Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts

Saturday, March 16, 2013

Harlequin Romance Series - Diamond Girl - Vol 10 Review

Harlequin Romance Series - Diamond Girl - Vol 10
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Claire Barnard has been working as a paralegal for Denny Montana for four years (a playboy lawyer) and caters to his every whim, but he just sees her as reliable Claire. Until one day Dennys older brother (tall, dark) Regan appears in the office, determined to oversee the sale of the Montana Napa Hills vineyard. Regan immediately notices the fact that Claire is the driving force of his brothers' law firm, transforms Claire into a welldressed beauty (what some makeup and a new hairstyle can do!) and tells Claire of his plan to bring her and Denny together. For him it is business - he needs Denny distracted from estate agent Margot so he can convince Denny of his own ideas regarding the vineyard deal - but soon Regan is attracted to Claire himself.
I really liked this romantic movie. It is based on a Diana Palmer movie, but is actually quite different from the book. I believe some DP-fans were outaged about it, but hey, it is a 1998 movie and the book is an oldfashioned 80's romance novel with the overbearing hero and the little mouse/secretary heroine. I for one am happy they made Claire a paralegal with a mind of her own. She is no little mouse, has humor and I liked the chemistry between Joely Collins (Claire) and Regan (a yummy Jonathan Cake). This is romance as you read it in a romance novel, so I recommend it to all romantics. It is a 'Harlequin presents' movie, and I think this one is the best!

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Sunday, February 24, 2013

Bikini Girls From the Lost Planet (2006) Review

Bikini Girls From the Lost Planet (2006)
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Oh boy! Another bikini movie from Retromedia. And it's a good one. It reuses a classic B movie plot that never gets old. A planet populated entirely with women sends two cute, scantily clad girls to Earth to find virile men that can be brought back and used to insure the survival of their race.
There are seven sex scenes. Four are boy/girl. One is girl/girl. One is boy/girl/girl/girl. And one is boy/girl/boy/girl. The women are all hot and include veteran bikini girls Nicole Sheridan and Beverly Lynn, as well as some new faces: Christine Nguyen, Syren, Michelle Lay, and Rebecca Love. All the women do a great job during their sex scenes. Unfortunately, Rebecca doesn't have a sex scene is this movie, she just stands around topless.
Extras include some bloopers and trailers for other Retromedia bikini movies.
I recommend this one.

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Blast off to the farthest reaches of deep space as two starl-lost foxes from the all-lesbian planet of Aquaterra head for Earth in search of the finest male breeding stock. A fast-paced erotic spoof of sex and special effects in the tradition of Flesh Gordon, this is sin and satire on a galactic scale!.

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Sunday, February 10, 2013

A Man and a Woman (1966) Review

A Man and a Woman (1966)
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And this ain't it. But it's all we got for now, so heh.
"Un Homme et une Femme" holds up quite well some 32 years hence. Younger viewers may not realize that a lot of the montage devices and tricks that may seem 'dated' were actually popularized and/or invented herein by Claude Lelouch. I actually found myself rewinding to watch the color sections a couple of times, especially the mid-film sequence scored to Francis Lai's achingly sentimental and lovely "Stronger than Us" as Anouk Aimee (the world's most beautiful woman) and Jean-Louis Triginant stroll the Deauville shore and muse on art and life. The tinting and grain of those sections - the boat ride, Anouk remembering her dead husband (Pierre Barouh) as he sings "Samba Saravah" to her - set a trend I pine for again.
The story? Well, thin, even by today's lughead standards (widower and widow fall in love against some lovely French scenery shot in winter), but it's obvious Lelouch was going for something that was quite new, then: a marriage of film and music that was not a "musical" per se, but rather, the forerunner of MTV (well, MTV with a soul, let's say). Cut loosely but thankfully not on-the-beat to Lai's jazzy/lush mid-60s score, Lelouch suceeds darn well. The freeze-frame ending cued to the final electric piano note, and that moment when Anouk Aimee pauses for the longest time and says to Jean-Louis, "You never told me about your wife", are two of my favorite filmgoing moments.
"Un Homme et une Femme" is emblematic of a world-view which I, for one, wish would take hold of folks again and topple the psychotic-trash-nihilistic consciousness now dominating pop culture. It was thoughtful, romantic, inward and outward at once, loving of sentiment but not wallowing in sentimentality, sophisticated, in love with love and with being alive in the world... not afraid of seeming tender. If any of this strikes you as square or passe or naive, then, this ain't your movie.
Let's hope the DVD gets released in French. Daria could use some alternative programming to 'Sick,Sad World', as could some of the rest of us.

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From director CLAUDE LELOUCH (And Now...Ladies and Gentlemen) comes this 1966 classic, a tender, visually exciting film of revitalizing love: a race-car driver (JEAN-LOUIS TRINIGNANT) and a movie script girl (ANOUK AIMEE) share a romance filled with humor and truth, intertwined with the demands of career and parenthood. Winner of OscarsO for Best Foreign Language Film and Best Original Screenplay.

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Wednesday, February 6, 2013

Prince & Me 4: Elephant Adventure (2009) Review

Prince and Me 4: Elephant Adventure (2009)
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I haven't been crazy about the past "Prince and Me" movies, partly because the acting was weak and they had corny plotlines. I particularly was disappointed with Prince and Me 3: A Royal Honeymoon, so I wasn't sure what to expect with the fourth installment in the series.
Fortunately, Prince & Me 4: Elephant Adventure is far superior to its predecessors. I don't what changed - the director and main actors are all the same - but it's an almost entirely different film. In Prince & Me 4: Elephant Adventure, Edvard, Paige, and Soren go to the Kingdom of Sangyoon to attend a royal wedding. However, en route, they uncover a love affair, lose an elephant, and save a hill tribe. The plot was both action-packed and emotionally engaging - something to satisfy the boys and girls.
Chris Gere (King Edvard) and Kam Heskin (Queen Paige) will never be my favorite actors, but they seem to have really found themselves in this movie. They're funny, energetic, and confident. Ben Miller as Soren has also morphed from a boring government advisor to a comedic sidekick. He easily had some of the best lines in the movie. The new Asian characters, from Princess Myra to the combative Rayen, are also lively and add to the movie.
The Prince & Me 4: Elephant Adventure's production quality is also a lot better. There's no cheap ski cabins and grainy shots of animals as in Prince and Me 3: A Royal Honeymoon. For the scenes in Sangyoon (which is loosely based on Burma, but mixes several Southeast Asian cultures), the cast and crew actually went to Thailand. The sets for the palace buildings are impressive, considering that they were probably built from scratch. Best of all were the jungle scenes, filmed in rainforests. The movie also has a lot of animals, including elephants and orangutans.*
Even if you were disappointed with the past "Prince & Me" movies, I do suggest you give this one a try. It makes the previous "Prince & Me" movies look amateurish. Highly recommended for families and couples who want to watch a romantic comedy, mixed with a bit of adventure.
* There is a brief scene in the movie when Paige rides an elephant. I wanted to make sure viewers are aware that elephants often go through horrible rituals in order to domesticate them. Therefore, if you go to Asia, you should avoid riding elephants and not support such practices. However, despite the DVD box cover, the elephant-riding scene in Prince & Me 4: Elephant Adventure is short - only a few seconds - so I guess the movie directors realized they shouldn't try to promote elephant-riding.

