful Owour, infusing the role with an infectious charm. Lea Gurka and Karoline Eckertz are both ingratiating as the younger and older manifestations of Regina, the child through whose eyes most of the events in the film are seen.
Beautifully rendered, from its casting, to the acting, to its sensitive direction, and last, but certainly not least, its exquisite cinematography, it is a must see, engrossing film that will keep the viewer riveted to the screen. Bravo!

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Monday, June 13, 2011

The Boy in the Striped Pajamas (2008) Review

The Boy in the Striped Pajamas (2008)
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2008 was a very big year for films adapted from books, with several reaching the high acclaim of Academy Award nominations. One adapted film that didn't get much recognition, however, is The Boy in the Striped Pajamas, based on the novel by John Boyne.
The film opens with the following quote emblazoned on the screen: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows." As the quote suggests, this is a sort of coming of age film, and over the course of 94 minutes,those in the audience slowly watch the innocence of children unravel before their eyes as the reality of what is taking place becomes more and more illuminated.
The Boy in the Striped Pajamas is the story of a family living in Berlin during World War II. The main character, an eight-year-old boy named Bruno (Asa Butterfield), spends his time in Berlin playing with his friends and reading adventure novels. His father, brilliantly played by David Thewlis (most will recognize him as Professor Lupin from the Harry Potter franchise), soon gets a promotion, however, and Bruno, his parents, and his sister move to the German countryside where his father will take up his new position. Unlike their time in Berlin, Bruno's parents are careful to keep their son close to home, and Bruno, an explorer and adventurer at heart, is confined to the small fenced area surrounding their house.
From his bedroom window, Bruno can see what he thinks is a strange farm off in the distance. He notices that the "farmers" act strangely and wear strange "pajamas" while they work. Later, he notices that the smokestacks on the farm give off an absolutely wretched stench when they are burning. By now, of course, the audience knows that what Bruno has seen is not a farm at all, and that his father's new position is Commandant of the nearby concentration camp.
The naive Bruno manages to escape from the grounds of his home and is finally free to explore the woods behind the house. Not paying much attention to where he is going, he happens upon a remote part of the camp where he meets another eight-year-old boy, Shmuel (Jack Scanlon), confined by a different kind of fence. The two become friends, and Bruno sneaks away every chance he gets to go and visit the only playmate he has found since moving away from Berlin.
This is an interesting film on many accounts, the most fascinating being the changes that each member of Bruno's family undergoes. His father, a seemingly reluctant, "political only" Nazi at the beginning, devolves into a hardened, harsh man. Bruno's sister Gretel (Amber Beattie), encouraged by a handsome lieutenant working with her father, falls victim to the Aryan propaganda so much that her room is soon filled with posters of the Fuhrer, much like young girls today would adorn their walls with images of the Jonas Brothers. Finally, there's Bruno's mother (Vera Farmiga), who is the antithesis to the growing Nazism in her family. At first she is happy for her husband and the success he has as a soldier in the German army. However, as she learns more about her husband's new charge, and the truth is revealed about the camp, she becomes bitter and angry.
And then there's Bruno. All the signs are there. Bruno comes across every hint he possibly could as to the truth behind the "farm" where his friend Shmuel lives and works. Yet he remains utterly oblivious. Caught between the two stages of "sounds and smells and sights" and "the dark hour of reason," the filmmakers show the great price of failing to deal with the world around us.
Much of the criticism that I've read regarding this film deals with the supposed overextension of innocence to both child characters. Many critics cannot grasp the idea of an eight-year-old child not understanding that the "farm" is really a horrible work camp, that the "pajamas" are prison clothes, that the mysterious disappearances that Shmuel tells of and the smoke from the chimneys are the results of the systematic slaughter of the camp's inhabitants. That may be a fair criticism, but I think it misses the greater point that the filmmakers seem to be making.
Bigger than a child's loss of innocence, Bruno seems to be a representation of Germany, perhaps even humanity, itself, and the failure to deal with the evil right before one's very eyes. So many Germans claimed the innocence that we see in Bruno, saying they had no knowledge of the Final Solution to the Jewish Problem that Hitler and his SS were carrying out across the European continent. Even today, despite all the existing evidence, there are still those that deny the Holocaust happened, not wanting to acknowledge the great evil of which humanity, perhaps even their neighbors and family members, is capable. More than anything else, this film shows the great price humanity pays for such utter naivete.
All in all, this is a very well done film. The story, though slow in the beginning, is engaging, thought-provoking, and, in the end, heart-wrenching. It is well-acted, especially in the performances of the young boys, and the bright colors and airy score provide a sort of bizarre juxtaposition to what is happening on screen.
The DVD includes the typical bonus features of deleted scenes and a feature-length commentary, as well as a featurette entitled "Friendship Beyond the Fence."

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From Miramax Films, the studio that brought you the Academy Award winning Life is Beautiful (Best Foreign Language Film, 1998) comes The Boy in the Striped Pajamas. Based on the best selling novel by John Boyne, it's an unforgettable motion picture experience powerful and moving beyond words (Pete Hammond, Hollywood.com). Bored and restless in his new home, Bruno, an innocent and naive eight year old, ignores his mother and sets off on an adventure in the woods. Soon he meets a young boy, and a surprising friendship develops. Set during World War II, this remarkable and inspiring story about the power of the human spirit will capture your heart and engage your mind. Bonus Features include Deleted Scenes With Optional Commentary by Writer, Director Mark Herman and Author John Boyne, Friendship Beyond the Fence Featurette, Feature Commentary by Writer, Director Mark Herman and Author John Boyne

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