Showing posts with label timothy olyphant. Show all posts
Showing posts with label timothy olyphant. Show all posts

Wednesday, October 10, 2012

Stop-Loss (2008) Review

Stop-Loss (2008)
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I am not a professional critic of any sort by any means, but after watching the movie and reading some of these reviews, I will say that my review is as professional and "accurate" as it gets. I am a Soldier amongst thousands, who has experienced these parts, as 'acted' out in the film, in reality, and what you see and experience in the film are not so and are far fetch. From the most ridiculous setup of a hasty checkpoint to the suicidal pursuit of the insurgents upon their attack (into an easily predicted ambush in a random small alley, at that) in the opening scenes. The Soldiers are equipped with ISR's (internal squad radios), and yet they yell at each other in an insurgent infested building when one Soldier is wounded...Then you have the main character (SSG King) who gets "individually" stop-lossed on his very last day of clearing, only to report, with another unit, back to Iraq... In the midst of this, the movie portrays that just about every Soldier who has just returned home, to include SSG King, as having the worse PTSD (Post Traumatic Stress Disorder) possible, leading to one fellow Soldier's suicide. Due to this PTSD, King, at one point in the movie, notices his car has been broken into and items have been stolen; at which point, he so very easily locates the perpetrators in a nearby alley (3 that I recall, armed with a handgun) and has a severe flashback of Iraq leading him to defeat these 3 thieves. Also, once King has been informed of this stop-loss, he reports directly to his LTC, superseding an unseen and unknown NCO support channel and Chain of Command. It's all bogus.
There were many things that were Very inaccurate in this movie and I think it is the wrong way to go about Honoring America's Military. Stop-loss is real. I have experienced it myself as I was in the middle of a PCS (permanent change of station), with my family to another Overseas assignment, only to be kept at my current station for 3 months leading into me deploying. It can be very inconveniencing, but not anything like it is portrayed in the film. I was not stop-lossed as an individual or as a small group for that matter. My entire Division was stop-lossed and stop-moved. I will also say that no Soldier, or Division or Unit even, will ever get stop-lossed directly after a Combat tour anywhere to be directed to report back to Combat effective immediately. That is not to say that a Soldier will not see another Combat tour during the Stop-loss cycle however. Combat sucks, especially for those who have endured it themselves, especially on more than one occasion, and even more so for the families who have suffered the Ultimate Sacrifice. Today's Army is an ALL volunteer force and Soldier's should be well aware of what their specific job within the Army entails them to do and the commitment they hold.
Soldiers do go through MANY hardships. More than any person who has not experienced the Army or Military life themselves, will EVER know. Soldiers do fight everyday in many locations and some do pay the Ultimate Sacrifice. Soldiers do get stop-lossed, but will not quit, give up, and then go AWOL when it happens. They will complain and get disgruntle over it, more than likely, but those same Soldiers will, as we say, "suck it up and drive on." Many Soldiers do have and will get PTSD, but will experience and deal with it in their own ways. Families will be happy when their loved ones return and indescribable when they don't... These things happen in reality, both good and bad and this movie is a piss poor example of how Soldiers live their lives and how the Army works. If you are going to make a movie to Honor Soldiers, their families and their sacrifices, don't make the movie about ONE Soldier who gets stop-lossed as an individual to report back to Iraq specifically, 2 weeks after returning home and then have that Soldier RUN away and go AWOL in rage. Films like "Band of Brothers" and "Black Hawk Down" are films that Honor our Soldiers and give the civilian people a little taste of what a Soldier endures. Not this. I have yet to see any movie that accurately portrays the Soldiers today in Iraq and Afghanistan and the hardships they and their families endure, and honestly I don't wish to see a "movie" that does so. However, if a movie is going to be made, I would rather see that than what this movie did portray. Although many Soldiers have been through more than anyone can imagine, true Soldiers do not quit and run away from anything. God Bless the Troops and their Families!!

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Decorated Iraq war hero Sgt. Brandon King (Ryan Phillippe) makes a celebrated return to his small Texas hometown following his tour of duty. He tries to resume the life he left behind with the help and support of his family and his best friend Steve Shriver (Channing Tatum) who served with him in Iraq. Along with their other war buddies Brandon and Steve try to make peace with civilian life. Then against Brandon s will the Army orders him back to duty in Iraq which upends his world. The conflict tests everything he believes in: the bond of family the loyalty of friendship the limits of love and the value of honor.System Requirements:Running Time: 111 minutesFormat: DVD MOVIE Genre:DRAMA/MILITARY & WAR Rating:R UPC:097363476542 Manufacturer No:347654

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Tuesday, September 6, 2011

Damages: The Complete Second Season Review

Damages: The Complete Second Season
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Season 1 was taught and terrifying magic. Season 2 tries to mix in a major new storyline while still carrying forward the lethal fallout from last season's Arthur Frobisher case. Although teasing and confusing the viewer are part of the stylistic tone of this production, things got a little muddy with too many characters in mid-season. Still, the Season Finale was so brilliant, it more than paid off its mid-season markers. Meanhile, the acting of the major characters - Rose Byrne deserves more credit, IMHO - continues to shine.