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One year after their royal wedding, King Edvard and Queen Paige of Denmark receive an invitation to attend the wedding of Princess Myra of Sangyoon. Upon their arrival, Paige finds Myra is unhappy with her arranged marriage to the brooding and sinister Kah and is secretly in love with a young elephant handler named Alu. When the secret romance between Myra and Alu is revealed, Alu is thrown into jail, and the sacred wedding elephant goes missing in the jungle! In order to save Princess Myra, Paige and Eddie must find the elephant and free Alu before convincing the king of Sangyoon that true love reigns supreme over all. The perfect adventure to celebrate their first anniversary!

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Thursday, January 31, 2013

Betty Blue (Unrated Director's Cut) (1986) Review

Betty Blue (Unrated Director's Cut) (1986)
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Betty Blue is touted as an "erotic drama" by the distributor, a tag which sells the film grossly short. It certainly has frank depictions of sexuality and much nudity -- after all, this is a film that opens on a real-time extended sequence shot of two people having sex -- but to call this erotica is to miss the complete picture.
Betty Blue is an organic look at a troubled relationship in all its glory and ugliness, tenderness and violence, joys and sorrows, made possible by the director's sympathetic and unembarrassed eye, and the sheer dedication of lead actors Jean-Hugues Anglade and Beatrice Dalle. Seldom has a cinematic couple been better paired, and seldom with so much chemistry. Dalle conveys a world of psychological complexity in her face, her eyes seeming to shift with her inner beats. Dalle received the bulk of the attention for this, her breakthrough role, so it might be easy to overlook Jean-Hugues Anglade, a fantastic actor who's every bit as good as Gerard Depardieu, perhaps even half a notch above Jean Reno. In reality, he is the anchor for the film's wrenching emotional journey. When Zorg plays the piano theme for Betty, easily the loveliest scene in the film, Anglade's eyes seem to dance, and the actors say more with their looks during their moments together than all the sex scenes in the world. Thanks to the deft direction, all those nude scenes don't seem like titillation -- merely an illuminating fly-on-the-wall view into the relationship. This couple certainly seems like the type who would be comfortable being naked around each other, and those scenes create a sense of genuine intimacy, rather than intent to arouse.
If there's one thing this film does well, it is the mixture of comedic and tragic scenes which makes it seem such a complete picture. Betty is not always wild and uncontrolled; Zorg is not always patient and loving. They are two flawed characters, made all the more likeable because of their flaws, and their interactions make us laugh, smile in understanding, frown, and cry.
This extended edition makes the film far better. It's been about 10 years since I last saw it so I can't make very specific comparisons. But the restored scenes are substantial, not cosmetic addition of shots, but an explosion of the story, and while I can't name too many specifics, as a whole this version just feels more right, more natural, and more emotional.
Look beyond the film's "erotic" reputation and find a character study, and a portrayal of a relationship, which is as moving as any I've seen.

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Zorg lives a quiet and peaceful life, working diligently and writing in his spare time. Until Betty walks into his life, a young woman who is as beautiful as she is wild and unpredictable. When Betty's wild manners start to get out of control, Zorg is forced to watch the woman he loves slowly go insane. Featuring French Superstars Jean-Hugues Anglade, Béatrice Dalle. From Jean-Jacques Beineix, the acclaimed director of the cult art house favorite, Diva. The sexy cult classic is now available from the first time on DVD and it's the unrated director's cut! Academy Award® nomination for Best Foreign Language Film.

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Friday, January 25, 2013

Straight From the Heart (2003) Review

Straight From the Heart (2003)
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I'm more of an "Aliens" sort of girl than a romance fan, but I have to admit to absolutely loving this movie. I guess I'm just a sappy romantic at heart. This film's been airing on the Hallmark Channel, and I find myself watching it over and over, to the point where I came here to find out if it was on DVD. Thank goodness it is!
I particularly appreciated the cinematography and settings, and well... okay. I really appreciated Andrew McCarthy in his jeans. :) As a mustang adopter and advocate, I can't say that the depiction of mustangs and the BLM (called the "DLM" in the film) is really terribly accurate, but I'm EXTREMELY gratified to see a film even approaching the question of wild horse management in such a positive way. (Of course, when it comes to training mustangs, I wouldn't try this at home; while we see Tyler using some pretty decent training methods, he's also working with a domestic quarter horse rather than a range-fresh mustang; the real thing doesn't tend to go that fast or easy. ;))
I think they did a nice job of making the characters both believable and likeable, and the various conflicts and situations actually make sense, unlike too many films where things could just be resolved if the characters would stop behaving like morons. :) Andrew McCarthy does a really nice job as a gruff cowboy type... and he certainly sits a horse well, too.

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Item Name: Straight from the Heart; Studio:Good Times Video

