Tuesday, September 20, 2011

Thomas and the Magic Railroad (2000) Review

Thomas and the Magic Railroad (2000)
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This movie was by far the worst Thomas production ever made. I was horrified when I discovered that Britt Allcroft wrote it; now we know why she always had a co-writer when she was writing episodes for the TV series, and why she was kicked out of Gullane Entertainment afterwards.
The script is so poorly written that I feel sorry for the trees used to make the paper that it was written on. The Island of Sodor, in the TV series an island off the coast of England that was more or less normal, has been turned into a magical ghost town populated by talking trains and literate animals. Why Britt Allcroft chose to make such a rapid departure from the TV series I will never know. She also filled the script with complicated plot devices that few children will be able to understand (you'd need to be Einstein or Stephen Hawking to figure out the answer to the riddle on the windmill wall), and threw her healthy knowledge of the Thomas characters out of the window (Thomas is portrayed as a goody-goody, Bertie as being annoyingly hyperactive, Henry as being a whiny pain in the neck, and James as being so short of brain cells that he doesn't know what the word "shoo" means).
Usually, bad scripts bring in bad acting, and this movie was no exception. Alec Baldwin's character was so annoying (I'm sure I'm not the only person who wishes Diesel 10 had dropped him off the viaduct), and took the limelight that should have been given to Thomas and the other engines. Peter Fonda's character was the most miserable, depressing character in the history of children's movies. Mara Wilson's character was better, but still seemed like a teenage girl younger than her years. And what was the point of having big name actors anyway? It's not as if little children are going to recognise them.
I also find the film to be overly violent. Diesel 10 is so nasty that it's no wonder little children started crying and asking to leave the theater when he made his first appearance. We're never told why he's evil either, he just comes off as a character who wants to destroy steam engines for no reason whatsoever. In the original series, if a character was evil it was usually for a good reason. In a similar fashion, while characters in the TV series might be evil, they never went further than playing tricks on the other engines and trying to get them sent away. Here, Diesel 10 tries to kill Mr Conductor and Junior in scenes that make me amazed the film got a G rating.
Then there's the fact that the steam engines get what can only be described as outstanding cameos. When I went to see this at the theater, I noticed a lot of little children fidgeting and looking bored during the scenes with the human characters. Really I'm not at all surprised that they were; they came to the theater to see their favorite blue engine and his friends, not a Lilliputian railroad conductor who had lost his gold dust.
Last but not least, what can little children learn from this movie? The TV series episodes all have morals in them, like "don't tell lies" and "don't get too full of yourself." Other than a brief line at the end about helping each other, this movie has no moral value in it whatsoever (unless you count teaching children to be senselessly violent a moral).
In September of this year a second Thomas movie is coming out, albeit shorter than this one and being released direct to video, called "Calling All Engines." Cross your fingers and hope it's better than this turkey.

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