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Seven Emmy nominations for this season of the award-winning show! After her unprecedented victory over billionaire Arthur Frobisher (Ted Danson), Patty Hewes (Glenn Close) has the legal world at her feet. Just as she's pondering her next move, Daniel Purcell (William Hurt), a man from Patty's mysterious past, storms back into her life, catapulting Patty into a new legal challenge. What starts as a domestic murder case, escalates into the highest reaches of government as Patty unearths a vast conspiracy. At the same time, Ellen (Rose Byrne) is on a mission to take down Patty. She's agreed to act as an informant for the FBI, assisting them in their criminal investigation of Patty and the firm. As Patty unravels the mystery surrounding Daniel Purcell, she must also negotiate the perilous minefield both inside and outside her office.

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Wednesday, July 20, 2011

A Perfect Getaway (Theatrical/Unrated Director's Cut) (2009) Review

A Perfect Getaway (Theatrical/Unrated Director's Cut) (2009)
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"I'm just difficult to kill, I guess..." - as soon as one of the main characters of A Perfect Getaway utters these words, you KNOW someone will try to prove him wrong. And they DO (try ;o) ). The story seems simple at first: a couple is honeymooning in Hawaii, while news spreads thru the Islands of a brutal murder of another newlywed couple. The suspected murderers, a man and a woman, are still at large and likely still in Hawaii. As our city-dwellers hike thru the Park, alone and out of their element, can they trust the strangers with whom they inevitably cross paths? (OF COURSE, NOT!) And that's when an interesting twist takes this story from predictable to... well... no spoilers here! ;o)
I did not have high hopes for this flick...I went to see it mainly because I have a secret crush on Milla Jovovich (if I were a lesbian, Milla and Mariska Hargitay from Law and Order would be my dream dates ;-P...). Was the film perfect? No. Nonetheless, to my utmost surprise, I enjoyed this thriller far more then I did many supposed "blockbusters" this year. It had some laughs, but was also quite unnerving, tense, and creepy with a light sprinkling of gore: everything a good thriller should have on offer. There were signs from the audience that I was not alone in my enjoyment. However, the film did develop its creep factor slowly as the initial 45 minutes were devoted mainly to character development. The story needed time before it graduated from "fluff" to "nail biter". It worked for me. In the end, I felt the super plot twist more then made up for the wait!
Two names are worth mentioning (in addition to Jovovich): it was the first time I saw Steve Zahn competently playing a complex "grown up" character, a role totally different from the usual "doofus" types he seems to favour. Also, Timothy Olyphant surprised me with his performance. His acting skills often leave a lot to desire. Not here. He was PERFECT as the perennially confident and "difficult to kill" owner of a metal plate in his head...
PS: David Twohy, writer/director, also directed Pitch Black. Watch the chase scene at the end of A Perfect Getaway. It is identical in style to one of the chase scenes in Pitch Black...

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Milla Jovovich, Steve Zahn, Timothy Olyphant and Kiele Sanchez star in this gripping suspense-thriller about an island vacation that turns deadly. Honeymooners Cliff (Zahn) and Cydney (Jovovich) are hiking a jungle trail to a remote Hawaiian beach when they hear that police have uncovered a grisly murder scene and the suspected killers are somewhere nearby. Unsure whether to stay or flee, the pair joins two other couples and things start to go horribly wrong. Far from civilization, a brutal battle for survival begins where danger lurks along every twist of the path and no one is who they seem. From director David Twohy comes the suspenseful film critics call, “a clever, heart-pounding thriller" (Peter Hartlaub, San Francisco Chronicle).