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Sunday, January 20, 2013

The English Patient (1996) Review

The English Patient (1996)
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This rare and beautiful film, based on a book that is felt as much as read, transcends the medium to become art. Painted on a vast desert canvas with deep rich oils, its beauty is felt as much as seen. This film will find your heart and remain there forever. If love had a face, it would look like this.
Director Anthony Minghella's screenplay shifts the center of Michael Ondaatje's story slightly in order to capture on film the essence of his beautiful prose. Ondaatje's novel is one of poetic beauty, a potrait of a rose beneath the water's surface. The film brings that beautiful rose out of the water and into the sunlight. The book and the film are so deeply intertwined you can not watch this film without wanting to read the book, nor can you read the book without wanting to see the film. The story itself centers around three people either in love with, or haunted by ghosts they have loved and lost to war.
Juliette Binoche gives an Oscar winning performance as Hana, a kind nurse with a gentle spirit but a damaged heart. She latches onto the burned and charred body of a man known only as the English patient, and ends up caring for him in a shell ravaged Italian villa in Tuscany where she feeds him plums and reads to him. When a man named Caravaggio with scars of his own arrives, the mystery of who the English patient really is begins to unfold via flashbacks. In the present, Hana begins to let her heart heal when she falls in love with a Sikh who disarms bombs left by the Germans.
It is the memories of the English patient, however, which are at the heart of this film. Ralph Fiennes gives a subtle performance as the introspective Almasy, part of an international expedition mapping an unending desert with both the romance, and the danger of the sea. Kristin Scott Thomas is wonderful as Katherine Clifton, the stunningly beautiful and enigmatic wife of a fellow mapper. An instant but unspoken attraction between she and Almasy finally becomes too unbearable to ignore and the affair that holds the key to the mystery surrounding the English patient begins.
This is one of the most romantic films ever made and is filled with the joy and anguish of love and war. It shows that while war may create logistical lines that can not be crossed, the heart has no boundaries. Anyone who has ever experienced a love of such emotional intensity and physical longing that love and need became one will understand the love affair of Katherine and Almasy.
Cinematographer John Seale has given this film a grace and beauty seldom seen on film. A haunting score full of mystery and romance from Gabriel Yard accompany scenes never to be forgotten, and will not be described here in case you have not yet seen them. Director Anthony Minghella explores the mystery of the desert, and the heart, which according to the "The Histories" by Herodotus, a book the English patient clings to, is an organ of fire.
If there is but one ounce of romance in your soul, you will love "The English Patient." It is a well charted and romantic map of the human heart, as wide and treacherous as the unending desert. This will be one of your favorite films once you see it. I promise.

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Saturday, January 19, 2013

One Tree Hill - The Complete Third Season (2006) Review

One Tree Hill - The Complete Third Season (2006)
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In my junior year of high school ONE TREE HILL premiered after the cancellation of DAWSON'S CREEK and ever since the very first episode I tuned into the series trying to fill the void that DAWSON left. Yet despite the fact that every Thursday morning in Spanish class me and my fellow classmates would spend more time discussing the latest episodes than the verbs we where suppose to be congegating, the series was never really appointment television for me. Although towards the middle of the first season the writers changed part of their staff and the WB put more umpth behind the show and slowly the quality kept building until it reached its penicale in the third season - when ONE TREE HILL became my favorite television on the air (and this being said by a male college sophomore).
Starting in this, the third year, we find the characters very much established as well as their relationships to one another, their histories, and the place in the series as a whole. So right from the beginning of the season everything starts to click together, and once the action starts going and the momentium starts building (around episode four) the season doesn't take a breath.. even in the final moments of the season (literally).
After spending two season's depicted the gang's junior year of High School, Season Three starts out at the beginning of senior year for the gang and everyone is in a different place, trying to live their own lives: Peyton is dealing with loosing Jake, yet again, and to add to her problems her birth mother has come to town with a heartbreaking secret. Brooke returns to tree hill after moving to Los Angeles with her parents, still heartbroken over Lucas, but looking to move on and enjoy her senior year. Nathan and Hailey arn't speaking much, and are living in different homes basically just trying to get through the day without having to deal with one another. Lucas is trying to wrap his head around what happend with Dan in the dealership, and his newly discovered heart problem.
That just adds a summary to the very first couple of episodes and latter on in the season everything is turned upside-down by the untimely death of a major cast member in the mists of a local school shooting (a repercussion from last season's time-capsols), and from their everything starts to escalade into chaos leading up to the can't-take-a-breath seaosn finale (that came really close to being the series finale).
While season three doesn't deal with any of the major things about being a senior (prom, senior trip, college applicatons/exceptances, graduation, and moving on - that is all to be the focus of season four, currently airing on the CW), it is still the strongest season to date and a reason to stay tune for season four!
Season Three Episodes include:
Like You Like an Arsonist
From the Edge of the Deep Green Sea
First Day on a Brand New Planet
An Attempt to Tip The Scales
A Mulititude of Casualties
Locked Hearts and Hand Grenades
Champagne For My Real Friends, Real Pain For My Sham Friends
The Worst Day Since Yesterday
How a Resurrection Really Feels
Brave New World
Return of the Future
I've Got Dreams To Remember
The Wind That Blew My Heart Away
All Tomorrow's Parties
Just Watch The Fireworks
With Tired Eyes, Tired Minds, Tired Souls, We Slept (With Commentary)
Who Will Survive, and What Will Be Left of Them?
When It Isn't Like It Should Be
I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me
Everyday is a Sunday Evening
Over the Hills and Far Away
The Show Must Go On (With Commentary)

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Senior year. A time to grow up, to forget, to forgive, to dream, to learn to love all over again. People come together -- except Dan, consumed by anger as he tracks down whoever started the fire that almost took his life. Tree Hill is rocked by powerful new events -- the good, the bad and the catastrophic. The good: Haley fights to save her marriage, Peyton comes to terms with her birth mother, Brooke creates a hot clothing line, and Keith comes home. The bad: Dan gets a rival for worst person in Tree Hill -- a conniving redhead named Rachel, the new girl at school. The catastrophic: Tragedy strikes Tree Hill High, and suddenly who wins the cheerleading tournament or basketball championship seems insignificant compared to who lives. And who doesn't. DVD Features:Deleted ScenesDeleted ScenesAudio Commentary:With cast and crew on "With Tired Eyes, Tired Minds, Tired Souls, We Slept"Deleted ScenesDeleted ScenesAudio Commentary:With Cast & Crew on "The Show Must Go On".Deleted ScenesDocumentaries:"Anatomy of an Episode" including all-new cast and crew interviews on what goes into making an episode.Gag Reel


