Showing posts with label 101 best movies ever. Show all posts
Showing posts with label 101 best movies ever. Show all posts

Thursday, January 31, 2013

Betty Blue (Unrated Director's Cut) (1986) Review

Betty Blue (Unrated Director's Cut) (1986)
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Betty Blue is touted as an "erotic drama" by the distributor, a tag which sells the film grossly short. It certainly has frank depictions of sexuality and much nudity -- after all, this is a film that opens on a real-time extended sequence shot of two people having sex -- but to call this erotica is to miss the complete picture.
Betty Blue is an organic look at a troubled relationship in all its glory and ugliness, tenderness and violence, joys and sorrows, made possible by the director's sympathetic and unembarrassed eye, and the sheer dedication of lead actors Jean-Hugues Anglade and Beatrice Dalle. Seldom has a cinematic couple been better paired, and seldom with so much chemistry. Dalle conveys a world of psychological complexity in her face, her eyes seeming to shift with her inner beats. Dalle received the bulk of the attention for this, her breakthrough role, so it might be easy to overlook Jean-Hugues Anglade, a fantastic actor who's every bit as good as Gerard Depardieu, perhaps even half a notch above Jean Reno. In reality, he is the anchor for the film's wrenching emotional journey. When Zorg plays the piano theme for Betty, easily the loveliest scene in the film, Anglade's eyes seem to dance, and the actors say more with their looks during their moments together than all the sex scenes in the world. Thanks to the deft direction, all those nude scenes don't seem like titillation -- merely an illuminating fly-on-the-wall view into the relationship. This couple certainly seems like the type who would be comfortable being naked around each other, and those scenes create a sense of genuine intimacy, rather than intent to arouse.
If there's one thing this film does well, it is the mixture of comedic and tragic scenes which makes it seem such a complete picture. Betty is not always wild and uncontrolled; Zorg is not always patient and loving. They are two flawed characters, made all the more likeable because of their flaws, and their interactions make us laugh, smile in understanding, frown, and cry.
This extended edition makes the film far better. It's been about 10 years since I last saw it so I can't make very specific comparisons. But the restored scenes are substantial, not cosmetic addition of shots, but an explosion of the story, and while I can't name too many specifics, as a whole this version just feels more right, more natural, and more emotional.
Look beyond the film's "erotic" reputation and find a character study, and a portrayal of a relationship, which is as moving as any I've seen.

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Zorg lives a quiet and peaceful life, working diligently and writing in his spare time. Until Betty walks into his life, a young woman who is as beautiful as she is wild and unpredictable. When Betty's wild manners start to get out of control, Zorg is forced to watch the woman he loves slowly go insane. Featuring French Superstars Jean-Hugues Anglade, Béatrice Dalle. From Jean-Jacques Beineix, the acclaimed director of the cult art house favorite, Diva. The sexy cult classic is now available from the first time on DVD and it's the unrated director's cut! Academy Award® nomination for Best Foreign Language Film.

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Tuesday, May 15, 2012

The Bicycle Thief (1949) Review

The Bicycle Thief (1949)
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I first saw this movie as a student decades ago, and now seeing it all these years later on DVD, I'm amazed how well it holds up. It's a lesson in what can be done on the screen with so little; there's no budget here, largely amateur actors and a very simple plot. It's about an unemployed man, who gets a job offer that requires a bike, the sacrifice his family must make to get his bike out of hock, and what happens when the bike is stolen on the job. It's successful because I think the writers and director focus on some universal truths--about human nature, love, pride, survival and--yes--family values. It's disheartening to read some reviews that say: "I was bored," "It wasn't entertaining enough," or "Enough with the black & white." It's also disheartening to see reviews from people with no concept of this film's historical context. The poverty of post-WWII Europe produced a revolution in cinema, and this movie was one that redefined the medium's possibilities. I can't imagine someone not being moved by the dilemma faced by the lead character in this film. I do regret that this movie has not gotten a full "Criterion Collection" restoration, and I would have liked more "extras" on the DVD--like background information on the time the director and the Italian neo-realist movement. BTW, the more accurate translation of the Italian title is "Bicycle Thieves," which (after you see the movie) you must agree is more appropriate.

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A beautiful, simple story of a man in post-war Rome who needs his bicycle in order to work at his job. No sooner does he retrieve it from pawn, then it is stolen. The heartwrenching search teaches the man and his son much about the meaning of life and just how far we will go when pushed to the edge. Winner of a special Academy Award.

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