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Sunday, April 24, 2011

The Crazies (2009) Review

The Crazies (2009)
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THE CRAZIES is not a great film, nor will it likely even enter the "Hall Of Fame" of zombie-type movies. However, it is a tight, well-constructed and reasonably well-acted thriller that is more than worthy of a look.
In the small mid-western town of Ogden's Marsh, high school baseball season is just getting started. Everyone in town is there to size up the quality of this year's team...and frankly, life just couldn't get any finer. In less than 2 minutes, we get learn all we need to know about this little town...we see that it's a town where everyone knows everyone. Everyone has a place and is contented. Life is simple but satisfying. But when a glassy-eyed farmer with a shotgun wanders onto the field of play (actually, he has what might be described as a zombie-like stare), the sheriff (played at a perfect pitch by Timothy Olyphant) tried to talk him out of his weapon. Their brief, tense confrontation ends in the death of the farmer...and the town is rattled. Things quickly escalate as more and more citizens begin acting weird, violent and yes, CRAZY.
It isn't quite a zombie movie...no dead person is coming back to life. In fact, it's more a cousin to 28 DAYS LATER, where the zombies were really just people infected with rage. But whatever the case, we essentially see the very quick collapse of this little society...especially when the government quarantines them and begins to separate the sick from the well.
The movie takes a fairly predictable path from here...there's not really much we haven't seen before (although the film does feature the scariest journey through an automatic carwash that we've ever seen). But there is seldom much in the way of the truly new in this genre...it's all in the execution. If the film is constructed well enough, we don't pay quite so much attention to some of the plot holes (or if not holes, at least areas the stretch credibility, even if we accept the initial premise). THE CRAZIES is well-constructed, and uses its modest budget well. It doesn't attempt anything it can't pull off well, so there aren't lots of cheesy effects. It assembles a small core of characters, and makes us care about them just enough to draw our sympathy at their plight.
The central relationship is between sheriff Olyphant and his wife, the town doctor, played by Radha Mitchell. They are a couple that has clearly been together for awhile, and there are no big histrionics between them. They feel like a couple that has a natural ease between each other, and even when pushed to extremes, there's never any doubt that they're comfortable. This reflects the overall ease of the movie...it doesn't push too hard. Olyphant and Mitchell feel more like a married couple that is comfortably at ease with each other...not the typical movie couple who always have to find a way to tear each other's clothes off and fool around, even as the world collapses around them. I liked that...and it made me really root for them.
In many ways, the most interesting relationship is between Olyphant and his deputy, played by Joe Anderson (ACROSS THE UNIVERSE). Their interplay, the casual deference of the deputy for his boss, their unshakeable sense of duty all feel natural. These are good guys...but in quiet, unassuming ways. They just do what they feel is right, even if they're really scared. The movie is not showy about them...it's not like their Mel Gibson & Danny Glover in LETHAL WEAPON...they're just a couple of small town law enforcement officers who wear their badges not only with pride but with an instinctive understanding that they have RESPONSIBILITY as well.
The movie has scares aplenty, and lots of tense scenes. There's a great scene in the latter half when the couple is confronted by a couple of crazies in their own bedroom...we've got four people basically clawing and scratching at each other in a tiny room, and it's maddening to watch.
It's nice to see a good, honest little film that knows its business, but takes the time to get enough little details right to make it just a bit more than ordinary. If you're in the mood for a few jump-in-your-seat moments, you could do far, far worse than THE CRAZIES.

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In this terrifying glimpse into the “American Dream” gone wrong, an unexplainable phenomenon has taken over the citizens of Ogden Marsh.One by one the townsfolk are falling victim to an unknown toxin and are turning sadistically violent. People who days ago lived quiet, unremarkable lives are now depraved, blood-thirsty killers. While Sheriff Dutton (Timothy Olyphant) and his pregnant wife, Judy (Radha Mitchell), try to make sense of the escalating violence, the government uses deadly force to close off all access and won’t let anyone in or out – even those uninfected. In this film that Pat Jankiewicz of Fangoria calls “disturbing,” an ordinary night becomes a horrifying struggle for the few remaining survivors as they do their best to get out of town alive.

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Thursday, April 7, 2011

Catch and Release (2007) Review

Catch and Release (2007)
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Gray (Jennifer Garner) thought that she and her fiance Grady would be getting married this weekend, but instead she's attending his funeral. Already destroyed at the loss of what could have been, she's devastated to learn that Grady had a secret life that he kept from her including a million dollar estate and a toddler love child. When the mother of said child comes looking for Grady, she must confront the past in order to have a future. Juliette Lewis gives her all as the slightly trampy quasi-Earth mother.
As Gray comes to terms with his betrayal, she turns to his roommates for solace and a place to stay since she can no longer afford the house they were renting. Through this quasi-extended family, she discovers the Grady she never knew, as well as the Gray that she is now becoming, and finds herself getting closer to his lothario friend Fritz (Timothy Olyphant), as friends Sam and Dennis also experience difficulty dealing with the loss of their friend.
Writer/director Susannah Grant, best known as the scribe behind "Erin Brokovich" and "In Her Shoes," has created a poignant story of love, loss, and forgiveness. Kevin Smith shows a serious side as well as provides comic relief as Sam, the inspirational comment writer (okay, typist) for "Constant Comment Teas." Veteran British actress Fiona Shaw, hysterical as the horny headmistress of the tony boarding school in "Three Men and a Little Lady," dons an American accent and gives a heartwarming performance of a mother who just wants her son back. And Juliette Lewis is a bit chiched in the role of flighty masseuse Maureen, who apparently doesn't own a pair of flat shoes.
Though some might find the romance between Gray and Fritz develop a little too quickly, I thought it was handled tastefully given the love-hate relationship between them and how thin the line between the two can be (though the ending was a bit rushed). Missing from the film was Grady himself - a couple flashbacks with him would have added depth to the relationship between Gray and Grady and given us a chance to find out what made him such a touchstone for the five lead characters.
The disc's special features are minimal - just lots of movie trailers and commentary - nothing to write home about.

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CATCH AND RELEASE - DVD Movie

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