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Saturday, January 5, 2013

Murdoch Mysteries: Season Two Review

Murdoch Mysteries: Season Two
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More 1890s Toronto cop investigation than romance, since Det. Murdoch is so romantically bashful. Comedy, mystery, adventure and romance unite perfectly in a Victorian setting. This is Victorian murder investigations with contemporary evidence gathering techniques. Murdoch (Yannick Bisson) is a century ahead of his forensic sleuthing counterparts. Dr. Ogden (Helene Joy) is the gorgeous pathologist in the forensics search--the morgue maiden. Victorian 'sparks' happen between Murdoch and Dr.O, but at he cautious, delicate, discretionary Victorian rate. Romantic chemistry cleverly woven into murder investigations. Insp. Brackenreid (Thomas Craig) ex-army & boss, plus Crabtree (Jonny Harris) ambitious right-hand man, are back in every episode. 4 TV stars who make this a 5-star Series. Also plenty of guest stars.
All episodes are police investigations with interesting new technology or science helping find clues. Marvelously inventive in plot and beautiful to view it the realistic Victorian era. Perfection in sets, costumes, and props. It's no wonder it is award grabbing and still continues currently with new adventures on TV. This series is the 2009 season, at DVD release less than a year past original airing.
It is dreadful, dastardly, murder situations, with some violence and blood (especially in Dr.O's morgue clue-gathering scenes), and multiple plot episodes. Highly recommended for the mystery, crime, and even Victorian romance fans.
Bonus includes SDH SUBTITLES, behind the scenes, character bios, 4 cast filmographies, 7 Murdoch (Maureen Jennings) novels (1997-2007), and a PDF on props.
You will want to check the listing for Murdoch Mysteries Series 1 also. Both highly recommended and since season 3 is airing now, surely there will be a DVD series 3 to come.
................
Continue only if you like episode details (no spoilers):
1 Mild Mild West--It's Buffalo Bill Roadshow and murder while Murdoch, Dr.O, Brackenreid, & Crabtree watch. Watch for the Scotch tape forerunner invention.
2 Snakes and Ladders--(predecessor of Chutes & Ladders?) Alastair Mackenzie (Monarch of the Glen) joins cast as a Scotland yard bobby chasing Jack the Ripper over 7 years. Uses profiles, fingermarks, and ultraviolet light for clue finding.
3 Dinosaur Fever--A dino find from Alberta Badlands, Terrorsaurus, causes murder at a National Geo. Soc. event. Murdoch & Dr.O use Rontgen's rays (x-ray).
4 Houdini Whodunit--Murdoch uses a crime scene model to help find the guilty when Houdini Bros perform in a theater next to a bank which is robbed, a guard killed. Is Dr.O's sis, Ruby involved?
5 The Green Muse--Who murdered the victim employed at the local elite bordello? Plenty of beauties in delectable Victorian 'evening-wear.' Plenty of suspects.
6 Shades of Grey--Murdoch and Dr.O 'relationship' heats. An unclothed male victim seems cold murder. Evidence leads to a former flame of Dr.O. Oops!
7 Big Murder on Campus--Crabtree seeks his natural mom. A peeping-Tom prof is shot. Dr.O & Murdoch's warm relationship is nearly shot. A student pair shadows Murdoch's investigation. He uses ballistic testing.
8 I, Murdoch--A child's knight story is not as alluring as the boy's windowed mom is to Murdoch. What does the boy, a poison murder, a dwarf, a spy agent, & a blind man have in common? It takes mathematics on the verge of computer logic to find out.
9 Convalescence--Murcoch incapacitating injuries give Crabtree a chance to solve the murder. Murdoch's healing is mixed between beautiful caregivers, strange noises, and a 2nd mystery at his own living quarters. Interesting, those night vision goggles. Double mystery--double romance--good X 2.
10 Murdoch.com--The dueling romance continues with Murdoch's scintillating admirers. A murdered girl, a telegrapher, had a 'wire affair' that may be a lead to the killer.
11 Let Us Ask the Maiden--Murder in a synagogue leads to love relationships in conflict due to Jewish law. Murdoch still has his own female conflict between Dr.O and Enid.
12 Werewolves--Hunting partners suddenly are murdered one-by-one apparently by a werewolf. On the romantic side, Enid suggests to Murdoch it is time to choose.
13 Anything You Can Do (I can do better. Pffft!)--In an abandoned mining town, Murdoch and a Canadian Mounty (an almost detective clone) are caught in a crossfire. Flashbacks show how the 2 murder investigations brought these men to this trap. A new metal, aluminium, to the rescue?
A FANTASTIC SEASON-ENDING EPISODE.

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"Excellent adventure" --Midwest Book Review
As seen on public television Based on novels by Maureen Jennings
"Truly outstanding" --The Fort Bend/Southwest Star "Clever and smart" --Deseret News
Winner of three Gemini® Awards, this sassy-smart Victorian-era whodunit stars Yannick Bisson (Sue Thomas: F.B.Eye) as Detective William Murdoch, a police investigator who employs emerging science to solve Toronto’s most dreadful murders. He experiments with ballistics, psychological profiling, and other newly developed techniques, despite the doubts of his tradition-bound boss (Thomas Craig, Where the Heart Is). Together with a beautiful pathologist (Gemini®-winner Hélène Joy, Durham County) and an able protégé (Jonny Harris, Hatching, Matching & Dispatching), Murdoch encounters some of the era’s most famous--and infamous--figures, from Buffalo Bill Cody to Jack the Ripper.
Guest stars include Nicholas Campbell (Da Vinci’s Inquest, Cinderella Man), Sarah Strange (Men in Trees), and Alastair Mackenzie (Monarch of the Glen).
Season 2 nominated for six Gemini® Awards, including best writing and best supporting actor

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Sunday, December 9, 2012

The Joneses (2010) Review

The Joneses  (2010)
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"The Joneses" doesn't hit as hard as it thinks it does. The satire is all on the surface and because the film plays it much to safe, it ends up not really saying anything that important. While the performances by David Duchovny and Demi Moore are solid and the high production values make the film easy to digest, it's fantastic high concept is lost on a plot that really goes nowhere. Now, a lot of people are giving the film flack for it's ending, but I think that is where the films strength really lays. When the film is showing what consumerism and greed really does to these people (the fake family as well as real ones) is where "The Joneses" works best. When writer/director Derrick Borte takes the film into darker territory (a gay bashing sequence, a suicide, a predatory Amber Heard) it gives the film a bit more edge. Overall, it's all really quite harmless and it goes down easy enough to be worth a viewing. It's just a shame the filmmakers didn't take more risks because they had a hell of a concept here.

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Studio: TcfheRelease Date: 08/10/2010Run time: 109 minutesRating: R

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Monday, November 5, 2012

Breakfast at Tiffany's - Anniversary Edition (1961) Review

Breakfast at Tiffany's - Anniversary Edition (1961)
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Excellent!
A word that can describe the Centennial Collection release of the 1961 film "Breakfast at Tiffany's", the classic romantic comedy starring Audrey Hepburn and George Peppard.
Having reviewed previous versions of "Breakfast at Tiffany's" before on DVD, I'm sure many Audrey Hepburn fans are probably wondering how else can Paramount improve from the 2006 45th Anniversary Edition on DVD? Well, I can tell you right now... plenty! Please read on.
A film that stars quite a bit of talent, "Breakfast at Tiffany's" remains not just one of the most memorable romantic films of all time but a film that exemplifies the beauty of Audrey Hepburn, the chic style of the times and more (which I will discuss more in the special features portion of my review).
VIDEO & AUDIO:
The film is presented in widescreen format, enhanced for 16:9 TV's. A lot of the Centennial Collection releases have been remastered for high definition and having the previous DVD's, I can tell you that the DVD looks great. But I can only imagine how this film would look in 1080P if released in Blu-ray.
Audio is featured in Dolby Digital English 5.1 Surround/English, Restored Mono, French Mono and Spanish Mono. The film of course is dialogue-driven but sure enough, the music of Harry Mancini is alive and well when blaring through your speakers.
SPECIAL FEATURES:
As mentioned before, there have been several releases of "Breakfast at Tiffany's" prior to this Centennial Collection, the older DVD's really hardly came with anything but the trailer until the 2006 "Special 45th Anniversary Collector's Edition" which came with a good number of special features and a commentary by producer Richard Shepherd.
Well, what I can tell you is that the Centennial Collection contains all of the special features from the Anniversary DVD release but also adds quite a few new lengthy featurettes as well. On the first disc, the first disc contains the movie and the same commentary from the Anniversary disc by Producer Richard Shepherd. You can tell that Shepherd gets drawn in to the film and doesn't speak in the commentary until he feels necessary.
So, for those wanting a verbose commentary, Shepherd doesn't do that. But it's actually quite fine because when he does speak, you learn a lot of things from him about the filming. For example, the opening shot featuring Audrey Hepburn in front of Tiffany's in Fifth Avenue. Where the place is typically packed with cars and people, for that time... there was hardly any traffic and no people. So, a very lucky time in filmmaking for the crew.
Also, Shepherd is quite apologetic about casting Rooney as Mr. Funiyoshi and he does that quite a bit in the commentary. You realized he didn't want the yellow face routine (Caucasian actor looking like an Asian stereotypical character) but it was kept in. Also, commenting of how certain scenes worked then but would never fly now. But most of all, his continued feeling of Audrey Hepburn as a class act. Overall, a very good commentary that you learn a lot from.
The special features on disc 2 are as follows:
* A Golightly Gathering - A 20-minute featurette that reunites the talents who were in the cocktail party scene from "Breakfast at Tiffany's". One of the coolest parties ever on film, it's great to see the talent from the film reunite and discuss their experiences of filming that part scene 40-years later. I had no idea the party-scene took 8-days to film but it was great to hear everyone talk about their scene, working with Audrey Hepburn, George Peppard and Blake Edwards. But what a great featurette and so happy of it's inclusion.
* Henry Mancini: More Than Music - This nearly 21-minute featurette is a wonderful featurette that features interviews with Henry Mancini's wife, daughter and son. Seeing private photos and even videos of Henry and having their family talk about him and what they remember about him, winning the two Academy Awards for "Moon River" and working on other films is just wonderful.
* Mr. Yunioshi: An Asian Perspective - A 17-minute featurette. Despite the popularity of the film, the black cloud that has lingered on this film was the casting of Mickey Rooney as "Mr. Yunioshi". A talented actor, the "yellow face" role was just wrong and acknowledge by the director, producer and a cast member was just terribly wrong in casting Rooney for that role. This feature has interviews with representatives of the Media Action Network of Asian Americans. I'm glad that Paramount did include this featurette on this collection.
* The Making of a Classic - Originally from the Anniversary release, this segment features interviews with Producer Richard Shepherd and Director Blake Edwards. A 16-minute featurette and you definitely learn a lot about the film, especially from Blake Edwards. One could image how his director's commentary would have been if included, especially with what he had to say on this featurette.
* It's So Audrey: A Style Icon - An eight minute featurette with interviews with designers, Hepburn's son and companion. How Audrey Hepburn made simple things quite sexy. How Audrey never thought of her body proportions that sexy but she did have a good eye for style and how she became a fashion and style icon.
* Behind the Gates: The Tour - This 4 minute featurette gives people a look behind the gates of the Paramount lot. A good promotional for those who would like to tour the Paramount lot.
* Brilliance in a Blue Box - A six minute featurette about the history of Tiffany's. Originally featured on the Anniversary DVD.
* Audrey's Letter to Tiffany - A two minute featurette about the letter Audrey wrote for the preface of the 150th Anniversary book for Tiffany's.
* Original Theatrical Trailer - The original two minute trailer with its dust, scratches and all.
* Galleries - Featuring production stills, movie stills and publicity shots for the film.
The Centennial Collection also comes with a booklet that features information of facts of the film, from how Capote wanted Marilyn Monroe for this film, information on Orangey the cat and how the "New York Site" that was filmed at the Paramount lot is now forever lost due to the big Paramount fire back in 1983 that destroyed historical sets.
And the DVD is just classy with it's black and gold packaging (which most of the Centennial Collection are packaged) and ditching the pink and white packaging.
I absolutely love this film. From the memorable dialogue, that first scene with Holly standing in front of Tiffany's, the cocktail party, Holly Golightly singing "Moon River" on her guitar, the cat and of course the final scene between Holly and Paul.
"Breakfast at Tiffany's" is a classic Audrey Hepburn film that is a must-own. I know that the film has been re-released many times on DVD and the 45th Anniversary was just a pleasure when it first came out and at the time, it was a definitive release. But now, with this "Centennial Collection" featuring a remastered version of the film and the new (and quite lengthy) featurettes that is included on this collection, this is the definitive version on DVD.
Personally, I can only imagine how this would look once it becomes available on Blu-ray but for now, these Centennial Collections from Paramount are just wonderful. Especially "Breakfast at Tiffany's", I'm really amazed how far Paramount went in order to make this release much more special.
The addition of "A Golightly Gathering" featuring the actors who took part in that cocktail party was awesome, the Henry Mancini featurette for those who just love his musical work will love this featurette and of course, for those who have felt the pain of the "yellow face" segment in the film, Paramount going the extra step by including a featurette dedicate to that on this DVD.
But in the end, this DVD is indeed a special tribute to Audrey Hepburn. Hepburn is just an icon of style and elegance and this DVD does a great job of giving special attention to such an incredible film. And after seeing this film so many time times, I still have not grown tired of it. It's one special film that I highly recommend

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Winner of two Oscars®, the romantic comedy that sparkles like diamonds! From the opening strains of Henry Mancini and Johnny Mercer's haunting, Oscar®-winning song "Moon River," you'll once again be under the alluring spell of that madcap, carefree New York playgirl known as Holly Golightly (Audrey Hepburn) in this 24-carat romantic comedy based of Truman Capote's best-selling novella. George Peppard is the struggling and "sponsored" young writer who finds himself swept into Holly's dizzying, delightfully unstructured lifestyle as she determinedly scours Manhattan for a suitable millionaire to marry. The sparkling special features on this Anniversary Edition DVD only add to the luster of director Blake Edwards' timeless film classic. Patricia Neal, Buddy Ebsen, Martin Balsam and Mickey Rooney co-star; Mancini won an additional Academy Award® for his enthralling musical score.

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Wednesday, October 31, 2012

Noah's Arc: Jumping the Broom (2008) Review

Noah's Arc: Jumping the Broom (2008)
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I just finished watching the movie and it was FABULOUS. I would recommend getting the video at soon as it releases. I will be doing just that. Jumping the Broom was a great love story. It had all elements of a great movie. It was heart-warming, and funny, sad and a feel good movie. I have but two negative comments, the first being it was way to short and I would have loved more. Story lines could have developed into more but as it was it was GREAT. My next negative is where was WILSON CRUZ. Not having this final and important member to the movie was extremely DISAPPOINTING and would not have destroyed the story line. I will purchase this movie and I am going again to see it.

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NOAH'S ARC:JUMPING THE BROOM - DVD Movie

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Tuesday, October 23, 2012

Here on Earth (2000) Review

Here on Earth (2000)
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Here on Earth is a wonderful movie. This movie, while watching it makes you realize just how precious your life can be. The movie is about a girl who works at a diner, and her long time friend who is always there for her. Enter a high school boy who comes from a highly sophisticated world of money and likeliness. An accident forces the wealthy kid(played by Chris Klien) to stay and help repair the accident, along with Sams best friend Jasper(played by Josh Hartnett). Both are attracted to Sam(played by Leelee Sobieski), but during the halfway point of the movie, Sam realizes that her time on earth is but short. Her parents watch out for her, and Jasper does too. Sam has an instant attraction to Kelley(Chris Klien), and so does he for her. Drama ensues between the two boys and Sam is trying to cope with her illness she is facing while not giving up so easily as others do. She lives her life to the fullest and the line that can get to you is when she says "some people live their whole life and never fall in love. And i've lived my life, and I fell in love". In the end, when all is said and done, the viewer will realize just how precious life can be and just to enjoy your life, before your time on earth is gone forever. I recommend watching this movie because it is a sad look at the ultimate choices we make when we are faced with life altering choices and the strengths it takes to live each waking moment to the fullest and appreciate what life has to and can offer you. Thank you!

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Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after

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Monday, September 24, 2012

Snowglobe (2007) Review

Snowglobe (2007)
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Originally aired in 2007 as a tv movie on ABC Family's "25 Days of Christmas" package, Christina Milian stars as a harried single woman living in the same apartment building as her overbearing Italian mother, played by the Soprano's shrink Lorraine Bracco. Christina works at her mother's deli as well, and fantasizes about escaping to the perfect community. A package arrives for her that contains a mysterious snowglobe. One night after her family tries to take over her apartment, even trying to force her to move to a smaller apartment in the building, she retreats to her bedroom to study her newfound toy. She shakes it, and is magically transported to a "perfect" place, where everyday is preparing for Christmas. But soon she begins to realize it's not so perfect after all, though nothing sinister is going on. Then her friend in this fantasy land manages to come through to her world, and the misadventures begin. Along the way, she realizes her life isn't so bad after all, and her boyfriend in real life might just be Mr. Right.
Although children under 10 might not understand Christina's adult problems, it should be suitable for all family members.

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Angela (Christina Milian) always wanted the perfect Christmas. But for her, anywhere is better than home for the holidays. When she receives an antique snow globe as a gift, it shakes up her life and transports her to a magical world where it s always Christmas. Now, she ll have to choose between the man of her dreams and the one she never imagined possible. It s a new kind of holiday romance!StarringChristina Milian and Lorraine BraccoSPECIALFEATURES: Cast Interviews! Film Trailers of ABC Family s Original Movies: Holiday in Handcuffs and Snow Sneak Peek Trailer of ABC Family s 25 Days of Christmas Holiday Event!

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Wednesday, September 19, 2012

Santa Baby Review

Santa Baby
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I wasn't expecting much when this movie came up on one of my cable channels recently. I was flipping by it and got caught up in a moment and found myself watching it to the end. Santa has a daughter, a work-a-holic business woman who left "Polaris" and her family's lifestyle behind. When her father falls ill, it's up to her to step in and take over the Christmas demands. Her way of doing business is very different from her fathers. Lots of fun and all the classic "feel good" scenarios to be found. Definitely worth adding to the holiday viewing line-up!

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Jenny McCarthy and George Wendt star in this heartwarming comedy about Santa Claus' daughter. When Santa Claus (George Wendt) gets too sick to run the toy shop, his workaholic daughter Mary (Jenny McCarthy) leaves behind her high-powered job in the city and heads north. Will Mary's new ideas and her relentless drive for efficiency save Christmas, or will Christmas need to save her first?

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Thursday, September 13, 2012

Sugar & Spice (2001) Review

Sugar and Spice (2001)
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Cheerleaders are an easy target. They're always happy, peppy and have high standards, both in their morals and in their men. Such is the case of the five women in "Sugar and Spice."
Everything is idyllic in their world... especially when the head cheerleader meets the transfer student quarterback! But after some extracurricular activity, there's a new student on the way. And after their parents collectively disown the kids for it, it's time to stop being polite and start getting a real job.
After suffering through minimum wage jobs while trying to continue to study, and dealing with a flophouse style home with a sketchy super and desperately needing to plan for their arriving bundle, the squad comes up with a plan: rob the bank where their pregnant partner is employed! And what a plan it is!
Complete with blond doll masks and star spangled outfits, the girls are set to pull their "Reservoir Dogs" routine. But can they get away with it?
As implausible as the plot is, it's equally engaging, as we follow the team attempting to plan out this perfect crime, in order to help their friend. It's got a lot of heart and charm!
Fans of the David E. Kelley TV series, "The Practice" will recognize Marla Sokoloff as the Cheer squad's main antagonist... but fans of J.J. Abrams TV series "Alias" might NOT recognize aussie actress Melissa George who here plays the squad member obsessed with Conan O'Brien!
The DVD has both the widescreen and the standard versions of the film, plus a couple of deleted scenes (which, quite frankly, were correctly left out of the final cut, but are interesting to see here). A talented and amusing cast, and a fun story... definitely recommended!

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Friday, August 31, 2012

Management (2008) Review

Management (2008)
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The premise isn't new - dweeb falls for babe - babe finds him repulsive at first, but then grows to love his sincerity and ordinary ways - dweeb and babe ride off into the sunset having both grown into nice people. Yeah right!
It's a hard sell at the best of times, but "Management" just about pulls it off - and it does so because of excellent writing and the stunning acting capabilities of its two principal leads.
STEVE ZAHN plays the hapless, but sweetly naïve Mike Cranshaw who is living and working with his parents in their small motel "The Kingman Motor Inn" in the town of Kingman in Arizona (off Route 66). Mike's Mum Trish is effectively running the solid but uninspiring joint (a beautifully understated performance by MARGO MARTINDALE), while her says-little and does-even-less husband Jerry (FRED WARD at his effective best) seems stuck in a rut he doesn't know how to get out of.
Life at the Motel is routine and boring - especially for the friendless and womanless Mike. But just occasionally - he gets up enough courage to bring a bottle of plonk around to a lady guest in her chalet and try on his `complimentary' wine routine. It never works. But this time - Mike's heart gets more than it bargained for when it encounters the big-city, tight-suited Jennifer Aniston character Susan Claussen, who's in town from Baltimore to flog paintings to corporate clients. Planes to appointments, car rentals to accommodation and a laptop on the bedside, she is the very epitome of a young executive woman going places. Mike is the last person in the world Sue would consider dating, let alone spending a lifetime with...the idea is almost laughable to her. But of course she keeps coming back to his sweetness and he pursues her because he's besotted and simply doesn't understand 'no' - nor get the meaning of boundaries.
Along the way Mike encounters Zen Buddhists, takes piano lessons, sleeps in a basement in a Chinese restaurant and jumps out of a plane. There's one particularly great scene where Sue figures if she lets Mike touch her perfectly formed posterior, he'll give up and she can get on with her presentation notes and get a night's sleep (title above). She leans over and presents the said rear for his delectation. With his hand placed on her right cheek, they talk about weather conditions in Maryland - it's both visually and lyrically - very, very funny.
But what keeps you watching is the growing tenderness between the two. Mike may not be the smartest tool in the kit, but he is heartfelt and sincere - and in many ways despite her obvious intelligence and affluence, Sue isn't. She needs to learn that and he needs to grow up. Woody Harrelson also turns up in a great pantomime role as the ex-punk-rocker Jango who is now rich through dog handling. Later Mike's Mum Trish becomes gravely ill - thereby presenting the two men in her life with changes both may not want but need...and on it goes.
Written and Directed by first-timer STEPHEN BELBER and produced by SIDNEY KEMMEL, the offbeat rom-com "Management" hit the US screens in May 2009 receiving excellent reviews. And on the strength of this September 2009 BLU RAY - it's easy to see why.
I first spotted Steve Zahn in a wonderful film called "Happy, Texas" where he was paired up with Britain's Jeremy Northam as two escaped convicts trapped in a hick town which tames their thieving ways and changes both of them for the better. Zahn's been bubbling under for years, but in "Management" he really shines. A lesser actor might have overdone the inner nerd to go for hammy laughs - and in the real world his character's ludicrous naivety might even have been insufferable, but Zahn makes you ache for Mike's attempts at wooing Susan.
Aniston is more capable now as an actress than she's ever been. Her character's disbelief and dismissive awkwardness at first is so believable - and as the movie progresses - her barriers very subtly start coming down - to a point where you really do believe she would look at Mike as a 'nice guy' - and as 'good for her' - and that's more important than all the material crap in-between. She is superb in the part.
Although it feels like an Indie production, the BLU RAY image is beautiful throughout - really crisp - you are aware almost all of the time that this is high-def and not a soft DVD image.
The extras are great fun too; a feature-length commentary by Stephen Belber and Steve Zahn, Gag Reels and Bloopers (very funny outtakes - mostly of the whole cast giggling and fluffing lines), several Deleted Scenes and a Trailer.
"Management" is not going to bolster up my gravity-bound man-titties or lessen the amount of hair growing out my nasal passages - but it has enriched my brain. At its core is a truly lovely premise - that love will out - and corny or not - that 'is' what many of us believe.
"Management" isn't a masterpiece by any stretch of the imagination, but you can't help but think that the world is a nicer place, because this sweet little ode to hope is in it.
A nice little movie...

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Jennifer Aniston (Marley & Me, Office Space) and Steve Zahn (Sunshine Cleaning, Saving Silverman) star in this "rare romantic comedy" (Los Angeles Times) that's bursting with originality, humor and sweetness. It's lust at first sight for laid-back motel night manager Mike (Zahn) when Sue (Aniston), an uptight sales rep, checks in. Convinced that Sue is his dream girl, Mike shakes up his slacker life in an outrageous pursuit across the country. But can he steal her away from her hot-tempered boyfriend (Woody Harrelson, No Country for Old Men)? Both Mike and Sue must go on their own twisted journeys to find out if what they really need is each other. Jennifer Aniston Answers Our Questions A: You play the ‘straight & narrow’ character to Steve Zahn’s funny man. What is it like acting in a comedy where you have to play the more serious role?J: The role of Sue is sort of awkward and it felt very human. I just loved it. When you read romantic comedy after romantic comedy, and then you get to read one where the characters are so unique and oddly flawed and broken, that's beautiful. I signed on to the project immediately. A: Was it hard to keep a straight face when acting opposite Steve and Woody? J: What do you think? It was impossible! Steve can just give me a look and I’ll lose it. Pretty much everything he does makes me laugh. I think part of it is because he’s so accessible and open. And Woody and I started cracking up before we even got to the set when we were reading the script to each other on the phone. Laughing while the cameras are rolling on the set is fun, but you're not supposed to do it. That only makes it harder not to laugh, of course! A: Rumor is that you helped convince Woody to agree to be in the film. Is this true and if so how did you do it? J: That is one rumor about me that’s 100% true! Woody was the directors first choice to play Sue’s husband in the film but he passed on the project because he didn’t like the character. So (director) Stephen rewrote the script and asked me to get Woody on the phone. I actually made a long-distance call and read parts of the script to Woody until he was convinced. I’m so glad he signed on – we had a blast working together. A: Both you and Steve starred in “The Object of My Affection” over 10 years ago, with just a few scenes together, and he also guested on “Friends.” Do you have any memories of Steve from back then? J: Steve and I have known each other since the second season of Friends when he played Phoebe’s husband. So I knew who he was but when we did Object of My Affection, I got to know him better. We just had a ball. Steve and (costar) Paul Rudd became like Frick and Frack during that shoot. They actually had T-shirts made that said ''Double Trouble.'' So I knew he would be lots of fun on the set of Management. A: What did the worst motel you’ve ever stayed in look like?J: There have been a few sketchy motels in my life, that’s for sure. But one that stands out was in a tiny little town in the Midwest somewhere. It wasn’t so much the accommodations, but the ice machine was right outside of my room. There must have been a convention of ice lovers in town because every 30 minutes or so, that machine would go off. The soothing sounds of ice hitting a plastic bucket isn’t really conducive to sleep. So now, no matter what the hotel looks like, I make sure my room is not near any sort of refreshment area! A: “Friends” was taped in front of a live audience, so you had that energy. Is doing comedy on film harder than drama on film, or are you still more comfortable with comedy? J: I’m not sure how to answer that one. Life can be dramatic and funny all in the same day just like the material for a film. So I have to work from right inside. When I step into a role, I don’t think “Oh, I’m going to exclusively use my comedy persona for this job.” That label kind of goes out the door and I concentrate on being true to the character. I think Steve and I were both able to achieve that for this film. A: We like to ask actors what they consider their most essential film, whether it’s the one they’re most proud of or the most meaningful personally. What would you say is a Jennifer Aniston essential film? J: You know, I’m not reluctant to name one film but I honestly have to say that each project I’ve done is meaningful in its own way. If I’m an actress, a producer or even a voice, I would hope that I’ve brought something fresh to the project and been true to writers vision. That being said, I think Management is just fabulous [laughs]. But I really do. A: How was it working with first-time director Stephen Belber? J: Stephen was very honest about what he was on this shoot – a first-time director. It was refreshing, as opposed to having somebody come in and try to over compensate. He asked Steve and I to rehearse together a week before shooting so it felt more like the theater projects Stephen usually works with. We were able to go through the scenes chronologically, which film actors don’t usually have the luxury of doing. I am a huge fan of Stephen’s. He has amazing instincts. A: It’s been mentioned that the entire cast/crew stayed in the same no-frills hotel while filming. What was that like? J: We stayed in a hotel in Madras Oregon – in central Oregon. I dare you to find that on a map! It was newly built but definitely no frills. Like, there was a microwave, but you couldn’t fit anything into it! Everything in the room seemed to be miniature! But because the cast and crew all stayed together, we had a fantastic time. We ate at the local restaurants and we went to a nearby bowling alley. The people of Madras were extraordinarily open and sweet which made for a really unique experience. A: What is currently in your DVD player or what are you watching right now? J: I have to say that I am a huge fan of “Mad Men” and have watched it religiously since the first season. So I never miss an opportunity to see an episode. I just love that whole 1960 New York City era.Steven Zahn Answers Our Questions A: Have you ever done anything really loony for love? S: Yeah, if you think a chicken costume is loony.I think I was in college and I hitchhiked down to Rochester, Minnesota -- my girlfriend's town -- in a chicken suit for no apparent reason. But it worked. That's kind of similar to my character Mike. [laughs] I figured if I was hitchhiking, no one would pick me up.But maybe they wouldn’t think a person in a chicken suit was going to kill them so I’d get lucky and catch a ride. I didn't have a car, but I just had to get there because I loved her. She was thrilled to see me but it was more about the journey than it was showing up. It served two purposes. A: Have you been in a situation where you thought you had a ‘special moment’ with someone to find out in fact that they didn’t feel the same? S: I have had that situation when I auditioned for a part. I thought the director and I had a special moment but then I wasn’t hired. Actually, that’s happened a lot. It’s almost as bad as being rejected by a girl, for me. But I’m pretty sure everyone, even the most beautiful or hot or whatever people have had that “I don’t feel the same” experience.I know I have but I’m not going to go into detail. I wouldn’t want to ruin my image as a leading man who always gets the ladies, ya know? A: You and Jennifer Aniston starred in “The Object of My Affection” over 10 years ago, with just a few scenes together, and you also guested on “Friends.” Do you have any memories of Jennifer from back then? S: Yeah, I played Phoebe’s husband in exactly one episode. It was terrifying – I had never done any TV and there was a group of actors who were best friends for real.I had to pretend I was a part of that world.So we knew each other enough to say “Hi”. Then we did “The Object of My Affection.” We didn’t have a lot of scenes together, but we hung out in the trailer and stuff. She remembered me from those three days when we did that movie. She’s that kind of person. If you had a conversation with her, three years from now she’d remember.It wasn't until this movie — this was what we were meant to do together. Jen and I had, it sounds stupid, but a true connection. We both knew it was going to work. We just felt it. I found her to be wonderful on so many levels. She's prepared and so giving and flexible and funny. We really worked well together and I think it comes through in the film.A: What did the worst motel you’ve ever stayed in look like? The worst motel? S: I’d have to think about that because I’ve stayed in some flea bag places. But the worst thing for me is when you don’t have a motel to stay at. I’ve done that before – had to sleep under the stars and stuff and not with any kind of camping gear. So even the grossest motel is better than that. We were lucky for this shoot because we all stayed together in the motel where the film was shot – it wasn’t luxurious or anything but spending so much time together as cast and crew made the experience special. A: We like to ask actors what they consider their most essential film, whether it’s the one they’re most proud of or the most meaningful personally. What would you say is a Steve Zahn essential film? S: I’m not sure if there’s any “essential” Steve Zahn film! [laughs]But one of the films that pops up that fans like to talk about is Suburbia that I did in ‘96. It’s a cool movie directed by Richard Linkletter. And I did the whole project experience because Eric Bogosian wrote it so I workshopped it with him then did the play in New York then did the film. And someone just told me that you can’t get it on DVD. So I’ll have to look into that because it’s one of my favorites. A: How was it working with first-time director Stephen Belber? S: Stephen was great – he was also the writer and Mike [the character] was just so well written it was one of the ridiculous moments where I said something like, "You'd be a fool not to hire me," which never works, except in this case, it did. [laughs] We even had a full week of rehearsals with us just sitting around a table reading the lines. It’s crazy that there’s no rehearsals in movies usually.But this one, we had a week where we sat all day: Jennifer, me and Steve [director Stephen Belber]. We primarily just sat and everybody else in the cast came in to rehearse. And man, did that work. By the time we finished rehearsal, I think all of us were very excited.Steve was just an amazing director—especially considering that it was his first time directing. He’s a pro. A: It’s been mentioned that the entire cast/crew stayed in the same no-frills hotel while filming. What was that like? S: Like I said, this shoot was different because of the actual physical closeness of staying and working in the same place. We’d work all day then we go to a local restaurant and have dinner and a beer or whatever. We even went bowling one time. It was a pretty unique situation. Of course, it might not have worked with a different group of folks so I’m not sure I would recommend it for every project. Yeah, thinking back it would not have worked with a lot of my films. A: What is currently in your DVD player or what are you watching right now? S: Oh man – what am I watching? You know I live on a farm in Lexington Kentucky, right?I have to say, I don’t have much time right now to kick back. I’m spending a lot of hours on a tractor. And when the goats and horses don’t need my attention, I have a 9-year-old son and a 7 year-old-daughter to spend time with. I wish I could tell you but I’m coming up blank. Of course, I highly recommend putting in the “Management” DVD. [laughs]

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